| Composition |
Published |
| L'amour médecin, LWV 29 (Lully, Jean-Baptiste) for voices and orchestra |
1690 |
| Ballet des plaisirs, LWV 2 (Lully, Jean-Baptiste) for voices and orchestra |
1690 |
| Ballet de Flore, LWV 40 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1690 |
| Ballet de l'Impatience, LWV 14 (Lully, Jean-Baptiste) for voices and orchestra |
1690 |
| Ballet de la Raillerie, LWV 11 (Lully, Jean-Baptiste) for soprano, alto, 2 tenors and bass |
1690 |
| Ballet de l'Amour Malade, LWV 8 (Lully, Jean-Baptiste) for voices and orchestra |
1690 |
| Ballet de Xerces, LWV 12 (Lully, Jean-Baptiste) for soprano, alto, 2 tenors and bass |
1690 |
| Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra |
|
| Ballet from La naissance de Vénus, LWV 27 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1689 |
| Ballet les amours déguisés, LWV 21 (Lully, Jean-Baptiste) for voices and orchestra |
1690 |
| Les noces de Village, LWV 19 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1690 |
Trios de la Chambre du Roi, LWV 35 (Lully, Jean-Baptiste) for 2 viols and continuo
2 violins and continuo
2 oboes and continuo |
1705 |
Les jeux pithiens, LWV 42 (Lully, Jean-Baptiste) for voices and orchestra
voices, strings and continuo |
1690 |
Te Deum, LWV 55 (Lully, Jean-Baptiste) for 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Anima Christi sanctifica nos (No.1) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Ave coeli munus supernum (No.2) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Dixit Dominus, Domino meo (No.3) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Laudate pueri Dominum (No.7) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
O dulcissime Domine (No.9) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Omnes gentes plaudite manibus (No.10) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
O sapientia in misterio abscondita (No.11) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Regina coeli laetare (No.12) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Salve regina (No.13) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Domine salvum fac regem (No.14) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Exaudiat te Dominus (No.15) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Notus in Judea (No.17) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Grands Motets, Philidor manuscripts (Lalande, Michel Richard de) for voices and orchestra |
1689 |
| Esther (Moreau, Jean-Baptiste) for 4 voices, mixed chorus and orchestra |
|
Motets pour la chapelle du Roy (Du Mont, Henry) for voices, mixed chorus, strings and continuo
soprano, alto, 2 tenors, bass, mixed chorus, strings and continuo
soprano, alto, 2 tenors, bass, mixed chorus, strings and continuo |
|
| Monsieur de Pourceaugnac, LWV 41 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
Miserere nostri Domine (No.2) from Ad te levavi oculos meos, LV 405 (Lassus, Orlande de) for mixed chorus
2 sopranos, alto, 2 tenors and bass |
1690 |
| 2 Allemandes (Chancy, François de) for 2 sopranos, 2 altos and bass |
1690 |
| Allemande et Sarabande (Dumanoir, Guillaume) for soprano, 2 tenors and bass |
1690 |
2 Carillons (Couperin, Louis) for organ
4 Unspecified instruments |
1690 |
Suite pour Mr le comte Darcour (De Grignis) for soprano, alto, tenor and bass
4 crumhorns |
1690 |
| Pavane pour le mariage du roy Louis XIII (Lazarin) for orchestra |
1690 |
| Ballet de la nuit (Cambefort, Jean de) for voices, mixed chorus and orchestra |
1690 |
| Lauda Jerusalem Dominum, S.19 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
1689 |
| Ecce nunc benedicte, S.8 (Lalande, Michel Richard de) for voices and orchestra |
1689 |
Élévations et motets (Couperin, François) for voice and continuo
voice, strings and continuo
voices and continuo
voices, strings and continuo |
|
| Diane et Endymion (Philidor, Anne Danican) for voices, mixed chorus and orchestra |
1698 |
| Ercole in Tebe (Melani, Jacopo) for voices, mixed chorus and orchestra |
1699 |
Miserere mei Deus (Biffi, Antonino) for voices, mixed chorus, strings and continuo
voices, mixed chorus and orchestra |
|
Le Concert (Laurent, Mademoiselle) for voices, mixed chorus and orchestra
voices, mixed chorus, strings and continuo |
1690 |
| Le Sicilien, LWV 34 (Lully, Jean-Baptiste) for orchestra |
1690 |
| Hippodamie (Campra, André) for voices and orchestra |
1708 |
| Peccavi Domine, H.378 (Charpentier, Marc-Antoine) for 2 sopranos, bass and continuo |
|
| Simphonies pour le Souper du Roy (Lalande, Michel Richard de) for orchestra |
1703 |
| Salve Regina (Couperin, François) for voice and continuo |
|
| Usquequo Domine (Couperin, François) for voice and continuo |
|
| Ad te levavi oculos meos (Couperin, François) for 2 violins, continuo and bass |
|
Salvum me fac Deus (Couperin, François) for bass, 2 flutes, 2 violins and continuo
bass and orchestra |
|
Mottets à voix seule, deux et trois parties et symphonies (Couperin, François) for voice and continuo
voice, strings and continuo
voices and continuo
voices, strings and continuo |
|