| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Feldmahlergratitudesong | Anonymous, composer | unknown | 2 sopranos, alto, tenor and bass | Classical | Secular choruses | ||||
| Ordo Processionum | Anonymous, composer | voice voices |
Medieval | Chants | |||||
| Trio a due mandolini e Basso | Anonymous, composer | C major | 2 mandolins and continuo | Baroque | Trios | ||||
| Pietà, Signore (Aria di chiesa ; Air d'église ; Kirchen Arie) | Anonymous, composer | voice and piano | Romantic | Arias | ![]() |
||||
| Codex buranus (Carmina burana) | Anonymous, composer | Medieval | Songs | ||||||
| Daniele (Oratorio in due parti a cinque voci) | Anonymous, composer | 1600 | mixed chorus | Renaissance | Sacred oratorios | ||||
| Es ist ein Ros entsprungen | Anonymous, composer | voice voices |
Renaissance | Carols, Hymns | |||||
| The Robert ap Huw Manuscript | Anonymous, composer | British Library MS Additional 14905 | harp | Medieval | Pieces | ||||
| Quadrille des Lanciers (The Lancers' Quadrille) | Anonymous, composer | orchestra | Romantic | Quadrilles | |||||
| Le Tombeau de Napoléon (Chant Funéraire) | Anonymous, composer | voice and piano | Romantic | Tombeaux | |||||
| Romanza (Spanish Romance) | Anonymous, composer | E minor/major | guitar | Romantic | Romances | ||||
| Walzer eines Wahnsinnigen (Letzer Walzer eines Wahnsinnigen La dernière Valse d'un fou) |
Anonymous, composer | E flat major | piano | Romantic | Waltzes | ||||
| El Cucuyé y Despues que Comiste (Contradanzas Americanas) | Anonymous, composer | piano | Romantic | Pieces | |||||
| La Fuencarraleda (Canción) | Anonymous, composer | C major | voice, guitar and piano | Romantic | Canciones | ||||
| 6 Neapolitan Songs (Échos d'Italie) | Anonymous, composer | voice and piano | Romantic | Songs | |||||
| Mittelalterlicher Weihnachtshymnus (Hymnus aus Kloster Indersdorf 14. Jh.) | Anonymous, composer | 2 tenors | Medieval | Hymns | |||||
| Verses for Organ | Anonymous, composer | organ | Renaissance | Versets | |||||
| Pussy's Polka | Anonymous, composer | E flat major | piano | Romantic | Polkas | ||||
| Seikilos Epitaph (Marble stele, DK-Kn(?) Inv. 14897) | Anonymous, composer | voice | Ancient | Songs | |||||
| Was wollen mir auf den abendt thuen. Dantz. (Was woll'n wir auf den Abend tun) | Anonymous, composer | A major | lute voice |
Romantic | Dances, Songs | ||||
| Puer Natus in Bethlehem (A Child is Born in Bethlehem) | Anonymous, composer | voice voices |
Ancient | Chants | |||||
| La Verbena (Danzón) | Anonymous, composer | piano | Romantic | Danzon | |||||
| Sinfonia in D major (Sinfonia in Re maggiore per due oboi, fagotto, archi e basso continuo) | Anonymous, composer | D major | RV 122 | strings and continuo | Baroque | Sinfonias | |||
| Sinfonia in A major | Anonymous, composer | A major | Schrank II/38/12 | strings and continuo | Baroque | Sinfonias | |||
| Student ditty: Gaudeamus igitur | Anonymous, composer | Classical | Folksongs | ||||||
| Wir hatten gebauet ein stattliches Haus (Ich hab mich ergeben) | Anonymous, composer August von Binzer, librettist |
1819 | Romantic | Folksongs | |||||
| Alles schweige! (Hört, ich sing das Lied der Lieder. Weihelied. Der Landesvater.) | Anonymous, composer | voices | Classical | Folksongs | |||||
| Student ditty: Fuchsenritt (Was kommt dort von der Höh'. Fuchslied. Bei Hall ist eine Mühl'..) | Anonymous, composer | voices | Classical | Folksongs | |||||
| L'aveu (Romance) | Anonymous, composer Pierre-Ange Vieillard, librettist |
G minor | voice and piano voice and harp |
Classical | Romances | ||||
| Concerto for Violin and Oboe in B-flat major | Anonymous, composer | B flat major | oboe, violin, strings and continuo | Baroque | Concertos | ||||
| Polonoise in G for Viola and Orchestra | Anonymous, composer | G | viola and orchestra | Classical | Polonaises | ||||
| Potpouri af Finska Folkvisor (Potpourri of Finnish Folksongs) | Anonymous, composer | 2 horns, 2 cornets, trombone, tuba and percussion | Romantic | Potpourris, Folksongs | |||||
| Verbum caro factus est | Anonymous, composer | Renaissance | Motets | ||||||
| Beatus Nicolaus | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Tabulature pour le jeu d'orgues (Tablature pour le jeu d'orgues, épinettes et Manicordions sur le plain chant de cuncti potens, et kyrie, avec leurs et in terra, patrem, sanctus et agnus dei) | Anonymous, composer | organ keyboard |
Renaissance | Pieces | |||||
| La Dernière Rose (La Dernière Rose (The Last Rose) Mélodie Irlandaise) | Anonymous, composer | G major | Classical | Melodies | |||||
| La Pavane (La Pavane Danse du XVIème Siècle) | Anonymous, composer | D minor | Baroque | Pavans | |||||
| Larghetto and Allegro | Anonymous, composer | E flat major | violin and piano | Classical | Larghettos, Allegros | ||||
| La Romanesca (La Romanesca Danse du XVIème Siècle) | Anonymous, composer | Renaissance | Dances | ||||||
| Sicilienne in E flat major | Anonymous, composer | E flat major | violin and piano | Classical | Sicilianas | ![]() |
|||
| Sumer is icumen in | Anonymous, composer | F major | 1260 | voices 6 voices |
Medieval | Canons | |||
| The Art of Singing (A short and easy method for obtaining a perfect knowledge of the Gregorian note.) | Anonymous, composer | voice | Classical | Music history, Methods, Plainchant | |||||
| Fuji-san (Mount Fuji ; 富士山、ふじの山 ; Shōka ; Japanese school song ; 唱歌 ; 文部省唱歌) | Anonymous, composer Sazanami Iwaya, librettist |
D major | 1910 | voice and piano | Early 20th century | Songs | |||
| Tractus Deus, Deus meus | Anonymous, composer | Protus plagalis (hypodorian) | voice | Medieval | Psalms | ||||
| Seht das kleine Kindlein (Weihnachten) | Anonymous, composer | mixed chorus | Early 20th century | Songs, Carols | |||||
| Vom Himmel hoch | Anonymous, composer | mixed chorus | Baroque | Sacred choruses | |||||
| Joseph! Was da? | Anonymous, composer | mixed chorus | Baroque | Sacred choruses | |||||
| Violin Sonata in C minor | Anonymous, composer | C minor | Schrank II/34/53 | 1740 | violin and continuo | Baroque | Sonatas | ||
| Violin Sonata in A minor | Anonymous, composer | A minor | 1730 | violin and continuo | Baroque | Sonatas | |||
| Amazing Grace (New Britain ; Harmony Grove) | Anonymous, composer John Newton, librettist |
C major | 3 voices mixed chorus |
Traditional (folk) | Hymns, Folksongs | ||||
| Mexikanische Tänze | Anonymous, composer | piano | Romantic | Dances | |||||
| The Sprightly Companion (The Sprightly Companion; Being a Collection of the best Foreign Marches Now play'd in all Camps with Two Farewells at the Funeral of the Late Queen, One of Four Parts by Mr. Peasible; The other of Three Parts, by Mr. Tollett; And several other Tunes. Design'd Chiefly for the Hautboy; Yet Proper for the Flute [recorder], Violin, and other Instruments: also Plain and Easy Directions for Playing on the Hautboy.) | Anonymous, composer | oboe violin recorder 2 sopranos, tenor and bass 2 sopranos and bass |
Baroque | Methods, Marches | |||||
| Anweisung das Accordion zu spielen. Auch für diejenigen welche die Noten nicht kennen. (Instructions for playing the Accordion (Concertina)) | Anonymous, composer | concertina | Classical | Methods | |||||
| Descendi in hortum meum | Anonymous, composer | 1500 | 4 voices | Renaissance | Motets | ||||
| Instructions for Performing on Wheatstone's Patent Duett Concertina | Anonymous, composer | concertina | Romantic | Methods | |||||
| A Short Direction for the Performance of Cathedrall Service. Published for the Information of such Persons, as are Ignorant of it, And shall be call'd to officiate in Cathedrall, or Collegiate Churches, where it hath formerly been in use. By E. L. | Anonymous, composer | voice soprano, alto, tenor and bass mixed chorus |
Renaissance | Liturgies, Masses | |||||
| The Directory for Ball Music | Anonymous, composer | soprano | Classical | Thematic catalogs, Country dances, Ecossaises, Gigues | |||||
| Trauermarsch dem Andenken des Deutschen Kaisers Wilhem I. | Anonymous, composer | piano | Romantic | Funeral marches | |||||
| Vexilla regis prodeunt | Anonymous, composer Venantius Honorius Clementianus Fortunatus, librettist |
C major (can be in F major) | voice | Medieval | Hymns | ||||
| Blanc et clairet sont les couleurs | Anonymous, composer | RISM 1541/5 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | ||||
| A desjuner la belle andouille | Anonymous, composer | RISM | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | ||||
| 2 String Trios (Deux Trios en diferent Stile Compose par un Amateur a Amsterdam ches Jaque Vanderbouzzen Aux quay du Rondell) | Anonymous, composer | 1. C sharp minor ; 2. C major | 2 violins and cello violin, viola and cello |
Classical | Trios | ||||
| Le Forze d'Hercole | Anonymous, composer | Renaissance | Pieces | ||||||
| Gavotte d'Henri IV | Anonymous, composer | B flat major | Classical | Gavottes | |||||
| Gavotte dansée à la cour de Louis XIV* | Anonymous, composer | F major | violin and continuo cello and continuo |
Classical | Gavottes | ||||
| Ouverture in D major | Anonymous, composer | D major | orchestra | Baroque | Overtures | ||||
| Lamento di Tristano | Anonymous, composer | Unspecified instrument | Renaissance | Dances | |||||
| 6 Violin Sonatas (6 Solos for a Violin with a Bass for the Harpsicord or Violoncello. Compos'd in Great Taste by a Foreigner of Distinction) | Anonymous, composer | violin and continuo | Baroque | Sonatas | |||||
| Dolor, pianto e penitenza | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Songs | |||||
| Pavane | Anonymous, composer | 4 voices | Baroque | Pavans | |||||
| Duets for viols | Anonymous, composer | 2 viols | Renaissance | Duets | |||||
| Batalla del 5. Tono | Anonymous, composer | C major | organ | Baroque | Pieces | ||||
| La Flore | Anonymous, composer | G minor | harpsichord | Baroque | Courantes | ||||
| 10 Pieces for the Virginals or Organ from the English Renaissance | Anonymous, composer | harpsichord organ |
Renaissance | Pieces | |||||
| L'Orageuse | Anonymous, composer | A major | 1760 | harpsichord | Baroque | Pieces | |||
| Prélude sur chacun ton | Anonymous, composer | organ harpsichord |
Renaissance | Preludes | |||||
| Quand je bois du vin clairet (Tourdion) | Anonymous, composer | 4 Unspecified instruments | Renaissance | Dances | |||||
| Villanelle for 3 viols | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Aminte - Tambourin | Anonymous, composer | F major | voice and piano | Classical | Songs | ||||
| Bergère légère | Anonymous, composer | G major | voice and piano | Classical | Chansons | ||||
| Jeunes fillettes | Anonymous, composer | A minor | voice and piano | Classical | Chansons | ||||
| Maman, dites-moi | Anonymous, composer | D minor | voice and piano | Classical | Folksongs | ||||
| Venez, agréable printemps | Anonymous, composer | F major | voice and piano | Classical | Folksongs | ||||
| Nous n'irons plus au bois | Anonymous, composer | F major | voice and piano | Romantic | Songs | ||||
| Fantasias for 3 viols | Anonymous, composer | 3 viols | Renaissance | Fantasias | |||||
| Non nobis Domine | Anonymous, composer | 3 voices | Renaissance | Psalms | |||||
| Songs for 3 Viols | Anonymous, composer | Renaissance | Songs | ||||||
| Fricassée (Quodlibet) | Anonymous, composer | C major/minor | 4 voices | Renaissance | Quodlibets | ||||
| Dit le Burguygnon | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Pieces | |||||
| Fortuna desperata | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Songs | |||||
| Sonata trombone solo e basso | Anonymous, composer | 1670 | trombone and continuo | Baroque | Sonatas | ||||
| Wie schön leuchtet der Morgenstern | Anonymous, composer Philipp Nicolai, librettist |
G major | 1597 | 2 sopranos, alto, tenor and bass | Baroque | Chorales | |||
| Belle et jeune fleur | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Jour a jour la vie | Anonymous, composer | 1300 | keyboard | Medieval | Pieces | ||||
| Dulcis Amica | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| Greensleeves to a Ground | Anonymous, composer | recorder and continuo | Baroque | Grounds, Divisions | |||||
| 10 Keyboard Pieces from Bauyn Manuscript | Anonymous, composer | harpsichord organ |
