| Composition |
Published |
| Andante (No.4) from Arrangement of Andante (No.4) from 7 Bagatelles, Op. 33 (Beethoven, Ludwig van) for 3 voices and piano |
|
| The Last Hope, Op. 16 (Gottschalk, Louis Moreau) for piano |
1856 |
| Overture from Arrangement of Overture from Guillaume Tell (Rossini, Gioacchino) for piano 4 hands |
1864 |
| Overture from Arrangement of Overture from Guillaume Tell (Rossini, Gioacchino) for piano 4 hands |
1864 |
| Manchega, Op. 38 (Gottschalk, Louis Moreau) for piano |
1860 |
| Manchega, Op. 38 (Gottschalk, Louis Moreau) for piano |
1860 |
| Jérusalem, Op. 13 (Gottschalk, Louis Moreau) for piano |
1855 |
| Berceuse, Op. 47 (Gottschalk, Louis Moreau) for |
|
| Morte!!, Op. 60 (Gottschalk, Louis Moreau) for piano |
1869 |
| Morte!!, Op. 60 (Gottschalk, Louis Moreau) for piano |
1869 |
| Minuit à Séville, Op. 30 (Gottschalk, Louis Moreau) for piano |
1858 |
| Minuit à Séville, Op. 30 (Gottschalk, Louis Moreau) for piano |
1858 |
| Le mancenillier, Op. 11 (Gottschalk, Louis Moreau) for piano |
1857 |
| Ojos criollos, Op. 37 (Gottschalk, Louis Moreau) for piano 4 hands |
1860 |
| Ojos criollos, Op. 37 (Gottschalk, Louis Moreau) for piano 4 hands |
1860 |
| Arrangement of Ojos criollos, Op. 37 (Gottschalk, Louis Moreau) for piano |
1864 |
| Marche de nuit, Op. 17 (Gottschalk, Louis Moreau) for piano |
1856 |
| Marche de nuit, Op. 17 (Gottschalk, Louis Moreau) for piano |
1856 |
| Chant du soldat, Op. 23 (Gottschalk, Louis Moreau) for piano |
1857 |
| Chant du soldat, Op. 23 (Gottschalk, Louis Moreau) for piano |
1857 |
| La gallina, Op. 53 (Gottschalk, Louis Moreau) for piano |
1869 |
| La jota aragonesa, Op. 14 (Gottschalk, Louis Moreau) for piano |
1855 |
| La jota aragonesa, Op. 14 (Gottschalk, Louis Moreau) for piano |
1855 |
| Ô ma charmante, épargnez moi!, Op. 44 (Gottschalk, Louis Moreau) for piano |
1862 |
| Ô ma charmante, épargnez moi!, Op. 44 (Gottschalk, Louis Moreau) for piano |
1862 |
| Bataille, Op. 64 (Gottschalk, Louis Moreau) for piano |
1870 |
| Sospiro, Op. 24 (Gottschalk, Louis Moreau) for piano |
1857 |
| Souvenirs d'Andalousie, Op. 22 (Gottschalk, Louis Moreau) for piano |
1855 |
| Souvenir de la Havane, Op. 39 (Gottschalk, Louis Moreau) for piano |
1860 |
| Union, Op. 48 (Gottschalk, Louis Moreau) for piano |
1863 |
| Union, Op. 48 (Gottschalk, Louis Moreau) for piano |
1863 |
| Ricordati, Op. 26 (Gottschalk, Louis Moreau) for piano |
1857 |
| Printemps d'amour, Op. 40 (Gottschalk, Louis Moreau) for piano |
1860 |
| La colombe, Op. 49 (Gottschalk, Louis Moreau) for piano |
1864 |
| Dernier amour, Op. 63 (Gottschalk, Louis Moreau) for piano |
1870 |
| Dernier amour, Op. 63 (Gottschalk, Louis Moreau) for piano |
1870 |
| Suis moi!, Op. 45 (Gottschalk, Louis Moreau) for piano |
1862 |
| Le banjo, Op. 15 (Gottschalk, Louis Moreau) for piano |
1855 |
| Romanze (Act I, No.3) from Arrangement of Romanze (Act I, No.3) from Das Nachtlager in Granada (Kreutzer, Conradin) for piano |
1855 |
| God Save the Queen, Op. 41 (Gottschalk, Louis Moreau) for piano |
|
| Tremolo, Op. 58 (Gottschalk, Louis Moreau) for piano |
1871 |
