| Composition |
Published |
| Ballet des saisons, LWV 15 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass |
1700 |
| Proserpine, LWV 58 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1680 |
| Bellérophon, LWV 57 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1679 |
| Ballet du temple de la paix, LWV 69 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1685 |
| Achille et Polixène, LWV 74 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1687 |
| Persée, LWV 60 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1682 |
| Persée, LWV 60 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1722 |
| Thésée, LWV 51 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1688 |
| Phaëton, LWV 61 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1683 |
| Amadis, LWV 63 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Amadis, LWV 63 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1684 |
| Amadis, LWV 63 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1711 |
| Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
1686 |
| Le triomphe de l'amour, LWV 59 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1681 |
| Le triomphe de la Raison sur l'Amour (Lully, Jean-Baptiste de) for voices, mixed chorus and orchestra |
1697 |
| Oeuvres complètes d'orgue (Boyvin, Jacques) for organ |
|
| Oeuvres complètes d'orgue (Boyvin, Jacques) for organ |
|
| Alcyone (Marais, Marin) for voices, strings and continuo |
1730 |
| Pièces de clavecin, Livre 1 (Marchand, Louis) for harpsichord |
1702 |
| Pièces de clavecin, Livre 2 (Marchand, Louis) for harpsichord |
1702 |
| Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1689 |
| 1742 Version from Hippolyte et Aricie, RCT 43 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
1742 |
| Hippolyte et Aricie, RCT 43 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1708 |
| Tancrède (Campra, André) for voices, mixed chorus and orchestra |
1702 |
| Tancrède (Campra, André) for voices, mixed chorus and orchestra |
1738 |
| Traité de la viole (Rousseau, Jean) for viol |
1687 |
| Premier livre de tabelature de luth (Bakfark, Bálint) for lute |
1564 |
| Vénus et Adonis (Desmarets, Henri) for voices, mixed chorus and orchestra |
1697 |
| Les amours de Momus (Desmarets, Henri) for mixed chorus and orchestra |
1695 |
| Théagène et Cariclée (Desmarets, Henri) for voices, mixed chorus and orchestra |
|
| Amadis de Grèce (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
|
| Amadis de Grèce (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
1712 |
| Motets pour la chapelle du Roy (Du Mont, Henry) for voices, mixed chorus, strings and continuo or soprano, alto, 2 tenors, bass, mixed chorus, strings and continuo or soprano, alto, 2 tenors, bass, mixed chorus, strings and continuo |
1686 |
| Alcide (Marais, Marin) for voices, mixed chorus and orchestra |
|
| Hésione (Campra, André) for voices and orchestra |
1700 |
| Hésione (Campra, André) for voices and orchestra |
1701 |
| Hésione (Campra, André) for voices and orchestra |
1701 |
| Hésione (Campra, André) for voices and orchestra |
1701 |
| Pièces pour la flûte traversiere, Op. 2 (Hotteterre, Jacques) for flute and continuo or 2 flutes or 2 flutes and continuo or flute |
1708 |
| Motets, Livre 1 (Bournonville, Jacques de) for voice and continuo or 2 voices and continuo or voice, violin and continuo |
1711 |
| L'Europe galante (Campra, André) for voices, mixed chorus and orchestra |
1697 |
| L'Europe galante (Campra, André) for voices, mixed chorus and orchestra |
1697 |
| Les âges (Campra, André) for voices, mixed chorus and orchestra |
1718 |
| Hippodamie (Campra, André) for voices and orchestra |
1708 |
| Silène et Bacchus (Campra, André) for bass, violin and continuo |
|