Baroque | Pieces, Gavottes, Pavans, Preludes, Sarabandes | |||||
| Fantasias and a Pavan for 4 Viols | Anonymous, composer | 4 viols | Renaissance | Fantasias, Pavans | |||||
| Io mi sento morir | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| La perra mora | Anonymous, composer | Renaissance | Pieces | ||||||
| Pavan | Anonymous, composer | 3 viols | Renaissance | Pavans | |||||
| Pour tout le moins, ayez in souvenir | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| L'espoir que i'ay d'acquerir vostre grace | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| A declarer mon affection | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Harpsichord Concerto in G major | Anonymous, composer | G major | harpsichord and strings | Classical | Concertos | ||||
| A Collection of Several Simphonies and Airs (A Collection of several Simphonies and Airs In Three Parts; Composed for Violins, Flutes [i.e. Recorders] and Hoe-boys Printed for all Lovers of Musick.) | Anonymous, composer | continuo and 2 sopranos 2 violins and continuo 2 recorders and continuo 2 oboes and continuo |
Baroque | Sinfonias, Airs, Overtures, Suites | |||||
| Sonata for 2 Violins, Viola da braccio and Bassoon or Violone | Anonymous, composer | A minor | bassoon, 2 violins, viola and continuo 2 violins, viola, violone and continuo |
Baroque | Sonatas | ||||
| Sonata for Violin and Viola d'amore | Anonymous, composer | violin, viola damore and continuo | Baroque | Sonatas | |||||
| Fancy for 5 Viols | Anonymous, composer | VdGS 1625 | 5 viols | Renaissance | Fancies | ||||
| Pavans for 5 Viols | Anonymous, composer | 5 viols | Renaissance | Pavans | |||||
| 3 Dances à 4 | Anonymous, composer | 4 Unspecified instruments | Renaissance | Dances | |||||
| Canary | Anonymous, composer | 2 sopranos, tenor and bass | Renaissance | Canaries | |||||
| Vezzo sette ninfe belle | Anonymous, composer | 5 voices | Renaissance | Madrigals | |||||
| Pia cher | Anonymous, composer | 5 Unspecified instruments | Renaissance | Pieces | |||||
| My minde to me | Anonymous, composer | voice and 4 Unspecified instruments | Renaissance | Songs | |||||
| O quam suavis est Domine spiritus tuus | Anonymous, composer | soprano, lute, 2 violins and continuo | Baroque | Antiphons | |||||
| Andro di piaggia in piaggia | Anonymous, composer | 5 voices | Renaissance | Madrigals | |||||
| Polish Christmas Carols | Anonymous, composer | mixed chorus | Early 20th century | Carols, Pastorales | |||||
| Macht hoch die Tür (Macht hoch die Tür, die Tor macht weit) | Anonymous, composer Georg Weissel, librettist |
voice | Baroque | Sacred songs | |||||
| Kurze Anweisung das Trommel-Spielen auf die leichteste Art zu erlernen, nebst sieben in Noten gesetzte Stücke und Märsche mit Anmerkungen von einem Tonkunstler. | Anonymous, composer | percussion | Classical | Methods, Marches | |||||
| Pase el agoa ("Pase el agoa" del [[Cancionero de Palacio (Various)|Cancionero Musical de Palacio]]) | Anonymous, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Villancicos, Secular choruses | |||||
| Batalha de sexto tom for organ, Portugal, 17th century | Anonymous, composer | organ | Baroque | Pieces | |||||
| 6 Trios for Organ (6 Trio zum Orgel mit 2 Clavier und Pedal) | Anonymous, composer | 1700 | organ | Baroque | Trios | ||||
| Karl Gottlieb Reißiger | Anonymous, composer | Romantic | Biographies | ||||||
| O Jesu mi dulcissime | Anonymous, composer | 3 voices | Baroque | Hymns | |||||
| Annie Laurie (Annie Lawrie) | Anonymous, composer | voice and piano | Romantic | Folksongs, Ballads | |||||
| Romance | Anonymous, composer | voice and piano | Classical | Romances | |||||
| The Compleat Tutor for the Fife ; New Instructions for the Fife ({{TPtr}} :The Compleat Tutor for the Fife, containing the best & easiest instructions to learn that instrument, with a collection of celebrated march's & airs perform'd in the Guards & other regiments &c. ... N.B. The tunes in this book are proper for the German Flute.) | Anonymous, composer | fife piccolo flute 2 fifes 2 piccolos 2 flutes |
Baroque | Methods, Marches | |||||
| 11 Versi per organo | Anonymous, composer | 1650 | organ | Baroque | Versets | ||||
| O esca viatorum | Anonymous, composer Thomas Aquinas, librettist |
2 sopranos and alto female chorus |
Classical | Motets, Sacred songs | |||||
| Puer nobis nascitur | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Großer Gott, wir loben dich (Holy God we praise thy name; Grand Dieu, nous te bénissons) | Anonymous, composer | voice and organ mixed chorus and organ |
Classical | Hymns, Te Deum | |||||
| Personent Hodie | Anonymous, composer | 1360 | voice unison chorus |
Medieval | Carols | ||||
| The Irish Washerwoman (Irish Song) | Anonymous, composer | G major | piano | Early 20th century | Songs | ||||
| Jordanis oras praevia (On Jordan's Bank ; Winchester New) | Anonymous, composer Charles Coffin, librettist |
soprano, alto, tenor and bass mixed chorus |
Baroque | Hymns | |||||
| Hark What Mean those Holy Voices (Stuttgart) | Anonymous, composer | voice and continuo | Baroque | Psalms | |||||
| Als ich bei meinen Schafen wacht (Herrick's Carol) | Anonymous, composer | voices | Baroque | Carols | |||||
| De ma Céline amant modeste (Romance) | Anonymous, composer | piano | Classical | Romances | |||||
| 2 Suites | Anonymous, composer | strings and continuo soprano, alto, tenor and bass |
Baroque | Suites | |||||
| 6 Duets for Violin and Viola | Anonymous, composer | 1750 | violin and viola | Classical | Duets | ||||
| Gov. Beach's Schottisch | Anonymous, composer | B flat major | piano | Romantic | Ecossaises | ||||
| Song of the Seasons | Anonymous, composer | C major | childrens chorus and piano | Romantic | Songs, Secular choruses | ||||
| Partia by Mr. Grobe | Anonymous, composer | viola damore, viol and continuo | Baroque | Partitas | |||||
| Know-Nothing Polka (Nothing Polka) | Anonymous, composer | G major | piano | Romantic | Polkas | ||||
| Dialogue à deux choeurs | Anonymous, composer | G minor | 1700 | organ | Baroque | Duets | |||
| Musical Library Owned by Rafael Joseffy | Anonymous, composer | Romantic | Catalogs | ||||||
| A few simple Instructions in Psalmody | Anonymous, composer | voices voices and organ mixed chorus mixed chorus and organ |
Classical | Psalms, Hymns, Chants | |||||
| Pastorella | Anonymous, composer | keyboard organ piano harpsichord |
Baroque | Pastorales | |||||
| Valse in G major | Anonymous, composer | G major | guitar | Romantic | Waltzes | ||||
| Verbum Patris humanatur | Anonymous, composer | 3 voices | Medieval | Motets | |||||
| Allemande | Anonymous, composer | G major | Baroque | Allemandes | |||||
| Amarilli mijn schone | Anonymous, composer | mixed chorus | Baroque | Secular choruses | |||||
| Harto,de tanta porfia | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Canzon in A minor | Anonymous, composer | A minor | Baroque | Canzonas | |||||
| Ehre sei Gott | Anonymous, composer | Baroque | Hymns | ||||||
| Ich will den Herren loben allezeit | Anonymous, composer | mixed chorus | Baroque | Motets | |||||
| James the Second and Prince Rupert's March | Anonymous, composer | Baroque | Marches | ||||||
| Nun danket alle Gott | Anonymous, composer | mixed chorus | Baroque | Motets | |||||
| O Lusty May | Anonymous, composer | 4 voices mixed chorus |
Renaissance | Secular choruses | |||||
| Ave Maria | Anonymous, composer | mixed chorus | Early 20th century | Ave Maria | |||||
| Sonata in E-flat major for trumpet, violin and cello | Anonymous, composer | E flat major | trumpet, violin and cello | Classical | Sonatas | ||||
| Untitled, 16th century Italian for instruments SATB with microtonal intervals | Anonymous, composer | 4 Unspecified instruments | Renaissance | Pieces | |||||
| Revelies vous | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Ricercar | Anonymous, composer | Feininger manuscript | organ | Renaissance | Ricercars | ||||
| Una moza falle yo (Una mosa falle yo) | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| 4 Dances from the Dublin Virginal Book | Anonymous, composer | keyboard | Renaissance | Dances | |||||
| Canzona ((Italy)) | Anonymous, composer | organ | Renaissance | Canzonas | |||||
| Chi scrisse l'armonia-I (Villanelle) | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| En m'esbatant | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fantasia in C minor | Anonymous, composer | C minor | organ | Baroque | Fantasias | ||||
| Fugue in F major | Anonymous, composer | F major | organ | Baroque | Fugues | ||||
| Fugue in G minor | Anonymous, composer | G minor | organ | Baroque | Fugues | ||||
| Fugue in C major | Anonymous, composer | C major | organ | Baroque | Fugues | ||||
| Will Yow Walke the Woods soe Wylde | Anonymous, composer | voice voices |
Renaissance | Songs | |||||
| Tippecanoe and Tyler Too (Tippecanoe and Tyler Too! A Comic Glee) | Anonymous, composer | A major | mixed chorus and piano | Romantic | Glees | ||||
| Foliada de San Tirso | Anonymous, composer | voice | Modern | Folksongs | |||||
| 2 Marches, ULB Mus Ms 1223-12 | Anonymous, composer | C major/G major | 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 2 trumpets | Classical | Marches | ||||
| 2 Marches, ULB Mus Ms 1223-13 | Anonymous, composer | C major/E major | 2 oboes, 2 clarinets, 2 bassoons and trumpet | Classical | Marches | ||||
| 2 Marches, ULB Mus Ms 1223-07 | Anonymous, composer | C major | 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets and timpani | Baroque | Marches | ||||
| Instrumental piece in C minor, ULB Mus Ms 1223-09 | Anonymous, composer | C minor | 2 oboes, 2 bassoons and trumpet | Classical | Pieces | ||||
| March in B-flat major | Anonymous, composer | B flat major | ULB Mus Ms 1223-11 | 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 2 trumpets | Classical | Marches | |||
| March in E-flat major, ULB Mus Ms 1223-03 | Anonymous, composer | E flat major | 2 clarinets, 2 horns, 2 trumpets and continuo | Baroque | Marches | ||||
| March in E-flat major, ULB Mus Ms 1223-04 | Anonymous, composer | E flat major | 2 oboes, 2 clarinets, 2 horns, 2 trumpets and continuo | Baroque | Marches | ||||
| March in E-flat major, ULB Mus Ms 1223-05 | Anonymous, composer | E flat major | 2 clarinets, 2 horns, 2 trumpets and continuo | Baroque | Marches | ||||
| March in E-flat major, ULB Mus Ms 1223-06 | Anonymous, composer | E flat major | 2 flutes, 2 clarinets, bassoon, 2 horns, 2 trumpets and serpent | Baroque | Marches | ||||
| March in E-flat major, ULB Mus Ms 1223-14 | Anonymous, composer | E flat major | oboe, 2 clarinets, 2 bassoons and trumpet | Classical | Marches | ||||
| March in E-flat major, ULB Mus Ms 1223-15 | Anonymous, composer | E flat major | 2 clarinets, bassoon, 2 horns and trumpet | Classical | Marches | ||||
| March in E-flat major | Anonymous, composer | E flat major | ULB Mus Ms 1223-16 | 2 clarinets, 2 bassoons, 2 horns and trumpet | Classical | Marches | |||
| March in G major, ULB Mus Ms 1223-27 | Anonymous, composer | G major | 2 flutes, 2 clarinets, 2 horns and trumpet | Classical | Marches | ||||
| Mon pere | Anonymous, composer | 2 lutes | Renaissance | Pieces | |||||
| 6 Marches, ULB Mus Ms 1223-19 | Anonymous, composer | oboe, 2 clarinets, bassoon, 2 horns and 2 trumpets | Classical | Marches | |||||
| 2 Marches, ULB Mus Ms 1223-20 | Anonymous, composer | B major/E major | 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 2 trumpets | Classical | Marches | ||||
| 2 Marches, ULB Mus Ms 1223-21 | Anonymous, composer | E major | 4 clarinets, bassoon, 2 horns and 2 trumpets | Classical | Marches | ||||
| 2 Marches, ULB Mus Ms 1223-22 | Anonymous, composer | E major/C major | 2 clarinets, bassoon, 2 horns and trumpet 2 oboes, 2 clarinets, bassoon and trumpet |
Classical | Marches | ||||
| Mall Simmes | Anonymous, composer | Renaissance | Pieces | ||||||
| 4 Marches, ULB Mus Ms 1223-31 | Anonymous, composer | C major | 2 sopranos and bass | Classical | Marches | ||||
| March in B-flat major | Anonymous, composer | B flat major | ULB Mus Ms 1223-30 | 2 oboes, bassoon and 2 trumpets | Classical | Marches | |||
| March in C major, ULB Mus Ms 1223-25 | Anonymous, composer | C major | piccolo, 4 clarinets, bassoon, 2 horns and 2 trumpets | Classical | Marches | ||||