| Arrangement of Selections from Fra Diavolo (Auber, Daniel François Esprit) for piano |
1855 |
| La californienne, Op. 167 (Herz, Henri) for piano |
|
| Jeunesse, Op. 70 (Gottschalk, Louis Moreau) for piano |
1860 |
| Polonia, Op. 43 (Gottschalk, Louis Moreau) for piano |
1861 |
| Polonia, Op. 43 (Gottschalk, Louis Moreau) for piano |
1861 |
| Chorus and Barcarolle (Act II) from Arrangement of Chorus and Barcarolle (Act II) from La muette de Portici (Auber, Daniel François Esprit) for flute and piano |
1855 |
| Chorus and Barcarolle (Act II) from Arrangement of Chorus and Barcarolle (Act II) from La muette de Portici (Auber, Daniel François Esprit) for violin and piano |
1855 |
| Apothéose, Op. 29 (Gottschalk, Louis Moreau) for piano |
1858 |
| Murmures éoliens, Op. 46 (Gottschalk, Louis Moreau) for piano |
1862 |
| Reflets du passé, Op. 28 (Gottschalk, Louis Moreau) for piano |
1858 |
| Reflets du passé, Op. 28 (Gottschalk, Louis Moreau) for piano |
1858 |
| Solitude, Op. 65 (Gottschalk, Louis Moreau) for piano |
1871 |
| Solitude, Op. 65 (Gottschalk, Louis Moreau) for piano |
1871 |
| La favorita, Op. 68 (Gottschalk, Louis Moreau) for piano |
1871 |
| Miserere du 'Trovatore', Op. 52 (Gottschalk, Louis Moreau) for piano |
1864 |
| Miserere du 'Trovatore', Op. 52 (Gottschalk, Louis Moreau) for piano |
1864 |
| Pastorella e cavalliere, Op. 32 (Gottschalk, Louis Moreau) for piano |
1862 |
| Pastorella e cavalliere, Op. 32 (Gottschalk, Louis Moreau) for piano |
1862 |
| Arrangement of Pastorella e cavalliere, Op. 32 (Gottschalk, Louis Moreau) for voice and piano |
1865 |
| La Grande-Duchesse de Gérolstein (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Impromptu, Op. 54 (Gottschalk, Louis Moreau) for piano |
1869 |
| Marche funèbre, Op. 61 (Gottschalk, Louis Moreau) for piano |
1870 |
| Slumber on Baby, Dear (Gottschalk, Louis Moreau) for voice and piano |
1863 |
| Grande Polka de Concert, Op. 48 (Wallace, William Vincent) for piano |
|
| Caprice Russe (Strakosch, Maurice) for piano |
1854 |
| Marche des rois (Act III) from Arrangement of Marche des rois (Act III) from Le lac des fées (Auber, Daniel François Esprit) for piano |
1853 |
| The Magyar Polka (Strakosch, Maurice) for piano |
1852 |
| Grande Polka de Concert No. 2, Op. 68 (Wallace, William Vincent) for piano |
1852 |
| Coquette (Albert, Charles d') for piano |
|
| Coquette (Albert, Charles d') for piano |
1852 |
| The Midnight Moon (No.1) from Lays of the Night (Glover, Stephen Ralph) for 2 voices and piano |
|
| The Murmuring Sea (No.2) from Lays of the Night (Glover, Stephen Ralph) for 2 voices and piano |
|
| Arrangement of Evening Star Schottische (Wallace, William Vincent) for piano 4 hands |
1853 |
| Fantasie on the Opera Zampa (Sloper, Lindsay) for piano |
1872 |
| Roslyn Castle (Wallace, William Vincent) for piano |
1856 |
| Scraps of Melody for Young Pianists, Op. 23 (Dressler, William) for piano |
1851 |
| Scraps of Melody for Young Pianists, Op. 23 (Dressler, William) for piano |
1851 |
| Lucy Gray (Barker, George Arthur) for voice and piano |
|
| Arrangement of Lucy Gray (Barker, George Arthur) for voice and guitar |
1852 |
