| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Neuer Paduanen, et al, Teil 1 (Neuer Paduanen, Galliarden, Balletten, Mascharaden, françoischen Arien, Courenten und Sarabanden) | Andreas Hammerschmidt, composer | RISM A/I: H 1958 | 5 viols and continuo | Baroque | Pavans, Galliards, Balletti, Arias, Courantes, Sarabandes | ||||
| Dialogi, Teil 1 (Dialogi, Oder Gespräche zwischen Gott Vnd Einer gläubigen Seelen : Erster Theil; Dialogi (Erster Theil); Gespräche einer gläubigen Seele mit Gott) | Andreas Hammerschmidt, composer | RISM A/I: H 1940 | 1645 | 2 sopranos, bass, continuo and bass 2 sopranos, tenor, continuo and bass 2 sopranos, bass, trombone and continuo 2 sopranos, tenor, 2 violins, continuo and bass soprano, bass, trombone and continuo soprano, bass, trombone, 2 violins and continuo soprano, tenor, bass and continuo 2 sopranos, tenor, 2 violins, continuo and bass soprano, tenor, 2 violins, continuo and bass 2 sopranos, bass, 2 violins, continuo and bass 2 sopranos, bass, trombone, 2 violins and continuo alto, bass, trombone and continuo soprano, tenor, trombone, 2 violins, continuo and bass soprano, tenor, trombone, 2 violins and continuo 2 sopranos, tenor, bass, continuo and bass |
Renaissance | Sacred choruses | |||
| Psalm: Es danken dir, Gott, die Völker | Andreas Hammerschmidt, composer | voice, 2 violins and continuo | Baroque | Psalms | |||||
| Psalm: Habe deine Lust an dem Herren | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass and continuo | Baroque | Psalms | |||||
| Ehre sei Gott in her Höhe | Andreas Hammerschmidt, composer | 2 tenors, bass, mixed chorus and continuo | Baroque | Chorales | |||||
| Eile mich, Gott, zu erretten | Andreas Hammerschmidt, composer | continuo and 2 sopranos 2 tenors and continuo |
Baroque | Sacred concertos, Psalms | |||||
| Psalm: Erwecke dich, Herr | Andreas Hammerschmidt, composer | continuo and 2 sopranos 2 tenors and continuo |
Baroque | Sacred concertos, Psalms | |||||
| Erbarm dich mein | Andreas Hammerschmidt, composer | voices and continuo | Baroque | Madrigals | |||||
| Musicalischer Andachten, Dritter Theil (Geistliche Symphonien) | Andreas Hammerschmidt, composer | RISM A/I: H 1929 | soprano, 2 violins and continuo tenor, 2 violins and continuo bass, 2 trombones and continuo 2 violins, continuo and bass tenor, bass, 2 violins and continuo 2 tenors, 2 violins and continuo soprano, tenor, 2 violins and continuo soprano, bass, bassoon, violin and continuo tenor, bass, bassoon, violin and continuo 2 sopranos, 2 violins and continuo |
Baroque | Sacred concertos | ||||
| Freuet euch, ihr Christen alle (Halleluja) | Andreas Hammerschmidt, composer Christian Keimann, librettist |
mixed chorus | Baroque | Sacred choruses | |||||
| Geistlicher Dialogen Ander Theil | Andreas Hammerschmidt, composer Martin Opitz, librettist |
RISM A/I: H 1944 | voice, 2 violins and continuo 2 voices, 2 violins and continuo voices and continuo |
Baroque | Sacred songs | ||||
| Ihr lieben Hirten (cantata for soprano solo) | Andreas Hammerschmidt, composer | D minor | soprano, mixed chorus and continuo | Baroque | Sacred cantatas | ||||
| Schaffe in mir, Gott | Andreas Hammerschmidt, composer | mixed chorus | Renaissance | Motets, Sacred choruses | |||||
| Schmücket das Fest mit Maien | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass, strings and continuo | Baroque | Motets | |||||
