| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Kanonisches Trio über den Choral 'Nun ruhen alle Wälder' | Felix Woyrsch, composer | F major | organ | Romantic | Canons, Trios | ![]() |
|||
| String Quartet No. 1 (?) (Streichquartett in A moll, Op. 55.) | Felix Woyrsch, composer | A minor | Op.55 | 2 violins, viola and cello | Romantic | Quartets | ![]() |
||
| Passions-Oratorium nach Worten der Heiligen Schrift, Op. 45 | Felix Woyrsch, composer | Op.45 | soprano, alto, tenor, bass, 2 mixed chorus and orchestra | Romantic | Passions, Sacred oratorios | ||||
| Metamorphosen | Felix Woyrsch, composer | Op.48 | piano | Romantic | Pieces | ||||
| Drei Böcklin-Phantasien für Orchester (Three fantasies after Boecklin, Trois fantaisies d'après Böcklin) | Felix Woyrsch, composer | Op.53 | orchestra | Romantic | Fantasias | ||||
| Improvisationen (für Pianoforte Heft I, Heft II) | Felix Woyrsch, composer | 44 | piano | Romantic | Improvisations | ||||
| 3 Eight-Part Motets (Drei 8 stimmige Motette) | Felix Woyrsch, composer | Op.69 | 8 voices 2 mixed chorus |
Romantic | Motets | ||||
| 2 Walzer (Zwei Walzer für Pianoforte) | Felix Woyrsch, composer | Op.8 | piano | Romantic | Waltzes | ||||
| Symphony No. 2 | Felix Woyrsch, composer | C major | Op.60 | 1913 | orchestra | Romantic | Symphonies | ||
| Symphony No. 3 | Felix Woyrsch, composer | E flat minor | Op.70 | 1921 | orchestra | Romantic | Symphonies | ||
| Concerto for Violin (Scaldic Rhapsody) (Violinkonzert (Skaldische Rhapsodie)) | Felix Woyrsch, composer | D minor | Op.50 | 1901 | violin and orchestra | Romantic | Rhapsodies, Concertos | ||
| Der Weiberkrieg (Volksoper in 3 Akten) | Felix Woyrsch, composer | 27 | voices, mixed chorus and orchestra | Romantic | Folk operas | ||||
| 10 Rattenfänger-Lieder (Zehn Rattenfängerlieder aus Jul. Wolff’s „Singuf“) | Felix Woyrsch, composer Julius Wolff, librettist |
Op.16 | baritone and piano | Romantic | Lieder |
©2026 CMI