| March in C major, ULB Mus Ms 1223-26 | Anonymous, composer | C major | wind ensemble and brass ensemble | Classical | Marches | ||||
| March in C major, ULB Mus Ms 1223-28 | Anonymous, composer | C major | 2 clarinets, bassoon, 2 horns and trumpet | Classical | Marches | ||||
| March in C major, ULB Mus Ms 1223-29 | Anonymous, composer | C major | 2 oboes, 2 clarinets, 2 bassoons, 2 horns and trumpet | Classical | Marches | ||||
| March in F major | Anonymous, composer | F major | ULB Mus Ms 1223-18 | 2 oboes, 2 bassoons and 2 trumpets | Classical | Marches | |||
| Barafostus' Dreame | Anonymous, composer | D minor | FVB 18 | keyboard harpsichord |
Renaissance | Pieces | |||
| 2 dances on the tune 'La Spagna' | Anonymous, composer | 1500 | alto, 2 tenors and bass | Renaissance | Dances | ||||
| Wilhelm Tell | Anonymous, composer | orchestra | Classical | Incidental music | |||||
| Bei dir, Jesu, will ich bleiben (Segenswünsche) | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Chorales | |||||
| Martin Sayd to His Man (Martin said to his man) | Anonymous, composer | G minor | FVB 212 | harpsichord keyboard |
Renaissance | Pieces | |||
| Pavana | Anonymous, composer | D minor | FVB 16 | harpsichord keyboard organ |
Renaissance | Pavans | |||
| Gaudete, Christus est natus | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Carols | |||||
| The Apostolic Blessing | Anonymous, composer | mixed chorus | Baroque | Sacred choruses | |||||
| Kein Feuer, keine Kohle | Anonymous, composer | mixed chorus | Classical | Folksongs, Secular choruses | |||||
| Gott ist die Liebe | Anonymous, composer | Baroque | Sacred songs | ||||||
| Morgenglanz der Ewigkeit | Anonymous, composer | Baroque | Sacred songs | ||||||
| Gelobet seist du, Jesu Christ | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | |||||
| Gott sei Dank durch alle Welt | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Baroque | Chorales | |||||
| Heil'ge Nacht | Anonymous, composer | mixed chorus | Baroque | Sacred songs | |||||
| Hoch aus den himmlischen Höhen | Anonymous, composer Friedrich Adolf Krummacher, librettist |
Classical | Sacred songs | ||||||
| In jener letzten der Nächte | Anonymous, composer Melchior von Diepenbrock, librettist |
mixed chorus | Romantic | Secular choruses | |||||
| Leise rieselt der Schnee | Anonymous, composer Eduard Ebel, librettist |
voice | Romantic | Carols | |||||
| O leide, leide gern | Anonymous, composer | mixed chorus soprano, alto, tenor and bass |
Baroque | Motets | |||||
| Old English Dance (Hornpipe) | Anonymous, composer | soprano | Modern | Hornpipes | |||||
| Wie fei'rlich, Herr, ist diese Stunde | Anonymous, composer | mixed chorus | Baroque | Sacred choruses | |||||
| Unter Jesu Kreuze stehn | Anonymous, composer | mixed chorus | Baroque | Sacred choruses | |||||
| Urquell sel'ger Himmelsfreuden | Anonymous, composer | Romantic | Hymns | ||||||
| Triumph! Er kommt mit Pracht | Anonymous, composer | Baroque | Sacred songs | ||||||
| Vom Himmel hoch, o Englein, kommt! | Anonymous, composer | soprano | Baroque | Carols | |||||
| Mit Lieb bin ich umfangen | Anonymous, composer | voice | Renaissance | Folksongs | |||||
| Gavotte | Anonymous, composer | 2 recorders | Baroque | Gavottes | |||||
| Pickelhering | Anonymous, composer | 2 sopranos | Baroque | Pieces | |||||
| Der Flohwalzer (Flea Waltz) | Anonymous, composer | piano | Classical | Waltzes | |||||
| English Dance | Anonymous, composer | keyboard harpsichord piano |
Baroque | Dances | |||||
| Bourrée | Anonymous, composer | 2 recorders | Baroque | Bourrees | |||||
| Du Bon du Cueur Ma Chiere Dame | Anonymous, composer | 2 sopranos and alto | Renaissance | Chansons | |||||
| Gigue | Anonymous, composer | 2 recorders | Baroque | Gigues | |||||
| Heilig, Herr Sabaoth | Anonymous, composer | mixed chorus | Medieval | Liturgies | |||||
| Rondo | Anonymous, composer | 2 recorders | Baroque | Rondos | |||||
| The Cuckoo | Anonymous, composer | 2 recorders | Baroque | Pieces | |||||
| The Flute without a Master (The Amateur's First Book, or The Flute without a Master, containing an analysis of the rudiments of Music arranged on an entirely new system in progressive lessons. By an amateur) | Anonymous, composer | flute | Classical | Methods | |||||
| Mazurek Dąbrowskiego (Polish national anthem) | Anonymous, composer Józef Wybicki, librettist |
1797 | voice | Classical | National anthems | ||||
| Litanei nach dem Hymnus Akathistos | Anonymous, composer | soprano, alto and bass | Classical | Litanies | |||||
| Kantatas | Anonymous, composer | ULB Mus.Ms.920-925 | mixed chorus organ |
Baroque | Sacred cantatas | ||||
| Woodycock | Anonymous, composer | G minor | viol | Renaissance | Pieces | ||||
| Cunctípotens Génitor | Anonymous, composer | 2 voices | Medieval | Plainchant | |||||
| Neue Allemanden, Couranten, Sarabanden, Giguen, Cavoten und Canarien (Neue Allemanden, Couranten, Sarabanden, Giquen, Cavoten Vnnd Canarien mit sonderbahrem fleiß Von der Angelique und Lau[ten] auff das Clavier gesetzt: auf einem Spinet zu spielen) | Anonymous, composer | keyboard harpsichord |
Baroque | Allemandes, Courantes, Sarabandes, Gigues, Gavottes | |||||
| Variations on a Bagpipe Theme | Anonymous, composer | A major | 1700 | oboe | Baroque | Variations | |||
| Afraid, Alas, and Why so Suddenly? | Anonymous, composer | G minor | soprano, 2 tenors and bass | Renaissance | Secular choruses | ||||
| Mon Petit Cueur | Anonymous, composer | 6 voices | Renaissance | Chansons | |||||
| 8 Cantatas (8 Concerts a Chanter a Hanouer 1690) | Anonymous, composer | ULB Mus. Ms. 1230-1 | soprano, strings and continuo soprano, orchestra and continuo |
Baroque | Secular cantatas | ||||
| Basse dance | Anonymous, composer | soprano, alto, tenor and 2 basses | Renaissance | Basse danses | |||||
| Pavane 18 à 6 | Anonymous, composer | F major | 6 Unspecified instruments 6 viols |
Renaissance | Pavans | ||||
| Ich bin arm und elend | Anonymous, composer | mixed chorus and orchestra | Baroque | Sacred choruses | |||||
| Variations Déconcertantes (Variations Déconcertantes sur un Thême connu (La Marseillaise)) | Anonymous, composer | 2 violins, viola and cello | Romantic | Variations | |||||
| Viola da Gamba Concerto in D minor | Anonymous, composer | D minor | ULB Mus Ms 1017 | viol, strings and continuo | Baroque | Concertos | |||
| Singt dem Herrn ein neues Lied | Anonymous, composer | 5 voices | Baroque | Hymns | |||||
| Der Herr mein getreuer Hirte | Anonymous, composer | 5 voices | Baroque | Sacred songs | |||||
| Die Gottseligkeit ist zu allen Dingen nütz | Anonymous, composer | 4 voices | Baroque | Sacred songs | |||||
| 5 Ballets | Anonymous, composer | DDS Mus.Ms 1197 | keyboard | Baroque | Balletti | ||||
| 12 Ouverture-Suites | Anonymous, composer | strings and continuo orchestra |
Baroque | Overtures, Suites | |||||
| Courante Commune | Anonymous, composer | D minor | keyboard | Baroque | Courantes | ||||
| 2 Arias | Anonymous, composer | soprano and continuo | Baroque | Arias | |||||
| Fantasia a5 | Anonymous, composer | D dorian | soprano, 2 tenors and 2 basses | Renaissance | Fantasias | ||||
| Report upon 'When shall my sorrowful sighing slack' | Anonymous, composer | G minor | 4 viols | Renaissance | Pieces | ||||
| 12 Concertos | Anonymous, composer | strings and continuo orchestra |
Baroque | Concertos | |||||
| 260 Marches | Anonymous, composer | Unspecified instrument 2 Unspecified instruments |
Classical | Marches | |||||
| 12 Cantatas | Anonymous, composer | D-DS Mus.ms 1228 | voice and continuo | Baroque | Secular cantatas | ||||
| Viola da Gamba Concerto in D major, ULB Mus Ms 1234 | Anonymous, composer | D major | viol, strings and continuo | Baroque | Concertos | ||||
| Herr ich trau auf dich | Anonymous, composer | voices and orchestra | Baroque | Sacred cantatas | |||||
| Fum, Fum, Fum (Fun, Fun, Fun (Spanish translation)) | Anonymous, composer | A minor (usually) | voice | Baroque | Carols | ||||
| Familiar Observations and Remarks for the Use of Young Performers (Familiar Observations and Remarks written by an Amateur, for the Use of Young Performers of Music, and those who have not studied the ornamental branches of the art; interspersed with some original and appropriate anecdotes, never before published: including several relating to the Duke of Queensbury; Dr. Burney; Mr. Lockhart; and the celebrated John Stanley, Master of the Band of His late Majesty.) | Anonymous, composer | Classical | Music theory, Performance practice, Music history | ||||||
| When Daphne from Fair Phoebus did Fly | Anonymous, composer | voice and 4 Unspecified instruments | Renaissance | Songs | |||||
| Metodo per Violoncello, 100 Lezzioni | Anonymous, composer | 1860 | cello 2 cellos |
Classical | Methods, Lessons | ||||
| Canzon Francese 5 | Anonymous, composer | 4 Unspecified instruments | Renaissance | Canzonas | |||||
| Canzon francese | Anonymous, composer | Renaissance | Canzonas | ||||||
| Guitar Without a Master (Guitar Without a Master: containing the elements of music, and complete instructions for the guitar, to which is added a choice collection of fifty pieces of popular music, consisting of songs, marches, waltzes, polkas, dances, &c.) | Anonymous, composer | guitar voice and guitar |
Romantic | Methods, Marches, Waltzes, Polkas, Songs | |||||
| La stangetta | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Si atort on ma blamee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fugue in C major | Anonymous, composer | C major | ULB Mus. Ms. 1425 | orchestra | Baroque | Fugues | |||
| Fugue in E minor | Anonymous, composer | E minor | harpsichord | Baroque | Fugues | ||||
| Jauchze dem Herrn alle Welt, ULB Mus.Ms. 1452 | Anonymous, composer | D major | Baroque | Chorales | |||||
| French Lute Tablature, ULB MUs.Ms.1655 | Anonymous, composer | lute | Baroque | Dances, Pieces | |||||
| Jesu dulcis memoria | Anonymous, composer | 1718 | 3 voices | Baroque | Hymns | ||||
| Maria Mater gratiae | Anonymous, composer | mixed chorus | Classical | Hymns | |||||
| O quam amabilis | Anonymous, composer | 1638 | 3 voices | Baroque | Chants | ||||
| Cor dulce | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Ti salutiam Immacolato Fiore | Anonymous, composer | 2 sopranos and alto | Romantic | Hymns | |||||
| O salutaris Hostia | Anonymous, composer | male chorus | Classical | Hymns | |||||
| Salve Regina | Anonymous, composer | mixed chorus soprano, alto, tenor and bass |
Romantic | Salve Regina | |||||
| Divertimenti for Harp | Anonymous, composer | harp | Classical | Divertimentos | |||||
| Minuet and Variations for Harpsichord | Anonymous, composer | harpsichord | Classical | Minuets, Variations | |||||
| Harp Sonata in B-flat major | Anonymous, composer | B flat major | harp | Classical | Sonatas | ||||
| Harp Sonata in E-flat major | Anonymous, composer | E flat major | harp | Classical | Sonatas | ||||
| Harpsichord Sonata in D major | Anonymous, composer | D major | harpsichord | Classical | Sonatas | ||||
| 146 Dances for Harpsichord (Sonatine da ballo Ridotte per Cimbalo - Di Vari autori -) | Anonymous, composer | harpsichord | Classical | Waltzes, Country dances, Polonaises, Allemandes, Anglaises | |||||
| Sonate da mandorlino | Anonymous, composer | mandolin 2 mandolins |
Classical | Sonatas, Minuets, Country dances | |||||
| Harp Duets | Anonymous, composer | harp harpsichord |
Classical | Duets | |||||
| 15 Instrumental Pieces | Anonymous, composer | orchestra | Baroque | Pieces | ![]() |
||||
| Harpsichord Concerto in A major | Anonymous, composer | A major | RISM Ricasoli Profana 255 (No.5) | harpsichord and strings | Classical | Concertos | |||
| Concerto for Harpsichord in F major | Anonymous, composer | F major | harpsichord and orchestra | Classical | Concertos | ||||
| Concerto in F major | Anonymous, composer | F major | harpsichord and strings | Classical | Concertos | ||||
| Concerto for Harpsichord in G major | Anonymous, composer | G major | harpsichord and orchestra | Classical | Concertos | ||||
| Sonata for Harpsichord and Violin in G major | Anonymous, composer | G major | violin and harpsichord | Classical | Sonatas | ||||
