| Composition |
Attributes |
| Bonduca, Z.574 (Purcell, Henry) for voices, mixed chorus and orchestra |
— |
| Abdelazer, Z.570 (Purcell, Henry) for soprano, strings and continuo |
— |
| Aureng-Zebe, Z.573 (Purcell, Henry) for voice and continuo |
— |
Pausanius, Z.585 (Purcell, Henry) for voice and continuo
2 voices and continuo |
— |
| The Rival Sisters, Z.609 (Purcell, Henry) for soprano, strings and continuo |
— |
| Te Deum and Jubilate Deo, Z.232 (Purcell, Henry) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
— |
| A Fool's Preferment, Z.571 (Purcell, Henry) for voice and continuo |
— |
| Evening Service, Z.231 (Purcell, Henry) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and continuo |
— |
| The Old Bachelor, Z.607 (Purcell, Henry) for voice and orchestra |
— |
| The Gordion Knot Untied, Z.597 (Purcell, Henry) for strings and continuo |
— |
| The Libertine, Z.600 (Purcell, Henry) for soprano, alto, bass and orchestra |
— |
| The Virtuous Wife, Z.611 (Purcell, Henry) for strings and continuo |
— |
| Distressed Innocence, Z.577 (Purcell, Henry) for strings and continuo |
— |
| Oedipus, Z.583 (Purcell, Henry) for voices and orchestra |
— |
| Amphitryon, Z.572 (Purcell, Henry) for voices and orchestra |
— |
| Don Quixote, Z.578 (Purcell, Henry) for voices and orchestra |
selections |
The Married Beau, Z.603 (Purcell, Henry) for voice, strings and continuo
strings and continuo |
— |
| The Double Dealer, Z.592 (Purcell, Henry) for voice, strings and continuo |
— |
| The Double Marriage (Grabu, Luis) for 2 sopranos, alto and bass |
— |
| The Canterbury Guests, Z.591 (Purcell, Henry) for |
selections |
| Cleomenes, the Spartan Hero, Z.576 (Purcell, Henry) for |
selections |
| The English Lawyer, Z.594 (Purcell, Henry) for |
selections |
| Epsom Wells, Z.579 (Purcell, Henry) for |
selections |
Circe, Z.575 (Purcell, Henry) for voices, mixed chorus and orchestra
voices, mixed chorus, strings and continuo |
— |
| Celemene, Pray Tell Me (Act IV) from Oroonoko, Z.584 (Purcell, Henry) for continuo and 2 sopranos |
— |
| Ah Me! To Many Deaths (Act II) from Regulus, Z.586 (Purcell, Henry) for soprano and continuo |
— |
| Behold the Man (Act II) from The Richmond Heiress, Z.608 (Purcell, Henry) for soprano, bass and continuo |
— |
| Rule a Wife and Have a Wife, Z.587 (Purcell, Henry) for soprano and continuo |
— |
| Sir Anthony Love, Z.588 (Purcell, Henry) for voices, strings and continuo |
— |
Sir Barnaby Whigg, Z.589 (Purcell, Henry) for soprano, bass and continuo
tenor, bass and continuo |
— |
| Beneath the Poplar's Shadow (Act IV) from Sophonisba, Z.590 (Purcell, Henry) for soprano and continuo |
— |
| The Spanish Friar, Z.610 (Purcell, Henry) for soprano and continuo |
— |
| Theodosius, Z.606 (Purcell, Henry) for voices, 2 flutes and continuo |
— |
| Hark My Damilcar / Ah! How Sweet It Is to Love (Act IV) from Tyrannic Love, Z.613 (Purcell, Henry) for soprano, bass and continuo |
— |
| The Wives' Excuse, Z.612 (Purcell, Henry) for soprano and continuo |
— |
When Night Her Purple Veil, ZD 201 (Purcell, Henry) for 2 violins, continuo and bass
bass, 2 flutes and continuo |
— |
| The Danger Is Over / I Sigh'd and Owned My Love (Act III) from The Fatal Marriage, Z.595 (Purcell, Henry) for soprano, bass and continuo |
— |
| Love, Thou Art Best (Act V) from The Female Virtuosos, Z.596 (Purcell, Henry) for 2 voices and continuo |
— |
| Henry the Second, Z.580 (Purcell, Henry) for soprano, bass, strings and continuo |
— |
| I Look'd and Saw within the Book of Fate (Act II) from The Indian Emperor, Z.598 (Purcell, Henry) for tenor and continuo |
— |
Retired from Any Mortal's Sight (Act IV) from King Richard the Second, Z.581 (Purcell, Henry) for soprano and continuo
tenor and continuo |
— |
| At the Close of the Evening (Act III) from The Knight of Malta, Z.599 (Purcell, Henry) for 3 voices |
— |
| The Maid's Last Prayer, Z.601 (Purcell, Henry) for soprano, alto and continuo |
— |
As Soon as the Chaos (Act V) from The Marriage-Hater Matched, Z.602 (Purcell, Henry) for soprano, bass and continuo
tenor, bass and continuo |
— |
| The Massacre of Paris, Z.604 (Purcell, Henry) for soprano, bass and continuo |
— |
| The Mock Marriage, Z.605 (Purcell, Henry) for soprano and continuo |
— |
| Te Deum, Z.230 (Purcell, Henry) for mixed chorus and continuo |
— |