| Arrangement of Mary Avourneen (Barker, George Arthur) for voice and guitar |
1851 |
| Alboni Schottisch, Op. 36 (Dressler, William) for piano |
1852 |
| Champaigne Schottisch, Op. 12 (Dressler, William) for piano |
1851 |
| Romanesca Polka (Grube, Charles H.) for piano |
1849 |
| Bloomer Waltz, Op. 29 (Dressler, William) for piano |
1851 |
| Catharine Hayes Schottisch, Op. 31 (Dressler, William) for piano |
1851 |
| Viola Waltz (Grube, Charles H.) for piano |
1848 |
| The Bloomer Schottisch, Op. 28 (Dressler, William) for piano |
1851 |
| 12 Morceaux mélodiques et progressifs, Op. 41 (Wollenhaupt, Hermann Adolf) for piano |
1856 |
| I Lombardi (No.1) from Arrangement of I Lombardi (No.1) from 3 Fantaisies sur les opéras de Verdi, Op. 29 (Vieuxtemps, Henri) for piano 4 hands |
1857 |
| Alas, those Chimes so Sweetly Stealing from Arrangement of Alas, those Chimes so Sweetly Stealing from Maritana (Wallace, William Vincent) for voice and guitar |
1853 |
| Yes, let me like a soldier fall from Arrangement of Yes, let me like a soldier fall from Maritana (Wallace, William Vincent) for guitar |
1855 |
| Arrangement of Selections from Gustave III (Auber, Daniel François Esprit) for piano |
1852 |
| Polacca de Concert in B-flat major (Eisfeld, Theodor) for piano 4 hands |
1855 |
| The Haunted Stream (Barker, George Arthur) for voice and piano |
1851 |
| Arrangement of The Haunted Stream (Barker, George Arthur) for voice and guitar |
1852 |
| 3 Lieder, Op. 52 (Kücken, Friedrich Wilhelm) for voice and piano |
|
| Klänge der Liebe, Op. 50 (Oesten, Theodore) for piano |
|
| Good Night! Good Night! Beloved! (Balfe, Michael William) for voice and piano |
|
| Why do Summer Roses Fade? (Barker, George Arthur) for voice and piano |
|
| Arrangement of Why do Summer Roses Fade? (Barker, George Arthur) for voice and guitar |
1851 |
| Le tre nozze (Alary, Giulio) for voices, mixed chorus and orchestra |
1852 |
| Variations: Gia del la mente (No.17) from Arrangement of Variations: Gia del la mente (No.17) from Le tre nozze (Alary, Giulio) for piano 4 hands |
1853 |
| Variations: Gia del la mente (No.17) from Arrangement of Variations: Gia del la mente (No.17) from Le tre nozze (Alary, Giulio) for piano |
1852 |
| A Voice from the Lake (Eisfeld, Theodor) for 2 sopranos, tenor and bass |
1853 |
| The Night Winds from Arrangement of The Night Winds from Lurline (Wallace, William Vincent) for piano |
1851 |
| Arrangement of Milanollo Quick-Step (Hamm, Johann Valentin) for piano |
1853 |
Welcome to Kossuth, Op. 39 (Dressler, William) for voice, trumpet, percussion and piano
voice, mixed chorus, trumpet, percussion and piano |
1851 |
| Fire-Fly Fantasie and Variations, Op. 52 (Dressler, William) for piano |
1852 |
| Flirtation (Strakosch, Maurice) for piano |
1849 |
| 8 Airs populaires américains en rondinettos, Op. 95 (Beyer, Ferdinand) for piano |
|
| 3 Divertissements sur 'I due Foscari', Op. 93 (Beyer, Ferdinand) for piano |
1852 |
| Soirées musicales, Op. 109 (Beyer, Ferdinand) for piano |
1851 |
| 9 Amusements, Op. 39 (Oesten, Theodore) for piano |
|
| Couronnes de mélodies, Op. 104 (Oesten, Theodore) for piano |
|
