| Composition |
Attributes |
| Adriano in Siria, P.140 (Pergolesi, Giovanni Battista) for 6 voices and orchestra |
selections |
| La Calisto (Cavalli, Francesco) for voices, mixed chorus and orchestra |
— |
| Selections (1739 Version) from Il Ciro riconosciuto (Leo, Leonardo) for 7 voices and orchestra |
— |
| Aria of Ericlea: Torbido intorno al core (Act II, Sc.13) from Meride e Selinunte (Porpora, Nicola Antonio) for 7 voices and orchestra |
— |
| Griselda (Bononcini, Giovanni) for voices and orchestra |
selections |
| Ezio (Hasse, Johann Adolph) for 6 voices and orchestra |
selections |
| Solimano (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
selections |
| La Flora (Ziani, Marc'Antonio) for voices and orchestra |
selections |
| Aria: Prova eccelsa รจ di grandezza from Tigrane (Scarlatti, Alessandro) for voices and orchestra |
— |
| Astarto (Bononcini, Giovanni) for voices, mixed chorus and orchestra |
selections |
| Orlando, RV 728 (Vivaldi, Antonio) for voices and orchestra |
selections |
| The Dragon of Wantley (Lampe, John Frederick) for voices, mixed chorus and orchestra |
selections |
| Don Chisciotte della Mancia, R.1.21 (Paisiello, Giovanni) for |
— |
| Poro (Porpora, Nicola Antonio) for 6 voices and orchestra |
selections |
| Lucio Papirio dittatore (Giacomelli, Geminiano) for 6 voices, mixed chorus and orchestra |
selections |
| La Statira, T.201 (Albinoni, Tomaso) for 7 voices and orchestra |
selections |
| Mitridate (Porpora, Nicola Antonio) for 6 voices and orchestra |
— |
| Catone in Utica (Leo, Leonardo) for 6 voices and orchestra |
selections |
| L'Agrippina moglie di Tiberio (Sammartini, Giovanni Battista) for 7 voices and orchestra |
selections |
| L'innocenza giustificata (Orlandini, Giuseppe Maria) for 9 voices and orchestra |
— |
| Aria of Farnaspe (Act II, Scene 6): Passaggier che incerto errando from Adriano in Siria (Lampugnani, Giovanni Battista) for voices and orchestra |
— |