| Title | Griselda | 
| Creators | Giovanni Bononcini (composer) and Apostolo Zeno (librettist) and Paolo Antonio Rolli (librettist) | 
| Opus | |
| Instrumentation | voices and orchestra | 
| Number of movements | — | 
| Keys | — | 
| Composed | — | 
| First published | — | 
| Dedication | — | 
| Tempo markings | — | 
| Metronome markings | — | 
| Time signatures | — | 
| Average duration (sec) | — | 
| Number of measures | — | 
| Composition types | Operas | 
| Language | Italian | 
| Period | Baroque | 
| View on IMSLP |  | 
| Code |  | 
(No sections)
| Details | Section | Arranged for | Arranger | 
|---|---|---|---|
| view | Aria: Per la gloria d'adorarvi (Act II) | voice | Giovanni Tribuzio | 
| Details | Section | Type | Publisher | Date | File | 
|---|---|---|---|---|---|
| view | Complete | selections | John Walsh | — | Overture and Arias · view | 
| view | Complete | selections | — | — | Aria: Le fere a risvegliar · view Aria: Son qual face · view | 
| view | Complete | selections,vocal score | Rouart | — | Madrigal · view | 
| view | Complete | selections,vocal score | — | — | Affetto, gioia e riso · view Al mio nativo prato (original key) · view Al mio nativo prato ( F major , transposed) · view Dolce sogno (original key) · view Dolce sogno ( A major , transposed) · view Eterni Dei · view Non deggio no sperar · view Timor e speme van combattendo · view | 
| view | Aria: Per la gloria d'adorarvi (Act II) | vocal score | Manuscript | — | Complete Score ( F major , original key) · view | 
| view | Aria: Per la gloria d'adorarvi (Act II) | vocal score | Echo Muzyczne | 1886 | Complete Score ( F major , original key) · view | 
| view | Aria: Per la gloria d'adorarvi (Act II) | vocal score | Schirmer | 1894 | Complete Score ( D major , transposed) · view | 
| view | Aria: Per la gloria d'adorarvi (Act II) | vocal score | — | — | Complete Score ( D major , transposed) · view Engraving files (Encore) · view | 
| view | Aria: Per la gloria d'adorarvi (Act II) | Arrangement for voice | — | — | Tenor Part · view | 
©2025 David P. Anderson