| Composition |
Attributes |
Canzon Duodecima a doi Tenori (No.22) from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for soprano and continuo
violin and continuo
bass and continuo
bassoon and continuo
bass, violin and continuo
continuo and 2 sopranos
continuo and 2 basses
2 tenors and continuo
2 sopranos, bass and continuo
soprano, tenor, bass and continuo
continuo, 2 sopranos, alto and bass
continuo, 2 sopranos and 2 basses |
— |
| Siedi Amarilli (Bononcini, Giovanni) for alto, 2 violins and continuo |
— |
| Miserere, H.157 (Charpentier, Marc-Antoine) for 2 sopranos, 2 flutes and continuo |
— |
Trio No.1 from 6 Trio Sonatas, Op. 1 (Cervetto, Giacobbe Basevi) for 3 cellos
2 violins and continuo
2 cellos and continuo |
— |
| Laudate dominum in sanctis eius, SV 287 (Monteverdi, Claudio) for voice and continuo |
— |
Leçon de ténèbres du Vendredi saint, H.95 (Charpentier, Marc-Antoine) for 2 sopranos, 2 violins and continuo
2 sopranos, 2 viols and continuo |
— |
Benedicam Dominum (Du Mont, Henry) for continuo and 2 sopranos
2 tenors and continuo
2 sopranos, violin and continuo
2 tenors, violin and continuo |
— |
O dulcedo amoris (Du Mont, Henry) for alto, baritone, violin and continuo
tenor, baritone, violin and continuo
soprano, mezzosoprano, violin and continuo
soprano, alto, violin and continuo
2 mezzosopranos, violin and continuo
mezzosoprano, alto, violin and continuo
alto, baritone and continuo
tenor, baritone and continuo
soprano, mezzosoprano and continuo
soprano, alto and continuo
2 mezzosopranos and continuo
mezzosoprano, alto and continuo |
— |
Credidi (Merula, Tarquinio) for soprano, alto, tenor, bass and continuo
soprano, tenor, bass and continuo |
— |