| Harpsichord Concerto in F major | Anonymous, composer | F major | harpsichord and strings | Classical | Concertos | ||||
| Harpsichord Sonata in G major | Anonymous, composer | G major | harpsichord | Classical | Sonatas | ||||
| March in C major | Anonymous, composer | C major | keyboard | Classical | Marches | ||||
| ABCDario Musico (ABC Dario Musico) | Anonymous, composer | Classical | Biographies, Music criticism | ||||||
| Prelude in G minor | Anonymous, composer | 1730 | Classical | Preludes | |||||
| Divertimenti for Harp, RicP 257b | Anonymous, composer | F major, C major | harp | Classical | Divertimentos | ||||
| Padedù, RicP 258 | Anonymous, composer | F major | piano | Classical | Dances | ||||
| Nutmegs and Ginger | Anonymous, composer | recorder, 2 lutes, violin and 2 viols | Renaissance | Pieces | |||||
| S'on me regarde | Anonymous, composer | 2 altos and tenor | Medieval | Secular choruses, Chansons | |||||
| Harpsichord Sonata in C major, RicP 263 | Anonymous, composer | C major | harpsichord piano |
Classical | Sonatas | ||||
| Variations for Harpsichord in D major (Variazioni di Muraij) | Anonymous, composer | D major | RicP 260 | harpsichord | Classical | Variations | |||
| The Scotish Gigg | Anonymous, composer | G major | Drexel 5612 (No.4) | keyboard | Baroque | Gigues | |||
| The Tobacco Pipe | Anonymous, composer | MS. Drexel 5612, No.10 | harpsichord | Baroque | Pieces | ||||
| A Toy | Anonymous, composer | Drexel 5612, No.7 | harpsichord | Baroque | Pieces | ||||
| Dance with Variations | Anonymous, composer | Chigi Manuscript-Vatican | harpsichord | Baroque | Dances, Variations | ||||
| Ballo del Gran Duca | Anonymous, composer | harpsichord | Baroque | Dances | |||||
| Aria di Fiorenza | Anonymous, composer | Chigi Manuscript-Vatican | harpsichord | Baroque | Arias | ||||
| Bon jour m'amie (Bonjour m'amye) | Anonymous, composer | 4 voices 5 voices |
Renaissance | Chansons | |||||
| La Perichone | Anonymous, composer | Der Goden Fluit-hemel (1644) | Baroque | Pieces | |||||
| L'amour de moy est enclose | Anonymous, composer | F Ionian | 4 voices | Renaissance | Chansons | ||||
| Canzon francese detta 'La Mariana' | Anonymous, composer | Renaissance | Canzonas | ||||||
| O Venus bant (O Venus bandt) | Anonymous, composer | G minor | 4 voices | Renaissance | Songs | ||||
| Fusi Pavan | Anonymous, composer | MS Magl. XIX 115 Bibliotheca Nazionale Centrale Florence | keyboard | Renaissance | Pavans | ||||
| Tres doulce fillete | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Da pacem | Anonymous, composer | Bologna, Civico Museeo MS Q.19 | organ | Renaissance | Pieces | ||||
| Chescun me crie | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| Nastu pas veu la mistondina | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| O Venus Bant | Anonymous, composer | G mixolidan | soprano, alto, tenor and bass | Renaissance | Folksongs | ||||
| La monacella | Anonymous, composer | C minor | voice and piano | Romantic | Canzoni | ||||
| J'ay prins amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Canzon | Anonymous, composer | Munich, Bayerische Staatsbibliothek, Ms Mus. 1581 | keyboard | Renaissance | Canzonas | ||||
| 43 Pieces for Viola d'Amore (Sola Viola D'Amour) | Anonymous, composer | viola damore | Baroque | Pieces | |||||
| Tono a 4 vozes a San Augustino | Anonymous, composer | 1670 | female chorus and continuo 3 sopranos, alto and continuo |
Baroque | Sacred choruses | ||||
| En chambre polie | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| Se suis trop ionette | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Johnny Cock thy Beaver (A Scotch Tune to a Ground) | Anonymous, composer | F major | violin violin and continuo |
Baroque | Grounds, Gigues, Divisions | ||||
| The Duke of Norfolk, or Pauls Steeple | Anonymous, composer | D minor | violin and continuo | Baroque | Divisions | ||||
| Berzeretta savoyene | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| De tous biens playne II | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| De tous biens playne I | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| The Violin Made Easy (The Violin Made Easy; being a thorough and progressive method of study: embracing the rudiments of music & numerous examples & exercises, the whole forming a complete manual of instruction for the violin; to which are added selections from the operas, and a collection of the latest and most popular songs, polkas, waltzes, marches, &c.) | Anonymous, composer | violin 2 violins |
Romantic | Methods, Dances, Folksongs | |||||
| Galliard, APG2.15b | Anonymous, composer | 5 Unspecified instruments | Renaissance | Galliards | |||||
| Volkslieder für das Posthorn | Anonymous, composer | horn | Romantic | Folksongs | |||||
| Exaudi nos Domine | Anonymous, composer | E minor | mixed chorus | Romantic | Hymns | ||||
| The Flute Made Easy (The Flute Made Easy; being a thorough and progressive method of study: embracing the rudiments of music & numerous examples & exercises, the whole forming a complete manual of instruction for the flute; to which are added selections from the operas, and a collection of the latest and most popular songs, polkas, waltzes, marches, &c.) | Anonymous, composer | flute 2 flutes |
Romantic | Methods, Dances | |||||
| Se pur ti guardo | Anonymous, composer | F major | 4 voices mixed chorus |
Renaissance | Canzonettas | ||||
| Tractos, Missa e Vésperas do Sábado Santo | Anonymous, composer | mixed chorus and strings | Classical | Vespers | |||||
| Beatam me dicent | Anonymous, composer | D major | soprano, alto, tenor, bass and orchestra | Classical | Antiphons | ||||
| Tota pulchra es, Maria | Anonymous, composer | A major | soprano, alto, tenor, bass and orchestra | Classical | Antiphons | ||||
| Matinas do Natal | Anonymous, composer | D major | mixed chorus and orchestra | Classical | Responsories | ||||
| Miserere | Anonymous, composer | F minor | soprano, alto, tenor, bass, mixed chorus, cello and continuo | Classical | Miserere | ||||
| Fortuna desperata | Anonymous, composer | F major | voices 4 Unspecified instruments |
Renaissance | Chansons | ||||
| Si fortune | Anonymous, composer | Renaissance | Pieces | ||||||
| Gradual e Ofertório de Quinta-feira Santa (Gradual & Offertory for Maundy Thursday) | Anonymous, composer | soprano, alto, tenor, bass and orchestra | Classical | Graduals, Offertories | |||||
| Ofertório de Nossa Senhora da Assunção | Anonymous, composer | D major | soprano, alto, tenor, bass and orchestra | Classical | Offertories | ||||
| Trezena de São Francisco de Paula | Anonymous, composer | D major, A major, G major, C minor, A minor | Classical | Sacred choruses, Hymns, Antiphons, Responsories | |||||
| La Spagna I | Anonymous, composer | 4 Unspecified instruments | Renaissance | Basse danses | |||||
| Speciosa facta es | Anonymous, composer | 4 Unspecified instruments | Renaissance | Motets | |||||
| Ladainha in D major (Ladainha em Ré maior a três vozes) | Anonymous, composer | D major | soprano, alto, bass and orchestra | Classical | Litanies | ||||
| Responsório de Santo Antônio de Pádua | Anonymous, composer | D major | soprano, alto, tenor, bass and orchestra | Classical | Responsories | ||||
| Mir is's alles an's (Wienerlied) | Anonymous, composer | C major | 1850 | voice and piano | Romantic | Lieder, Folksongs | |||
| Sinfonia à 4 in D major | Anonymous, composer | D major | strings and continuo | Baroque | Sinfonias | ||||
| Novena de Nossa Senhora da Assunção | Anonymous, composer | C major | mixed chorus and orchestra mixed chorus, 2 horns and strings |
Classical | Sacred choruses | ||||
| Sicut cedrus | Anonymous, composer | C major | soprano, alto, tenor, bass and orchestra | Classical | Responsories | ||||
| Novena de Nossa Senhora da Conceição | Anonymous, composer | mixed chorus and strings | Classical | Sacred choruses | |||||
| Gradual e Ofertório de Quinta-feira Santa II | Anonymous, composer | D major | soprano, alto, tenor, bass and orchestra | Classical | Graduals, Offertories | ||||
| Trezena de Santo Antônio de Pádua | Anonymous, composer | F major, G major | mixed chorus, 2 violins and continuo | Classical | Sacred choruses, Responsories | ||||
| Memento I | Anonymous, composer | G minor | soprano, alto, tenor, bass and bass | Classical | Responsories | ||||
| Memento II | Anonymous, composer | G minor, B flat major | soprano, alto, tenor, bass and bass | Classical | Responsories | ||||
| Dunque fia ver (haime) che mi convegna | Anonymous, composer Lodovico Ariosto, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Ecce sacerdos magnus | Anonymous, composer | F major | mixed chorus, flute, clarinet, 2 horns, trumpet, euphonium and double bass | Romantic | Sacred choruses | ||||
| Pange lingua | Anonymous, composer Thomas Aquinas, librettist |
G major | RSA 1 | mixed chorus | Romantic | Hymns | |||
| Surrexit Dominus vere | Anonymous, composer | G major | soprano, alto, tenor and bass | Romantic | Antiphons | ||||
| O vos omnes para o Setenário das Dores | Anonymous, composer | F major | mixed chorus and orchestra | Romantic | Motets, Sacred choruses, Responsories | ||||
| Aeternae Rex | Anonymous, composer | C major | female chorus and organ | Romantic | Sacred choruses | ||||
| O vos omnes para (Visitação das Dores) | Anonymous, composer | G minor | soprano, tenor, 2 clarinets, 2 horns, 2 trumpets, 2 trombones, euphonium and double bass | Romantic | Sacred songs | ||||
| Popule meus | Anonymous, composer | A minor | 4 voices and continuo | Romantic | Sacred songs | ||||
| Venite adoremus | Anonymous, composer | A minor | soprano, alto, tenor, bass and double bass mixed chorus and double bass |
Romantic | Carols | ||||
| O Salutaris | Anonymous, composer | G major | soprano, alto, clarinet, 2 horns, trumpet and double bass | Romantic | Sacred songs | ||||
| Stabat Mater | Anonymous, composer | D major | mixed chorus soprano, alto, tenor and bass |
Romantic | Stabat Mater | ||||
| Magnificat concertate e Breue | Anonymous, composer | Baroque | Magnificats | ||||||
| Verdure le bois | Anonymous, composer | 6 voices | Renaissance | Chansons | |||||
| Canzon 13 'La Rose' | Anonymous, composer | 1588 | 6 Unspecified instruments | Renaissance | Canzonas | ||||
| Menuet with two variations (Menuetto col due variazione) | Anonymous, composer | E flat major | keyboard | Classical | Minuets, Variations | ||||
| Spiritus Sancti Gratia (Hymnus auf das Pfingstfest ; Hymn to Pentecost) | Anonymous, composer | D minor | mixed chorus | Baroque | Hymns | ||||
| Et je les ai | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Haut le bois | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Hé ! l'ort villain jaloux | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Quand me souvient | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Recorder Sonata in C major (Sinfonia à Flauto Solo) | Anonymous, composer | C major | recorder and continuo | Baroque | Sonatas | ||||
| Recorder Sonata in F major (Sinfonia a Flauto Solo, e Basso) | Anonymous, composer | F major | 1750 | recorder and continuo | Baroque | Sonatas | |||
| Recorder Sonata in F major (Sinfonia à Flauto Solo, e Basso) | Anonymous, composer | F major | 1750 | recorder and continuo 2 recorders and continuo |
Baroque | Sonatas | |||
| Recorder Sonata in F major (Sinfonia à Flauto Solo e Basso) | Anonymous, composer | F major | 1750 | recorder and continuo | Baroque | Sonatas | |||
| Missa | Anonymous, composer | F major | mixed chorus and orchestra | Classical | Masses | ||||
| On the Banks of the Dee (A favorite Scotch ballad) | Anonymous, composer Robert Allan, librettist |
C major | voice and piano | Romantic | Ballads, Folksongs | ||||
| Jamais ung cueur qu'est d'amour embrasé | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Divertimento for 2 Recorders (Divertimento da' Camera a' Due Flauti) | Anonymous, composer | F major | 1750 | 2 recorders | Baroque | Divertimentos | |||
| Partite di Follia per Flauto | Anonymous, composer | D minor | recorder and continuo | Baroque | Partitas | ||||
| Unser Pfarrer ist auf der Bahn | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Virgo Dei genitrix (Hymnus de B. Maria Virgine ad Laudes) | Anonymous, composer | 4 voices | Renaissance | Hymns | |||||
