| Composition |
Published |
| Thomas and Sally (Arne, Thomas Augustine) for 4 voices, male chorus and orchestra |
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| 3 Piano Sonatas, Op. 7 (Clementi, Muzio) for piano or harpsichord or violin and harpsichord or violin and piano |
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| 10 Voluntaries, Op. 7 (Stanley, John) for organ or harpsichord |
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| 10 Voluntaries, Op. 5 (Stanley, John) for organ or harpsichord |
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| 10 Voluntaries, Op. 6 (Stanley, John) for organ or harpsichord |
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| Capriccio 'Les adieux' in D minor, R.8.14/36 (Paisiello, Giovanni) for piano or harpsichord or violin and piano or violin and harpsichord |
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| The Beggar's Opera (Pepusch, John Christopher) for voices and orchestra |
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| 2 Sonatas, Op. 1 (Schobert, Johann) for harpsichord or piano or violin and piano or violin and harpsichord |
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| 2 Sonatas, Op. 3 (Schobert, Johann) for harpsichord or piano or violin and piano or violin and harpsichord |
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| Comus (Arne, Thomas Augustine) for 2 sopranos, mixed chorus and orchestra |
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| Arrangement of The Shepherd's Lottery (Boyce, William) for flute or soprano |
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| 12 Keyboard Pieces, StWV 216 (Sterkel, Johann Franz Xaver) for harpsichord or piano |
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| The Chaplet (Boyce, William) for 2 sopranos, 2 tenors, mixed chorus and orchestra |
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| Viola Sonata in B-flat major (Stamitz, Carl Philipp) for viola and piano or viola and harpsichord |
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| Observations on the Present State of Music in London (Jackson, William) |
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| Piano Concerto in G major (Richter, Franz Xaver) for piano and orchestra |
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| The Aviary (Hook, James) for voice and piano or voice and harp |
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| The Double Disguise, Op. 32 (Hook, James) for voices and orchestra |
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| La bataille fantasie (Schröter, Johann Samuel) for piano |
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| Solomon (Boyce, William) for soprano, tenor, mixed chorus and orchestra |
|
| Polly (Gay, John) for voices and orchestra |
|
| Two to One, Op. 24 (Arnold, Samuel) for voices and orchestra |
1784 |
| 6 Sonatas, Op. 4 (Schröter, Johann Samuel) for violin and harpsichord or flute and harpsichord or violin and piano or flute and piano or harpsichord or piano |
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| Arrangement of Selected Songs and Cantatas (Howard, Samuel) for flute |
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| 4 Keyboard Sonatas (Tenducci, Giusto Ferdinando) for harpsichord or piano |
|
| The Masque of Alfred (Arne, Thomas Augustine) for voices, mixed chorus and orchestra |
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| Arrangement of 6 Keyboard Trios, Op. 16 (Kammel, Antonín) for piano or harp |
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| Spenser's Amoretti (Greene, Maurice) for voice and continuo or voice and harpsichord or voice, violin and harpsichord or voice, violin and continuo |
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| The Laurel (Baildon, Joseph) for voice and continuo or 2 voices and continuo or voice and harpsichord or voice, violin and continuo or voice, violin and harpsichord or 2 voices, violin and continuo |
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| 6 Keyboard Concertos (Arne, Thomas Augustine) for organ and orchestra or harpsichord and orchestra or piano and orchestra |
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| The Liquid Mirror (King, Matthew Peter) for voice and keyboard or voice and piano |
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| Piano Concerto in A major (Corri, Domenico) for piano and orchestra |
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| Peeping Tom of Coventry (Arnold, Samuel) for voices and orchestra |
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| The Castle of Andalusia (Arnold, Samuel) for voices and orchestra |
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| The Maid of the Mill (Arnold, Samuel) for voices and orchestra |
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| Arrangement of 6 Divertimentos, Op. 17 (Kammel, Antonín) for piano |
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| Lyra Britannica (Boyce, William) for voice and continuo or 2 voices and continuo or voice and harpsichord or 2 voices and harpsichord or 3 voices and harpsichord or harpsichord |
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