| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| 3 Grandes sonates (Trois Grandes Sonates pour le pianoforte avec accompagnement de violon et violoncello ad libitum) | Ferdinando Paër, composer | piano violin, cello and piano violin and piano |
Classical | Sonatas | |||||
| 6 Ariette (Sei Ariette) | Ferdinando Paër, composer | soprano and piano | Romantic | Ariettas | |||||
| Sofonisba (Dramma serio) | Ferdinando Paër, composer Giovanni Schmidt, librettist |
1805 | voices, mixed chorus and orchestra | Classical | Opera seria | ||||
| Die Rose (Ariettas) | Ferdinando Paër, composer | A major | voice and piano | Romantic | Ariettas | ||||
| Agnese (Agnes ; Dramma semiserio) | Ferdinando Paër, composer Luigi Buonavoglia, librettist |
1809 | voices and orchestra | Classical | Opera semiseria | ||||
| Poche ma buone (Le donne cambiate / Der lustige Schuster) | Ferdinando Paër, composer Giuseppe Maria Foppa, librettist |
voices and orchestra | Classical | Operas | |||||
| Achille (Melodramma eroico in due atti ; Drama per musica) | Ferdinando Paër, composer Giovanni de Gamerra, librettist |
PaWV 26 | voices, mixed chorus and orchestra | Classical | Operas | ||||
| Musica Vocale per uso de Concerti Let.F. Europa in Creta Cantata a voce sola accomp: con 2 Violini, Viola, 2 Clarinetti, 2 Flauti, 2 Oboi, 2 Fagotti, 2 Corni e Basso | Ferdinando Paër, composer | E flat major | voice and piano voice and orchestra |
Classical | Secular cantatas | ||||
| Diana e Endimione, ossia Il ritardo (Diana und Endimion ; Diane et Endimion : cantate a deux voix) | Ferdinando Paër, composer Stefano Vestris, librettist |
1809 | 2 voices, mixed chorus and orchestra | Classical | Secular cantatas | ||||
| Sargino, ossia L'allievo dell'amore (Dramma eroicomico in due atti) | Ferdinando Paër, composer Giuseppe Foppa, librettist |
voices, mixed chorus and orchestra | Classical | Comic operas | |||||
| Clorinda (Stanze del Tasso nel canto XII ; Giunto a la tomba) | Ferdinando Paër, composer Torquato Tasso, librettist |
Op.6 | voice and piano | Classical | Songs | ||||
| La testa riscaldata (Farsa) | Ferdinando Paër, composer Giuseppe Foppa, librettist |
voices and orchestra | Classical | Operas | |||||
| Cinna | Ferdinando Paër, composer Angelo Anelli, librettist |
voices and orchestra | Classical | Melodramas, Operas | |||||
| Le maître de chapelle, ou Le souper imprévu (Opera comique en deux actes) | Ferdinando Paër, composer Sophie Gay, librettist |
voices, mixed chorus and orchestra | Classical | Operas comiques | |||||
| Leonora (Leonora, ossia L’amore conjugale ; Leonore) | Ferdinando Paër, composer Giovanni Schmidt, librettist |
1804 | voices and orchestra | Classical | Operas | ||||
| Griselda | Ferdinando Paër, composer | ||||||||
| Douze ariettes en differentes langues avec accompagnement de pianoforte | Ferdinando Paër, composer | Op.4 | voice and piano | Romantic | Ariettas | ||||
| La placida campagna (Favorit polonaise) | Ferdinando Paër, composer | voice and piano | Classical | Polonaises | |||||
| Camilla, ossia Il sotteraneo (Dramma semiserio) | Ferdinando Paër, composer Giuseppe Carpani, librettist |
1798 | voices and orchestra | Classical | Operas | ||||
| La locanda dei vagabondi | Ferdinando Paër, composer Antonio Brambilla, librettist |
voices, mixed chorus and orchestra | Classical | Comic operas | |||||
| La Didone (Didone abbandonata) | Ferdinando Paër, composer | voices and orchestra | Classical | Opera seria | |||||
| Ginevra degli Almieri | Ferdinando Paër, composer Giuseppe Foppa, librettist |
1800 | voices and orchestra | Classical | Operas | ||||
| L'amante servitore | Ferdinando Paër, composer Antonio Simone Sografi, librettist |
voices and orchestra | Classical | Operas | |||||
| L'eroismo in amore | Ferdinando Paër, composer Luigi Romanelli, librettist |
voices and orchestra | Classical | Operas | |||||
| Il matrimonio improvviso (I due sordi) | Ferdinando Paër, composer | voices and orchestra | Classical | Operas | |||||
| I molinari | Ferdinando Paër, composer Giuseppe Foppa, librettist |
voices and orchestra | Classical | Operas | |||||
| I fuorusciti di Firenze (The Exiles of Florence; The Freebooters) | Ferdinando Paër, composer Angelo Anelli, librettist |
voices and orchestra | Classical | Opera semiseria | |||||
| Il Santo Sepolcro (Il Santo Sepolcro ossia La Passione di Gesù Cristo) | Ferdinando Paër, composer | voices and orchestra | Classical | Sacred oratorios | |||||
| L'Orfana Riconosciuta (dramma giocoso) | Ferdinando Paër, composer | PaWV 15/16b | Classical | Comic operas | |||||
| Numa Pompilio | Ferdinando Paër, composer | Classical | Operas | ||||||
| Pirro | Ferdinando Paër, composer | voices, mixed chorus and orchestra | Romantic | Opera seria | |||||
| Il morto vivo | Ferdinando Paër, composer Carlo Prospero Defranceschi, librettist |
voices, mixed chorus and orchestra | Classical | Operas, Operettas | |||||
| Serenata a quatro voci (Oh notte soave) | Ferdinando Paër, composer | soprano, alto, tenor, bass, horn, harp, cello and double bass | Classical | Serenades | |||||
| 4 Marches (IV Grosse Maersche welch am Tage der Vermaehlung Ihrer K.K. M.M. beim Durchzuge durch die Gallerien des Museums aufgefuehrt wurden. componirt und fuer das Piano Forte arrangirt von Ferdinand Paer) | Ferdinando Paër, composer | wind ensemble and brass ensemble piano |
Classical | Marches | |||||
| Nocturne à deux voix (Quand Thalie, plus jolie) | Ferdinando Paër, composer Marceline Desbordes-Valmore, librettist |
2 voices and piano | Romantic | Nocturnes | |||||
| L'intrigo amoroso | Ferdinando Paër, composer Giovanni Bertati, librettist |
voices and orchestra | Classical | Operas | |||||
| Sedecia e Nabucco | Ferdinando Paër, composer | voices, mixed chorus and orchestra | Classical | Operas | |||||
| La biondina in gondoletta | Ferdinando Paër, composer | F major | voice and piano | Classical | Arias | ||||
| Andiamo carino | Ferdinando Paër, composer | voice and orchestra | Classical | Arias |
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