Komm, Jesu, komm, BWV 229 (Bach, Johann Sebastian)
| Title | Komm, Jesu, komm |
| Alternative title | Come, Jesus, come |
| Creators | Johann Sebastian Bach, composer Paul Thymich, librettist |
| Opus | BWV 229 |
| Instrumentation | 2 mixed chorus 2 mixed chorus and orchestra |
| Number of movements | 2 |
| Keys | G minor |
| Composed | 1735 |
| First published | 1892 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Motets |
| Language | German |
| Period | Baroque |
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View |
| Code |  |
Sections
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Komm, Jesu, komm - | — | — | — |
| Aria: Drum schließ ich mich in deine Hände und sage, Welt, guter Nacht! | — | — | — |
Arrangements
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| View | Complete | — | Wendelin Bitzan |
Scores
| Details | Section | Type | Publisher | Date | File (click to view) |
|---|---|---|---|---|---|
| View | Complete | — | — | — | Complete Score |
| View | Complete | — | Möseler Verlag | — | Complete Score |
| View | Complete | — | — | — | Complete Score |
| View | Complete | — | — | — | Complete Score Engraving files (Capella) Engraving files (MusicXML) |
| View | Complete | parts | Möseler Verlag | — | Choral I: Sopranos/Violins I Choral I: Altos/Violins II Choral I: Tenors/Violas Choral II: Sopranos/Oboe 1/Violins I Choral II: Altos/Oboe 2/Violins II Choral II: Tenors/English Horn Choral II: Tenors/Violas Choral II: Basses/Bassoon/Cellos/Double Basses Choral I-II: Basses/Double Basses |
| View | Complete | Arrangement |
Wendelin Bitzan | 2020 | 2. Aria: Drum schließ ich mich in deine Hände |
Recordings/Performances
| Details | Type | Ensemble | Performers | Files (click to listen) |
|---|---|---|---|---|
| View | Gewandhausorchester Leipzig (orchestra) | Kurt Thomas, conductor Thomanerchor, performer |
Complete Performance | |
| View | — | Complete Performance | ||
| View | MIDI | — | Synthesized Performance |
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