| Veni creator Spiritus (Bournonville, Jacques de) for 2 voices and continuo |
1711 |
| In convertendo Dominus (Bournonville, Jacques de) for 2 voices and continuo |
1711 |
| Laudate pueri Dominum (Bournonville, Jacques de) for voice, violin and continuo |
1711 |
| Circé (Desmarets, Henri) for voices and orchestra |
1694 |
| Circé (Desmarets, Henri) for voices and orchestra |
1694 |
| La Veuve coquette from Les Fêtes de Thalie (Mouret, Jean-Joseph) for voices, mixed chorus and orchestra |
1715 |
| Ballet des saisons (Collasse, Pascal) for voices, mixed chorus and orchestra |
1695 |
| Ballet des saisons (Collasse, Pascal) for voices, mixed chorus and orchestra |
1700 |
| French from Dictionnaire de musique (Brossard, Sébastien de) |
1703 |
| Secular Vocal Works (Couperin, François) for voice and continuo or 2 voices and continuo or voice and orchestra |
1701 |
| Secular Vocal Works (Couperin, François) for voice and continuo or 2 voices and continuo or voice and orchestra |
1697 |
| Secular Vocal Works (Couperin, François) for voice and continuo or 2 voices and continuo or voice and orchestra |
1711 |
| Motets, Livre 2 (Campra, André) for voice and continuo or voice, 2 violins and continuo or 2 voices and continuo or 2 voices, 2 violins and continuo or 3 voices and continuo |
1711 |
| Acis et Galatée, LWV 73 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1686 |
| Acis et Galatée, LWV 73 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Acis et Galatée, LWV 73 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Lamentationes Jeremiae prophetae (Nivers, Guillaume-Gabriel) for voice |
1719 |
| Lamentationes Jeremiae prophetae (Nivers, Guillaume-Gabriel) for voice |
1723 |
| Livre d'orgue contenant cent pièces de tous les tons de l'Église (Nivers, Guillaume-Gabriel) for organ |
1665 |
| Airs nouveaux sérieux et à boire (Bousset, Jean-Baptiste Drouart de) for voice and continuo |
1703 |
| Recueil d'airs sérieux et à boire (Various) for voice and continuo or 2 voices |
1701 |
| Recueil d'airs sérieux et à boire (Various) for voice and continuo or 2 voices |
1702 |
| Recueil d'airs sérieux et à boire (Various) for voice and continuo or 2 voices |
1709 |
| Recueil d'airs sérieux et à boire (Various) for voice and continuo or 2 voices |
|
| Recueil d'airs sérieux et à boire (Various) for voice and continuo or 2 voices |
|
| Elévations et motets à II et III voix et à voix seule (Brossard, Sébastien de) for voice, 2 violins and continuo or voice, 2 violins and organ or voice, 2 flutes and continuo or voice, 2 flutes and organ or 2 voices, 2 violins and continuo or 2 voices, 2 violins and organ or 2 voices, 2 flutes and continuo or 2 voices, 2 flutes and organ or 3 voices and continuo or 3 voices and organ |
1699 |
| Les Muses (Campra, André) for voices and orchestra or voices, strings and continuo |
1703 |
| Livre 1 from Cantates françoises (Campra, André) for voice and continuo or voices and continuo or oboe, trumpet, flute and violin |
1708 |
| Livre 1 from Cantates françoises (Campra, André) for voice and continuo or voices and continuo or oboe, trumpet, flute and violin |
1708 |
| Livre 2 from Cantates françoises (Campra, André) for voice and continuo or voices and continuo or oboe, trumpet, flute and violin |
1714 |
| Brunetes (Ballard, Christophe) for voice and continuo or 2 voices and continuo or 2 voices or 3 voices or voice |
1703 |
| Brunetes (Ballard, Christophe) for voice and continuo or 2 voices and continuo or 2 voices or 3 voices or voice |
|
| Pseaumes en vers mezurez (Le Jeune, Claude) for 2 voices or 3 voices or soprano, alto, tenor and bass or 5 voices or 6 voices or 7 voices or 8 voices or 2 mixed chorus |
|