| Vom Leiden Christi (Bis hin an des Kreuzes Stamm) | Andreas Hammerschmidt, composer | mixed chorus, strings and continuo | Baroque | Sacred concertos | |||||
| Ausgewählte Werke von Andreas Hammerschmidt | Andreas Hammerschmidt, composer | soprano and continuo tenor and continuo continuo and 2 sopranos 2 tenors and continuo soprano, tenor and continuo 2 sopranos, bass and continuo 2 tenors, bass and continuo soprano, 2 violins and continuo tenor, 2 violins and continuo 2 tenors, 2 violins and continuo soprano, alto, tenor, bass and continuo 2 sopranos, alto, tenor, bass and continuo 2 sopranos, alto, 3 tenors, 2 basses and continuo 3 sopranos, 3 altos, 3 tenors, 3 basses and continuo |
Renaissance | Sacred concertos, Sacred songs, Motets, Psalms | |||||
| Nun komm der Heiden Heiland | Andreas Hammerschmidt, composer | A major | 5 voices and continuo | Baroque | Motets | ||||
| Siehe, der Gerechte kömmt umb | Andreas Hammerschmidt, composer | E major | 5 voices and continuo | Baroque | Motets | ||||
| Also hat Gott Die Welt | Andreas Hammerschmidt, composer | D major | 6 voices and continuo | Baroque | Sacred songs | ||||
| Jesu, mein Jesu | Andreas Hammerschmidt, composer | B flat major | 6 voices | Baroque | Sacred songs | ||||
| Lobe den Herrn | Andreas Hammerschmidt, composer | D major | 6 voices and continuo | Baroque | Sacred songs | ||||
| Erbarm dich mein, O Herre Gott | Andreas Hammerschmidt, composer | E major | 6 voices and continuo | Baroque | Sacred songs | ||||
| Freue dich sehr, du Tochter Zion | Andreas Hammerschmidt, composer | D major | 6 voices and continuo | Baroque | Sacred songs | ||||
| Es segne dich der Gott Israel | Andreas Hammerschmidt, composer | D major | 6 voices and continuo | Baroque | Sacred songs | ||||
| Gelobet sei der Herr aus Zion | Andreas Hammerschmidt, composer | A major | 6 voices and continuo | Baroque | Sacred songs | ||||
| Ich beschwere euch, ihr Töchter | Andreas Hammerschmidt, composer | B flat major | 2 sopranos, alto, 2 tenors, bass and continuo mixed chorus and continuo |
Baroque | Motets | ||||
| O Domine Jesu Christe | Andreas Hammerschmidt, composer | F minor | 2 sopranos, alto, tenor, bass and continuo | Baroque | Motets | ||||
| Wie schön sind dein Brüste | Andreas Hammerschmidt, composer | C major | 6 voices and continuo | Baroque | Songs | ||||
| Paratum cor meum | Andreas Hammerschmidt, composer | A major | bass and continuo | Baroque | Motets | ||||
| O bone Jesu, O piissime Jesu | Andreas Hammerschmidt, composer | E major | soprano and continuo | Baroque | Motets | ||||
| O Domine, quia ego servus tuus sum | Andreas Hammerschmidt, composer | G minor | bass and continuo | Baroque | Motets | ||||
| Doce me, Domine | Andreas Hammerschmidt, composer | B minor | soprano and continuo | Baroque | Motets | ||||
| Vulnerasti cor meum | Andreas Hammerschmidt, composer | D major | soprano and continuo | Baroque | Motets | ||||
| In te Domine, speravi | Andreas Hammerschmidt, composer | A major | soprano and continuo | Baroque | Motets | ||||
| Cantate Domino | Andreas Hammerschmidt, composer | D major | soprano and continuo | Baroque | Motets | ||||
| Lobe den Herren meine Seele | Andreas Hammerschmidt, composer | D minor | soprano and continuo | Baroque | Motets | ||||
