| Composition |
Attributes |
Sonata No.9 from 18 Sonatas in 1, 2, 3 Parts (Fontana, Giovanni Battista) for violin and continuo
2 violins and continuo
cornett, violin and continuo
bassoon, violin and continuo
bassoon, 2 violins and continuo
3 violins and continuo
cornett and continuo
2 cornetts and continuo
bassoon, cornett and continuo
3 cornetts and continuo
cornett, lute and continuo
cornett, cello and continuo
violin, cello and continuo
lute, violin and continuo
bassoon, 2 cornetts and continuo
2 cornetts, lute and continuo
2 cornetts, cello and continuo
2 violins, cello and continuo
lute, 2 violins and continuo |
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Sonata No.10 from 18 Sonatas in 1, 2, 3 Parts (Fontana, Giovanni Battista) for violin and continuo
2 violins and continuo
cornett, violin and continuo
bassoon, violin and continuo
bassoon, 2 violins and continuo
3 violins and continuo
cornett and continuo
2 cornetts and continuo
bassoon, cornett and continuo
3 cornetts and continuo
cornett, lute and continuo
cornett, cello and continuo
violin, cello and continuo
lute, violin and continuo
bassoon, 2 cornetts and continuo
2 cornetts, lute and continuo
2 cornetts, cello and continuo
2 violins, cello and continuo
lute, 2 violins and continuo |
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Sonata No.12 from 18 Sonatas in 1, 2, 3 Parts (Fontana, Giovanni Battista) for violin and continuo
2 violins and continuo
cornett, violin and continuo
bassoon, violin and continuo
bassoon, 2 violins and continuo
3 violins and continuo
cornett and continuo
2 cornetts and continuo
bassoon, cornett and continuo
3 cornetts and continuo
cornett, lute and continuo
cornett, cello and continuo
violin, cello and continuo
lute, violin and continuo
bassoon, 2 cornetts and continuo
2 cornetts, lute and continuo
2 cornetts, cello and continuo
2 violins, cello and continuo
lute, 2 violins and continuo |
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Sonata No.13 from 18 Sonatas in 1, 2, 3 Parts (Fontana, Giovanni Battista) for violin and continuo
2 violins and continuo
cornett, violin and continuo
bassoon, violin and continuo
bassoon, 2 violins and continuo
3 violins and continuo
cornett and continuo
2 cornetts and continuo
bassoon, cornett and continuo
3 cornetts and continuo
cornett, lute and continuo
cornett, cello and continuo
violin, cello and continuo
lute, violin and continuo
bassoon, 2 cornetts and continuo
2 cornetts, lute and continuo
2 cornetts, cello and continuo
2 violins, cello and continuo
lute, 2 violins and continuo |
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Sonata No. 14 from 18 Sonatas in 1, 2, 3 Parts (Fontana, Giovanni Battista) for violin and continuo
2 violins and continuo
cornett, violin and continuo
bassoon, violin and continuo
bassoon, 2 violins and continuo
3 violins and continuo
cornett and continuo
2 cornetts and continuo
bassoon, cornett and continuo
3 cornetts and continuo
cornett, lute and continuo
cornett, cello and continuo
violin, cello and continuo
lute, violin and continuo
bassoon, 2 cornetts and continuo
2 cornetts, lute and continuo
2 cornetts, cello and continuo
2 violins, cello and continuo
lute, 2 violins and continuo |
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Sonata No.15 from 18 Sonatas in 1, 2, 3 Parts (Fontana, Giovanni Battista) for violin and continuo
2 violins and continuo
cornett, violin and continuo
bassoon, violin and continuo
bassoon, 2 violins and continuo
3 violins and continuo
cornett and continuo
2 cornetts and continuo
bassoon, cornett and continuo
3 cornetts and continuo
cornett, lute and continuo
cornett, cello and continuo
violin, cello and continuo
lute, violin and continuo
bassoon, 2 cornetts and continuo
2 cornetts, lute and continuo
2 cornetts, cello and continuo
2 violins, cello and continuo
lute, 2 violins and continuo |
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| No.5. Fantasia Basso solo from Arrangement of No.5. Fantasia Basso solo from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| No.6. Vestiva Hi Colli Pasegiato from Arrangement of No.6. Vestiva Hi Colli Pasegiato from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| No.7. Svsana Pasegiata from Arrangement of No.7. Svsana Pasegiata from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| No.8. Fantasia from Arrangement of No.8. Fantasia from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| No.9. Fantasia from Arrangement of No.9. Fantasia from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| No.10. Fantasia per fagotto solo from Arrangement of No.10. Fantasia per fagotto solo from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| No.11. Canzon a doi Basso e soprano from Arrangement of No.11. Canzon a doi Basso e soprano from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| No.12. Canzon a doi Basso e soprano from Arrangement of No.12. Canzon a doi Basso e soprano from Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for |
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| Propter peccata quae peccatis, NJE 29.12 (Josquin Desprez) for 5 voices |
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| Von hertzen dein (Herbaut, Johann) for 4 Unspecified instruments |
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| Sonata sopra 'La Monica' (Böddecker, Philipp Friedrich) for bassoon and continuo |
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| Ach got wem soll ichs clagen (Grefinger, Wolfgang) for 5 voices and orchestra |
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| Unseglich schmertz entpfindt mein (Senfl, Ludwig) for soprano, alto, tenor and bass |
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| Nesciens mater virgo virum (Mouton, Jean) for 2 mixed chorus |
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| Vexilla regis prodeunt (La Rue, Pierre de) for mixed chorus |
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| Jetz schayden pringt mir schwer (Senfl, Ludwig) for 4 voices |
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Sonata for 3 Bassoons in C major (Speer, Daniel) for 3 bassoons
2 bassoons and continuo |
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Carmen in la (Senfl, Ludwig) for soprano, alto, tenor and bass
soprano, tenor and bass |
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| Carmen Lamentacio (Senfl, Ludwig) for soprano, alto, tenor and bass |
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| Alles regres (Senfl, Ludwig) for soprano, alto, tenor and bass |
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Fortuna Nasci pati mori (Senfl, Ludwig) for 3 altos, tenor and bass
mixed chorus |
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| Ich sag und clag (Senfl, Ludwig) for soprano, alto, tenor and bass |
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| Kain sach mir nye auff erden (Senfl, Ludwig) for soprano, 3 tenors and bass |
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| Lust hab ich ghabt zur musica (Senfl, Ludwig) for mixed chorus |
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| Ob glück hat neyd (Senfl, Ludwig) for soprano, alto, tenor and bass |
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Sonata for 3 Bassoons in F major (Speer, Daniel) for 3 bassoons
2 bassoons and continuo |
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| Tag und auch Nacht (Senfl, Ludwig) for soprano, alto, tenor and bass |
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| Carmen in re (Senfl, Ludwig) for soprano, alto, tenor and bass |
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| Innsbruck ich muss dich lassen (Isaac, Heinrich) for 4 voices |
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