| Composition |
Published |
| Fontana d'Israel (Schein, Johann Hermann) for 5 voices and continuo or 6 voices and continuo |
1623 |
| Solfèges d'Italie (Various) for voice or voice and continuo or 2 voices and continuo |
|
| 6 Duos, Op. 6 (Lidl, Andreas) for violin and viola or violin and cello |
|
| La mine de Beaujonc, Op. 13 (Couperin, Gervais-François) for piano or harp |
|
| 4 Harp Sonatas, Op. 7 (Baur, Jean) for harp and harpsichord or harp and violin |
|
| Air d'Armide varié (Plane, Jean Marie) for harp |
|
| Fantaisie villageoise, Op. 52 (Sor, Fernando) for guitar |
|
| 6 Preludes for Harp or Piano (Lentz, Heinrich Gerhard) for harp or piano |
|
| Ar hy'd y nos and Corelli's celebrated Fantasia with variations (Piercy, H.) for harp or piano |
|
| The Beggar Girl (Piercy, H.) for voice and harp or voice and piano or harp or piano |
|
| Gems of National Melody (Chatterton, John Balsir) for harp |
|
| Canzonetts, Op. 14 (Carr, Benjamin) for voice and harp |
|
| 4 Ariettas and 2 Duets (Mayr, Giovanni Simone) for voice and piano or voice, guitar and piano or 2 voices and piano |
|
| Violin Sonata, Op. 1 (Shchedrin, Konstantin) for violin and piano |
1924 |
| Jou-Ré (Nikolaevsky, Matvey) for piano |
|
| Fleurs animées, Op. 23 (Yusupov, Nikolay) for violin and piano |
|
| The Broken Heart (Heinrich, Anthony Philip) for voice and piano |
1848 |