| Audi Domine, et miserere mei | Andreas Hammerschmidt, composer | D minor | soprano and continuo | Baroque | Motets | ||||
| Inter brachia Salvatoris mei | Andreas Hammerschmidt, composer | F major | soprano and continuo | Baroque | Motets | ||||
| Ergo sit nulla ratio salutis | Andreas Hammerschmidt, composer | G minor | soprano and continuo | Baroque | Motets | ||||
| Revertere anima mea | Andreas Hammerschmidt, composer | D major | tenor, bass and continuo | Baroque | Motets | ||||
| De profundis clamavi ad te, Domine | Andreas Hammerschmidt, composer | A minor | soprano and continuo | Baroque | Motets | ||||
| Anima mea liquefacta est | Andreas Hammerschmidt, composer | A major | soprano and continuo | Baroque | Motets | ||||
| Wenn der Herr die Gefangenen | Andreas Hammerschmidt, composer | G minor | soprano and continuo | Baroque | Motets | ||||
| Confitebor tibi, Domine | Andreas Hammerschmidt, composer | G major | soprano and continuo | Baroque | Motets | ||||
| Domine, quis habitabit tabernaculo tuo? | Andreas Hammerschmidt, composer | G minor | tenor, bass and continuo | Baroque | Motets | ||||
| Da pacem, Domine | Andreas Hammerschmidt, composer | A minor | continuo and 2 sopranos | Baroque | Motets | ||||
| Neuer Paduanen, et al, Teil 2 (Ander Theil Newer Paduanen, Canzonen, Galliarden, Balleten, Mascharaden, Francoischen Arien, Courenten und Sarabanden, mit 5. und 3. Stimmen auf Violen nebenst dem Generalbaß.) | Andreas Hammerschmidt, composer | RISM A/I: H 1961 | 3 viols and continuo 4 viols and continuo 5 viols and continuo |
Baroque | Pavans, Canzonas, Galliards, Balletti, Arias, Courantes, Sarabandes | ||||
| Musicalischer Andacht, Teil 1 (Musicalischer Andacht Erster Theil, Das ist: Geistliche Concerten) | Andreas Hammerschmidt, composer | voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo |
Baroque | Sacred concertos | |||||
| Herr, nun lässt du deinen Diener (Herr, nun lästu deiner Dienen im Friede) | Andreas Hammerschmidt, composer | A major | mixed chorus and continuo | Baroque | Motets | ||||
| 16 Missae (A & O Andreae Hammerschmidii Missae, V. VI. VII. IIX. IX. X. XI. XII. & plurium Vocum, tam vivae voci, quam Instrumentis varijs accommodatae) | Andreas Hammerschmidt, composer | 5 voices, continuo and 2 sopranos 6 voices, continuo and 2 sopranos 6 voices, continuo and 4 Unspecified instruments 2 sopranos, alto, tenor, bass, 2 violins and continuo 7 voices, continuo and 2 sopranos 2 sopranos, alto, 2 tenors, bass, 2 violins and continuo 2 sopranos, alto, tenor, bass, 2 trombones, 2 violins and continuo 5 voices, 3 trombones, 2 violins and continuo 5 voices, 2 cornetts, 2 trumpets, 3 trombones, timpani, 2 violins and continuo 6 voices, 2 trumpets, 4 trombones and continuo 2 sopranos, alto, 2 tenors, bass, 4 trombones, 2 violins and continuo |
Baroque | Masses | |||||
| Komm, Heiliger Geist | Andreas Hammerschmidt, composer | E major | 6 voices and continuo | Baroque | Motets | ||||
| Herzlich lieb hab' ich dich, o Herr | Andreas Hammerschmidt, composer Martin Schalling, librettist |
A major | 6 voices and continuo | Baroque | Motets | ||||