| 2 Romances sans paroles (Eckert, Karl Anton Florian) for piano |
1854 |
| Fantasie de salon sur 'Der Freyschütz' (Wallace, William Vincent) for piano |
1855 |
| Fantasie de salon sur 'La sonnambula' (Wallace, William Vincent) for piano |
1855 |
| Fantasie de salon sur 'Norma' (Wallace, William Vincent) for piano |
1854 |
| Fantasie elegante sur des themes de 'Don Pasquale' (Wallace, William Vincent) for piano |
1852 |
| Fantasie brillante sur "La traviata" (Wallace, William Vincent) for piano |
1857 |
| Variations brillantes sur la barcarolle de 'L'elisir d'amore' (Wallace, William Vincent) for piano 4 hands |
1857 |
| 20 Joys (Bellak, James) for piano |
1855 |
| The World's Fair Polka (Wallace, William Vincent) for piano |
1851 |
| Arrangement of The World's Fair Polka (Wallace, William Vincent) for piano 4 hands |
1851 |
| Souvenir de Naples (Wallace, William Vincent) for piano |
1854 |
| Arrangement of The Peasant Girl (Albert, Charles d') for piano |
1854 |
| Viens, ô ma belle, RO120 (Gottschalk, Louis Moreau) for voice and piano |
1863 |
| Waltz from Arrangement of Waltz from Abend-Sterne Walzer, Op. 180 (Lanner, Joseph) for piano |
1851 |
| Very Best Polka (Dodworth, Allen) for piano |
1850 |
| Bolero (Dodworth, Allen) for piano |
|
| Arrangement of Klänge aus der Heimath, Op. 31 (Gungl, Joseph) for violin and piano |
1848 |
| Quadrilles Arranged for Four Hands (Dodworth, Allen) for piano 4 hands |
1852 |
| Quadrilles Arranged for Four Hands (Dodworth, Allen) for piano 4 hands |
1852 |
| Spring Mornings, Op. 56 (Dressler, William) for piano |
1854 |
| Dark Sett Quadrilles (Dodworth, Allen) for piano |
|
| Gorlitza (Dodworth, Allen) for piano |
1851 |
| Glendon Polka (Dodworth, Allen) for piano |
1852 |
| Grace Schottisch (Dodworth, Allen) for piano |
1852 |
| Jenny Lind Schottisch (Dodworth, Allen) for piano |
1850 |
| Olivia Polka (Dodworth, Allen) for piano |
1848 |
| Rover's Quick Step (Dodworth, Allen) for piano |
1852 |
| The Junior Schottisch (Dodworth, Allen) for piano |
1852 |
| Knickerbocker Quadrilles (Dodworth, Allen) for piano |
|
| Arrangement of Knickerbocker Quadrilles (Dodworth, Allen) for piano 4 hands |
|
| The Indian Hunter (Russell, Henry) for voice and piano |
1842 |
| The Cally Quadrilles (Dodworth, Allen) for piano |
|
| Old Folks Schottisch (Bellak, James) for piano |
1855 |
| Arrangement of Pensez à moi (Albert, Roch) for piano |
1853 |
| Jenny Lind March (Alhan, V.) for piano |
1848 |
| Allen Polka (Anderson, Elbert) for piano |
1850 |
| Gondollied (Bellak, James) for piano |
1855 |
| Arrangement of Florida Polka-Redowa (Ascher, Joseph) for piano |
1854 |
| The Church Bells (Bellak, James) for piano |
|
| Kate Conner (Barker, George Arthur) for voice and piano |
|
| Arrangement of Kate Conner (Barker, George Arthur) for voice and guitar |
1852 |
| Arrangement of Lonely and Sad (Barker, George Arthur) for voice and guitar |
1851 |
| Philena (Rohbock, Henry) for piano |
1853 |
| Sounds from the Heart (Ržiha, Franz) for piano |
1848 |
| The 'Five Pound' Polka (Glover, Stephen Ralph) for piano |
1850 |
| Arrangement of Katy Darling (Anonymous) for guitar |
1854 |
