| Composition |
Score attributes |
| Béatrice et Bénédict, H 138 (Berlioz, Hector) for voices, mixed chorus and orchestra |
— |
| Perler (Sinding, Christian) for voice and piano |
— |
| Arrangement of Plaisir d'amour (Martini, Jean Paul Egide) for baritone and orchestra |
— |
| La mort d'Ophélie, H 92 (Berlioz, Hector) for soprano and piano or tenor and piano or female chorus and orchestra |
— |
| La mort d'Ophélie, H 92 (Berlioz, Hector) for soprano and piano or tenor and piano or female chorus and orchestra |
vocal score |
| La menace des Francs, H 117 (Berlioz, Hector) for male chorus, mixed chorus and orchestra or 2 tenors, 2 baritones, mixed chorus and orchestra |
— |
| La menace des Francs, H 117 (Berlioz, Hector) for male chorus, mixed chorus and orchestra or 2 tenors, 2 baritones, mixed chorus and orchestra |
vocal score |
| Chant des chemins de fer, H 110 (Berlioz, Hector) for tenor, mixed chorus and orchestra |
— |
| Vox populi, H 120 (Berlioz, Hector) for male chorus, mixed chorus and orchestra or mixed chorus and orchestra |
— |
| Vox populi, H 120 (Berlioz, Hector) for male chorus, mixed chorus and orchestra or mixed chorus and orchestra |
vocal score |
| Le chasseur danois, H 104 (Berlioz, Hector) for bass and piano or bass and orchestra |
— |
| Herminie, H 29 (Berlioz, Hector) for soprano and orchestra |
— |
| Herminie, H 29 (Berlioz, Hector) for soprano and orchestra |
— |
| Irlande, H 38 (Berlioz, Hector) for tenor and piano or tenor, baritone and piano or soprano, alto and piano or tenor, bass, male chorus and piano or tenor, male chorus and piano or soprano, mixed chorus and piano or tenor, mixed chorus and piano or soprano and piano |
vocal score |
| Irlande, H 38 (Berlioz, Hector) for tenor and piano or tenor, baritone and piano or soprano, alto and piano or tenor, bass, male chorus and piano or tenor, male chorus and piano or soprano, mixed chorus and piano or tenor, mixed chorus and piano or soprano and piano |
vocal score |
| '''Version''' from Sara la baigneuse, H 69 (Berlioz, Hector) for mixed chorus, female chorus, male chorus and orchestra or soprano, alto and piano or tenor, bass and piano |
— |
| '''Version''' from Sara la baigneuse, H 69 (Berlioz, Hector) for mixed chorus, female chorus, male chorus and orchestra or soprano, alto and piano or tenor, bass and piano |
— |
| '''Version''' from Sara la baigneuse, H 69 (Berlioz, Hector) for mixed chorus, female chorus, male chorus and orchestra or soprano, alto and piano or tenor, bass and piano |
vocal score |
| La belle voyageuse, H 42 (Berlioz, Hector) for mezzosoprano and piano or mezzosoprano and orchestra or female chorus and orchestra |
— |
| '''Version'''(Op.2 No.6) from Chant sacré, H 44 (Berlioz, Hector) for mixed chorus and piano or mixed chorus and orchestra |
vocal score |
| '''Version''' from Chant sacré, H 44 (Berlioz, Hector) for mixed chorus and piano or mixed chorus and orchestra |
vocal score |
| Hélène, H 40 (Berlioz, Hector) for 2 tenors, 2 basses and piano or male chorus and piano or 2 tenors, 2 basses and orchestra or male chorus and orchestra |
— |
| Hélène, H 40 (Berlioz, Hector) for 2 tenors, 2 basses and piano or male chorus and piano or 2 tenors, 2 basses and orchestra or male chorus and orchestra |
vocal score |
| Canon libre à la quinte, H 14 (Berlioz, Hector) for alto, bass and piano |
— |
| Le montagnard exilé, H 15 (Berlioz, Hector) for piano or harp |
— |
| Amitié, reprends ton empire, H 10 (Berlioz, Hector) for soprano, alto, tenor and piano |
— |
| Le ballet des ombres, H 37 (Berlioz, Hector) for mixed chorus and piano |
— |
| Søndagsmorgen (Schjelderup, Gerhard Rosenkrone) for voices, mixed chorus and orchestra |
vocal score |
| Til Molde, Op. 16 (Sinding, Christian) for baritone, mixed chorus and orchestra |
parts |
| Til Molde, Op. 16 (Sinding, Christian) for baritone, mixed chorus and orchestra |
vocal score |
| Þess bera menn sár (Árni Thorsteinson) for voice and piano |
— |