| Wer Treu mit Falsch vergelten will | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Wolt Gott, dass ich zu dienen mich | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Von Herzen ich thu freuen mich | Anonymous, composer | soprano, 2 tenors and bass | Renaissance | Lieder | |||||
| Hymnus de B. Virgine Maria | Anonymous, composer | 2 sopranos, alto and tenor mixed chorus |
Renaissance | Hymns | |||||
| Ob allem Leid auf diser Erd | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| A., du mein Trost und Zuversicht | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Ade! mit Leid ich von dir scheid | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Cupido hat im jetzt erdacht | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Dich Mutter Gottes ruf wir an | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Ei, freundlichs Herz, was grossen Schmerz | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Erwählt hab ich auf Erden mir | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| Es liegt so hart, ohn Wart fast all mein Sach | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Fama malum, quo non aliud | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Fröhliches Weib, der Ehren und aller Tugend Zier | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Freundlicher Gruss mit Buss | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Freundlicher Trost und herzigs Ein | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Freundliches Weib, mich nit vertreib | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| Gegrüsst seist, hochzeitlicher Tag | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Gelück mir Trost und Hofnung geit | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Herz, Mut und Gier weicht nit von dir | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Hilf, Frau von Ach! wie schwach | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Ich scheid von hin, wie wol mein Sinn | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Ich will mit Fleiss, in treuer Weiss | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| In Freud erhebt sich ganz mein Herz | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Jetzt Scheidens Weh ist worden kund | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Mein Dienst und Treu ich klag und mag nit | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| Mein Glück geht auf die Seiten aus | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Mein Herz hat sich mit Lieb verpflicht | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Mein Lieb und Treu ich sparen will | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Mit hohem Fleiss | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Nisi tu, Domine, servabis nos | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| O Muter Gott's, mein Zuversicht | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Paranimphus salutat virginem (Hymnus) | Anonymous, composer | 4 voices | Renaissance | Hymns | |||||
| Spem in alium nunquam habui (Responsorium dominicale) | Anonymous, composer | 4 voices | Renaissance | Responsories | |||||
| Ach guter gsell, von wannen her? | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| D'amour je suis déshéritée | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'amour de moi s'y est enclose | Anonymous, composer | soprano, alto and bass | Renaissance | Songs | |||||
| The Wheelbarrow Polka (The Wheelbarrow or Cider Polka) | Anonymous, composer | piano | Romantic | Polkas | |||||
| C'est la nuit et c'est la neige (Noël ancien) | Anonymous, composer | mixed chorus | Modern | Carols | |||||
| Matais de incêndios (Matais de incêndios: Cantiga ou vilancico para o Natal) | Anonymous, composer | 4 voices and continuo | Baroque | Villancicos, Cantigas | |||||
| Ut queant laxis | Anonymous, composer | Ionic | 1547 | 4 voices | Renaissance | Hymns | |||
| Passa e mezzo | Anonymous, composer | Renaissance | Passamezzos | ||||||
| Canzon francese | Anonymous, composer | 4 voices | Renaissance | Canzonas | |||||
| Sonata for 2 Flutes and Continuo | Anonymous, composer | G major | 2 flutes and continuo | Baroque | Sonatas | ||||
| The People are Rousing (A Harrison Duett & Chorus) | Anonymous, composer | G major | 2 voices, mixed chorus and piano | Romantic | Duets, Secular choruses | ||||
| Hickory Waltz & Gallopade | Anonymous, composer | piano | Romantic | Waltzes, Galops | |||||
| Heu, Domine, Salvator noster | Anonymous, composer | F major | mixed chorus | Romantic | Sacred choruses | ||||
| Pupilli facti sumus | Anonymous, composer | F major | mixed chorus | Romantic | Lamentations | ||||
| Surrexit Dominus Vere | Anonymous, composer | C major | mixed chorus | Romantic | Sacred choruses | ![]() |
|||
| Pange lingua in G major | Anonymous, composer Thomas Aquinas, librettist |
G major | RSA 2 | mixed chorus | Romantic | Hymns | |||
| Davis' Quick Step | Anonymous, composer | D major | piano | Romantic | Quicksteps | ||||
| The Moon O'er the Hills is Beaming | Anonymous, composer | D major | voice and piano | Romantic | Songs | ||||
| 'Tis Not the Loss of Love's Assurance | Anonymous, composer Thomas Campbell, librettist |
B flat major | voice and piano | Romantic | Songs | ||||
| Fare Thee Well All Ties are Broken (Romanza) | Anonymous, composer | A major | voice and piano | Romantic | Romances, Songs | ||||
| La valse sociable | Anonymous, composer | piano | Romantic | Waltzes | |||||
| Homeward Bound | Anonymous, composer | G major | voice and piano | Romantic | Songs | ||||
| O Henry Clay (A Round for three voices) | Anonymous, composer | F major | 3 voices 3 voices and piano |
Classical | Rounds | ||||
| At Midnight Hour | Anonymous, composer | G major | voice and piano | Romantic | Songs | ||||
| The Bell of the Steamer Atlantic (A ballad) | Anonymous, composer | A major | voice and piano | Romantic | Ballads | ||||
| The Buena Vista Polka | Anonymous, composer | piano | Romantic | Polkas | |||||
| The Dream (A Schottisch) | Anonymous, composer | A major | piano | Romantic | Ecossaises | ||||
| The Cerro Gordo March & Quick Step | Anonymous, composer | G major | piano | Romantic | Marches, Quicksteps | ||||
| Kolęda z Ewanieliey S. Lukassa wtrzeciey kapitule o narodzeniu Panskim. (Carol after the Gospel of St. Luke) | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Carols | |||||
| The Dorchester March | Anonymous, composer | piano | Romantic | Marches | |||||
| Iolah Waltzes | Anonymous, composer | piano | Romantic | Waltzes | |||||
| California Grand March | Anonymous, composer | D major | piano | Romantic | Marches | ||||
| Col. Pratt's March | Anonymous, composer | piano | Romantic | Marches | |||||
| Epsilon Polka | Anonymous, composer | piano | Romantic | Polkas | |||||
| General Scott's Grand March | Anonymous, composer | D major | piano | Romantic | Marches | ||||
| Italian Polka | Anonymous, composer | F major | wind ensemble and brass ensemble | Romantic | Polkas | ||||
| Thou art Gone Away Mary (A Favorite Ballad) | Anonymous, composer | D major | voice and piano | Romantic | Ballads | ||||
| Sweet Be Thy Dreams | Anonymous, composer | C major | voice and piano | Romantic | Songs | ||||
| The Sun is in the West (A ballad) | Anonymous, composer | E flat major | voice and piano | Romantic | Ballads | ||||
| The Stella Waltzes | Anonymous, composer | piano | Romantic | Waltzes | |||||
| Keowee Waltzes (In Two Setts) | Anonymous, composer | piano | Romantic | Waltzes | |||||
| The Polka Song, Come Hie We To the Linden Tree | Anonymous, composer | E flat major | voice and piano | Romantic | Songs, Polkas | ||||
| Jasper Guards' March | Anonymous, composer | piano | Romantic | Marches | |||||
| Lady Jane Grey | Anonymous, composer Miss Leslie, librettist |
E flat major | 2 voices and piano | Romantic | Songs | ||||
| Lady Mine, Arranged with Variations | Anonymous, composer | D major | piano | Romantic | Variations | ||||
| No More (A Song) | Anonymous, composer | E flat major | voice and piano | Romantic | Songs | ||||
| Palo Alto Grand Military Waltz | Anonymous, composer | C major | piano | Romantic | Waltzes | ||||
| Richmond Blues March | Anonymous, composer | piano | Romantic | Marches | |||||
| Thou Hast Wounded the Spirit that Loved Thee (An Admired Ballad) | Anonymous, composer | D major | voice and piano | Romantic | Ballads | ||||
| 'Tis Past - The Spell is Broken | Anonymous, composer | E flat major | voice and piano | Romantic | Songs | ||||
| The Volunteer March | Anonymous, composer | piano | Romantic | Marches | |||||
| Why Art Thou Sad? (Romance) | Anonymous, composer | E flat major | voice and piano | Romantic | Romances, Songs | ||||
| Was It a Noise from the Far Off Land | Anonymous, composer | E flat major | voice and piano | Romantic | Songs | ||||
| 'Tis Sweet to Muse o'er Memory's Page | Anonymous, composer | G major | voice and harp voice and piano |
Romantic | Songs | ||||
| The Wild Ash Deer, with variations (Brilliant Variations on the popular melody Wild Ashe Deer) | Anonymous, composer | E flat major | piano | Romantic | Variations | ||||
| 6 Patriotic Ballads | Anonymous, composer | voice, mixed chorus and piano | Romantic | Ballads | |||||
| The Pope and Sultan | Anonymous, composer | C major | voice, mixed chorus and piano | Romantic | Songs | ||||
| ΒΦΛ Gallopade (Beta Phi Lambda Gallopade) | Anonymous, composer | piano | Romantic | Galops | |||||
| Kate Kearney (A Terzetto) | Anonymous, composer | G major | 3 voices and piano | Romantic | Trios, Glees | ||||
| The Heliotrope Waltz | Anonymous, composer | A major | piano | Romantic | Waltzes | ||||
| The Palace Waltz | Anonymous, composer | piano | Romantic | Waltzes | |||||
| The Bachelor's Song | Anonymous, composer | voice, male chorus and piano | Romantic | Songs | |||||
| The Bright Rosy Morning | Anonymous, composer | G major | voice and piano 3 voices and piano |
Romantic | Songs | ||||
| A Grecian air, arranged for the Piano Forte with alterations and additions | Anonymous, composer | D major | piano | Romantic | Airs | ||||
| Caledonian March | Anonymous, composer | D major | piano | Romantic | Marches | ||||
| Convent Quick Step | Anonymous, composer | C major | piano | Romantic | Quicksteps | ||||
| I Dreamed a Dream of Boyhood's Days | Anonymous, composer | voice and piano | Romantic | Songs | |||||
| La Cantatrice Mazurka | Anonymous, composer | piano | Romantic | Mazurkas | |||||
| Lily Waltz | Anonymous, composer | E flat major | piano | Romantic | Waltzes | ||||
| The Pic Nic Waltz | Anonymous, composer | piano | Romantic | Waltzes | |||||
| The Man I Love | Anonymous, composer | E flat major | voice and piano | Romantic | Songs | ||||
| Magic Flute Waltz | Anonymous, composer | piano | Romantic | Waltzes | |||||
| Mollie-Vie Polka | Anonymous, composer | piano | Romantic | Polkas | |||||
| Moss-Rose Waltz | Anonymous, composer | A flat major | piano | Romantic | Waltzes | ||||
| My Life is Like the Summer's Rose | Anonymous, composer Richard Henry Wilde, librettist |
B flat major | voice and piano | Romantic | Songs | ||||
| Orange Blossom Waltz | Anonymous, composer | piano | Romantic | Waltzes | |||||
| The Swedish Nightingale Waltz | Anonymous, composer | E flat major | piano | Romantic | Waltzes | ||||
| The Storming of Chapultepec (A song of the war) | Anonymous, composer | A major | voice and piano | Romantic | Songs | ||||
| The Guerillero (A Song of the War) | Anonymous, composer | C major | voice and piano | Romantic | Songs | ||||
| 'Tis Midnight Hour (A ballad) | Anonymous, composer | D major | voice and piano | Romantic | Ballads | ||||
| A Trip to Shannondale | Anonymous, composer | G major | voice and piano | Romantic | Songs | ||||
| The Union Polka | Anonymous, composer | piano | Romantic | Polkas | |||||
| River Waltz | Anonymous, composer | E flat major | piano | Romantic | Waltzes | ||||
| Sebastopol is Taken (A Patriotic Song) | Anonymous, composer | A major | voice and piano | Romantic | Songs | ||||
| Litanie della B.V. | Anonymous, composer | RicS 125 | tenor, bass, male chorus, organ and strings tenor, bass, male chorus, strings and continuo |
Classical | Litanies | ||||
| Litanie della B.V., RicS 126 | Anonymous, composer | RicS 126 | 3 voices, mixed chorus, organ and strings 3 voices, mixed chorus and orchestra |