| The Soldier's Return (Glover, Charles William) for 2 voices and piano |
1850 |
| Bow of Promise (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| I Have Missed You Mollie Darling (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| The Flowers will Bloom in May! (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| Galop brillant de salon (Wallace, William Vincent) for piano |
1858 |
| Little Sis Polka (Baylor, Eugene W.) for piano |
1853 |
| Little Willie's Grave (Thomas, John Rogers) for voice and piano |
|
| One Dream of You, My Own (Thomas, John Rogers) for voice and piano |
|
| Some Heart Will Love Thee Still (Thomas, John Rogers) for voice and piano |
1870 |
| The Lover's Letter Box, Op. 44 (Wollenhaupt, Hermann Adolf) for piano |
|
| Bonny Eloise (Thomas, John Rogers) for voice, mixed chorus and piano |
|
| Pleasant Memories (Thomas, John Rogers) for voice and piano |
|
| Bright Days Are Coming Love (Thomas, John Rogers) for voice and piano |
1860 |
| Once Upon a Time (Thomas, John Rogers) for voice and piano |
1853 |
| Some One to Love (Thomas, John Rogers) for voice and piano |
1856 |
| Be Quiet Do, I'll Call My Mother (Thomas, John Rogers) for voice, male chorus and piano |
1857 |
| Darling Bessie (Thomas, John Rogers) for voice, mixed chorus and piano |
1857 |
| Ettie May (Thomas, John Rogers) for voice and piano |
1857 |
| I'll Dream of Thee No More (Thomas, John Rogers) for voice and piano |
1857 |
| I Wish I Were a Fairy Queen (Thomas, John Rogers) for voice and piano |
1857 |
| Kathleen of Kildare (Thomas, John Rogers) for voice and piano |
1857 |
Where Is Home (Thomas, John Rogers) for voice, mixed chorus and piano
2 voices, mixed chorus and piano |
|
| Oh! Gently Breathe (Thomas, John Rogers) for voice, mixed chorus and piano |
1858 |
| Happy Be Thy Dreams (Thomas, John Rogers) for voice and piano |
1859 |
| Winsome Winnie of the Mill (Thomas, John Rogers) for voice and piano |
1858 |
| The Union (Thomas, John Rogers) for voice, mixed chorus and piano |
1859 |
| Guitar Folio (Converse, Charles Crozat) for guitar |
1856 |
| Sounds from Spain (Converse, Charles Crozat) for guitar |
1856 |
| Echoes of the Pyrenees (Converse, Charles Crozat) for guitar |
1854 |
| Sunbeams (Converse, Charles Crozat) for |
1856 |
| Rose Leaves (Converse, Charles Crozat) for guitar |
1856 |
| Carry Me Home to Tennessee (Converse, Charles Crozat) for voice and piano |
1854 |
| Arrangement of Carry Me Home to Tennessee (Converse, Charles Crozat) for voice and guitar |
1854 |
| Cupid's Dream Waltz (Converse, Charles Crozat) for guitar |
1854 |
| Arrangement of Love Not (Blockley, John) for 2 guitars |
1855 |
| Spanish galopade (Converse, Charles Crozat) for |
1854 |
| Mine Own (Maeder, James Gaspard) for voice and piano |
1849 |
| Erin Weeps Forsaken (Maeder, James Gaspard) for voice and piano |
1852 |
| Arrangement of Erin Weeps Forsaken (Maeder, James Gaspard) for voice and guitar |
1853 |
| Arrangement of Dreams (Hodges, Faustina Hasse) for voice and guitar |
1853 |
| Gentle Kate (Benkert, George Felix) for voice and piano |
1850 |
| Arrangement of Gentle Kate (Benkert, George Felix) for voice and guitar |
1853 |
