| Composition | Published | 
| Waltz Song: "Poor Wandering One" (Act I, No.8) from The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra | 1881 | 
| Modern Major General (Act I, No.13) from The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra | 1880 | 
| Arrangement of Cantique de Noël (Adam, Adolphe) for organ |  | 
| 2 Pieces, Op. 19 (Batiste, Edouard) for organ | 1884 | 
| 3 Offertoires, Op. 8 (Thayer, Eugene) for organ | 1870 | 
| Stabat Mater, Op. 58 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra | 1884 | 
| Frauenliebe und Leben, Op. 42 (Schumann, Robert) for voice and piano | 1887 | 
| Mignon (Thomas, Ambroise) for voices, mixed chorus and orchestra | 1887 | 
| Barcarolla (Hofmann, Józef) for piano |  | 
| Piano solo from Clayton's Grand Waltz (Blake, Charles Dupee) for piano 4 hands piano
 | 1878 | 
| Piano 4 hands from Clayton's Grand Waltz (Blake, Charles Dupee) for piano 4 hands piano
 | 1878 | 
| Arrangement of Du und Du, Op. 367 (Strauss Jr., Johann) for piano | 1880 | 
| 4 American Indian Songs, Op. 45 (Cadman, Charles Wakefield) for voice and piano | 1909 | 
| 4 American Indian Songs, Op. 45 (Cadman, Charles Wakefield) for voice and piano | 1909 | 
| 4 American Indian Songs, Op. 45 (Cadman, Charles Wakefield) for voice and piano | 1909 | 
| 4 American Indian Songs, Op. 45 (Cadman, Charles Wakefield) for voice and piano | 1909 | 
| From the Land of Sky-Blue Water (No.1) from Arrangement of From the Land of Sky-Blue Water (No.1) from 4 American Indian Songs, Op. 45 (Cadman, Charles Wakefield) for organ | 1912 | 
| Violin Concerto No. 4 in A major, Op. 6 (Rode, Pierre) for violin and orchestra | 1884 | 
| La serenata (Braga, Gaetano) for voice, cello and piano voice, violin and piano
 | 1887 | 
| 3 Morceaux de Concert (Satter, Gustav) for piano piano left hand
 piano right hand
 | 1881 | 
| Ernani (Verdi, Giuseppe) for voices, mixed chorus and orchestra | 1887 | 
| Mass in B-flat major, Hob.XXII:12 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra | 1885 | 
| Idealized Indian Themes, Op. 54 (Cadman, Charles Wakefield) for piano | 1912 | 
| Ave Maria (Cherubini, Luigi) for soprano, clarinet, 2 violins, viola, cello and double bass | 1887 | 
| Arrangement of La Zingana, Op. 102 (Bohm, Carl) for piano |  | 
| Arrangement of Stephanie-Gavotte, Op. 312 (Czibulka, Alphons) for violin and piano | 1883 | 
| La favorite (Donizetti, Gaetano) for voices, mixed chorus and orchestra | 1887 | 
| For You (Smith, Sydney) for voice and piano |  | 
| Austrian March (Satter, Gustav) for piano | 1882 | 
| Rose wie bist du reizend (Act I, No.8) from Zemire und Azor, WoO 52 (Spohr, Louis) for voices, mixed chorus and orchestra | 1887 | 
| Arrangement of Le tourbillon, Op. 22 (Mattei, Tito) for piano | 1879 | 
| Aria: 'Mein gläubiges Herze' (No.2) from Also hat Gott die Welt geliebt, BWV 68 (Bach, Johann Sebastian) for soprano, bass, mixed chorus and orchestra | 1887 | 
| Nanon (Genée, Richard) for voices, mixed chorus and orchestra |  | 
| In India (Stoughton, Roy Spaulding) for organ | 1918 | 
| Pfingsten in Florenz (Czibulka, Alphons) for voices, mixed chorus and orchestra |  | 
| Persian Suite (Stoughton, Roy Spaulding) for organ | 1915 | 
