Compositions with Maria Antonia Walpurgis as librettist
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| La Conversione di Sant' Agostino | Johann Adolph Hasse, composer Maria Antonia Walpurgis, librettist |
B flat major | KamH. 11 | 1750 | 5 voices, mixed chorus and orchestra | Baroque | Sacred oratorios |  |
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| Lavinia a Turno (Deh senti, o Turno amato) | Karl Heinrich Graun, composer Maria Antonia Walpurgis, librettist |
GraunWV B:III:23 | voices, strings and continuo | Baroque | Secular cantatas | |
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| Sonnet from the Pastorelle Il Trionfo della Fedeltà | Johann Friedrich Gräfe, composer Maria Antonia Walpurgis, librettist |
voice and continuo | Baroque | Operas | |
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| Che ti dirò Regina (Cantata) | Johann Adolph Hasse, composer Maria Antonia Walpurgis, librettist |
H14 | 1747 | soprano, orchestra and continuo | Baroque | Secular cantatas | |
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| Lavinia a Turno (Cantata per soprano, due oboi, archi e basso continuo) | Giovanni Alberto Ristori, composer Maria Antonia Walpurgis, librettist |
MenR 144 | soprano, orchestra and continuo | Baroque | Secular cantatas | |
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| Didone abbandonata (Componimento drammatico) | Giovanni Alberto Ristori, composer Maria Antonia Walpurgis, librettist |
soprano, strings and continuo | Baroque | Secular cantatas | |
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| Talestri | Giovanni Battista Ferrandini, composer Maria Antonia Walpurgis, librettist |
5 sopranos, mixed chorus and orchestra | Baroque | Opera seria, Librettos | |
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| La conversione di sant'Agostino | Diego Naselli, composer Maria Antonia Walpurgis, librettist |
5 voices and orchestra | Classical | Sacred oratorios | |
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