| Composition |
Published |
| Piano Sonata No. 3, Op. 2 No. 3 (Beethoven, Ludwig van) for piano |
1868 |
| I Know that my Redeemer Liveth (Part III, No.45) from Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for violin and continuo |
|
| Aria: Angels ever bright and fair (Act I, Sc.5, No.24) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Air: Je ressens un plaisir extreme (Act II, Scene 1) from Atys (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1793 |
| Admeto, HWV 22 (Handel, George Frideric) for voices, mixed chorus and orchestra |
1737 |
| Aria: Dove sei, amato bene? (Act I, sc.6) from Arrangement of Aria: Dove sei, amato bene? (Act I, sc.6) from Rodelinda, regina de' Longobardi, HWV 19 (Handel, George Frideric) for voice and continuo |
1781 |
| Castor et Pollux, RCT 32 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Vi ravviso a luoghi ameni from Arrangement of Vi ravviso a luoghi ameni from La sonnambula (Bellini, Vincenzo) for violin and piano |
1886 |
| Fantasie No. 4, Op. 12 (Sor, Fernando) for guitar |
|
Canzoni da suonare, Op. 17 (Merula, Tarquinio) for 2 violins and continuo
violin, violone and continuo
2 violins, violone and continuo |
|
| Overture from L'Olimpiade (Leo, Leonardo) for 7 voices, mixed chorus and orchestra |
|
| Miserere (Leo, Leonardo) for 2 mixed chorus and continuo |
|
| Arrangement of Montezuma, GraunWV B:I:29 (Graun, Karl Heinrich) for voice and continuo |
|
| Air: Calmez, calmez cette colère (Act I, Scene 2) from Ariodant (Méhul, Etienne Nicolas) for voices and orchestra |
1802 |
Arrangement of Selections from Maison à vendre (Dalayrac, Nicolas) for voice and piano
voice and harp |
|
| [Jeunes amans] Pour parer le front de mon père (Scene I) from L'amour filial, Op. 30 (Gaveaux, Pierre) for voices and orchestra |
1802 |
To Sing My Songs (No.1a) from A Collection of Songs (Leveridge, Richard) for voice and continuo
voice, mixed chorus and continuo
2 voices and continuo
3 voices and continuo
voice, recorder and continuo
voice, violin and continuo |
|
| Canon in G major, BWV 1076 (Bach, Johann Sebastian) for 6 Unspecified instruments |
1746 |
| Canon in G major, BWV 1076 (Bach, Johann Sebastian) for 6 Unspecified instruments |
1748 |
| Der Fluyten Lust-Hof (Eyck, Jacob van) for recorder |
1662 |
| Der Fluyten Lust-Hof (Eyck, Jacob van) for recorder |
1684 |
| Oedipe à Colone (Sacchini, Antonio) for voices, mixed chorus and orchestra |
1802 |
Recueil d'airs sérieux et à boire (Various) for voice and continuo
2 voices |
|
Recueil d'airs sérieux et à boire (Various) for voice and continuo
2 voices |
1718 |
Recueil d'airs sérieux et à boire (Various) for voice and continuo
2 voices |
1722 |
| Oculus non vidit, LV 594 (Lassus, Orlande de) for 2 voices |
|
| Arrangement of O ma tendre musette (Monsigny, Pierre-Alexandre) for voice and keyboard |
1862 |
| Non nobis Domine (Anonymous) for 3 voices |
|
| Allegro in G major, K.72a (Mozart, Wolfgang Amadeus) for piano |
1770 |
| Fanfare in C major (Reiche, Gottfried) for trumpet |
1726 |
16. Amity (Psalm 133) from The American Singing Book (Read, Daniel) for mixed chorus
4 voices |
1786 |
The Boston Handel and Haydn Society Collection of Church Music (Mason, Lowell) for 3 voices and organ