| Pseaumes en vers mezurez (Le Jeune, Claude) for 2 voices or 3 voices or soprano, alto, tenor and bass or 5 voices or 6 voices or 7 voices or 8 voices or 2 mixed chorus |
1606 |
| Les 150 Pseaumes de David (Le Jeune, Claude) for 4 voices or 5 voices |
1613 |
| Le printemps (Le Jeune, Claude) for 2 voices or 3 voices or 4 voices or 5 voices or 6 voices or 7 voices or 8 voices |
|
| Les fêtes vénitiennes (Campra, André) for voices, mixed chorus and orchestra |
1714 |
| Les fêtes vénitiennes (Campra, André) for voices, mixed chorus and orchestra |
1731 |
| Les fêtes vénitiennes (Campra, André) for voices, mixed chorus and orchestra |
1731 |
| Thétis et Pélée (Collasse, Pascal) for voices, mixed chorus and orchestra |
1716 |
| Les principes du clavecin (Saint-Lambert, Michel de) for harpsichord |
1702 |
| Médée, H.491 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra |
1694 |
| Airs de cour avec la tablature de luth (Boësset, Antoine de) for voice and lute |
1624 |
| Fantasie 1 (Du Caurroy, Eustache) for 2 sopranos and bass |
1610 |
| Les Lamentations du prophète Jérémie (Brossard, Sébastien de) for voice and continuo |
1721 |
| Les élémens, S.153 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
1725 |
| Les élémens, S.153 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
1742 |
| Airs de cour (Moulinié, Étienne) for voice and lute |
|
| Airs de cour (Moulinié, Étienne) for voice and lute |
|
| 4 Versets d'un motet (Couperin, François) for 2 sopranos, 2 flutes, violin and continuo |
|
| 7 Versets du motet composé de l'ordre du roy, 1705 (Couperin, François) for voices, 2 flutes, 2 violins and continuo or voices, 2 oboes, 2 violins and continuo |
1705 |
| 7 Versets du motet composé de l'ordre du roy, 1705 (Couperin, François) for voices, 2 flutes, 2 violins and continuo or voices, 2 oboes, 2 violins and continuo |
1705 |
| Idylle sur le Paix, LWV 68 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1685 |
| Enée et Lavinie (Collasse, Pascal) for voices and orchestra |
1690 |
| La Reine Turnus (Act III, Scene 1) from Enée et Lavinie (Collasse, Pascal) for voices and orchestra |
1690 |
| Pièces en trio, Livre 1 (La Barre, Michel de) for 2 violins and continuo or 2 flutes and continuo or 2 oboes and continuo |
1707 |
| Fantasies a 3, 4, 5 et 6 parties (Du Caurroy, Eustache) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments |
1610 |
| 25 Chansons à 4 parties, Livre 3 (Bertrand, Anthoine de) for 4 voices |
1578 |
| Iphigénie en Tauride (Desmarets, Henri) for voices, mixed chorus and orchestra |
1733 |
| Didon (Desmarets, Henri) for voices and orchestra |
1693 |
| Callirhoé (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
1712 |
| Callirhoé (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
1713 |
| Muzio Scevola (Bononcini, Giovanni) for 9 voices and orchestra or 11 voices and orchestra |
1730 |
| 5 Messes en plein-chant (Du Mont, Henry) for voices |
|
| Nouveau traité de l'accompagnement (Saint-Lambert, Michel de) for harpsichord or organ or continuo |
1707 |
| Motets à une et deux voix (Morin, Jean-Baptiste) for voice and continuo or 2 voices and continuo or voice, violin and continuo or voice, flute and continuo or voice, recorder and continuo or voice, 2 violins and continuo or 2 voices, 2 violins and continuo |
|
| Motets à une et deux voix (Morin, Jean-Baptiste) for voice and continuo or 2 voices and continuo or voice, violin and continuo or voice, flute and continuo or voice, recorder and continuo or voice, 2 violins and continuo or 2 voices, 2 violins and continuo |
|
| Meslanges, Livre 2 (Le Jeune, Claude) for 4 voices or 5 voices or 6 voices or 8 voices or 10 voices |
|
| Meslanges, Livre 2 (Le Jeune, Claude) for 4 voices or 5 voices or 6 voices or 8 voices or 10 voices |
1612 |
| Achille et Deidamie (Campra, André) for voices, mixed chorus and orchestra |
