| Composition |
Score attributes |
| As Vesta Was, from Latmos Hill Descending (Weelkes, Thomas) for 6 voices or 2 sopranos, alto, 2 tenors and bass |
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| All Creatures Now are Merry-minded (Bennet, John) for 2 sopranos, alto, tenor and bass |
— |
| Arise, Awake (Morley, Thomas) for soprano, alto, 2 tenors and bass |
— |
| Thyrsis, Sleepest Thou (Bennet, John) for 4 voices |
— |
| Shoot, False Love, I Care Not (Morley, Thomas) for 5 voices |
— |
| Lady, When I behold the Roses (Wilbye, John) for 6 voices |
— |
| I Tremble Not at Noyse of Warre (Gibbons, Orlando) for 5 voices |
— |
| Since My Tears and Lamenting (Morley, Thomas) for 4 voices |
— |
| Lady, Your Eye (Weelkes, Thomas) for 5 voices |
— |
| Fair Orian (Milton Sr., John) for 6 voices |
— |
| Hark did ye ever hear (Hunt, Thomas) for 6 voices |
— |
| In Goinge to my Naked Bedde (Edwards, Richard) for 4 voices |
— |
| Come Gentle Swains (Cavendish, Michael) for 5 voices |
— |
| I languish to complain me (Bennet, John) for soprano, alto, tenor and bass |
— |
| Hark, hear you not? (Bateson, Thomas) for 5 voices |
— |
| I vaghi fiori (Palestrina, Giovanni Pierluigi da) for 4 voices |
— |
| Quando dal terzo cielo (Palestrina, Giovanni Pierluigi da) for 6 voices |
— |