| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Piae Cantiones | Charles Wood, composer | mixed chorus | Romantic | Sacred choruses | |||||
| Short Communion Service in the Phrygian Mode | Charles Wood, composer | mixed chorus | Romantic | Services | |||||
| String Quartet in D major (String Quartet No.6 in D) | Charles Wood, composer | D major | 1915 | 2 violins, viola and cello | Romantic | Quartets | ![]() |
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| Expectans Expectavi (This sanctuary of my soul) | Charles Wood, composer | D flat major | mixed chorus and organ | Romantic | Anthems | ||||
| String Quartet in F major | Charles Wood, composer | F major | 2 violins, viola and cello | Romantic | Quartets | ![]() |
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| String Quartet in E-flat major (Highgate) | Charles Wood, composer | E flat major | 1893 | 2 violins, viola and cello | Romantic | Quartets | ![]() |
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| Three Preludes founded on Melodies from the Genevan Psalter | Charles Wood, composer | organ | Romantic | Preludes | |||||
| String Quartet in E-flat major 'Harrogate' | Charles Wood, composer | E flat major | 1912 | 2 violins, viola and cello | Romantic | Quartets | ![]() |
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| Oculi Omnium (Anthem for mixed chorus) | Charles Wood, composer | E major | mixed chorus | Romantic | Anthems | ||||
| On Time | Charles Wood, composer John Milton, librettist |
E major | mixed chorus and orchestra | Romantic | Secular choruses | ||||
| Ding Dong Merrily | Charles Wood, composer George Ratcliffe Woodward, librettist |
4 voices mixed chorus |
Romantic | Carols | |||||
| The Ion of Euripides | Charles Wood, composer | Op.4 | baritone, male chorus and orchestra | Romantic | Incidental music | ||||
| Iphigenia in Tauris | Charles Wood, composer Arthur Woollgar Verrall, librettist |
male chorus and orchestra | Romantic | Incidental music | |||||
| 16 Preludes (Founded on Melodies from the English and Scottish Psalters) | Charles Wood, composer | organ | Early 20th century | Preludes | |||||
| Two Bourrées | Charles Wood, composer | organ | Early 20th century | Bourrees | |||||
| Gigue | Charles Wood, composer | organ | Early 20th century | Gigues | |||||
| Andante | Charles Wood, composer | organ | Early 20th century | Andantes | |||||
| Ode to the West Wind (A Poem by Shelley set to Music for Tenor Solo, Chorus and Orchestra) | Charles Wood, composer Percy Bysshe Shelley, librettist |
Op.3 | tenor, mixed chorus and orchestra | Romantic | Odes | ||||
| Deck the Halls (Nos Galan) | Charles Wood, composer Thomas Oliphant, librettist |
E flat major | Romantic | Carols | |||||
| Communion Service in C minor | Charles Wood, composer | C minor | mixed chorus and organ | Early 20th century | Services | ||||
| Magnificat and Nunc Dimittis in E minor | Charles Wood, composer | E minor | mixed chorus and organ | Early 20th century | Magnificats, Canticles | ||||
| Magnificat and Nunc dimittis for Double Choir | Charles Wood, composer | E major | 2 mixed chorus | Early 20th century | Magnificats, Canticles | ||||
| Service in F minor, A flat | Charles Wood, composer | mixed chorus and organ | Early 20th century | Services | |||||
| Magnificat and Nunc dimittis in G | Charles Wood, composer | G major | 2 mixed chorus | Early 20th century | Magnificats, Canticles | ||||
| Magnificat and Nunc dimittis in E-flat | Charles Wood, composer | E flat major | mixed chorus and organ | Early 20th century | Magnificats, Canticles | ||||
| Magnificat and Nunc dimittis in C | Charles Wood, composer | C major | mixed chorus and organ | Early 20th century | Magnificats, Canticles | ||||
| Magnificat and Nunc dimittis on Tones IV and I | Charles Wood, composer | A minor | mixed chorus and organ | Early 20th century | Magnificats, Canticles | ||||