| Kirchen- und Tafel-Music (Kirchen- und Tafel-Music, darinnen 1. 2. 3. Vocal und 4. 5. 6. Instrumenta enthalten) | Andreas Hammerschmidt, composer | RISM A/I: H 1952 | soprano, 2 violins, 2 violas, violone and continuo soprano, 2 violins, viola and continuo 2 sopranos, 2 violins, 2 violas, violone and continuo 2 sopranos, 2 violins, 2 violas and continuo soprano, 2 trumpets, 4 trombones and continuo 2 sopranos, tenor, 3 trombones and continuo 2 sopranos, alto, tenor, 3 trombones and continuo soprano, tenor, 2 violins, 2 violas and continuo tenor, 2 violins, 2 violas, violone and continuo tenor, 2 violins, 2 violas and continuo tenor, 2 violins, 2 violas, violone and continuo alto, tenor, bass, 2 violins, viola, violone and continuo alto, tenor, bass, 2 violins, 2 violas and continuo alto, tenor, bass, 2 violins, 2 violas, violone and continuo 2 sopranos, bass, 2 violins, 2 violas, violone and continuo 2 sopranos, bass, 2 violins, 2 violas and continuo alto, tenor, bass, 3 violas and continuo 5 voices, 2 violins and continuo 5 voices, 2 violins, violone and continuo 2 sopranos, bass, 2 trombones, 2 violins and continuo alto, 2 trumpets, 4 trombones and continuo 2 sopranos, alto, 4 trombones and continuo 7 voices, 2 violins, 2 violas, violone and continuo 7 voices, 2 violins, 2 violas and continuo |
Baroque | Sacred cantatas | ||||
| Sechsstimmige Fest- und Zeit-Andachten (Andreas Hammerschmidts VI. Stimmige Fest- und Zeit-Andachten fuer das Chor) | Andreas Hammerschmidt, composer | RISM A/I: H 1954 | 2 sopranos, alto, 2 tenors, bass and continuo | Baroque | Motets, Sacred songs | ||||
| Fest-, Buß- und Danklieder (Fest- Bus- und Danck-Lieder, mit 5. Vocal Stimmen, und 5. Instr. nach beliebung, nebenst dem Basso Continuo Andreas Hammerschmids Dritte Theil Fest Buß und Dancklieder mit 5 und 10 Stimmen) |
Andreas Hammerschmidt, composer Johann Franck, librettist |
2 sopranos, alto, tenor, bass, mixed chorus, 2 violins, continuo and 3 Unspecified instruments 2 sopranos, alto, tenor, bass, 2 violins, continuo and 3 Unspecified instruments 2 sopranos, alto, tenor, bass, mixed chorus, 2 recorders, 3 trombones and continuo soprano, alto, tenor, bass, 2 recorders, 3 trombones and continuo 2 sopranos, alto, tenor, bass, mixed chorus, 3 trombones, 2 violins and continuo soprano, alto, tenor, bass, 3 trombones, 2 violins and continuo 2 sopranos, alto, tenor, bass, 2 trumpets, 3 trombones and continuo 2 sopranos, alto, tenor, bass, mixed chorus, 2 trumpets, 3 trombones and continuo 2 sopranos, alto, tenor, bass, 2 trumpets, trombone, continuo and 2 Unspecified instruments 2 sopranos, alto, tenor, bass, mixed chorus, 2 trumpets, trombone, continuo and 2 Unspecified instruments 2 sopranos, alto, tenor, bass, 2 trumpets, continuo and 3 Unspecified instruments 2 sopranos, alto, tenor, bass, mixed chorus, 2 trumpets, continuo and 3 Unspecified instruments 2 sopranos, alto, tenor, bass, mixed chorus, 2 recorders, continuo and 3 Unspecified instruments soprano, alto, tenor, bass, 2 recorders, continuo and 3 Unspecified instruments bass, 3 trombones, 3 violins and continuo 2 sopranos, 3 violins, viola, harpsichord and continuo 2 sopranos, 3 violins, viola, violone and continuo 2 sopranos, alto, tenor, bass and continuo |
Baroque | Sacred songs | |||||
| Das Wort ward Fleisch | Andreas Hammerschmidt, composer | A major | 2 sopranos, alto, 2 tenors, bass and continuo mixed chorus and continuo |
Baroque | Motets, Sacred songs | ||||
| Ach Herr, gedenke nicht der Sünden | Andreas Hammerschmidt, composer | E major | 2 sopranos, alto, 2 tenors, bass and continuo mixed chorus and continuo |