Classical | Litanies | ||||
| 2 Funeral Marches In Memory of Henry Clay | Anonymous, composer | wind ensemble, brass ensemble and percussion piano |
Romantic | Funeral marches | |||||
| Flirtation | Anonymous, composer | G major | voice and piano | Romantic | Songs | ||||
| Forest Hill Waltz | Anonymous, composer | E flat major | piano | Romantic | Waltzes | ||||
| The Pesky Sarpent (A pathetic ballad) | Anonymous, composer | B flat major | voice and piano | Romantic | Ballads | ||||
| The Foo-Foo! Schottisch | Anonymous, composer | piano | Romantic | Ecossaises | |||||
| Inaugural Grand March, Performed at the Installation of Gen'l W. H. Harrison As President of the U. S. of America | Anonymous, composer | D major | Romantic | Marches | |||||
| Poor Aunt Dinah! | Anonymous, composer | A major | voice, mixed chorus and piano | Romantic | Songs | ||||
| The Harp That Once Through Tara's Hall | Anonymous, composer Thomas Moore, librettist |
D major | voice and piano | Romantic | Airs | ||||
| 2 Scottish Tunes (Caller Herrin / Keel Row) | Anonymous, composer | G major | piano | Classical | Ecossaises | ||||
| Adoretur, In ultimo, Dies datur, Lilia nunc flores, Pacem | Anonymous, composer | 5 voices | Renaissance | Motets | |||||
| Anima mea liquefacta est | Anonymous, composer | soprano, alto and tenor soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Ay mi lasse | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Beati omnes | Anonymous, composer | 6 voices | Renaissance | Psalms | |||||
| Agwillare (Agwillare habeth standiff) | Anonymous, composer | 2 voices | Medieval | Madrigals | |||||
| Ach, Vater unser, der du bist im Himmelreich | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Adieu, ma tres bielle mestresse | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Regole di canto figurato, contrappunto, d'accompagnare | Anonymous, composer | 1670 | continuo | Baroque | Methods, Music theory | ||||
| Bummelirstu mir, so bummelir ich dir | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| Da liebers kam was lieder aus | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| Das alte Jahr ist nun dahin | Anonymous, composer | 2 sopranos, alto, tenor and bass | Baroque | Motets | |||||
| Das ist meine Freude | Anonymous, composer | soprano, alto, tenor and bass | Baroque | Motets | |||||
| Das Wort ward Fleisch und wohnet unter uns | Anonymous, composer | 2 sopranos, alto, tenor and bass | Baroque | Motets | |||||
| De ceste joyeuse advenue | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Den besten Vogel den ich weiss, das ist ein gans | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| Der Ludel und der Hensel, Sigel und Oswald | Anonymous, composer | soprano, 2 tenors and bass | Renaissance | Lieder | |||||
| Der pfarher von sant Veit | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Die in den höllischen Fluss Styx gedunkte (Duetto) | Anonymous, composer | 2 voices, strings and continuo | Classical | Duets | |||||
| Dies est laetitiae | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Ce ne fut pas | Anonymous, composer | soprano, tenor and bass | Renaissance | Songs | |||||
| Du hast, o Jesulein, kein Bett | Anonymous, composer | soprano, alto, tenor and bass | Baroque | Motets | |||||
| Messa a tre voci con strumenti | Anonymous, composer | B flat major | RicS 127 | 2 tenors, bass, male chorus and orchestra | Classical | Masses | |||
| Sonata a 2 violini | Anonymous, composer | C minor | 1662 | 2 violins and continuo | Baroque | Sonatas | |||
| Sonata a 2. Violino e Viol di Gamba | Anonymous, composer | 2 violins, viol and continuo | Baroque | Sonatas | |||||
| Chiaccona | Anonymous, composer | C major | 1662 | 2 violins, viol and continuo | Baroque | Chaconnes | |||
| As Sete Palavras | Anonymous, composer | F major | mixed chorus and organ | Romantic | Sacred choruses | ||||
| Oboe Concerto in C minor (Concerto in Cb per il Oboe Solo a 4 parte) | Anonymous, composer | C minor | oboe, strings and continuo | Baroque | Concertos | ||||
| Oboe d'amore Concerto in A major (Concerto per il Oboe d'Amore in A # a 5. Voci) | Anonymous, composer | A major | oboe damore, strings and continuo | Baroque | Concertos | ||||
| Cantique des Petits Oiseaux | Anonymous, composer | voice and continuo | Baroque | ||||||
| Alle psallite cum luya | Anonymous, composer | F-MOf H 196 No.322 (folio 392-392v) | 3 voices | Medieval | Motets | ||||
| Oboe Concerto in F major | Anonymous, composer | F major | Schrank II/33/97 | oboe, strings and continuo | Baroque | Concertos | |||
| Kyrie a 4 voci (Kyrie in F für gemischten Chor) | Anonymous, composer | F major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Kyrie | ||||
| Violin Concerto in D major | Anonymous, composer | D major | Schrank II/33/46 | violin, strings and continuo | Baroque | Concertos | |||
| Concerto (Concerto for Violin and Cello) | Anonymous, composer | A minor | Schrank II/33/92 | violin, strings and continuo violin, cello, strings and continuo |
Baroque | Concertos | |||
| Concerto for 2 Oboes in G minor | Anonymous, composer | G minor | Schrank II/33/1 | 2 oboes, strings and continuo | Baroque | Concertos | |||
| Concerto for Violin and Cello in G major | Anonymous, composer | G major | Schrank II/33/88 | violin, cello, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in D minor | Anonymous, composer | D minor | Schrank II/33/95 | violin, strings and continuo flute, strings and continuo |
Baroque | Concertos | |||
| Trio Sonata in D major | Anonymous, composer | D major | flute, viola damore and continuo | Baroque | Trios | ||||
| Concerto for Violin or Oboe in D major | Anonymous, composer | D major | Schrank II/33/47 | violin, strings and continuo oboe, strings and continuo |
Baroque | Concertos | |||
| Violin Concerto in G major | Anonymous, composer | G major | Schrank II | violin and orchestra 2 oboes, violin, strings and continuo |
Baroque | Concertos | |||
| Violin Concerto in G minor | Anonymous, composer | G minor | Schrank II/33/58 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in C major | Anonymous, composer | C major | Schrank II/33/100 | violin, strings and continuo | Baroque | Concertos | |||
| Concerto for Flute and Violin in C major | Anonymous, composer | C major | Schrank II/33/81 | flute, violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in G major | Anonymous, composer | G major | Schrank II/33/37 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in F major | Anonymous, composer | F major | Schrank II/33/35 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in D major | Anonymous, composer | D majorSchrank II/33/19 | violin and orchestra | Baroque | Concertos | ||||
| Violin Concerto in F major | Anonymous, composer | F major | Schrank II/33/77 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in E-flat major | Anonymous, composer | E flat major | Schrank II/33/103 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in C major | Anonymous, composer | C major | Schrank II/33/91 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in G major | Anonymous, composer | G major | Schrank II/33/3 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in C minor | Anonymous, composer | C minor | Schrank II/33/30 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in C minor | Anonymous, composer | C minor | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Concerto in A major | Anonymous, composer | A major | Schrank II/33/21 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in D minor | Anonymous, composer | D minor | Schrank II/33/24 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in D minor | Anonymous, composer | D minor | Schrank II/33/67 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in A major | Anonymous, composer | A major | Schrank II/33/22 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in G minor | Anonymous, composer | G minor | Schrank II/33/63 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in B-flat major | Anonymous, composer | B flat major | Schrank II/33/9 | violin and orchestra 2 oboes, violin, strings and continuo |
Baroque | Concertos | |||
| Violin Concerto in B-flat major | Anonymous, composer | B flat major | Schrank II/33/32 | violin and orchestra | Baroque | Concertos | |||
| Violin Concerto in B-flat major | Anonymous, composer | B flat major | Schrank II/33/80 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in C major | Anonymous, composer | C major | Schrank II/33/108 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in D major | Anonymous, composer | D major | Schrank II/33/69 | violin and orchestra | Baroque | Concertos | |||
| Violin Concerto in E-flat major | Anonymous, composer | E flat major | Schrank II/33/14 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in G major | Anonymous, composer | G major | Schrank II/33/17 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in G major | Anonymous, composer | G major | Schrank II/33/29 | violin, strings and continuo | Baroque | Concertos | |||
| Violin Concerto in A major | Anonymous, composer | A major | Schrank II/33/34 | violin, strings and continuo | Baroque | Concertos | |||
| Concerto for 2 Flutes in G major | Anonymous, composer | G major | 2 flutes, strings and continuo 2 oboes, strings and continuo |
Baroque | Concertos | ||||
| Flute Concerto in F minor | Anonymous, composer | F minor | Schrank II/33/73 , GroF 2107 (flute concerti before 1850) | 1742 | flute, strings and continuo | Baroque | Concertos | ||
| Oboe Concerto in E-flat major | Anonymous, composer | E flat major | Schrank II/33/98 | oboe, strings and continuo | Baroque | Concertos | |||
| Sinfonia in G major (1) | Anonymous, composer | G major | CapT deest | strings and continuo | Baroque | Sinfonias | |||
| Sinfonia in G major | Anonymous, composer | G major | CapT deest | strings and continuo | Baroque | Sinfonias | |||
| La lanterna magica | Anonymous, composer | G major | voice and piano | Romantic | Songs | ||||
| Concerto for 2 Violins in A major | Anonymous, composer | A major | Schrank II/33/90 | 2 violins, strings and continuo | Baroque | Concertos | |||
| Concerto for 2 Violins in C major | Anonymous, composer | C major | Schrank II/33/102 | 2 violins, strings and continuo | Baroque | Concertos | |||
| Concerto for 2 Violins in F minor | Anonymous, composer | F minor | Schrank II/35/16 | 2 violins, strings and continuo | Baroque | Concertos | |||
| Trio Sonata in E major | Anonymous, composer | E major | Schrank II/37/21 | 2 violins and continuo | Baroque | Sonatas | |||
| Trio Sonata in E major | Anonymous, composer | E major | GraunWV D:XV:147 (Graun) | 2 violins and continuo | Baroque | Trios, Sonatas | |||
| Trio Sonata in F major | Anonymous, composer | F major | Schrank II/37/16 | 2 violins and continuo | Baroque | Sonatas | |||
| Trio Sonata in G major | Anonymous, composer | G major | Schrank II/38/32 | flute, violin and continuo | Baroque | Sonatas | |||
| Trio Sonata in A major | Anonymous, composer | A major | Schrank II/37/39, GroT 4648-A | flute, violin and continuo | Baroque | Sonatas | |||
| Trio Sonata in G major | Anonymous, composer | G major | Schrank II/37/32 | flute, violin and continuo | Baroque | Sonatas | |||
| Trio Sonata in D major | Anonymous, composer | D major | Schrank II/37/30 | 2 violins and continuo bassoon and 2 violins |
Baroque | Sonatas | |||
| Concerto for 2 Violins in B-flat major | Anonymous, composer | B flat major | Schrank II/33/105 | 2 violins, strings and continuo | Baroque | Concertos | |||
| Concerto for 2 Violins in A major | Anonymous, composer | A major | 2 violins, strings and continuo | Baroque | Concertos | ||||
| Concerto for 2 Violins in A minor | Anonymous, composer | A minor | Schrank II/33/39 | 2 violins, strings and continuo | Baroque | Concertos | |||
| Concerto for 2 Violins in D major | Anonymous, composer | D major | Schrank II/33/68 | 2 violins, strings and continuo | Baroque | Concertos | |||
| Concerto for 2 Violins in G minor | Anonymous, composer | G minor | Schrank II/33/113 | 2 violins, strings and continuo | Baroque | Concertos | |||
| Concerto for Violin and Cello in B-flat major | Anonymous, composer | B flat major | Schrank II/33/74 | violin, cello, strings and continuo | Baroque | Concertos | |||
