| Title | 4 Tone Poems after Arnold Böcklin |
| Alternative title | Vier Tondichtungen nach A. Böcklin |
| Creators | Max Reger (composer) |
| Opus | Op.128 |
| Instrumentation | orchestra |
| Number of movements | 4 |
| Keys | — |
| Composed | 1913 |
| First published | 1913 |
| Dedication | Julius Buths |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | 1560 |
| Number of measures | — |
| Composition types | Symphonic poems |
| Period | Romantic |
![]() |
View |
| Code |
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Der geigende Eremit | — | — | — |
| Spiel der Wellen | — | — | — |
| Die Todteninsel | — | — | — |
| Bacchanale | — | — | — |
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | III. Die Toteninsel | piano | Friedrich Hermann Schneider |
| Details | Section | Type | Publisher | Date | File (click to view) |
|---|---|---|---|---|---|
| view | Complete | — | Bote & Bock | 1913 | Complete Score I. Der geigende Eremit II. Im Spiel der Wellen III. Die Toteninsel IV. Bacchanal |
| view | Complete | — | — | — | Complete score I. Der geigende Eremit II. Im Spiel der Wellen III. Die Toteninsel IV. Bacchanal |
| view | Complete | — | — | — | Complete Score |
| view | Complete | parts | — | — | Flute 1, 2, 3 (also Piccolo) Oboe 1, 2 (also English Horn) Clarinet 1, 2 (B) Bassoon 1, 2, Contrabassoon Horn 1, 2, 3, 4, (F) Trumpet 1, 2, 3 (F) Trombone 1, 2, 3, Tuba Timpani Bass Drum, Cymbals, Tam-Tam, Triangle Harp Violins I Violins II Violas Cellos Basses |
| view | III. Die Toteninsel | Arrangement for piano |
— | — | Complete Score (scan) Complete Score (filter) |
©2026 David P. Anderson