| Composition |
Score attributes |
| Canzon Duodecima a doi Tenori (No.22) from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for soprano and continuo or violin and continuo or bass and continuo or bassoon and continuo or bass, violin and continuo or continuo and 2 sopranos or continuo and 2 basses or 2 tenors and continuo or 2 sopranos, bass and continuo or soprano, tenor, bass and continuo or continuo, 2 sopranos, alto and bass or continuo, 2 sopranos and 2 basses |
— |
| Siedi Amarilli (Bononcini, Giovanni) for alto, 2 violins and continuo |
— |
| Miserere, H.157 (Charpentier, Marc-Antoine) for 2 sopranos, 2 flutes and continuo |
— |
| Trio No.1 from 6 Trio Sonatas, Op. 1 (Cervetto, Giacobbe Basevi) for 3 cellos or 2 violins and continuo or 2 cellos and continuo |
— |
| Laudate dominum in sanctis eius, SV 287 (Monteverdi, Claudio) for voice and continuo |
— |
| Leçon de ténèbres du Vendredi saint, H.95 (Charpentier, Marc-Antoine) for 2 sopranos, 2 violins and continuo or 2 sopranos, 2 viols and continuo |
— |
| Benedicam Dominum (Du Mont, Henry) for continuo and 2 sopranos or 2 tenors and continuo or 2 sopranos, violin and continuo or 2 tenors, violin and continuo |
— |
| O dulcedo amoris (Du Mont, Henry) for alto, baritone, violin and continuo or tenor, baritone, violin and continuo or soprano, mezzosoprano, violin and continuo or soprano, alto, violin and continuo or 2 mezzosopranos, violin and continuo or mezzosoprano, alto, violin and continuo or alto, baritone and continuo or tenor, baritone and continuo or soprano, mezzosoprano and continuo or soprano, alto and continuo or 2 mezzosopranos and continuo or mezzosoprano, alto and continuo |
— |
| Credidi (Merula, Tarquinio) for soprano, alto, tenor, bass and continuo or soprano, tenor, bass and continuo |
— |