| Magnificat (founded on an old Scotch chant) and Nunc dimittis | Charles Wood, composer | G major | mixed chorus and organ | Early 20th century | Magnificats, Canticles | ||||
| Missa Sancti Patricii (Communion Service in the Ionian Mode) | Charles Wood, composer | F major | mixed chorus mixed chorus and organ |
Early 20th century | Masses, Services | ||||
| A Complete Communion Service (A Complete Communion Service, that is to say Kyrie, Creed, Sanctus, Benedictus, Agnus Dei, and Gloria in excelsis, selected out of The Plainsong and Medieval Musick Society's Ordinary of the Mass and Harmonised for Four Voices) | Charles Wood, composer | C major | mixed chorus and organ mixed chorus and piano |
Romantic | Services | ||||
| Magnificat and Nunc dimittis on melodies from Piae Cantiones | Charles Wood, composer | mixed chorus and organ | Renaissance | Magnificats, Canticles | |||||
| This Joyful Easter-tide | Charles Wood, composer George Ratcliffe Woodward, librettist |
G major | Early 20th century | Sacred choruses | |||||
| Father, All-Holy (Motet) | Charles Wood, composer | E flat major | soprano, alto, tenor, bass and mixed chorus | Early 20th century | Motets | ||||
| O Be Joyful in the Lord (Anthem) | Charles Wood, composer | A flat major | mixed chorus and organ | Early 20th century | Anthems | ||||
| Magnificat and Nunc dimittis on Tones VI and V | Charles Wood, composer | mixed chorus and organ | Early 20th century | Magnificats, Canticles | |||||
| Te Deum in C minor | Charles Wood, composer | C minor | mixed chorus and organ | Early 20th century | Te Deum | ||||
| Variations and Fugue on the Psalm Tune 'Winchester Old' | Charles Wood, composer | G major | organ | Early 20th century | Variations, Fugues | ||||
| Oh! Breathe Not His Name | Charles Wood, composer Thomas Moore, librettist |
G flat major | Early 20th century | Folksongs | |||||
| O Thou the Central Orb | Charles Wood, composer Henry Ramsden Bramley, librettist |
A flat major | mixed chorus and organ | Early 20th century | Sacred choruses | ||||
| Glory and honour, and laud | Charles Wood, composer | F major | mixed chorus | Romantic | Anthems | ||||
| St. Mark Passion (The Passion of Our Lord According to St. Mark) | Charles Wood, composer | 1920 | tenor, baritone, mixed chorus and organ | Early 20th century | Passions | ||||
| Hail, gladdening light (Anthem) | Charles Wood, composer John Keble, librettist |
A major | 2 mixed chorus | Romantic | Anthems | ||||
| A Century’s Penultimate | Charles Wood, composer Arthur Coleridge James, librettist |
D major | 1899 | 2 sopranos, alto, tenor and 2 basses mixed chorus |
Romantic | Secular choruses | |||
| Hark! Hark! The Soft Bugle | Charles Wood, composer Gerald Griffin, librettist |
F major | 4 voices | Traditional (folk) | Folksongs | ||||
| Jack and Joan | Charles Wood, composer Thomas Campion, librettist |
C major | unison chorus and piano | Traditional (folk) | Songs | ||||
| Magnificat and Nunc dimittis in C minor | Charles Wood, composer | C minor | 1900 | mixed chorus and organ | Early 20th century | Magnificats, Canticles | |||
| Ethiopia Saluting the Colours | Charles Wood, composer Walt Whitman, librettist |
voice and piano | Romantic | Songs | |||||
| Glorious and Powerful God | Charles Wood, composer | A major | 1910 | mixed chorus and organ | Early 20th century | Sacred choruses | |||
| Magnificat and Nunc Dimittis in A flat major | Charles Wood, composer | A flat major | unison chorus and organ | Early 20th century | Magnificats, Canticles | ||||
| Eden Spirits (Words by Elizabeth Barrett Browning Set to Music as a Cantata for Female Voices) | Charles Wood, composer Elizabeth Barrett Browning, librettist |
female chorus and piano | Romantic | Secular cantatas |
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