| Henry of Navarre, Op. 48 (Whiting, George Elbridge) for tenor, 2 male chorus and orchestra | 1885 | 
| 6 Short Choral Preludes, Op. 49 (Buck, Dudley) for organ | 1871 | 
| The Robin Woman (Cadman, Charles Wakefield) for voices, mixed chorus and orchestra | 1918 | 
| Arrangement of Thunderbird Suite, Op. 63 (Cadman, Charles Wakefield) for piano | 1917 | 
| École du mécanisme, Op. 120 (Duvernoy, Jean-Baptiste) for piano |  | 
| Potpourri de Concert on 'Patience' (Blake, Charles Dupee) for piano 4 hands | 1881 | 
| Angel's Greeting, Op. 110 (Blake, Charles Dupee) for piano | 1874 | 
| Heavenward Bound, Op. 211 (Blake, Charles Dupee) for piano | 1878 | 
| Arrangement of Heavenward Bound, Op. 211 (Blake, Charles Dupee) for piano 4 hands | 1878 | 
| Beautiful Brides' March (Blake, Charles Dupee) for piano piano 4 hands
 | 1882 | 
| The Swallow's Home, Op. 318 (Turner, Joseph W.) for piano | 1872 | 
| Arrangement of Die Afrikareise (Suppé, Franz von) for piano |  | 
| Capriccio, Op. 55 (Jonas, Ernst) for piano | 1885 | 
| Nachtgesang in A-flat major (No.2) from Arrangement of Nachtgesang in A-flat major (No.2) from 2 Nocturnes, Op. 10 (Vogt, Jean) for organ | 1879 | 
| The Thunder Storm, Op. 108 (Ryder, Thomas Philando) for organ | 1880 | 
| Annie Laurie, Op. 112 (Ryder, Thomas Philando) for piano | 1882 | 
| Clustering Memories, Op. 98 (Ryder, Thomas Philando) for piano | 1878 | 
| Love's Message, Op. 116 (Ryder, Thomas Philando) for piano | 1885 | 
| Wilson's Funeral March (Ryder, Thomas Philando) for piano | 1875 | 
| Chapel Chimes, Op. 90 (Ryder, Thomas Philando) for piano | 1878 | 
| Sounds from the Palisades, Op. 48 (Wilson, Grenville Dean) for piano | 1874 | 
| Sounds from the Palisades, Op. 48 (Wilson, Grenville Dean) for piano | 1874 | 
| Woher dieses Sehnen (Proch, Heinrich) for voice and piano | 1887 | 
| Prinz Methusalem (Strauss Jr., Johann) for voices, mixed chorus and orchestra | 1883 | 
| Erminie (Jakobowski, Edward) for voices, mixed chorus and orchestra |  | 
| Erminie (Jakobowski, Edward) for voices, mixed chorus and orchestra |  | 
| 15 Marches for Organ (Clark, Scotson) for organ |  | 
| Arrangement of 3 Duetten für Sopran und Bass, Op. 76 (Abt, Franz) for soprano, baritone and piano soprano, alto, tenor, baritone and piano
 | 1878 | 
| Das Spitzentuch der Königin (Strauss Jr., Johann) for voices, mixed chorus and orchestra | 1882 | 
| Arrangement of My Queen (Bucalossi, Procida) for piano | 1884 | 
| Piano Sonata, Op. 58 (Cadman, Charles Wakefield) for piano | 1915 | 
| Magnolia Blooms, Op. 60 No. 2 (Cadman, Charles Wakefield) for voice and piano | 1916 | 
| Crown of Jewels (Danks, Hart Pease) for mixed chorus mixed chorus and organ
 |  | 
| Sparkling Rill, Op. 87 (Ryder, Thomas Philando) for piano | 1876 | 
| Piano Trio, Op. 56 (Cadman, Charles Wakefield) for violin, cello and piano | 1914 | 
| The Savior Hath Risen, Op. 81 (Bailey, Eben Howe) for mixed chorus and piano soprano, alto, tenor, bass and piano
 | 1878 | 
| Sparkling Dew Drops, Op. 10 (Bailey, Eben Howe) for piano | 1873 | 
| R. E. Porter (Lewis, Leo Rich) for voices, mixed chorus and orchestra | 1883 | 
