| Composition |
Published |
| Thomas and Sally (Arne, Thomas Augustine) for 4 voices, male chorus and orchestra |
|
3 Piano Sonatas, Op. 7 (Clementi, Muzio) for piano
harpsichord
violin and harpsichord
violin and piano |
|
10 Voluntaries, Op. 7 (Stanley, John) for organ
harpsichord |
|
10 Voluntaries, Op. 5 (Stanley, John) for organ
harpsichord |
|
10 Voluntaries, Op. 6 (Stanley, John) for organ
harpsichord |
|
Capriccio 'Les adieux' in D minor, R.8.14/36 (Paisiello, Giovanni) for piano
harpsichord
violin and piano
violin and harpsichord |
|
| The Beggar's Opera (Pepusch, John Christopher) for voices and orchestra |
|
2 Sonatas, Op. 1 (Schobert, Johann) for harpsichord
piano
violin and piano
violin and harpsichord |
|
2 Sonatas, Op. 3 (Schobert, Johann) for harpsichord
piano
violin and piano
violin and harpsichord |
|
| Comus (Arne, Thomas Augustine) for 2 sopranos, mixed chorus and orchestra |
|
Arrangement of The Shepherd's Lottery (Boyce, William) for flute
soprano |
|
12 Keyboard Pieces, StWV 216 (Sterkel, Johann Franz Xaver) for harpsichord
piano |
|
| The Chaplet (Boyce, William) for 2 sopranos, 2 tenors, mixed chorus and orchestra |
|
Viola Sonata in B-flat major (Stamitz, Carl Philipp) for viola and piano
viola and harpsichord |
|
| Observations on the Present State of Music in London (Jackson, William) for |
|
| Piano Concerto in G major (Richter, Franz Xaver) for piano and orchestra |
|
The Aviary (Hook, James) for voice and piano
voice and harp |
|
| The Double Disguise, Op. 32 (Hook, James) for voices and orchestra |
|
| La bataille fantasie (Schröter, Johann Samuel) for piano |
|
| Solomon (Boyce, William) for soprano, tenor, mixed chorus and orchestra |
|
| Polly (Gay, John) for voices and orchestra |
|
| Two to One, Op. 24 (Arnold, Samuel) for voices and orchestra |
1784 |
6 Sonatas, Op. 4 (Schröter, Johann Samuel) for violin and harpsichord
flute and harpsichord
violin and piano
flute and piano
harpsichord
piano |
|
| Arrangement of Selected Songs and Cantatas (Howard, Samuel) for flute |
|
4 Keyboard Sonatas (Tenducci, Giusto Ferdinando) for harpsichord
piano |
|
| The Masque of Alfred (Arne, Thomas Augustine) for voices, mixed chorus and orchestra |
|
Arrangement of 6 Keyboard Trios, Op. 16 (Kammel, Antonín) for piano
harp |
|
Spenser's Amoretti (Greene, Maurice) for voice and continuo
voice and harpsichord
voice, violin and harpsichord
voice, violin and continuo |
|
The Laurel (Baildon, Joseph) for voice and continuo
2 voices and continuo
voice and harpsichord
voice, violin and continuo
voice, violin and harpsichord
2 voices, violin and continuo |
|
6 Keyboard Concertos (Arne, Thomas Augustine) for organ and orchestra
harpsichord and orchestra
piano and orchestra |
|
The Liquid Mirror (King, Matthew Peter) for voice and keyboard
voice and piano |
|
| Piano Concerto in A major (Corri, Domenico) for piano and orchestra |
|
| Peeping Tom of Coventry (Arnold, Samuel) for voices and orchestra |
|
| The Castle of Andalusia (Arnold, Samuel) for voices and orchestra |
|
| The Maid of the Mill (Arnold, Samuel) for voices and orchestra |
|
| Arrangement of 6 Divertimentos, Op. 17 (Kammel, Antonín) for piano |
|
Lyra Britannica (Boyce, William) for voice and continuo
2 voices and continuo
voice and harpsichord
2 voices and harpsichord
3 voices and harpsichord
harpsichord |
|