4 voices and organ
3 voices and piano
4 voices and piano |
|
| Madonna per voi ardo (Verdelot, Philippe) for 4 voices |
|
| Crudel, di che peccato a doler t'hai (Da Reggia, Hoste) for 3 voices |
|
Vestiva i colli (Palestrina, Giovanni Pierluigi da) for 5 voices
mixed chorus |
|
Vestiva i colli (Palestrina, Giovanni Pierluigi da) for 5 voices
mixed chorus |
|
| Bonjour mon cœur (Castro, Jean de) for 3 voices |
|
| Arrangement of Oboe Concerto No. 1 in C major (Fischer, Johann Christian) for harpsichord |
|
| Il trionfo della fedeltà (Walpurgis, Maria Antonia) for voices, mixed chorus and orchestra |
|
| Allegro (No.1) from Flute Concerto in A major, QV 5:218 (Quantz, Johann Joachim) for flute, strings and continuo |
1735 |
| 5. Duet in B flat major , RH 167 from 6 Violin Duets, Op. 7 (Gossec, François Joseph) for 2 violins |
|
Les danses amuzantes, Op. 4 (Chédeville, Nicolas) for 2 musettes
2 vielles
2 oboes
2 flutes
2 violins
2 sopranos |
1775 |
| Aria: Gentle Sighs a While Relieve Us (Act I, Scene 11) from Pyrrhus and Demetrius (Haym, Nicola Francesco) for voices, mixed chorus and orchestra |
|
| Al fin m'ucciderete, H.21 (Scarlatti, Alessandro) for soprano and continuo |
|
| Violin Sonata in E minor, Op. 5 No. 8 (Corelli, Arcangelo) for violin and continuo |
|
| Violin Sonata in D major, Op. 5 No. 1 (Corelli, Arcangelo) for violin and continuo |
|
| Violin Sonata in D major, Op. 5 No. 1 (Corelli, Arcangelo) for violin and continuo |
|
| 2. Allegro from Violin Sonata in A major, Op. 5 No. 6 (Corelli, Arcangelo) for violin and continuo |
|
La marche royale (Philidor l'ainé, André Danican) for 3 oboes
2 oboes and bassoon |
1678 |
| Un maudit lièvre vient chaque matin (Scene 1) from Le jardinier et son seigneur (Philidor, François Danican) for voices and orchestra |
1769 |
Nervi d'Orfeo (Van Haestens, Hendrik Lodewijcxszoon) for 5 voices
6 voices |
1640 |
| Quid tibi quidnam, LV 243 (Lassus, Orlande de) for 5 voices |
|
| Quid tibi quidnam, LV 243 (Lassus, Orlande de) for 5 voices |
|
| Edite Caesareo boiorum (No.1) from Edite Caesareo boiorum, LV 344 (Lassus, Orlande de) for 8 voices |
1668 |
| Media vita in morte sumus (Anonymous) for |
|
| Si j'aime mon ami (Anonymous) for |
|
Cantiones sacrae de festis praecipuis totius anni (Praetorius, Hieronymus) for 5 voices and continuo
6 voices and continuo
7 voices and continuo
8 voices and continuo
10 voices and continuo
12 voices and continuo |
1640 |
| Arrangement of Antigona (Majo, Gian Francesco de) for voice and continuo |
|
| Gloria in excelsis Deo (Anonymous) for 4 voices |
1512 |
| Arrangement of Hélas quelle douleur (Servel, Edmond) for piccolo and piano |
1888 |
| Arrangement of Hélas quelle douleur (Servel, Edmond) for violin and piano |
1886 |
| Caecilia virgo gloriosa (Clemens non Papa, Jacobus) for 4 voices |
1569 |
| By that Lake, Whose Gloomy Shore (Moore, Thomas) for voice and piano |
1888 |
| Fiat cor meum immaculatum, IA 1150 (Anonymous) for voice and continuo |
|
| Arrangement of Adriano in Siria (Lampugnani, Giovanni Battista) for voice and continuo |
|
| In lectulo meo (Anonymous) for 4 voices |
1569 |
Balletti a tre voci (Gastoldi, Giovanni Giacomo) for 3 voices
lute
3 voices and lute |
1671 |
