| Title | Harpsichord Works | 
| Alternative title | Pièces de Clavecin | 
| Creators | Christophe Moyreau (composer) | 
| Opus | Opp.1-5 | 
| Instrumentation | harpsichord organ  | 
        
| Number of movements | — | 
| Keys | — | 
| Composed | — | 
| First published | 1753 | 
| Dedication | à Son Altesse Sérénissime Monseigneur le Duc d’Orléans, premier Prince du sang | 
| Tempo markings | — | 
| Metronome markings | — | 
| Time signatures | — | 
| Average duration (sec) | — | 
| Number of measures | — | 
| Composition types | Pieces | 
| Period | Classical | 
| View on IMSLP | ![]()  | 
        
| Code | 
(No sections)
(No arrangements)
| Details | Section | Type | Publisher | Date | File | 
|---|---|---|---|---|---|
| view | Complete* | — | Paris: Marie-Charlotte Vandôme | — | Œuvre I - Complete Score · view Œuvre II - Complete Score · view Œuvre III - Complete Score · view Œuvre IV - Complete Score · view Œuvre V - Complete Score · view  | 
| view | Œuvre I | — | Alex B. Coblentz | 2017 | Complete Score · view | 
| view | Œuvre I | — | Greentop Publishing | 2021 | 6 pieces from Book I · view | 
| view | Œuvre II | — | Alex B. Coblentz | 2020 | Complete Score · view | 
| view | Œuvre II | — | Montréal: Les Éditions Outremontaises | 2009 | 9. La Canadienne (Marche) · view 21. Le Purgatoire (Cette Pièce se peut toucher sur l’Orgue.) · view  | 
| view | Œuvre III | — | Alex B. Coblentz | 2017 | Complete Score · view | 
| view | Œuvre III | — | Greentop Publishing | 2021 | Complete Score (modern clefs edition) · view Complete Score (original clefs edition) · view  | 
| view | Œuvre IV | — | Alex B. Coblentz | 2017 | Complete Score · view | 
| view | Œuvre IV | — | Greentop Publishing | 2021 | Complete Score (modern clefs edition) · view Complete Score (original clefs edition) · view  | 
| view | Œuvre V | — | Alex B. Coblentz | 2018 | Complete Score · view | 
| view | Œuvre V | — | Montréal: Les Éditions Outremontaises | 2009 | 21. Les Cloches d’Orléans (Pièce pour l’Orgue et le Clavecin) · view | 
©2025 David P. Anderson