| Melody in a Folk-song Style (Cadman, Charles Wakefield) for organ | 1915 | 
| From Wigwam and Tepee, Op. 57 (Cadman, Charles Wakefield) for voice and piano | 1914 | 
| 2 Piano Solos, Op. 70 (Cadman, Charles Wakefield) for piano | 1920 | 
| Sayōnara, Op. 49 (Cadman, Charles Wakefield) for mezzosoprano, baritone and piano alto, baritone and piano
 voice and piano
 | 1910 | 
| Volume 2 from Julius Eichberg's Collection of Standard Modern Violin Music (Eichberg, Julius) for violin and piano | 1887 | 
| Moonlight Dance, Op. 67 (Ryder, Thomas Philando) for piano | 1873 | 
| Moonlight Dance, Op. 67 (Ryder, Thomas Philando) for piano | 1878 | 
| 4 Organ Trios, Op. 39 (Merkel, Gustav Adolf) for organ |  | 
| Festive Dance, Op. 95 (Ryder, Thomas Philando) for piano | 1877 | 
| Chorus: The Multitude of Angels from Arrangement of Chorus: The Multitude of Angels from The Intercession (King, Matthew Peter) for 4 voices and organ |  | 
| Ecstasy (Loud, John Hermann) for organ | 1917 | 
| Maskenball, Op. 331 (Bohm, Carl) for piano | 1890 | 
| Oriental Suite, Op. 75 (Cadman, Charles Wakefield) for piano | 1921 | 
| Arrangement of Up the Street (Morse, Robert Gorham) for voice and piano | 1895 | 
| Ballade (Groenevelt, Edward) for violin and piano | 1893 | 
| Angel Voices (Sweet, A. S.) for piano |  | 
| Legend of the Canyon, Op. 68 (Cadman, Charles Wakefield) for violin and piano | 1920 | 
| Offertoire in C major (Bailey, Eben Howe) for organ | 1878 | 
| Scales and Arpeggios (Petersilea, Carlyle) for piano | 1888 | 
| Les manteaux noirs (Bucalossi, Procida) for voices, mixed chorus and orchestra |  | 
| Little Maid of Arcadee (Act II, No.10) from Thespis (Sullivan, Arthur) for voices, mixed chorus and orchestra |  | 
| Songs, Op. 51 (Cadman, Charles Wakefield) for voice and piano | 1911 | 
| Idyls of the South Sea, Op. 55 (Cadman, Charles Wakefield) for voice and piano | 1913 | 
| He Who Moves in the Dew (Cadman, Charles Wakefield) for voice and piano | 1916 | 
| Call Me No More (Cadman, Charles Wakefield) for voice and piano | 1912 | 
| I Hear a Thrush at Eve (Cadman, Charles Wakefield) for voice and piano | 1913 | 
| When Starry Eyes Look on the Sea (Tucker, Henry L.) for voice and piano | 1877 | 
| The Lady of Shalott, Op. 21 (Busch, Carl) for soprano, mixed chorus and orchestra | 1894 | 
| Compositions for the Organ, Op. 57 (Whiting, George Elbridge) for organ | 1906 | 
| Clayton's Grand March, Op. 100 (Blake, Charles Dupee) for piano |  | 
| Tägliche Uebungen, Op. 43 (Wohlfahrt, Franz) for violin | 1879 | 
| Art Songs of Japan (Ross, Gertrude) for voice and piano | 1917 | 
| I Found Him on the Mesa (Cadman, Charles Wakefield) for voice and piano | 1913 | 
| Der junge Geiger, Op. 10 (Wichtl, Georg) for violin 2 violins
 |  | 
| Töne und Perlen, Op. 52 (Lichner, Heinrich) for piano |  | 
| Mass in E major, Op. 4 (Trowbridge, John Eliot) for soprano, alto, tenor, bass, mixed chorus and organ soprano, alto, tenor, bass, mixed chorus and piano
 | 1887 | 
| Mass No. 1 in G major (Carpenter, Moses) for mixed chorus and organ | 1886 | 
| Egyptian Suite (Stoughton, Roy Spaulding) for organ | 1916 | 
| Song of the Waves (De Anguera, Fernando) for piano | 1870 | 
