| Title | Mass in G major |
| Alternative title | Twelfth Mass, Mass No.12, K Anh.232 (C1.04) |
| Creators | Wenzel Müller (composer) |
| Opus | |
| Instrumentation | voices, mixed chorus and orchestra |
| Number of movements | 12 |
| Keys | G major |
| Composed | — |
| First published | 1819 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Masses |
| Language | Latin |
| Period | Classical |
| View on IMSLP | ![]() |
| Code |
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Kyrie. Adagio quasi andante | — | G major | — |
| Gloria. Allegro moderato | — | C major | — |
| Qui tollis. Adagio | — | C minor | — |
| Quoniam. Allegretto | — | G major | — |
| Cum Sancto Spiritu. Adagio-Allegro | — | C major | — |
| Credo. Allegro | — | C major | — |
| Et incarnatus est. Adagio | — | A minor | — |
| Et Resurrexit. Allegro | — | C major | — |
| Sanctus. Adagio | — | C major | — |
| Benedictus. Andante | — | F major | — |
| Agnus Dei. Adagio | — | C minor | — |
| Dona Nobis. Allegro | — | C major | — |
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Quoniam (No.4) | theater orchestra | Theodore Moses Tobani |
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Novello | — | Complete Score · view |
| view | Complete | parts | Novello | — | Oboe 1/2 · view Bassoon 1/2 · view Horn 1/2, (G, C, F) · view Trumpet 1/2 (C) · view Timpani · view Violins I · view Violins II · view Violas · view Cellos/Basses · view |
| view | Gloria (No.2) | parts | Novello | — | Oboe 1/2 · view Horn 1/2 · view Trumpet 1/2 · view Violins I · view Violins II · view Violas · view Cellos/Basses · view |
| view | Complete | vocal score | Novello | — | Complete Score · view |
| view | Quoniam (No.4) | Arrangement for theater orchestra |
Carl Fischer | 1892 | Piano Score and Complete Parts · view |
(No recordings)
©2025 David P. Anderson