Title | La verità in cimento |
Alternative title | Drama per musica da rappresentarsi nel Teatro di S. Angelo l'autunno dell'anno 1720. |
Creators | Antonio Vivaldi (composer) and Giovanni Palazzi (librettist) and Domenico Lalli (librettist) |
Opus | RV 739 |
Instrumentation | voices and orchestra |
Number of movements | — |
Keys | — |
Composed | — |
First published | — |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Opera seria, Librettos |
Language | Italian |
Period | Baroque |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
(No arrangements)
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | — | Manuscript | 1720 | Complete Score · view Act I · view Act II · view Act III · view |
view | Complete | selections | Il Progetto Barocco | 2022 | Act I, Sc.11. Aria (Melindo): Mi vuoi tradir, lo so · view |
view | Sinfonia | parts | Manuscript | — | Complete Parts · view |
view | Complete | selections,vocal score | Manuscript | — | Act I, Sc.3. Aria of Rosane: Solo quella guancia bella · view Act I, Sc.5. Aria of Zelim: Tu m'offendi man non rendi · view Act I, Sc.9. Aria of Rustena: Fragil fior ch'appena nasce · view Act I, Sc.10. Aria of Zelim: No non ti credo bel volto amabile · view Act I, Sc.10. Aria: Non posso prestar fede a un sguardo · view Act I, Sc.12. Aria of Rosane: Amato ben tu sei la mia speranza · view Act II, Sc.2. Aria of Rosane: Addio caro tu ben sai · view Act II, Sc.5. Aria of Rustena: Non veglia così cauto il pastorello · view Act III, Sc.3. Aria of Mamud: Quando serve alla raggione · view Act III, Sc.6. Aria of Zelim: Lo splendor ch'ha sul volto il mio bene · view Act III, Sc.7. Aria of Rosane: Con cento e cento baci · view Aria: Sei tiranna ma son fedele · view |
view | Complete | selections,vocal score | Ricordi | 1970 | Act I, Sc.4. Aria of Rustena?: La pena amara · view |
view | Complete | — | Marino Rossetti | — | Complete Libretto · view |
(No recordings)
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