Baroque | Sacred songs | ||||
| Sei willkommen, Jesulein | Andreas Hammerschmidt, composer | A major | 2 sopranos, alto, 2 tenors, bass and continuo mixed chorus and continuo |
Baroque | Arias, Sacred songs | ||||
| Helft mir Gottes güte preisen | Andreas Hammerschmidt, composer | A major | 2 sopranos, alto, 2 tenors, bass and continuo mixed chorus and continuo |
Baroque | Sacred songs | ||||
| Ach, Jesus stirbt | Andreas Hammerschmidt, composer | G major | 2 sopranos, alto, 2 tenors, bass and continuo mixed chorus and continuo |
Baroque | Sacred songs, Motets | ||||
| 20 Motets (Motettae unius et duarum vocum) | Andreas Hammerschmidt, composer | voice and continuo continuo and 2 sopranos |
Baroque | Motets | |||||
| Unser Herr Jesus Christus | Andreas Hammerschmidt, composer | F major | 6 voices and continuo mixed chorus and continuo |
Baroque | Sacred songs | ||||
| Siehe, es hat überwunden der Löwe | Andreas Hammerschmidt, composer | C major | 6 voices and continuo mixed chorus and continuo |
Baroque | Motets | ||||
| Freundlicher, lieblicher, süssester Jesu | Andreas Hammerschmidt, composer | D major | 6 voices and continuo mixed chorus and continuo |
Baroque | Sacred songs | ||||
| O Vater aller Frommen | Andreas Hammerschmidt, composer | 5 voices and continuo | Baroque | Motets | ![]() |
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| Musicalische Gespräche über die Evangelia. Teil I, 1655 (Mit 4. 5. 6. und 7. Stimmen/ nebenst den Basso Continuo) | Andreas Hammerschmidt, composer | HaWV 471-500 | 1655 | 2 sopranos, tenor, bass, 2 cornetts and continuo 2 sopranos, alto, tenor, bass and continuo soprano, alto, tenor, bass, 2 cornetts and continuo alto, tenor, bass, 2 cornetts and continuo 2 sopranos, alto, tenor, bass, 2 violins and continuo soprano, alto, bass, 3 violins and continuo 2 sopranos, tenor, 2 violins, continuo and bass 2 sopranos, tenor, bass, 2 trombones and continuo 2 sopranos, alto, tenor, 2 basses and continuo 2 sopranos, bass, 2 violins and continuo soprano, alto, tenor, bass, 2 violins and continuo alto, bass, 2 violins and continuo alto, bass, 2 cornetts and continuo continuo, 2 sopranos, alto and bass soprano, alto, tenor, bass and continuo soprano, alto, bass, 2 trombones and continuo 2 sopranos, bass, 2 trombones and continuo 2 sopranos, alto, bass, 2 violins and continuo 3 sopranos, tenor, bass, 2 cornetts and continuo 2 sopranos, alto, tenor, bass, 2 trumpets, 2 trombones and continuo 2 sopranos, alto, tenor, bass, 2 recorders and continuo |
Baroque | Sacred songs | |||
| Musikalischer Andachten, Teil 2 (Musikalischer Andachten, Ander Theil, das ist Geistliche Madrigalien Musicalischer Andachten Ander Theill Das ist Geistliche Madrigalien Mit 4. 5. und 6. Stimmen, sambt einem General-Baß, Benebenst einer Fünffstimmigen [fünff- und sechsstimmigen] Capella so nach beliebung, gebraucht oder außen gelassen werden kan. Componirt von Andreaß Hammerschmieden, Organisten zu Zittaw.) |
Andreas Hammerschmidt, composer | 1638 | 4 voices and continuo 5 voices and continuo 5 voices 6 voices and continuo 6 voices |
Baroque | Sacred songs, Madrigals, Motets | ||||
