Title | Metodo pratico de canto |
Alternative title | Practical Vocal Method |
Creators | Nicola Vaccai (composer) |
Opus | |
Instrumentation | voice and piano |
Number of movements | 15 |
Keys | — |
Composed | — |
First published | 1832 |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Methods, Exercises |
Language | Italian |
Period | Romantic |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
(No arrangements)
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | — | Steingräber Verlag | — | Complete Score (Lesson 1 in C major) · view |
view | Complete | — | Boston: G. D. Russel & Co. | 1878 | Complete Score (Lesson 1 in C major) · view |
view | Complete | — | — | — | High Soprano (Lesson 1 in D major) · view Soprano, Tenor (Lesson 1 in C major) · view Alto, Baritone (Lesson 1 in A major) · view Alto, Baritone (Lesson 1 in A major) · view Color Cover · view |
view | Complete | — | — | — | High Voice (Lesson 1 in Emajor) · view |
view | Complete | — | — | — | High Voice (Lesson 1 in D major) · view |
Details | Section | Performers | Files | |
---|---|---|---|---|
view | High Voice | Héctor Valls (piano) | 1a. Diatonic Scale (Manca sollecita) · file 1b. Thirds (Semplicetta tortorella) · file 2a. Fourths (Lascia il lido) · file 2b. Fifths (Avvezzo a vivere) · file 3. Sixths (Bella prova) · file 4a. Sevenths (Fra l'ombre un lampo solo) · file 4b. Octaves (Quell'onda che ruina) · file 5. Semitones (Delira dubbiosa) · file 6. Syncopation (Nel contrasto amor) · file 7. Runs and scales (Come il candore) · file 8a. Appoggiaturas (Senza l'amabile) · file 8b. Acciaccatura (Benchè di senso privo) · file 9a. Intro to mordents (La gioja verace) · file 9b. Mordents different styles (L'augelletto in lacci stretto) · file 10a. Intro to grupetto or turn (Quando accende) · file 10b. Grupetto or turn (Più non si trovano) · file 11. Trill or shake (Se povero il ruscello) · file 12. Runs and scales (Siam navi all' onde algenti) · file 13a. Portamento- 1st style (Vorrei spiegar l'affanno) · file 13b. Portamento- 2nd style (O placido il mare) · file 15. Recapitulation (Alla stagion de' fiori) · file |
|
view | Medium Voice | Héctor Valls (piano) | 1a. Diatonic Scale (Manca sollecita) · file 1b. Thirds (Semplicetta tortorella) · file 2a. Fourths (Lascia il lido) · file 2b. Fifths (Avvezzo a vivere) · file 3. Sixths (Bella prova) · file 4a. Sevenths (Fra l'ombre un lampo solo) · file 4b. Octaves (Quell'onda che ruina) · file 5. Semitones (Delira dubbiosa) · file 6. Syncopation (Nel contrasto amor) · file 7. Runs and scales (Come il candore) · file 8a. Appoggiaturas (Senza l'amabile) · file 8b. Acciaccatura (Benchè di senso privo) · file 9a. Intro to mordents (La gioja verace) · file 9b. Mordents different styles (L'augelletto in lacci stretto) · file 10a. Intro to grupetto or turn (Quando accende) · file 10b. Grupetto or turn (Più non si trovano) · file 11. Trill or shake (Se povero il ruscello) · file 12. Runs and scales (Siam navi all' onde algenti) · file 13a. Portamento- 1st style (Vorrei spiegar l'affanno) · file 13b. Portamento- 2nd style (O placido il mare) · file 15. Recapitulation (Alla stagion de' fiori) · file |
©2025 David P. Anderson