| Composition |
Published |
| 12 Trio Sonatas, Op. 2 (Corelli, Arcangelo) for 2 violins, violone and continuo or 2 violins, cello and continuo or 2 violins and continuo |
1685 |
| Salmi per tutto l'anno a cinque voci (Gastoldi, Giovanni Giacomo) for 5 voices and continuo |
1673 |
| Balletti, Correnti, Gighe, Sarabande, Op. 3 (Colombi, Giuseppe) for 2 violins and continuo |
1674 |
| Balletti, Correnti, Gighe, Sarabande, Op. 3 (Colombi, Giuseppe) for 2 violins and continuo |
1674 |
| Balletti, Op. 2 (Piazzi, Carlo) for 2 violins and violone or 2 violins and continuo |
1681 |
| Pletro Armonico, Op. 5 (Albergati, Pirro Capacelli Conte) for 2 violins, cello and continuo |
1687 |
| Ricercari à 3 voci, Libro 3 (Piochi, Cristoforo) for 3 Unspecified instruments or soprano, alto and tenor |
|
| Trattenimenti da camera, Op. 1 (Bononcini, Giovanni) for 2 violins, violone and continuo |
1685 |
| Canzonette e cantate a due voci, Op. 3 (Mazzaferrata, Giovanni Battista) for 2 voices and continuo |
1680 |
| Motetti sacri a voce sola, Op. 1 (Busca, Lodovico) for soprano and continuo |
1672 |
| Salmi per tutto l'anno a 8 voci, Op. 21 (Cazzati, Maurizio) for 8 voices and continuo |
|
| Balletti, Correnti, Gagliarde a quattro, Op. 3 (Vitali, Giovanni Battista) for 4 Unspecified instruments or 2 violins, viola and continuo |
|
| 12 Sonatas, Op. 5 (Mazzaferrata, Giovanni Battista) for 2 violins and continuo or 2 violins, cello and continuo |
1674 |
| Intavolatura di chitarra e chitarriglia (Calvi, Carlo) for guitar |
1646 |
| Mottetti a 1, 2 e 3 voci con violini, e senza, Op. 13 (Leonarda, Isabella) for soprano, 2 violins and continuo or soprano, 2 violins and organ or continuo and 2 sopranos or 2 sopranos and organ or soprano, bass and continuo or soprano, bass and organ or soprano, alto, bass, 2 violins and continuo or soprano, alto, bass, 2 violins and organ or soprano, alto, bass, strings and continuo or soprano, alto, bass, 2 violins, violone and organ or soprano, alto, bass and continuo or soprano, alto, bass and organ or soprano, alto, tenor, bass and continuo or soprano, alto, tenor, bass and organ |
|
| Madrigali a 5 voci, Libro 1, Op. 11 (Bononcini, Giovanni Maria) for 5 voices or 10 voices |
1678 |
| Madrigali a 5 voci, Libro 1, Op. 11 (Bononcini, Giovanni Maria) for 5 voices or 10 voices |
1678 |
| Balletti, Correnti, Gighe, Allemande, e Sarabande, Op. 4 (Vitali, Giovanni Battista) for violin and violone or violin and continuo or 2 violins and violone or 2 violins and continuo |
|
| Messe brevi a otto voci, Op. 7 (Bononcini, Giovanni) for 8 voices and organ or 8 voices and 2 organs or 2 mixed chorus and organ or 2 mixed chorus and 2 organs |
1688 |
| Salmi per li vesperi di tutto l'anno, Op. 3a (Simpliciano, Olivio) for 8 voices and continuo |
1674 |
| Compieta concertata, e breve à 3 e 4 voci, Op. 3a (Cherici, Sebastiano) for soprano, alto, tenor, bass, mixed chorus, strings and organ or soprano, alto, tenor, bass, organ and strings or alto, tenor, bass, strings and organ or soprano, alto, bass and organ |
1686 |
| La Lira Armonica Sinfonie à due Violini, Op. 2 (Colombi, Giuseppe) for 2 violins and continuo |
1673 |
| Versetti per tutti li tuoni, Op. 2 (Antonii, Giovanni Battista degli) for organ |
|
| 12 Sonatas, Op. 4 (Colombi, Giuseppe) for 2 violins, viol and continuo or 2 violins and continuo |
1676 |
| Arie, correnti, sarabande, gighe e allemande, Op. 4 (Bononcini, Giovanni Maria) for violin and continuo or 2 sopranos, alto and bass |
|