| Trio Sonata in G major (La Barre, Michel de) for continuo and 2 sopranos |
|
| Ecce quam bonum (Anonymous) for 8 voices |
1674 |
| Dolor che si crucii (Marotta, Erasmo) for 5 voices |
|
| Ghirlanda di madrigali a sei voci (Phalèse, Pierre) for 6 voices |
1660 |
| Ghirlanda di madrigali a sei voci (Phalèse, Pierre) for 6 voices |
1659 |
| Laude pia Dominum (Pevernage, André) for 5 voices |
|
| Las je ne sçay que dire (Anonymous) for |
|
| Choral Music Buch (Kluntz, Barbara) for organ |
|
| Quid vides (Martini, Giovanni Battista) for 2 voices |
|
| Ha quante cose qui tacendo passo (Burzio, Nicola) for 4 voices |
|
| Arrangement of Los locos (López, Félix Máximo) for piano |
1820 |
| Fiat cor meum immaculatum, IA 1158 (Anonymous) for 3 voices |
|
| Beauty Retire (Pepys, Samuel) for voice and continuo |
1666 |
| O morte perche mi fuggi (Patavino, Francesco) for 4 voices |
|
| Le cruel Mars (Anonymous) for 4 voices |
|
| Lauda Sion, MH 215 (Haydn, Michael) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Charon, o Charon, Heare a Wretch Opprest (Ramsey, Robert) for voice and continuo |
|
| Arrangement of Je l'ay ayme bien ung an (Anonymous) for lute |
1550 |
| Marche lugubre, RH 617 (Gossec, François Joseph) for wind ensemble, brass ensemble and percussion |
1791 |
| Il fanatico per la musica (Caruso, Luigi) for voices, mixed chorus and orchestra |
|
| Cara ti lascio addio (Act II, Scene 6) from Vologeso, re de' Parti (Pulli, Pietro) for voices, mixed chorus and orchestra |
|
| Madonna, i prieghi miei son che saper vorrei (Maistre Jhan) for 6 voices |
|
| Variations on The Queen of Prussia's Waltz (Gelinek, Joseph) for piano |
|
| Non vedrete mai cambiar gli affetti (Leo, Leonardo) for soprano, strings and continuo |
|
Convito musicale (Vecchi, Orazio) for 3 voices
4 voices
5 voices
6 voices
7 voices
8 voices |
|
| Sonata No.3 in C major: I. Andante from 6 Trio Sonatas, Op. 1 (Pugnani, Gaetano) for 2 violins and continuo |
|
| Un bien petit, LV 441 (Lassus, Orlande de) for 5 voices |
1630 |
Trio Sonata in E minor, Op. 3 No. 7 (Corelli, Arcangelo) for 2 violins, violone and continuo
lute, 2 violins and continuo
2 violins, violone and organ
lute, 2 violins and organ |
|
| Aria: Vanne o Padre è l'astro altero from Dunque sia vero o Padre (Aurisicchio, Antonio) for soprano and orchestra |
|
| Te Deum de la fédération, RH 602 (Gossec, François Joseph) for male chorus and orchestra |
1791 |
| Di farmi ritrattar non fu mio voto (Pisari, Pasquale) for 12 voices |
|
| Caeli caelorum laudate Deum (Paolucci, Giuseppe) for 4 voices |
|
| Caro mea (Carcani, Giacomo) for 4 voices |
|
| Vaterlandslied, H.731 (Bach, Carl Philipp Emanuel) for voice and continuo |
1775 |
| The Lord Is My Shepherd (Jackson, Thomas) for 3 voices |
|
| Aria: Tempeste il mar minaccia from Il trionfo di Clelia (Michl, Josef Willibald) for voices and orchestra |
|
| In due luci vezzosette (Anonymous) for soprano and continuo |
|
| La partenza (Broschi, Carlo) for voice and continuo |
|
| Gentem nec cantus (Abbati-Olivieri, Vincenzo) for soprano, alto and bass |
|
Canon alpha cum omega (Basili, Andrea) for 2 voices
3 voices
4 voices
2 Unspecified instruments
3 Unspecified instruments
4 Unspecified instruments |
|