Title | Schwingt freudig euch empor |
Alternative title | Soar joyfully upwards |
Creators | Johann Sebastian Bach (composer) and Martin Luther (librettist) and Philipp Nicolai (librettist) |
Opus | BWV 36 |
Instrumentation | soprano, alto, tenor, bass, mixed chorus and orchestra |
Number of movements | 5 |
Keys | D major |
Composed | 1725 |
First published | 1857 |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Sacred cantatas |
Language | German |
Period | Baroque |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
Details | Section | Arranged for | Arranger |
---|---|---|---|
view | Selections | organ | Peter Bækgaard |
view | Chorus: 'Schwingt freudig euch empor' (No.1) | 3 violins, viola and cello 2 violins, 2 violas and cello |
Russ Bartoli |
view | Chorale: 'Nun komm, der Heiden Heiland' (No.2) | 2 violins and cello violin, viola and cello 2 violas and cello viola and 2 cellos 3 cellos |
Peter Lang |
view | Aria: 'Die Liebe zieht mit sanften Schritten' (No.3) | oboe damore, violin and cello oboe damore, viola and cello oboe damore and 2 cellos 2 violins and cello violin, viola and cello violin and 2 cellos 2 violas and cello viola and 2 cellos |
Peter Lang |
view | Chorale: 'Der du bist dem Vater gleich' (No.6) | 2 oboes, viola and cello 2 oboes and 2 cellos oboe, violin, viola and cello oboe, violin and 2 cellos 2 violins, viola and cello 2 violins and 2 cellos |
Peter Lang |
view | Aria: 'Auch mit gedämpften, schwachen Stimmen' (No.7) | 2 violins and cello violin, viola and cello violin and 2 cellos |
Peter Lang |
view | Aria: 'Auch mit gedämpften, schwachen Stimmen' (No.7) | trumpet and organ | Michel Rondeau |
view | Aria: 'Auch mit gedämpften, schwachen Stimmen' (No.7) | piano | Harold Bauer |
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | (1725-30, BC A 3a) | — | Manuscript | — | Complete Score · view |
view | (1725-30, BC A 3a) | — | — | — | Complete Score · view |
view | (1731, BC A 3b) | — | — | — | Complete Score · view |
view | (1731, BC A 3b) | — | — | — | Complete Score, anhang, report · view Complete Score · view Extra Movements · view |
view | (1731, BC A 3b) | — | — | — | Complete Score · view |
view | (1731, BC A 3b) | — | — | — | Complete Score · view |
view | (1731, BC A 3b) | — | Ramon Casadesus-Masanell | 2021 | 1. Chorus: 'Schwingt freudig euch empor' · view 2. Choral: 'Nun komm, der Heiden Heiland' · view 3. Aria: 'Die Liebe zieht mit sanften Schritten' · view 4. Chorale: 'Zwingt die Saiten in Cythara' · view 5. Aria: 'Willkommen, werter Schatz' · view 6. Chorale: 'Der du bist dem Vater gleich' · view 7. Aria: 'Auch mit gedämpften, schwachen Stimmen' · view 8. Chorale: 'Lob sei Gott dem Vater ton' · view Engraving files (MuseScore) · view |
view | (1725-30, BC A 3a) | parts | Manuscript | — | Incomplete Parts (Violas, Ob.1 and 2 of Movement 1) · view |
view | (1731, BC A 3b) | parts | Manuscript | 1731 | Complete Parts · view |
view | (1731, BC A 3b) | parts | — | — | Oboe d'amore 1, 2 · view Violins I · view Violins II · view Violas · view Cellos/Basses · view |
view | (1731, BC A 3b) | vocal score | Breitkopf und Härtel | 1891 | Complete Score · view |
view | Chorale: 'Zwingt die Saiten in Cythara' (''1ma pars'', No.4) | vocal score | — | — | Complete Score · view Complete Score (transposed down to D flat major ) · view |
view | Chorale: 'Lob sei Gott dem Vater g'thon' (''2da pars'', No.8) | vocal score | — | — | Complete Score · view |
view | Complete | — | — | — | Complete Book, with music examples · view |
view | Chorale: 'Zwingt die Saiten in Cythara' (No.4) | — | — | — | Study Choral Score (Textless) · view |
view | Chorale: 'Zwingt die Saiten in Cythara' (No.4) | — | — | — | Study Choral Score (Textless) · view |
view | Chorale: 'Lob sei Gott dem Vater ton' (No.8) | — | — | — | Study Choral Score (Textless) · view |
view | Complete | Arrangement for organ |
— | — | 2. Chorale: 'Nun komm, der Heiden Heiland' · view 6. Chorale: 'Der du bist dem Vater gleich' · view 7. Aria: 'Auch mit gedämpften, schwachen Stimmen' · view Notes about the transcriptions · view Engraving files (Finale) · view |
view | Chorus: 'Schwingt freudig euch empor' (No.1) | Arrangement for 3 violins, viola and cello 2 violins, 2 violas and cello |
Peter Lang | 2016 | Complete Score and Parts · view |
view | Chorale: 'Nun komm, der Heiden Heiland' (No.2) | Arrangement for 2 violins and cello violin, viola and cello 2 violas and cello viola and 2 cellos 3 cellos |
Peter Lang | 2013 | Complete Score and Parts (original key) · view Complete Score and Parts (in A major) · view |
view | Aria: 'Die Liebe zieht mit sanften Schritten' (No.3) | Arrangement for oboe damore, violin and cello oboe damore, viola and cello oboe damore and 2 cellos 2 violins and cello violin, viola and cello violin and 2 cellos 2 violas and cello viola and 2 cellos |
Peter Lang | 2013 | Complete Score and Parts · view |
view | Chorale: 'Der du bist dem Vater gleich' (No.6) | Arrangement for 2 oboes, viola and cello 2 oboes and 2 cellos oboe, violin, viola and cello oboe, violin and 2 cellos 2 violins, viola and cello 2 violins and 2 cellos |
Peter Lang | 2013 | Complete Score and Parts · view Complete Score and Parts (revoiced) · view |
view | Aria: 'Auch mit gedämpften, schwachen Stimmen' (No.7) | Arrangement for 2 violins and cello violin, viola and cello violin and 2 cellos |
Peter Lang | 2013 | Complete Score and Parts · view |
view | Aria: 'Auch mit gedämpften, schwachen Stimmen' (No.7) | Arrangement for trumpet and organ |
— | — | Complete Score and Trumpet Part · view Engraving files (Finale & XML) · view |
view | Aria: 'Auch mit gedämpften, schwachen Stimmen' (No.7) | Arrangement for piano |
Schirmer | 1939 | Complete Score · view |
Details | Section | Performers | Arranged for | Files | |
---|---|---|---|---|---|
view | Aria: 'Auch mit gedämpften, schwachen Stimmen' (No.7) | Michel Rondeau (trumpet) and Jeffrey Campbell (organ) | For Trumpet and Organ (Rondeau) | Synthesized Performance · file |
©2025 David P. Anderson