| Composition |
Published |
Elaborate Studies and Analysis of Paganini Allegro Concerto No. 1, Op. 20 (Ševčík, Otakar) for violin
violin and piano |
1932 |
Analytical studies for Tchaikovsky's Violin Concerto, Op. 19 (Ševčík, Otakar) for violin
violin and piano |
1930 |
| Analytical Studies for Brahms' Violin Concerto, Op. 18 (Ševčík, Otakar) for violin and piano |
1930 |
| Analytical Studies for Brahms' Violin Concerto, Op. 18 (Ševčík, Otakar) for violin and piano |
1930 |
| No.31 a. Serenade in A major (Vieuxtemps) and b. Andante Op. 10/4 (Ševčík) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.32 a. Melody from Concerto No. 9-I (Bériot) and b. Larghetto from Violin Sonata "Devil's Trill" (Tartini) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.33 a. Theme in Octaves op.10/4 (Ševčík) and b. Secondary Subject from Concerto No.2-II (Paganini) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.34 a.Adagio from Concerto No.7 (Bériot) and b.Melody and Octaves from the Polonaise in Virtuoso Form (Laub) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.35 Largo and Allegro from Violin Sonata in G minor (Tartini) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.36 Air varié No.1 (Bériot) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.37 a. Gigue for Solo Violin (Rust) and b. Courante from D Minor Sonata (Rust) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.38 Larghetto from Concerto No.22 II (Spohr) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.39 Andante sostenuto from Concerto No.2 (Vieuxtemps) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.40 Scherzo - Tarantelle (Wieniawski) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.42 Hungarian Melodies (Ernst) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.43 Dance of the Gnomes (Bazzini) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1931 |
| No.44 Moses-Fantasy (Paganini) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1932 |
| No.45 Le Streghe (Paganini) from School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar) for violin and piano |
1932 |
| Elaborate Studies on Wieniawski's 2nd Violin Concerto, Op. 17 (Ševčík, Otakar) for violin and piano |
1929 |
| Gigue from Sonata No. 1 for Violin Solo, CzaR 80 (Rust, Friedrich Wilhelm) for violin |
1931 |