| Home of My Youth (No.15) from The Peri (Maeder, James Gaspard) for voices, mixed chorus and orchestra |
1852 |
| Home of My Youth (No.15) from Arrangement of Home of My Youth (No.15) from The Peri (Maeder, James Gaspard) for voice and guitar |
1853 |
| Arrangement of I'll look for thee Mary (Massett, Stephen C.) for voice and guitar |
1853 |
| The love knot (Massett, Stephen C.) for voice and piano |
1852 |
| Arrangement of The love knot (Massett, Stephen C.) for voice and guitar |
1853 |
| When the moon on the lake is beaming (Massett, Stephen C.) for voice and piano |
1853 |
| Arrangement of When the moon on the lake is beaming (Massett, Stephen C.) for voice and guitar |
1853 |
| Mary of the glen (Root, George Frederick) for voice and piano |
1852 |
| Arrangement of Mary of the glen (Root, George Frederick) for voice and guitar |
1853 |
| Arrangement of I will love thee to the last, Mary (Montgomery, William Henry) for voice and guitar |
1853 |
| The Cottage Rose (Lavenu, Lewis Henry) for voice and piano |
1853 |
| Arrangement of The Cottage Rose (Lavenu, Lewis Henry) for voice and guitar |
1853 |
| Au Revoir (Lavenu, Lewis Henry) for voice and piano |
1852 |
| My dreams are now no more of thee (Lavenu, Lewis Henry) for voice and piano |
1851 |
| Those Happy Days are Gone (Lavenu, Lewis Henry) for voice and piano |
|
| Clarendon Polka (Lavenu, Lewis Henry) for piano |
1853 |
| Song of the breeze (Lavenu, Lewis Henry) for voice and piano |
1853 |
| Let some Gentle Word be spoken (Lavenu, Lewis Henry) for voice and piano |
1853 |
| The Rose of my Heart (Lavenu, Lewis Henry) for voice and piano |
1852 |
| The flow'rets of the grave (Lavenu, Lewis Henry) for voice and piano |
1853 |
| The joyful summer's come (Lavenu, Lewis Henry) for voice and piano |
1853 |
| Arrangement of The joyful summer's come (Lavenu, Lewis Henry) for piano |
1853 |
| Arrangement of Music at Nightfall (Nelson, Sydney) for 2 voices and guitar |
1853 |
| There is sunshine in my heart (Bateman, William O.) for voice and guitar |
1853 |
| Farewell my fatherland (Glover, Charles William) for voice and piano |
1850 |
| Arrangement of Oh! Breathe Not Her Name (Phillips, Austin) for voice and guitar |
1853 |
| Arrangement of Thy Heart is My Home (Phillips, Austin) for voice and guitar |
1852 |
| Sweet memories of thee (Peters, William Cumming) for |
1839 |
| Master and Pupil (Hewitt, John Hill) for 2 voices and piano |
|
| Arrangement of Capt. Clark's Quick Step (Grafulla, Claudio S.) for piano |
1850 |
| Let Us Hope for the Best (Hewitt, John Hill) for voice and piano |
|
| The Dying Trumpeter (Hewitt, John Hill) for voice and piano |
|
| The Single Man (Hewitt, John Hill) for voice and piano |
1850 |
| Let Me Sleep My Last Sleep in the Land of My Birth (Hewitt, John Hill) for voice and piano |
1851 |
| Beauties of the South (Schreiner, Hermann L.) for piano |
|
| Tête à Tête Polka (Schreiner, Hermann L.) for piano |
|
| Adelina Waltzes (Levy, Jules) for piano |
1876 |
| Eleutheria (Curtis, George Henry) for voices, mixed chorus and piano |
|
A Complete Instruction Book for the Clarinet (Willman, Thomas Lindsay) for clarinet
2 clarinets |