| Modern French Pianoforte Album, Vol.1 (White, Smith & Co.) for piano | 1898 | 
| Berceuse, Op. 14 (Lewing, Adele) for piano | 1897 | 
| Within a Chinese Garden (Stoughton, Roy Spaulding) for organ |  | 
| Father, Pray with Me Tonight (White, Charles Albert) for voice, mixed chorus and piano |  | 
| Miss Simplicity (Heartz, Harry Lawson) for voices, mixed chorus and orchestra | 1901 | 
| Visions (Ludebuehl, J.P.) for organ | 1916 | 
| Uncle Tom's Gwine to Stay (White, Charles Albert) for voice and piano | 1881 | 
| Auf Wiedersehn, Op. 253 (Bailey, Eben Howe) for piano | 1882 | 
| The Future Mrs. 'Awkins (Chevalier, Albert) for voice and piano |  | 
| Bohm Pianoforte Album (Bohm, Carl) for piano piano 4 hands
 | 1892 | 
| My Love he Stands upon the Quay (Sainton-Dolby, Charlotte) for voice and piano |  | 
| I am Content (Sainton-Dolby, Charlotte) for voice and piano |  | 
| 2 Stücke, Op. 323 (Bohm, Carl) for piano |  | 
| 2 Stücke, Op. 324 (Bohm, Carl) for piano |  | 
| Scherzo, Op. 50 (Wilson, Grenville Dean) for piano | 1874 | 
| The Sunset Trail (Cadman, Charles Wakefield) for alto, 3 tenors, baritone, bass, mixed chorus and orchestra | 1925 | 
| Arrangement of Paola Gavotte, Op. 112 (Catlin, Edward Noble) for piano | 1883 | 
| Old Melodies (Farmer, Henry) for violin and piano | 1900 | 
| As in a Rose Jar, Op. 33 No. 2 (Cadman, Charles Wakefield) for voice and piano |  | 
| Bonnie Sweet Bessie, the Maid O'Dunee (Gilbert, James L.) for voice and piano |  | 
| Arrangement of Bonnie Sweet Bessie, the Maid O'Dunee (Gilbert, James L.) for piano |  | 
| De Coon Band (Smith, L. B.) for voice and piano |  | 
| Kentucky Babe (Geibel, Adam) for voice and piano |  | 
| Home Sweet Home, Op. 225 (Blake, Charles Dupee) for piano | 1916 | 
| McGinty's First Love (Thorne, George) for piano |  | 
| Minstrel Closing Chorus (Odell, Herbert Forrest) for voice, male chorus, mixed chorus, piano and percussion |  | 
| Nearer My God to Thee, Op. 65 (Ryder, Thomas Philando) for piano |  | 
| Paradox, Op. 66 No. 1 (Cadman, Charles Wakefield) for voice and piano |  | 
| The Handfull of Earth (Lockwood, C. G.) for voice and piano |  | 
| Richard and His Sweetheart Nell (Sudds, William F.) for voice, mixed chorus and piano |  | 
| Come Back to Me, Darling Eileen (Clayton, Frank H.) for voice, mixed chorus and piano | 1877 | 
| Ivanhoe Commandery Grand March (Blake, Charles Dupee) for piano | 1878 | 
| Ivanhoe Commandery Grand Waltz (Blake, Charles Dupee) for piano | 1878 | 
| The Shepherd's Evening Song, Op. 26 (Blake, Charles Dupee) for piano | 1874 | 
| Tell Me, Sweetheart (White, Charles Albert) for voice, mixed chorus and piano |  | 
| Don't You Wake the Baby (Hays, William Shakespeare) for voice, mixed chorus and piano |  | 
| When 'Tis Moonlight (White, Charles Albert) for soprano and piano alto and piano
 |  | 
| When the Leaves Begin to Turn (White, Charles Albert) for voice and piano |  | 
| Whistling Mountain Boy, Op. 14 (Holt, A. W.) for piano |  | 
| Rollin' to de Sea (Birch, Harry) for voice, mixed chorus and piano |  | 
| On the Race Course, Op. 103 (Blake, Charles Dupee) for piano 4 hands |  | 
| Arrangement of Hie Away, Ole Satan (Rosenfeld, Monroe H.) for piano |  | 
