Works with Antonio Lotti as composer
| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
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| Mass in C major | Antonio Lotti (composer) |  |
mixed chorus, 2 violins and continuo |  |
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| Missae | Antonio Lotti (composer) | |
mixed chorus | |
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| Duetti, terzetti, e madrigali a più voci | Antonio Lotti (composer) | |
2 sopranos, alto, tenor, bass and continuo | |
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| Teofane | Antonio Lotti (composer) and Stefano Benedetto Pallavicino (librettist) | |
1719 | 8 voices and orchestra | |
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| Miserere | Antonio Lotti (composer) and Liber Psalmorum (librettist) | |
G minor | 4 voices | |
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| Pur dicesti, o bocca bella | Antonio Lotti (composer) | |
voice and keyboard | |
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| Giove in Argo | Antonio Lotti (composer) and Antonio Maria Lucchini (librettist) | |
1717 | voices and orchestra | |
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| Echo | Antonio Lotti (composer) | |
F major | 1717 | 2 oboes, cello and continuo 2 oboes and 2 bassoons |
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| Crucifixus a 10 voci | Antonio Lotti (composer) | |
10 voices | |
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| Magnificat in C major | Antonio Lotti (composer) | |
C major | soprano, alto, tenor, bass and organ | |
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| Missa octavi toni | Antonio Lotti (composer) | |
G major | soprano, alto, tenor and bass | |
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| Missa sexti toni | Antonio Lotti (composer) | |
E flat major | soprano, alto, tenor and bass | |
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| Mass in A major | Antonio Lotti (composer) | |
A major | soprano, alto, tenor and bass | |
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| Vexilla Regis | Antonio Lotti (composer) | |
mixed chorus | |
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| Crucifixus a 8 voci | Antonio Lotti (composer) | |
C minor | 2 sopranos, 2 altos, 2 tenors and 2 basses | |
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| Missa pro Defunctis | Antonio Lotti (composer) | |
F major | soprano, alto, tenor and bass | |
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| Sanctus Dominus | Antonio Lotti (composer) | |
soprano, alto, tenor and bass | |
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| Alessandro Severo | Antonio Lotti (composer) and Apostolo Zeno (librettist) | |
1716 | voices, mixed chorus and orchestra | |
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| Vere languores nostros | Antonio Lotti (composer) | |
3 voices | |
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| Polidoro | Antonio Lotti (composer) and Agostino Piovene (librettist) | |
voices, mixed chorus and orchestra | |
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| Laudamus te | Antonio Lotti (composer) | |
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| Trio Sonata in G | Antonio Lotti (composer) | |
G major | flute, viol and continuo violin, viol and continuo |
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| Ave Regina | Antonio Lotti (composer) | |
3 voices 4 voices 4 voices and organ |
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| Regina Coeli | Antonio Lotti (composer) | |
C major | 4 voices | |
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| Salve Regina | Antonio Lotti (composer) | |
4 voices | |
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| Lettera a Clorinda | Antonio Lotti (composer) | |
soprano and continuo | |
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| Ecce panis angelorum | Antonio Lotti (composer) | |
A minor | 2 sopranos and 2 altos | |
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| Qual arde la Fenice | Antonio Lotti (composer) | |
D.38 | soprano and continuo | |
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| Quanto siete fortuna | Antonio Lotti (composer) | |
E flat major | D.40 | soprano and continuo | |
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| Concerto for Oboe d'amore | Antonio Lotti (composer) | |
A major | SeiH 228 (as Heinichen) | oboe damore, strings and continuo | |
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| Quadro Sonata in B-flat major | Antonio Lotti (composer) | |
B flat major | bassoon, 2 violins and continuo | |
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| Trio Sonata in A major | Antonio Lotti (composer) | |
A major | flute, oboe damore and continuo | |
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| Bella Dea che in ciel risplendi | Antonio Lotti (composer) | |
3 voices, strings and continuo | |
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| Irene augusta | Antonio Lotti (composer) | |
voices and orchestra | |
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| Kyrie e Gloria in C major | Antonio Lotti (composer) | |
C major | 3 mixed chorus and orchestra | |
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| L'umiltà coronata | Antonio Lotti (composer) | |
voices, mixed chorus and orchestra | |
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| Il voto crudele | Antonio Lotti (composer) | |
2 sopranos, alto, bass, strings and continuo | |
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| Missa brevis | Antonio Lotti (composer) | |
4 voices | |
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| Tanto è ver che neo verno | Antonio Lotti (composer) | |
B minor | 3 voices and continuo | |
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| Adoramus te Christe in F major | Antonio Lotti (composer) | |
F major | 4 voices | |
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| Adoramus te Christe in G minor | Antonio Lotti (composer) | |
G minor | 4 voices | |
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| A Clorinda al uso bene | Antonio Lotti (composer) | |
voice and continuo | |
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| Le stelle fortunate | Antonio Lotti (composer) | |
soprano, bass, 2 oboes, strings and continuo | |
©2025 David P. Anderson