1735 |
| Hymnes de l'Église (Titelouze, Jean) for organ |
|
| Impara a non dar fede (Bononcini, Giovanni) for soprano and continuo or alto and continuo |
1727 |
| Airs de cour, Livre 4 (Boësset, Antoine de) for 4 voices or 5 voices |
1689 |
| Airs de cour, Livre 2 (Boësset, Antoine de) for 4 voices or 5 voices |
1688 |
| Airs de cour, Livre 3 (Boësset, Antoine de) for 4 voices or 5 voices |
1688 |
| Airs de cour, Livre 5 (Boësset, Antoine de) for 4 voices or 5 voices |
1689 |
| Airs de cour, Livre 6 (Boësset, Antoine de) for 4 voices or 5 voices |
1689 |
| Airs de cour, Livre 7 (Boësset, Antoine de) for 4 voices or 5 voices |
1689 |
| Airs de cour, Livre 8 (Boësset, Antoine de) for 4 voices or 5 voices |
1689 |
| Airs de cour, Livre 9 (Boësset, Antoine de) for 4 voices or 5 voices |
1688 |
| Les Stratagèmes de l'amour (Destouches, André Cardinal) for voices and orchestra |
1726 |
| Les Festes grecques et romaines (Colin de Blamont, François) for voices and orchestra |
1723 |
| Airs de cour, Livre 1 (Boësset, Antoine de) for 4 voices or 5 voices |
1689 |
| La feste de Diane (Colin de Blamont, François) for voices and orchestra |
1734 |
| Edition avec paroles morales from Dodecacorde (Le Jeune, Claude) for 2 voices or 3 voices or 4 voices or 5 voices or 6 voices or 7 voices |
1618 |
| Cantiques spirituels (Collasse, Pascal) for 3 voices, female chorus and orchestra |
1695 |
| Astrée (Collasse, Pascal) for voices, mixed chorus and orchestra |
|
| Achille et Polixène (Collasse, Pascal) for voices and orchestra |
1687 |
| Polixène et Pirrhus (Collasse, Pascal) for voices, mixed chorus and orchestra |
1706 |
| Tarsis et Zélie (Francœur, François) for voices and orchestra |
1728 |
| Pirame et Thisbé (Francœur, François) for voices and orchestra |
|
| Le Tombeau de Clorinde (Dornel, Antoine) for 2 violins, continuo and bass or baritone, 2 violins and continuo |
1723 |
| Cantiques spirituels à deux voix (Macé, Denis) for 2 voices |
1639 |
| Airs à quatre parties (Macé, Denis) for 4 voices |
1634 |
| Tablature de luth de differens auteurs (Ballard, Pierre) for lute |
1631 |
| Chansons de plusieurs autheurs, Livre 2 (Le Roy, Adrien) for 4 voices |
1554 |
| Chansons de plusieurs autheurs, Livre 2 (Le Roy, Adrien) for 4 voices |
1564 |
| Meslanges de musique latine, française et italienne divisez par saisons (Ballard, Jean-Baptiste Christophe) for voices and continuo |
1727 |
| Do, do, l’enfant do (Boismortier, Joseph Bodin de) for 3 voices |
1727 |
| Prodromus musicalis ou elevation et motets, Op. 1 (Brossard, Sébastien de) for voice and organ |
1702 |
| Prodromus musicalis ou elevation et motets, Op. 1 (Brossard, Sébastien de) for voice and organ |
1702 |
| Principes trés-faciles pour bien apprendre la musique (L'Affilard, Michel) for voice or voice and continuo or 2 voices |
1697 |
| Principes trés-faciles pour bien apprendre la musique (L'Affilard, Michel) for voice or voice and continuo or 2 voices |
1717 |
| Principes trés-faciles pour bien apprendre la musique (L'Affilard, Michel) for voice or voice and continuo or 2 voices |
|
| Nouveau système de musique (Loulié, Etienne) |
|
| Symphonies divisées par suites de tons (Gautier, Pierre) for flute and continuo or violin and continuo or 2 flutes and continuo or 2 violins and continuo or flute, violin and continuo |
1707 |
| Symphonies divisées par suites de tons (Gautier, Pierre) for flute and continuo or violin and continuo or 2 flutes and continuo or 2 violins and continuo or flute, violin and continuo |
1707 |
| Les Amours déguisez (Bourgeois, Thomas-Louis) for voices and orchestra |
|
| Stances Chrétiennes (Oudot, Claude) for 2 sopranos, bass, strings and continuo or 2 sopranos, bass and orchestra or 2 sopranos, alto, strings and continuo |