| Musicalische Andachten, Vierter Theil (Moteten undt Concerten mit 5. 6. 7. 8. 9. 10. 12 und mehr Stimmen nebenst einem gedoppelten GeneralBaß) | Andreas Hammerschmidt, composer | 1646 | 5 voices and continuo 6 voices and continuo 7 voices and continuo 8 voices and continuo 9 voices and continuo 8 voices, 2 violins and continuo 12 voices and continuo |
Baroque | Motets, Sacred songs | ||||
| Ander Theil Geistlicher Gespräche über die Evangelia | Andreas Hammerschmidt, composer | HaWV 551-579 | 5 voices, 2 cornetts and continuo 2 voices, cornett, 2 violins, viola, violone and continuo 2 voices, 3 violins, viola, violone and continuo 5 voices, 2 violins and continuo 3 voices, 2 violins, viola, violone and continuo 3 voices, harpsichord, 2 violins, viola, violone and continuo 3 voices, 3 trombones and continuo 3 voices, 2 violins and continuo 4 voices, 2 violins and continuo 4 voices, 2 violas and continuo 2 voices, 2 trombones, 2 violins and continuo 4 voices, 3 trombones and continuo 2 voices, 3 trombones, 2 voices and continuo 4 voices, 2 violins and continuo 2 voices, 2 cornetts, 3 trombones and continuo 6 voices, 2 trumpets, 2 cornetts and continuo 6 voices, 6 trumpets, 2 cornetts, violone and continuo voice, harpsichord, 2 violins, viola and violone voice, 2 violins, viola, violone and continuo 3 voices, 2 recorders, 2 trombones and continuo 5 voices, 2 recorders, 2 trombones and continuo |
Baroque | Sacred concertos | ||||
| O Jesu mein Jesu, selig ist der Leib ((Dominica Oculi)) | Andreas Hammerschmidt, composer | soprano, alto, bass, 2 trombones and continuo | Baroque | Sacred songs | |||||
| O Vater, aller Augen warten auf dich ((Dominica Laetare)) | Andreas Hammerschmidt, composer | 2 sopranos, bass, 2 trombones and continuo | Baroque | Sacred songs | |||||
| Wer von Gott ist ((Dominica Judica)) | Andreas Hammerschmidt, composer | 2 sopranos, bass, 2 trombones and continuo | Baroque | Sacred songs | |||||
| Wer walzet uns den Stein ((In festo Resurrectionis Christi)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Friede sei mit euch ((Dominica Quasimodogeniti)) | Andreas Hammerschmidt, composer | 2 sopranos, tenor, 2 violins, continuo and bass | Baroque | Sacred songs | |||||
| Ich bin ein guter Hirte ((Dominica Misericordias)) | Andreas Hammerschmidt, composer | 2 sopranos, bass, 2 trombones and continuo | Baroque | Sacred songs | |||||
| Wahrlich ich sage euch ihr werdet weinen ((Dominica Jubilate)) | Andreas Hammerschmidt, composer | 2 sopranos, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Nun aber gehe ich hin ((Dominica Cantate)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Warlich ich sage euch, so ihr ((Dominica Rogationum)) | Andreas Hammerschmidt, composer | 3 sopranos, tenor, bass, 2 cornetts and continuo | Baroque | Sacred songs | |||||
| Gott fähret auf mit Jauchzen ((Die Festo Ascensionis Christi)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass, 2 trumpets, 2 trombones and continuo | Baroque | Sacred songs | |||||
| So euch die Welt hasset ((Dominica Exaudi)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass, 2 recorders and continuo | Baroque | Sacred songs | |||||
| Herr du weissest alle Dinge (Herr du weißest all Dinge (Feria prima Pentecostes)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Gelobet sey der Herr alleluja ((Dominica Esto mihi)) | Andreas Hammerschmidt, composer | alto, bass, 2 violins and continuo alto, bass, 2 cornetts and continuo |
Baroque | Sacred songs | |||||
