| Composition |
Attributes |
| Béatrice et Bénédict, H 138 (Berlioz, Hector) for voices, mixed chorus and orchestra |
— |
| Perler (Sinding, Christian) for voice and piano |
— |
| Arrangement of Plaisir d'amour (Martini, Jean Paul Egide) for baritone and orchestra |
— |
La mort d'Ophélie, H 92 (Berlioz, Hector) for soprano and piano
tenor and piano
female chorus and orchestra |
— |
La mort d'Ophélie, H 92 (Berlioz, Hector) for soprano and piano
tenor and piano
female chorus and orchestra |
vocal score |
La menace des Francs, H 117 (Berlioz, Hector) for male chorus, mixed chorus and orchestra
2 tenors, 2 baritones, mixed chorus and orchestra |
— |
La menace des Francs, H 117 (Berlioz, Hector) for male chorus, mixed chorus and orchestra
2 tenors, 2 baritones, mixed chorus and orchestra |
vocal score |
| Chant des chemins de fer, H 110 (Berlioz, Hector) for tenor, mixed chorus and orchestra |
— |
Vox populi, H 120 (Berlioz, Hector) for male chorus, mixed chorus and orchestra
mixed chorus and orchestra |
— |
Vox populi, H 120 (Berlioz, Hector) for male chorus, mixed chorus and orchestra
mixed chorus and orchestra |
vocal score |
Le chasseur danois, H 104 (Berlioz, Hector) for bass and piano
bass and orchestra |
— |
| Herminie, H 29 (Berlioz, Hector) for soprano and orchestra |
— |
| Herminie, H 29 (Berlioz, Hector) for soprano and orchestra |
— |
Irlande, H 38 (Berlioz, Hector) for tenor and piano
tenor, baritone and piano
soprano, alto and piano
tenor, bass, male chorus and piano
tenor, male chorus and piano
soprano, mixed chorus and piano
tenor, mixed chorus and piano
soprano and piano |
vocal score |
Irlande, H 38 (Berlioz, Hector) for tenor and piano
tenor, baritone and piano
soprano, alto and piano
tenor, bass, male chorus and piano
tenor, male chorus and piano
soprano, mixed chorus and piano
tenor, mixed chorus and piano
soprano and piano |
vocal score |
'''Version''' from Sara la baigneuse, H 69 (Berlioz, Hector) for mixed chorus, female chorus, male chorus and orchestra
soprano, alto and piano
tenor, bass and piano |
— |
'''Version''' from Sara la baigneuse, H 69 (Berlioz, Hector) for mixed chorus, female chorus, male chorus and orchestra
soprano, alto and piano
tenor, bass and piano |
— |
'''Version''' from Sara la baigneuse, H 69 (Berlioz, Hector) for mixed chorus, female chorus, male chorus and orchestra
soprano, alto and piano
tenor, bass and piano |
vocal score |
La belle voyageuse, H 42 (Berlioz, Hector) for mezzosoprano and piano
mezzosoprano and orchestra
female chorus and orchestra |
— |
'''Version'''(Op.2 No.6) from Chant sacré, H 44 (Berlioz, Hector) for mixed chorus and piano
mixed chorus and orchestra |
vocal score |
'''Version''' from Chant sacré, H 44 (Berlioz, Hector) for mixed chorus and piano
mixed chorus and orchestra |
vocal score |
Hélène, H 40 (Berlioz, Hector) for 2 tenors, 2 basses and piano
male chorus and piano
2 tenors, 2 basses and orchestra
male chorus and orchestra |
— |
Hélène, H 40 (Berlioz, Hector) for 2 tenors, 2 basses and piano
male chorus and piano
2 tenors, 2 basses and orchestra
male chorus and orchestra |
vocal score |
| Canon libre à la quinte, H 14 (Berlioz, Hector) for alto, bass and piano |
— |
Le montagnard exilé, H 15 (Berlioz, Hector) for piano
harp |
— |
| Amitié, reprends ton empire, H 10 (Berlioz, Hector) for soprano, alto, tenor and piano |
— |
| Le ballet des ombres, H 37 (Berlioz, Hector) for mixed chorus and piano |
— |
| Søndagsmorgen (Schjelderup, Gerhard Rosenkrone) for voices, mixed chorus and orchestra |
vocal score |
| Til Molde, Op. 16 (Sinding, Christian) for baritone, mixed chorus and orchestra |
parts |
| Til Molde, Op. 16 (Sinding, Christian) for baritone, mixed chorus and orchestra |
vocal score |
| Þess bera menn sár (Árni Thorsteinson) for voice and piano |
— |