| Description |
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| No.1, Ariette: "Au théâtre" (Act I, No.1) |
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| No.2, Ballade: "Dans la rue" (Act I, No.3) |
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| No.4, Duettino: "Honneur donc au galant orfèvre" (Act I, No.4b) |
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| No.5, Duo: "Quoi mylord!" (Act I, No.5) |
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| No.6, Cavatine: "À sa voix, à sa vue" (Act I, No.6a) |
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| No.7, Couplets: "Écoutez bien ce passage" (Act I, No.6b) |
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| No.8, Terzetto: "Clarence, cétait toi..." (Act I, No.6c) |
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| No.9, Fantaisie: "Cette vermeille rose" (Act II, No.7) |
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| No.10, Grand duo: "La voilà donc bonheur suprême" (Act II, No.8a) |
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| No.11, Terzetto: "Mylord! que le ciel me pardonne" (Act II, No.8b) |
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| No.12, Air: "Pour calmer vos chagrins" (Act II, No.9) |
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| No.13, Rondo: "Il faudrait une journée" (Act II, No.10) |
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| No.14, Couplets et cavatine: "Tu m'as chassé" (Act II, No.11) |
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| No.16, Couplets: "Halte-là Messieurs" (Act III, No.14) |
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| No.17, Cantabile: "Sauve, ô mon Dieu!" (Act III, No.15) |
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| No.18, Duo: "Non, non, sur le champ" (Act III, No.16) |
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| No.19, Mélodie: "Chanter, ô terreurs!" (Act III, No.17a) |
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| No.20, Variations: "Sur un fragile esquif" (Act III, No.17b) |
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