| Trio Sonata in G minor | Anonymous, composer | G minor | Schrank II/37/33, GroT 4641-g | 2 violins and continuo | Baroque | Trios, Suites | |||
| Trio Sonata in G minor | Anonymous, composer | G minor | Schrank II/37/40, GroT 4641-g | flute, violin and continuo | Baroque | Trios, Suites | |||
| Trio Sonata in A major | Anonymous, composer | A major | Schrank II/37/25 | oboe, violin and continuo oboe damore, violin and continuo flute, violin and continuo 2 violins and continuo soprano, violin and continuo |
Baroque | Trios | |||
| Trio Sonata in G major | Anonymous, composer | G major | Schrank II/37/28 | 2 violins and continuo | Baroque | Sonatas | |||
| Trio Sonata in E flat major, Suite | Anonymous, composer | E flat major | Schrank II/38/30 | 2 violins and continuo | Baroque | Fantasias, Sonatas | |||
| Ouverture-Suite in B-flat major | Anonymous, composer | B flat major | Schrank II/38/28 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in G major | Anonymous, composer | G major | Schrank II/35/6 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in G major | Anonymous, composer | G major | Schrank II/35/3 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in G major | Anonymous, composer | G major | Schrank II/35/4 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in C minor | Anonymous, composer | C minor | Schrank II/35/15 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in D major, Schrank II/35/21 | Anonymous, composer | D major | Schrank II/35/21 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in D major | Anonymous, composer | D major | Schrank II/38/33 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in F major | Anonymous, composer | F major | Schrank II/35/22 | violin and orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in F major | Anonymous, composer | F major | Schrank II/38/29 | orchestra | Baroque | Suites, Overtures | |||
| La Manfrolina | Anonymous, composer | 4 Unspecified instruments | Renaissance | Dances | |||||
| Ouverture-Suite in C major, Schrank II/36/13 | Anonymous, composer | C major | Schrank II/36/13 | orchestra | Baroque | Suites, Overtures | |||
| Ouverture-Suite in C major, Schrank II/38/35 | Anonymous, composer | C major | Schrank II/38/35 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in F major | Anonymous, composer | F major | Schrank II/36/9 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in D major | Anonymous, composer | D major | Schrank II/35/2 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in G minor | Anonymous, composer | G minor | Schrank II/35/9 | orchestra | Baroque | Overtures, Suites | |||
| Ouverture-Suite in F major | Anonymous, composer | F major | Schrank II/36/12 | orchestra | Baroque | Overtures, Suites | |||
| Minuet in F major (from "Between The Acts") | Anonymous, composer | F major | Schrank II/31/1.11 | harpsichord and strings strings and continuo |
Baroque | Minuets | |||
| Stabat Mater | Anonymous, composer | G minor | 1800 | soprano, alto, tenor, bass and orchestra mixed chorus and orchestra |
Romantic | Stabat Mater | |||
| Violin Concerto in B-flat major | Anonymous, composer | B flat major | RV 373 | violin, strings and continuo | Baroque | Concertos | |||
| Preambulum No. 15 | Anonymous, composer | (Orgelbuch von St. Ulrich) | organ | Renaissance | Praeambula | ||||
| Pater pecavi in caelum | Anonymous, composer | organ | Renaissance | Pieces | |||||
| Violin Sonata in G major | Anonymous, composer | G major | violin and continuo | Baroque | Sonatas | ||||
| Agincourt Carol (Agincourt Hymn ; Agincourt Song) | Anonymous, composer | GB-Ob MS. Arch. Selden B.26.026 | 1415 | 3 voices | Medieval | Folksongs, Carols | |||
| Violin Sonata in B-flat major, Schrank II/34/10 | Anonymous, composer | B flat major | Schrank II/34/10 | violin and continuo | Baroque | Sonatas | |||
| Harpsichord Sonata in C major | Anonymous, composer | C major | Schrank II/37/50 | harpsichord | Baroque | Sonatas | |||
| Violin Sonata in A major | Anonymous, composer | A major | Schrank II/34/19 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in A major | Anonymous, composer | A major | Schrank II/34/26 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in A major | Anonymous, composer | A major | Schrank II/34/106 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in B-flat major | Anonymous, composer | B flat major | Schrank II/34/23 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in B-flat major | Anonymous, composer | B flat major | Schrank II/34/101 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major | Anonymous, composer | D major | Schrank II/34/75 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major | Anonymous, composer | D major | Schrank II/34/74 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major, Schrank II/34/20 | Anonymous, composer | D major | Schrank II/34/20 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major | Anonymous, composer | D major | Schrank II/34/96 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in B minor | Anonymous, composer | B minor | Schrank II/34/35 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G minor | Anonymous, composer | G minor | Schrank II/34/66 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F major, Schrank II/34/32 | Anonymous, composer | F major | Schrank II/34/32 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F major | Anonymous, composer | F major | Schrank II/34/71 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F major | Anonymous, composer | F major | Schrank II/34/107 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in E major | Anonymous, composer | E major | Schrank II/34/22 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in E minor | Anonymous, composer | E major | Schrank II/34/55 | violin and continuo | Baroque | Sonatas | |||
| Harpsichord Sonata in D major | Anonymous, composer | D major | Schrank II/34/113 | harpsichord | Baroque | Sonatas | |||
| Violin Sonata in A major | Anonymous, composer | A major | Schrank II/34/78 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in A minor | Anonymous, composer | A minor | Schrank II/34/5 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in B-flat major | Anonymous, composer | B flat major | Schrank II/34/47 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G major, Schrank II/34/38 | Anonymous, composer | G major | Schrank II/34/38 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G major | Anonymous, composer | G major | Schrank II/34/37 & Schrank II/34/100 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F major | Anonymous, composer | F major | Schrank II/34/117 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F major, Schrank II/34/33 | Anonymous, composer | F major | Schrank II/34/33 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in C major | Anonymous, composer | C major | Schrank II/34/79 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in E minor | Anonymous, composer | E minor | Schrank II/34/80 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F major | Anonymous, composer | F major | Schrank II/34/30 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in A major | Anonymous, composer | A major | Schrank II/34/82 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in E major, Schrank II/34/81 | Anonymous, composer | E major | Schrank II/34/81 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in E minor, Schrank II/34/85 | Anonymous, composer | E minor | Schrank II/34/85 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G major | Anonymous, composer | G major | Schrank II/34/27 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in A major | Anonymous, composer | A major | Schrank II/34/50 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G minor | Anonymous, composer | G minor | Schrank II/34/62 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in E major, Schrank II/34/7 | Anonymous, composer | E major | Schrank II/34/7 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major | Anonymous, composer | D major | Schrank II/34/52 | violin and continuo | Baroque | Sonatas, Suites | |||
| Sinfonia in F major (Sinfonia in Fa maggiore per archi e basso continuo) | Anonymous, composer | F major | strings and continuo | Baroque | Sinfonias | ||||
| Violin Sonata in E-flat major | Anonymous, composer | E flat major | Schrank II/34/4 | violin and continuo | Baroque | Sonatas | |||
| Oboe Concerto in B-flat major (Concerto in Si bemolle maggiore per oboe, archi e basso continuo) | Anonymous, composer | B flat major | oboe, strings and continuo | Baroque | Concertos | ||||
| Oboe Concerto in B-flat major (Concerto in Si bemolle maggiore per oboe, archi e basso continuo) | Anonymous, composer | B flat major | oboe, strings and continuo | Baroque | Concertos | ||||
| Violin Sonata in G minor | Anonymous, composer | G minor | Schrank II/34/57 | violin and continuo | Baroque | Sonatas | |||
| Sonata in G major | Anonymous, composer | G major | Schrank II/37/38 | 2 violins and continuo 2 oboes and continuo |
Baroque | Sonatas | |||
| Violin Sonata in B-flat major | Anonymous, composer | A major | Schrank II/34/118 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in A minor | Anonymous, composer | A minor | Schrank II/34/16 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in B-flat major (Sonata in Si bemolle maggiore per violino e basso continuo) | Anonymous, composer | B flat major | Schrank II/34/48 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G minor | Anonymous, composer | G minor | Schrank II/34/15 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G major | Anonymous, composer | G major | Schrank II/34/93 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F minor (Sonata in Fa minore per violino e basso continuo) | Anonymous, composer | F minor | Schrank II/34/14 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in F major (Sonata in Fa maggiore per violino e basso continuo) | Anonymous, composer | F major | Schrank II/34/92 | violin and continuo | Baroque | Sonatas | |||
| Quadro Sonata in A minor (Concerto) | Anonymous, composer | A minor | Schrank II/33/31 | flute, violin, cello and continuo | Baroque | Sonatas | |||
| Quadro Sonata in D major (Concerto) | Anonymous, composer | D major | Schrank II/33/104 | flute, violin, cello and continuo | Baroque | Sonatas | |||
| Quadro Sonata in D major (Concerto) | Anonymous, composer | D major | Schrank II/33/116 | flute, violin, cello and continuo | Baroque | Sonatas | |||
| Quadro Sonata in G major (Concerto) | Anonymous, composer | G major | Schrank II/33/8 | flute, violin, cello and continuo | Baroque | Sonatas | |||
| Quadro Sonata in G minor (Concerto) | Anonymous, composer | G minor | Schrank II/33/7 | flute, violin, cello and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major (Sonata in Re maggiore per violino e basso continuo) | Anonymous, composer | D major | Schrank II/34/18 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major | Anonymous, composer | D major | Schrank II/34/112 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in D minor (Sonata in Re minore per violino e basso continuo) | Anonymous, composer | D minor | Schrank II/34/17 | violin and continuo | Baroque | Sonatas | |||
| Quadro Sonata in B-flat major (Concerto) | Anonymous, composer | B flat major | Schrank II/33/13 | flute, violin, cello and continuo | Baroque | Sonatas | |||
| Quadro Sonata in D major (Concerto) | Anonymous, composer | D major | Schrank II/33/10 | flute, violin, cello and continuo | Baroque | Sonatas | |||
| Violin Sonata in D major, Schrank II/34/44 | Anonymous, composer | D major | Schrank II/34/44 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in G major | Anonymous, composer | G major | Schrank II/34/64 | violin and continuo | Baroque | Sonatas | |||
| Violin Sonata in E-flat major | Anonymous, composer | E flat major | Schrank II/34/95 | violin | Baroque | Sonatas | |||
| Sonata in F major | Anonymous, composer | F major | Schrank II/38/36 | 2 violins and orchestra | Baroque | Sonatas | |||
| Violin Concerto in B minor (Concerto in Si minore per violino, archi e basso continuo) | Anonymous, composer | B minor | violin, strings and continuo | Baroque | Concertos | ||||