|
| Stances Chrétiennes (Oudot, Claude) for 2 sopranos, bass, strings and continuo or 2 sopranos, bass and orchestra or 2 sopranos, alto, strings and continuo |
|
| Stances Chrétiennes (Oudot, Claude) for 2 sopranos, bass, strings and continuo or 2 sopranos, bass and orchestra or 2 sopranos, alto, strings and continuo |
|
| Recüeil de Chansons, Romances et Duo (Dauvergne, Antoine) for voice, harp and violin or 2 voices, harp and violin |
1636 |
| Pièces pour la flûte traversière, Livre 4 (La Barre, Michel de) for flute and continuo |
1703 |
| Pièces en trio, Livre 2 (La Barre, Michel de) for continuo and 2 sopranos |
1700 |
| Le Triomphe des Arts (La Barre, Michel de) for voices, mixed chorus and orchestra |
1700 |
| Pièces en trio, Livre 3 (La Barre, Michel de) for continuo and 2 sopranos |
1707 |
| Airs serieux et a boire (Naudé l’aîné, Jacques) for voice and continuo |
1730 |
| Airs de cour avec la tablature de luth (Richard, François) for voice and lute |
1637 |
| Airs de cour mis en tablature de luth (Boësset, Antoine de) for voice and lute |
|
| Airs à une, II. III. et IV. parties avec la basse-continue (Lambert, Michel) for voice and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or voices, 2 violins and continuo or voices, 2 flutes and continuo |
1689 |
| Airs à une, II. III. et IV. parties avec la basse-continue (Lambert, Michel) for voice and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or voices, 2 violins and continuo or voices, 2 flutes and continuo |
|
| Airs à une, II. III. et IV. parties avec la basse-continue (Lambert, Michel) for voice and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or voices, 2 violins and continuo or voices, 2 flutes and continuo |
|
| Antiphonarium romanum (Nivers, Guillaume-Gabriel) for voice |
1701 |
| Télèphe (Campra, André) for voices and orchestra |
|
| Endymion (Colin de Blamont, François) for voices and orchestra |
1731 |
| Chansons de plusieurs autheurs, Livre 7 (Le Roy, Adrien) for 4 voices |
1557 |
| Chansons de plusieurs autheurs, Livre 5 (Le Roy, Adrien) for 4 voices |
1556 |
| Chansons de plusieurs autheurs, Livre 5 (Le Roy, Adrien) for 4 voices |
1561 |
| Chansons de plusieurs autheurs, Livre 6 (Le Roy, Adrien) for 3 voices or 4 voices or 5 voices or 6 voices |
1556 |
| Chansons de plusieurs autheurs, Livre 6 (Le Roy, Adrien) for 3 voices or 4 voices or 5 voices or 6 voices |
1559 |
| Chansons de plusieurs autheurs, Livre 9 (Le Roy, Adrien) for 4 voices or 5 voices or 6 voices |
1559 |
| Chansons a 4 et 5 parties, LV 1565.9 (Lassus, Orlande de) for 4 voices or 5 voices |
1567 |
| Chansons a 4 et 5 parties, LV 1561.2 (Lassus, Orlande de) for 4 voices or 5 voices |
1561 |
| Chansons nouvellement composées en musique à 4, 5 et 6 parties (Arcadelt, Jacob) for 4 voices or 5 voices or 6 voices |
1561 |
| Chansons de plusieurs autheurs, Livre 4 (Le Roy, Adrien) for 4 voices |
1553 |
| Chansons de plusieurs autheurs, Livre 4 (Le Roy, Adrien) for 4 voices |
1553 |
| Chansons de plusieurs autheurs, Livre 4 (Le Roy, Adrien) for 4 voices |
1561 |
| Chansons de plusieurs autheurs, Livre 8 (Le Roy, Adrien) for 4 voices |
1557 |
| Chansons de plusieurs autheurs, Livre 8 (Le Roy, Adrien) for 4 voices |
1559 |
| Chansons de plusieurs autheurs, Livre 3 (Le Roy, Adrien) for 3 voices or 4 voices |
1554 |
| Chansons de plusieurs autheurs, Livre 3 (Le Roy, Adrien) for 3 voices or 4 voices |
1561 |
| Chansons de plusieurs autheurs, Livre 3 (Le Roy, Adrien) for 3 voices or 4 voices |
|
| Trio Sonata in G major (La Barre, Michel de) for continuo and 2 sopranos |
1707 |
| Pièces pour la flute traversiere, qui peuvent aussi se jouer sur le violon (Philidor, François) for flute and continuo or violin and continuo |
1716 |
