Composition |
Published |
The Double Disguise, Op. 32 (Hook, James) for voices and orchestra |
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The Willow (Davy, John) for voice and piano |
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Yes, many a maid with ev'ry charm (Masi, Girolamo) for voice and piano |
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The Lass of Liverpool (King, Matthew Peter) for voice and piano |
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The Poor Orphan Maid (King, Matthew Peter) for voice and piano |
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Say, shepherds, have you seen a lamb? (King, Matthew Peter) for voice and piano |
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Thy charms have long enslav'd my heart (King, Matthew Peter) for voice and piano |
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The Tomb of my Fathers (King, Matthew Peter) for voice and piano |
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Only tell her that I love (Corri, Domenico) for voice and piano |
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In the gay dawn of life (Kelly, Michael) for voice and piano |
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The Lover's Vision (Braham, John) for voice and piano |
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Emma of the Dale (Reeve, William) for voice and piano |
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Love and Friendship (Reeve, William) for voice and piano voice and harp |
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Maria (Addison, John) for voice and piano |
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12 Airs with Variations (Stamitz, Anton) for violin and cello |
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As lately I sat by the nymph I adore (Busby, Thomas) for voice and piano |
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Advice to Mary (Lanza, Gesualdo) for voice and piano voice and harp |
1807 |
The Complaint (Lanza, Gesualdo) for voice and piano voice and harp |
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I'll Sing to Cheer my Megan (Hook, James) for voice and piano voice and harp |
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The Villager's Delight (Lanza, Francesco Giuseppe) for piano |
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Dulseanne Park (Lanza, Francesco Giuseppe) for piano |
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Lanza's Hornpipe (Lanza, Francesco Giuseppe) for piano |
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Waltz for the Year 1808 (Kollmann, Augustus Frederic Christopher) for piano |
1808 |
Reel and Waltz (Lanza, Francesco Giuseppe) for piano |
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The Death of Crazy Jane (Hook, James) for voice and piano |
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Come Cloe and give me sweet kisses (Kitchiner, William) for voice and piano |
1806 |
In vain my serious air you chide (Kitchiner, William) for voice and piano |
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Oh forbear to bid me slight her (Kitchiner, William) for voice and piano |
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