| You'll Miss Me When I'm Gone (Danks, Hart Pease) for voice, mixed chorus and piano |  | 
| Which Road Is You Gwine to Take? (Dumont, Frank) for voice, mixed chorus and piano |  | 
| Arrangement of Shew Fly Galop, Op. 14 (Thorne, George) for piano |  | 
| Live Humble (Irwin, May) for voice and piano |  | 
| Josephina Gay (Macarthy, Harry) for voice and piano |  | 
| Uncle Adam's Going Home (Manning, W. N.) for voice, mixed chorus and piano |  | 
| I'se Gwine Back to Dixie (White, Charles Albert) for voice and piano voice, mixed chorus and piano
 |  | 
| I'se Gwine Back to Dixie (White, Charles Albert) for voice and piano voice, mixed chorus and piano
 |  | 
| I'se Gwine Back to Dixie (White, Charles Albert) for voice and piano voice, mixed chorus and piano
 |  | 
| Arrangement of I'se Gwine Back to Dixie (White, Charles Albert) for piano |  | 
| May Irwin's Frog Song (Trevathan, Charles E.) for voice and piano |  | 
| Drat dat Mewel (Walters, Carl) for voice and piano |  | 
| My Home in Alabam' (Putnam, James S.) for voice, mixed chorus and piano |  | 
| Just a Little (Tabrar, Joseph) for voice and piano |  | 
| The Voice of Peace (White, Charles Albert) for mixed chorus and piano |  | 
| The Fisherman and His Child (White, Charles Albert) for soprano and piano tenor and piano
 |  | 
| The Waterfall (Siedler, Alice) for voice and piano |  | 
| Kiss Me, and I'll Go to Sleep (White, Charles Albert) for voice, mixed chorus and piano |  | 
| The Old Home Aint What It Used to Be (White, Charles Albert) for voice, mixed chorus and piano |  | 
| The Old Man Aint What He Used to Be (White, Charles Albert) for voice, mixed chorus and piano |  | 
| I'se Gwine to Leave Old Dixie (White, Charles Albert) for voice, mixed chorus and piano |  | 
| Come, Birdie, Come (White, Charles Albert) for voice, mixed chorus and piano | 1870 | 
| The Witches Flight (Russell, H.M.) for piano |  | 
| La midget (Russell, H.M.) for piano 4 hands |  | 
| Kittie Polka (Barker of Boston, George) for guitar | 1896 | 
| Tout Paris, Op. 240 (Waldteufel, Emile) for orchestra |  | 
| Tout Paris, Op. 240 (Waldteufel, Emile) for orchestra |  | 
| Arrangement of Prince Frederic Carl's March Militaire (Bilse, Benjamin) for piano | 1869 | 
| Boquet of Melodies for Banjo (Dobson, George Clifton) for banjo |  | 
| The Colonel's Solo (Dobson, George Clifton) for banjo |  | 
| Elise March (Dobson, George Clifton) for banjo |  | 
| Little Rose Schottisch (Dobson, George Clifton) for banjo |  | 
| Marion Waltz (Dobson, George Clifton) for banjo |  | 
| Stratton's Polka (Dobson, George Clifton) for banjo |  | 
| Pretty lips (Dobson, George Clifton) for voice and banjo |  | 
| Arrangement of Imitation of the banjo (Dobson, George Clifton) for piano |  | 
| Diamond Polka, Pearl Waltz, Rippling Clog Hornpipe (Dobson, George Clifton) for banjo |  | 
| Geraldine March, Pop Gun Galop, Violetta Waltz (Dobson, George Clifton) for banjo |  | 
| Geraldine Waltz (Dobson, George Clifton) for banjo |  | 
| Oh, you little darling (Dobson, George Clifton) for voice and banjo |  | 
| Stratton's Clog and Stratton's Favorite (Dobson, George Clifton) for banjo |  |