|
Variations on a Cossack Air (Cabell, Julia M.) for piano
harp |
1851 |
Tis the Last Rose of Summer (Dressler, William) for voice and piano
voice and harp |
1851 |
| Humoreske, Op. 27 (Spindler, Fritz) for piano |
|
| Arrangement of Morning Star Waltz (Lanner, Joseph) for piano |
|
| Melodia and Waltz (III act) from Arrangement of Melodia and Waltz (III act) from Formosa, or The Railroad to Ruin, Op. 139 (Operti, Giuseppe) for piano |
|
| Look on the Bright Side (Root, George Frederick) for voice and piano |
|
| A Hundred Years Ago (Root, George Frederick) for voice, mixed chorus and piano |
|
| Mother, Sweet Mother, Why Linger Away? (Root, George Frederick) for soprano, alto and piano |
1852 |
| Early Lost, Early Saved (Root, George Frederick) for voice and piano |
1852 |
Gently, Gently Wake the Song (Root, George Frederick) for 2 tenors and 2 basses
male chorus |
|
| Pictures of Memory (Root, George Frederick) for voice and piano |
1852 |
| The Father's Coming (Root, George Frederick) for voice and piano |
1852 |
| The Reaper on the Plain (Root, George Frederick) for voice and piano |
|
| The Time of the Heart (Root, George Frederick) for voice and piano |
|
| They Sleep in the Dust (Root, George Frederick) for voice and piano |
|
| Dearest Brother We Miss Thee (Root, George Frederick) for voice, mixed chorus and piano |
|
| Le Ruisseau, Op. 136 (Strakosch, Maurice) for piano |
1848 |
| Belle of the West (Pridham, John) for piano |
|
| Katydid Polka (Jullien, Louis Antoine) for piano |
|
| Valse de Concert, Op. 36 (Wollenhaupt, Hermann Adolf) for piano |
|
| The Royal Irish Quadrilles (Jullien, Louis Antoine) for piano |
|
| Ton-Märchen, Op. 17 (Gungl, Joseph) for piano |
|
| The Dream of the Reveller (Russell, Henry) for voice and piano |
1843 |
| The Lilac at the Door (Wetmore, William J.) for voice and piano |
1857 |
| Wild Flowers (Wallace, William Vincent) for voice and piano |
1853 |
| The Italian Girl's Prayer (Hewitt, George Washington) for voice and piano |
1853 |
| Variations on The Blue Bells of Scotland (Wallace, William Vincent) for |
|
| Unique Galop (Bernstein, Adolph) for piano |
|
| Pride Polka (Brown, Francis Henry) for piano |
|
| Parodi Mazurka (Brown, P.) for piano |
|
| City Guard Quickstep (DeLuce, George) for piano |
|
| Argyle Polka, Op. 21 (Dressler, William) for piano |
|
| Come Back Massa, Come Back! (Gomez) for voice, mixed chorus and piano |
|
| Smile On, Op. 991 (Grobe, Charles) for piano |
|
| Oh! Write Me a Song of My Father (Henry, C.) for voice, mixed chorus and piano |
|
| Souvenir de Trovatore (Hoffman, Richard) for piano |
|
| They've Sold Me Down the River (Root, George Frederick) for voice, mixed chorus and piano |
|
| The Hazel Dell (Root, George Frederick) for voice, mixed chorus and piano |
|
| Arrangement of The Hazel Dell (Root, George Frederick) for voice, mixed chorus and guitar |
|
| Arrangement of Down in Alabam (Warner, J.) for voice, mixed chorus and piano |
|
| The Sailor Boy Polka Redowa (Helmsmüller, F.B.) for piano |
1858 |
| Don Sebastian (Beyer, Ferdinand) for |
|
| Searcher of Hearts (Wallace, William Vincent) for voice and piano |
|