| Bist du Gottes Sohn ((Dominica Invocavit)) | Andreas Hammerschmidt, composer | continuo, 2 sopranos, alto and bass | Baroque | Sacred songs | |||||
| Ach Herr, du Sohn David ((Dominica Reminiscere)) | Andreas Hammerschmidt, composer | 1655 | soprano, alto, tenor, bass and continuo | Baroque | Sacred songs | ||||
| Herr, diese letzten haben nur ein Stunde gearbeitet ((Dominica Septuagesimae)) | Andreas Hammerschmidt, composer | 2 sopranos, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Höret zu, es ging ein Sämann aus ((Dominica Sexagesimae)) | Andreas Hammerschmidt, composer | soprano, alto, tenor, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Und da acht Tage um waren (Und da acht Tage umbwaren (Die festo Circumcisionis Christi)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Wo ist der neugeborne König ((Die festo Epiphanias Domini)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Mein Sohn, warum hast du uns das getan? ((Dominica prima post Epiphania)) | Andreas Hammerschmidt, composer | soprano, alto, bass, 3 violins and continuo | Baroque | Sacred songs | |||||
| Herr, sie haben nicht Wein ((Dominica secunda post Epiphania)) | Andreas Hammerschmidt, composer | 2 sopranos, tenor, 2 violins, continuo and bass | Baroque | Sacred songs | |||||
| Herr, ich bin nicht wert ((Dominica tertia post Epiphania)) | Andreas Hammerschmidt, composer | 2 sopranos, tenor, bass, 2 trombones and continuo | Baroque | Sacred songs | |||||
| O Herr, hilf, wir verderben ((Dominica quarta post Epiphania)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, 2 basses and continuo | Baroque | Sacred songs | |||||
| Herr, hast du nicht guten Samen ((Dominica quinta post Epiphania)) | Andreas Hammerschmidt, composer | 2 sopranos, bass, 2 violins and continuo | Baroque | Sacred songs | |||||
| Himmel und Erde vergehen ((Dominica secunda Adventus)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass and continuo | Baroque | Sacred songs | |||||
| Da aber Johannes die Werk Christi hörete (Da aber Johannes im Gefängnüß die Werck Christi hörete (Dominica tertia Adventus)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass and continuo | Baroque | Sacred songs | |||||
| Und dies ist das Zeugnis Johannis (Und diß ist das Zeugnis Johannis (Dominica quarta Adventus)) | Andreas Hammerschmidt, composer | 2 sopranos, alto, tenor, bass and continuo | Baroque | Sacred songs | |||||
| O ihr lieben Hirten, fürchtet euch nicht ((In festo Nativitatis Christi)) | Andreas Hammerschmidt, composer | soprano, alto, tenor, bass, 2 cornetts and continuo | Baroque | Sacred songs | |||||
| Was meinest du wil aus dem Kindlein werden? (Was meinestu . . . (Dominica post Nativitatem Christi)) | Andreas Hammerschmidt, composer | alto, tenor, bass, 2 cornetts and continuo | Baroque | Sacred songs | |||||
| Freue dich, du Tochter Zion ((Dominica prima Adventus)) | Andreas Hammerschmidt, composer | 2 sopranos, tenor, bass, 2 cornetts and continuo | Baroque | Sacred songs | |||||
| Musicalischer Andachten, Teil 5 (Andreas Hammerschmids Chor Music mit V und VI Stimmen Auff Madrigal manier nebenst dem Basso Continuo. Funffter Theil Musicalischer Andachten) | Andreas Hammerschmidt, composer | 5 voices and continuo 6 voices and continuo |
Baroque | Motets, Sacred songs, Madrigals |
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