| Title | Pigmalion | 
| Alternative title | Pygmalion ; Acte de Ballet | 
| Creators | Jean-Philippe Rameau (composer) | 
| Opus | RCT 52 | 
| Instrumentation | voices, mixed chorus and orchestra | 
| Number of movements | — | 
| Keys | — | 
| Composed | 1748 | 
| First published | 1748 | 
| Dedication | — | 
| Tempo markings | — | 
| Metronome markings | — | 
| Time signatures | — | 
| Average duration (sec) | — | 
| Number of measures | — | 
| Composition types | Opera-ballets | 
| Language | French | 
| Period | Baroque | 
| View on IMSLP |  | 
| Code |  | 
(No sections)
| Details | Section | Arranged for | Arranger | 
|---|---|---|---|
| view | Selections | harpsichord | Claude-Bénigne Balbastre | 
| view | Selections | harpsichord | Pierre Gouin | 
| Details | Section | Type | Publisher | Date | File | 
|---|---|---|---|---|---|
| view | Complete | — | — | — | Complete Score · view Complete Score · view Complete Score · view | 
| view | Complete | — | Boivin | — | Complete Score · view | 
| view | Complete | selections | Manuscript | — | Airs Choisis · view | 
| view | Complete | Arrangement for harpsichord | Montréal: Les Éditions Outremontaises | 2011 | Ouverture · view Introduction to Scene V (Air gai) · view Gayement - 2e Pantomime très vive (Scene V) · view Contredanse en Rondeau · view | 
| view | Complete | Arrangement for harpsichord | Montréal: Les Éditions Outremontaises | 2002 | Contredanse en Rondeau · view | 
| Details | Type | Section | Ensemble | Performers | Arranged for | Files | |
|---|---|---|---|---|---|---|---|
| view | Synthesized | — | — | — | Complete Recording · file | ||
| view | Synthesized | — | Ensemble instrumental Jean-Marie Leclair (ensemble) | Jean-François Paillard (conductor) | — | Ouverture · file | |
| view | Synthesized | Synthesized | Selections | — | For Harpsichord (Balbastre) | 1. Ouverture · file 2. Entrée · file 3. Giga · file 4. Contredanse · file | |
| view | Synthesized | Synthesized | Selections | — | For Harpsichord (Gouin) | Contredanse en rondeau · file | 
©2025 David P. Anderson