Compositions with Giovanni Paolo Cima as composer
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Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Ricercare per Organo (Ricercar sesto) | Giovanni Paolo Cima, composer | organ | Baroque | Ricercars |  |
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| Hodie Christus natus est | Giovanni Paolo Cima, composer | G minor | soprano, alto, tenor and bass | Baroque | Motets | |
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| Veni sponsa Christi (à 1. Alto solo) | Giovanni Paolo Cima, composer | alto and continuo | Baroque | Motets | |
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| Surge propera (à 2. Doi soprani in Ecco) | Giovanni Paolo Cima, composer | continuo and 2 sopranos soprano, tenor and continuo |
Baroque | Motets | |
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| Ad te desiderat (à 2. Canto e Basso) | Giovanni Paolo Cima, composer | soprano, bass and continuo | Baroque | Motets | |
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| Adiuro vos, filiae Hierusalem (à1. Canto over Tenore) | Giovanni Paolo Cima, composer | soprano and continuo tenor and continuo |
Baroque | Motets | |
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| Beati (à 2. Canto e Basso) | Giovanni Paolo Cima, composer | soprano, bass and continuo | Baroque | Motets | |
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| Benedicam Dominum (à 2. Canto & Tenore) | Giovanni Paolo Cima, composer | soprano, tenor and continuo | Baroque | Motets | |
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| Cantantibus organis (à 1. Alto solo) | Giovanni Paolo Cima, composer | alto and continuo | Baroque | Motets | |
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| Cantate Domino (à 2. Doi Bassi) | Giovanni Paolo Cima, composer | continuo and 2 basses | Baroque | Motets | |
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| Confitemini Domino (à 1. Canto over Tenore) | Giovanni Paolo Cima, composer | soprano and continuo tenor and continuo |
Baroque | Motets | |
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| Cor mundum (à 2. Canto e Basso) | Giovanni Paolo Cima, composer | soprano, bass and continuo | Baroque | Motets | |
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| Exaudi Domine (à 2. Canto & Tenore) | Giovanni Paolo Cima, composer | soprano, tenor and continuo | Baroque | Motets | |
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| Iubilate Deo (à 2. Canto & Alto) | Giovanni Paolo Cima, composer | soprano, alto and continuo | Baroque | Motets | |
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| Iustus ut palma florebit (à 2. Doi Bassi) | Giovanni Paolo Cima, composer | continuo and 2 basses | Baroque | Motets | |
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| Nativitas tua Dei genitrix (à 1. Canto solo) | Giovanni Paolo Cima, composer | soprano and continuo | Baroque | Motets |  |
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| O Domine (à 2. Canto e Basso) | Giovanni Paolo Cima, composer | soprano, bass and continuo | Baroque | Motets | |
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| O dulcedo meliflua (à 1. Canto solo) | Giovanni Paolo Cima, composer | soprano and continuo | Baroque | Motets | |
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| O Sacrum (à 2. Doi soprani in Ecco) | Giovanni Paolo Cima, composer | continuo and 2 sopranos soprano, tenor and continuo |
Baroque | Motets | |
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| O vos omnes (à 2. Canto e Basso) | Giovanni Paolo Cima, composer | soprano, bass and continuo | Baroque | Motets | |
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| Quam pulchra es (à 2. Canto & Alto) | Giovanni Paolo Cima, composer | soprano, alto and continuo | Baroque | Motets | |
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| Concerti Ecclesiastici ({{TPtr}} :Concerti Ecclesiastici, a una, due, tre, quattro voci con doi a cinque, et uno a otto. Messa, e doi Magnificat, et Falsi Bordoni à 4 Et sei sonate, per strumenti à due, tre e quattro) | Giovanni Paolo Cima, composer | voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo 5 voices and continuo 8 voices and continuo cornett, trombone and continuo soprano, bass and continuo violin, violone and continuo cornett, violin, violone and continuo cornett, trombone, violin, violone and continuo soprano, alto, tenor, bass and continuo |
Baroque | Motets, Masses, Magnificats, Sonatas, Chants | |
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| Gustate et videte (à 3. Doi Canti e Basso) | Giovanni Paolo Cima, composer | 2 sopranos, bass and continuo soprano, tenor, bass and continuo |
Baroque | Motets | |
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| Vidi speciosam (à 3. Doi Canti e Tenore) | Giovanni Paolo Cima, composer | 2 sopranos, tenor and continuo | Baroque | Motets | |
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| Vulnerasti cor meum (à 3. Canto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, tenor, bass and continuo | Baroque | Motets | |
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| Mirabile mysterium (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Motets | |
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| Misericordias tuas (à 5. Canto, Quinto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | 2 sopranos, alto, tenor, bass and continuo | Baroque | Motets | |
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| Sonata à 2. Violino e Violone | Giovanni Paolo Cima, composer | violin, violone and continuo | Baroque | Sonatas | |
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| Ardens est (à 3. Doi Canti e Basso) | Giovanni Paolo Cima, composer | soprano, tenor, bass and continuo | Baroque | Motets | |
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| Assumpta est Maria (à 8, à doi chori) | Giovanni Paolo Cima, composer | 2 sopranos, 2 altos, 2 tenors, 2 basses and continuo | Baroque | Motets | |
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| Beata es Virgo Maria (à 3. Doi Soprani e Basso) | Giovanni Paolo Cima, composer | 2 sopranos, bass and continuo | Baroque | Motets | |
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| Capriccio (à 2) | Giovanni Paolo Cima, composer | soprano, bass and continuo | Baroque | Capriccios | |
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| Confitebor (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Psalms, Motets | |
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| Ecce Maria (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Motets | |
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| Egrediamur (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo |
Baroque | Motets | |
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| Exaudi Deus (à 3. Canto, Alto e Basso) | Giovanni Paolo Cima, composer | soprano, alto, bass and continuo | Baroque | Motets | |
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| Falsi Bordoni (1.-8. Tono) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Pieces | |
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| Gaudeamus omnes in Domino (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Motets | |
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| Haec dies (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Motets | |
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| Laudate Dominum (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Motets | |
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| Magnificat Quinti Toni (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Magnificats | |
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| Magnificat Sesti Toni (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Magnificats | |
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| Messa (à 4. Canto, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Masses | |
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| Non turbetur (à 3. Canto, Alto e Basso) | Giovanni Paolo Cima, composer | soprano, alto, bass and continuo | Baroque | Motets | |
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| O altitudo divitiarum (à 3. Canto, Alto e Tenore over Alto, Tenore e Basso alla quinta) | Giovanni Paolo Cima, composer | soprano, alto, tenor and continuo alto, tenor, bass and continuo |
Baroque | Motets | |
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| Ornaverunt (à 5. Canto I, Canto II, Alto, Tenore e Basso) | Giovanni Paolo Cima, composer | 2 sopranos, alto, tenor, bass and continuo | Baroque | Motets | |
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| Quae est illa (à 3. Doi Canti e Tenore) | Giovanni Paolo Cima, composer | 2 sopranos, tenor and continuo | Baroque | Motets | |
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| Sonata à 4 | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Sonatas | |
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| Sonata à 2. Per Cornetto & Trombone, overo Violino ò Violone | Giovanni Paolo Cima, composer | cornett, trombone and continuo violin, violone and continuo |
Baroque | Sonatas | |
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| Sonata à 3. Violino, Cornetto e Violone | Giovanni Paolo Cima, composer | cornett, violin, violone and continuo | Baroque | Sonatas | |
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| Canzon 14 (La gustosa. Canzon 14) | Giovanni Paolo Cima, composer | F major | keyboard organ harpsichord |
Renaissance | Canzonas | |
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| Canzon 1 'La Morosa' (La morosa. Canzon 1) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 4 - La Pace (La pace. Canzon 4) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 10 | Giovanni Paolo Cima, composer | C major | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 6 'La Vaga' (La vaga. Canzon 6) | Giovanni Paolo Cima, composer | G minor | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 12 'La Doppia' (La doppia. Canzon 12) | Giovanni Paolo Cima, composer | F major | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 15 ' La Scabrosa' (La scabrosa. Canzon 15) | Giovanni Paolo Cima, composer | A minor | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Bicinium No. 34 | Giovanni Paolo Cima, composer | F major | 2 Unspecified instruments | Renaissance | Bicinia | |
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| Canzon 3 'La Gentile' (La gentile. Canzon 3) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 13 | Giovanni Paolo Cima, composer | F major | keyboard organ harpsichord |
Renaissance | Canzonas | |
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| Canzon 2 'La Valeria' (La Valeria. Canzon 2) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 5 'La Curta' (La Curta. Canzon 5) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 9 'La Gratiosa' (La gratiosa. Canzon 9) | Giovanni Paolo Cima, composer | C major | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Canzon 16 'La Novella' (La novella. Canzon 16. Di Andrea Cima) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Vox dilecti mei | Giovanni Paolo Cima, composer | soprano, alto, tenor, bass and continuo | Baroque | Motets | |
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| Fratres quidnam videmus | Giovanni Paolo Cima, composer | 4 voices and continuo | Baroque | Motets | |
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| Partito de Ricercari, & Canzoni alla Francese (Partito de Ricercari, & Canzoni alla Francese, di Giovan Paolo Cima Organista alla gloriosa Madonna presso S. Celso.) | Giovanni Paolo Cima, composer | Y.125 | keyboard clavichord organ harpsichord 4 Unspecified instruments |
Renaissance | Ricercars, Canzonas, Pieces, Fantasias, Capriccios | |
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| Capriccio 8 (Canzon 8) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Capriccios | |
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| Ricercar primo (Ricercar 1) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Fantasia 7 (in place of Ricercar 7) | Giovanni Paolo Cima, composer | keyboard organ harpsichord 4 Unspecified instruments |
Renaissance | Fantasias | |
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| Ricercar secondo (RIcercar 2) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Ricercar quarto (Ricercar 4) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Ricercar terzo (RIcercar 3) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Ricercar quinto (Ricercar 5) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Ricercar sesto (Ricercar 6) | Giovanni Paolo Cima, composer | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Ricercar settimo (Ricercar 7) | Giovanni Paolo Cima, composer | F major | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Canzon 11 'La Tripola' (La tripola. Canzon 11.) | Giovanni Paolo Cima, composer | C major | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Canzonas | |
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| Ricercar Secondo tono | Giovanni Paolo Cima, composer | G minor | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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| Ricercar Quinto tono | Giovanni Paolo Cima, composer | C major | keyboard harpsichord organ 4 Unspecified instruments |
Renaissance | Ricercars | |
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