| Recueil des motets (Campra, André) for voice and continuo or voice, 2 violins and continuo or 2 voices and continuo or 2 voices, 2 violins and continuo or 3 voices and continuo or 3 voices, 2 violins and continuo or mixed chorus and continuo or mixed chorus, strings and continuo |
|
| Octonaires de la vanité et inconstance du monde (Le Jeune, Claude) for 3 voices or 4 voices |
|
| Cantates françaises sur des sujets tirés de l’écriture, Livre 2 (Jacquet de La Guerre, Elisabeth) for soprano and continuo or soprano, violin and continuo or continuo and 2 sopranos or soprano, bass and continuo |
1711 |
| Cantates françaises sur des sujets tirés de l’Écriture, Livre 1 (Jacquet de La Guerre, Elisabeth) for soprano and continuo or soprano, violin and continuo |
1708 |
| 6 Sonatas for 2 Cellos, Op. 5 (Masse, Jean Baptiste) for 2 cellos or cello and continuo |
|
| Missa secundi toni (Aux-Cousteaux, Artus) for 5 voices |
|
| Airs faits et mis en tablature de luth (Rigaud, Louis de) for voice and lute |
1623 |
| Mellange de chansons (Various) for 5 voices or 6 voices or 7 voices or 8 voices |
1572 |
| Missa De mes ennuys (Goudimel, Claude) for 4 voices |
1558 |
| Missa Audi filia (Goudimel, Claude) for 4 voices |
1558 |
| Meslange de chansons, airs sérieux et à boire, Livre 2 (Bacilly, Bertrand de) for 2 voices or 3 voices or voice and continuo |
1674 |
| Méthode certaine pour apprendre le plein chant de l'Église (Nivers, Guillaume-Gabriel) for voice |
|
| Piissimae ac sacratissimae lamentationes Ieremiae Prophetae (Various) for 4 voices or 5 voices |
|
| Canticum beatae Mariae virginis (Various) for 4 voices or 6 voices |
|
| Cantates françoises à voix seule, avec symphonies. Livre premier (Stuck, Jean-Baptiste) for soprano, 2 violins and continuo or soprano, 2 violins, viola and continuo or soprano, flute, oboe, 2 violins and continuo or soprano, flute, 2 violins, viola and continuo |
1713 |
| Hypermnestre (Gervais, Charles-Hubert) for voices, mixed chorus and orchestra |
1716 |
| O dulcissime Jesu (Danielis, Daniel) for 2 voices and continuo |
1727 |
| Adoro te mea salus (Danielis, Daniel) for 2 voices and continuo |
1727 |
| Les Trois Pauvres Garçons (Deon) for 3 voices |
1727 |
| Le Réveil (Campra, André) for 2 voices |
1727 |
| La Bassinoire (Lemaire, Louis) for 2 voices or soprano and bass |
1727 |
| La libertà contenta (Steffani, Agostino) for 7 voices and orchestra |
1727 |
| Dialogus inter Christum et peccatores, H.425 (Charpentier, Marc-Antoine) for 3 voices and continuo |
1727 |
| Son come farfalletta (Anonymous) for soprano and continuo |
1727 |
| Le rivali concordi (Steffani, Agostino) for voices and orchestra |
1727 |
| Le Carillon de la Samaritaine (Deon) for 3 voices |
1727 |
| Brillez éclairs, grondez tonnerre (Desfontaines, Jean) for 2 voices |
1727 |
| Tombeau de Mademoiselle (Morel, Jacques) for voice and orchestra |
1727 |
| Cor prigioniero che vaneggiando (Cesarini, Carlo Francesco) for soprano and continuo |
1727 |
| Ha certe gratie in viso (Mancini, Francesco) for soprano and continuo |
1727 |
| Vorrei scoprirti un dì (Rossi, Luigi) for continuo and 2 sopranos |
1701 |
| Ismène et Isménias (Laborde, Jean-Benjamin de) for voices, mixed chorus and orchestra |
1763 |
| Airs spirituels (Bacilly, Bertrand de) for voice or voice and continuo or 2 voices and continuo |
1692 |
| Airs à deux parties (La Barre, Joseph de) for voice and continuo or 2 voices or 2 voices and continuo |
1669 |
| Meslanges d'airs serieux et à boire (Hurel, Charles) for voice and continuo or 2 voices and continuo or 3 voices and continuo |
1687 |
| Ballet de la reine représentant le soleil (Boësset, Antoine de) for voices and orchestra |
1624 |
| Ballet d'Apollon (Boësset, Antoine de) for voices and orchestra |
1624 |