| Mottetto a voce sola per la Resurrezione | Anonymous, composer | alto and continuo | Baroque | Motets | |||||
| Prenez plaisir | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Sinfonia 3 a 4 | Anonymous, composer | 1660 | 3 violins, viol and continuo strings and continuo |
Baroque | Sinfonias | ||||
| Cristo al morir tendea | Anonymous, composer | 3 voices | Renaissance | Sacred songs | |||||
| Fantasia in Bastart | Anonymous, composer | 1630 | viol | Baroque | Fantasias | ||||
| The Marines' Hymn | Anonymous, composer | 1878 | male chorus, wind ensemble, brass ensemble and percussion | Romantic | Secular hymns | ![]() |
|||
| Ah! che soffrir mi resta (Barcarola napoletana ; Canzonetta) | Anonymous, composer Ferdinando Pignatèlli, librettist Eleonora Fonseca Pimentel, librettist |
C major | voice and piano | Romantic | Barcarolles, Canzonettas | ||||
| Confitebor tibi Domine | Anonymous, composer | bass, 2 violins, 2 viols and continuo | Baroque | Psalms | |||||
| Consolare o Mater / O mi fili amate o dulcissime Iesu | Anonymous, composer | 2 voices and continuo | Baroque | Sacred songs | |||||
| Di Carlo G. MS | Anonymous, composer | 1600 | voice and organ 2 voices and organ 2 voices, violin and organ voice and lute voice, lute and organ 4 voices, violin and 2 organs organ 2 organs lute and 2 viols lute, violin and 2 viols violin and 2 continuos lute, violin and viol |
Baroque | Motets, Sacred songs, Toccatas | ||||
| Why aske you (Why Ask You?) | Anonymous, composer | D minor | FVB 161 | harpsichord | Renaissance | Songs | |||
| O Solutaris | Anonymous, composer | 1500 | organ | Renaissance | Pieces | ||||
| The Willow Song | Anonymous, composer | G minor | 1616 | voice and lute | Renaissance | Songs | |||
| Musica quinque vocum (Musica quinque vocum : motteta materna lingua vocata. Ab optimus & varijs authoribus elaborata, paribus vocibus decantanda : nunquàm antea excussa. Nunc vero sub signo anchorae in lucem prodit, maximo labora & diligentia emendata, ut patebit experientibus. / Musices quinque parium vocum a pluribus optimis authoribus elaboratae) | Anonymous, composer | 5 voices female chorus |
Renaissance | Motets | |||||
| Oude en Nieuwe Hollantse Boerenlieties en Contredansen | Anonymous, composer | voice 4 Unspecified instruments |
Baroque | Songs, Country dances | |||||
| 13 Instrumental Pieces, Schrank II/31/2 | Anonymous, composer | orchestra | Baroque | Pieces | |||||
| Violin Concerto in A major, Schrank II/33/5 | Anonymous, composer | violin, strings and continuo | Baroque | Concertos | |||||
| Penelope | Anonymous, composer | orchestra | Baroque | Overtures, Minuets | |||||
| Violin Concerto in A major, Schrank II/33/25 | Anonymous, composer | A major | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Concerto in E-flat major, Schrank II/33/15 | Anonymous, composer | E flat major | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Concerto in F major, Schrank II/33/118 | Anonymous, composer | F major | violin, strings and continuo | Classical | Concertos | ||||
| Flute Concerto in D major, Schrank II/33/72 | Anonymous, composer | D major | GroF 190, GroF 790, GroF 2106 | flute, strings and continuo | Baroque | Concertos | |||
| Instrumental Piece in D major | Anonymous, composer | D major | orchestra | Baroque | Pieces | ||||
| Violin Concerto in D minor (Concerto grosso in D minor) | Anonymous, composer | D minor | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Sonata in C minor, Schrank II/34/34 | Anonymous, composer | C minor | violin and continuo | Baroque | Sonatas | ||||
| 2 Sonatas, Schrank II/34/8 | Anonymous, composer | violin violin and continuo |
Baroque | Sonatas | |||||
| 2 Gigues, Schrank II/34/49 | Anonymous, composer | violin and continuo | Baroque | Gigues | |||||
| Missa in C major ("Sacrum") | Anonymous, composer | C major | mixed chorus and orchestra | Baroque | Masses | ||||
| Anjo Gloria | Anonymous, composer | B major | voice and organ voice and harmonium |
Early 20th century | Sacred songs | ||||
| The German Cotillion as Played by the German Cotillion Band | Anonymous, composer | G major | Romantic | Dances | |||||
| There's Nae Room for Twa (A Scotch Ballad) | Anonymous, composer | A major | voice and piano | Romantic | Ballads | ||||
| The Bloomer's Complaint (A Very Pathetic Song) | Anonymous, composer | F major | voice and piano | Romantic | Songs | ||||
| The Grace-Hoop (A Waltz) | Anonymous, composer | piano | Romantic | Waltzes | |||||
| El Bolsa de Flores (A Favorite Waltz) | Anonymous, composer | G major | piano | Romantic | Waltzes | ||||
| El Rinconade (A Favorite Galop) | Anonymous, composer | D major | piano | Romantic | Galops | ||||
| Katy Darling, A Favorite Song | Anonymous, composer | B flat major | voice and piano | Romantic | Songs | ||||
| La Smolenska (An Admired Russian Dance) | Anonymous, composer | piano | Romantic | Dances | |||||
| My Polka | Anonymous, composer | piano | Romantic | Polkas | |||||
| Norah and Dermot, or The Fortune in the Fire (A ballad) | Anonymous, composer | C major | voice and piano | Romantic | Ballads | ||||
| Oh! The Merry Old Days (A ballad) | Anonymous, composer | F major | voice and piano | Romantic | Ballads | ||||
| Es ist g'nug | Anonymous, composer | 5 viols | Baroque | Songs | |||||
| The Inconstant One | Anonymous, composer | F major | voice and piano | Romantic | Songs | ||||
| The Sentinel in Love! (An Admired Song) | Anonymous, composer | A flat major | voice and piano | Romantic | Songs | ||||
| Swedish Nightingale Jenny Lind Gallop Polka | Anonymous, composer | piano | Romantic | Galops, Polkas | |||||
| The Pilgrims' Legacy | Anonymous, composer | G major | voice, mixed chorus and piano | Romantic | Songs | ||||
| Atlantic Telegraph March and Quick-Step | Anonymous, composer | piano | Romantic | Marches, Quicksteps | |||||
| Clay And Frelinghuysen (A celebrated Whig song) | Anonymous, composer | D major | voice and piano | Romantic | Songs | ||||
| La Colasa (Fortunata Tadesco's Spanish Song) | Anonymous, composer | C major | voice and piano | Romantic | Songs | ||||
| Le romarin valse (The Rose Mary Waltz) | Anonymous, composer | G major | piano | Romantic | Waltzes | ||||
| I am Going There, or the Death of Little Eva | Anonymous, composer | F major | voice and piano | Romantic | Songs | ||||
| La Zingarilla | Anonymous, composer | piano | Romantic | Pieces | |||||
| She is Fooling Thee | Anonymous, composer Henry Wadsworth Longfellow, librettist |
D flat major | voice and piano | Romantic | Songs | ||||
| The Celebrated Harp Waltz | Anonymous, composer | E major | piano | Romantic | Waltzes | ||||
| The Wolf and the Lamb | Anonymous, composer | D major | voice and piano | Romantic | Songs | ||||
| The Spell is Broken (My Heart is Like the Faded Flower; A Popular Ballad) | Anonymous, composer | voice and piano | Romantic | Ballads | |||||
| Violin Sonata in D major | Anonymous, composer | D major | 1662 | violin and continuo | Baroque | Sonatas | |||
| Cecilia Waltz | Anonymous, composer | piano | Romantic | Waltzes | |||||
| Fi Yi Yi Quick Step | Anonymous, composer | F major | piano | Romantic | Quicksteps | ||||
| Flowers, Wild Wood Flowers | Anonymous, composer | D major | voice and piano | Romantic | Songs | ||||
| Pit, Pat, Pit, Pat Goes My Heart (A favorite Song) | Anonymous, composer | F major | Romantic | Songs | |||||
| Rosebud Polka | Anonymous, composer | F major | piano | Romantic | Polkas | ||||
| She Lives by the Valley Brook (A ballad) | Anonymous, composer | D major | voice and piano | Romantic | Ballads | ||||
| The Lord My Shepherd Is | Anonymous, composer | G major | voice and piano | Romantic | Sacred songs | ||||
| Why Did I Love False Flora | Anonymous, composer | A flat major | voice and piano | Romantic | Songs | ||||
| General Reed's March | Anonymous, composer | C major | piano | Romantic | Marches | ||||
| Rough and Ready (A Whig Song) | Anonymous, composer | B flat major | voice, mixed chorus and piano | Romantic | Songs | ||||
| La cachucha (The Original Castanet Spanish Dance) | Anonymous, composer | G major | Romantic | Dances | |||||
| Te Deum | Anonymous, composer | B flat major | mixed chorus and orchestra | Classical | Te Deum | ||||
| Oh Teach Me How from Love to Fly | Anonymous, composer | voice and piano | Romantic | Ballads | |||||
| Motetos para a Procissão dos Passos | Anonymous, composer | B flat major | 2 mixed chorus, flute, 2 horns and 2 cellos | Classical | Motets | ||||
| Anchor che col partire | Anonymous, composer | 1630 | viol | Baroque | Pieces | ||||
| Violin Sonata in A major | Anonymous, composer | A major | Schrank II/34/68 | violin and continuo | Baroque | Sonatas | |||
| Cello Concerto in D major, RV 404 | Anonymous, composer | D major | cello, strings and continuo | Baroque | Concertos | ||||
| Hranice vzplála (Bonfire at Rhine) | Anonymous, composer | mixed chorus | Romantic | Secular choruses | |||||
| Misere | Anonymous, composer | soprano and continuo | Renaissance | Miserere | |||||
| A Division | Anonymous, composer | soprano and continuo | Renaissance | Divisions | |||||
| Toccata (Altböhmische Weihnachtstoccata) | Anonymous, composer | C major | 1700 | organ | Baroque | Toccatas | |||
| Invitatório e Juculatória da Novena de Nossa Senhora da Conceição | Anonymous, composer | soprano, alto, tenor, bass, 2 violins and continuo | Classical | Sacred songs | |||||
| Recercar undecimo | Anonymous, composer | 3 Unspecified instruments | Renaissance | Ricercars | |||||
| Vidi aquam | Anonymous, composer | D major | mixed chorus and orchestra | Classical | Antiphons | ||||
| Trio Sonata in C major (Sonata à due Violino e Violoncello) | Anonymous, composer | C major | violin, cello and continuo | Baroque | Sonatas | ||||
| Trio Sonata in C major (Sonata à due) | Anonymous, composer | C major | violin, cello and continuo | Baroque | Sonatas | ||||
| Trio Sonata in D major (Sonata à Violino Violoncello è Basso) | Anonymous, composer | D major | violin, cello and continuo | Baroque | Sonatas | ||||
| Trio Sonata in E minor (Sonata à due) | Anonymous, composer | E minor | violin, cello and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G major (Sonata à due) | Anonymous, composer | G major | violin, cello and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G minor (Sonata à due) | Anonymous, composer | G minor | violin, cello and continuo | Baroque | Sonatas | ||||
| Trio Sonata in B-flat major (Sonata à due) | Anonymous, composer | B flat major | violin, cello and continuo | Baroque | Sonatas | ||||
| Nad Tatrou sa blýska (Lightning over the Tatras ; Anthem of Slovakia republic) | Anonymous, composer Janko Matúška, librettist |
Romantic | National anthems | ||||||
| Aristide (Drama eroi-comico per musica da rappresentarsi nel Teatro Grimani di S. Samuel dalla Compagnia de Comici l'autuno dell'anno 1735) |
Anonymous, composer Carlo Goldoni, librettist |
Baroque | Librettos | ||||||
| Se non ponno i miei martiri | Anonymous, composer | soprano and continuo | Baroque | Secular cantatas | |||||
| Pena per voi il cor mio | Anonymous, composer | soprano and continuo | Baroque | Secular cantatas | |||||
| Anweisung zum Generalbass | Anonymous, composer | continuo | Classical | Methods, Music theory, Partimenti | |||||
| Despedida em Lágrimas (Marcha Fúnebre No.18) | Anonymous, composer | A flat major | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Tantum ergo | Anonymous, composer | A major | 2 tenors and bass 2 sopranos and alto |
Baroque | Hymns | ||||
| Marcha fúnebre No. 22 (Marcha fúnebre No.1) | Anonymous, composer | C minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Sinfonia in D major | Anonymous, composer | D major | cello and continuo | Baroque | Sinfonias | ||||
| Nu komm der heiden Heiland (Hymnus: Veni redemptor genium) | Anonymous, composer | 5 voices | Renaissance | Sacred songs, Hymns | |||||
| In dulci iubilo | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Christum wir sollen loben schon (Hymnus: A solis ortus) | Anonymous, composer | 4 voices | Renaissance | Hymns | |||||
| Partida Eterna (Marcha Fúnebre No.16) | Anonymous, composer | G minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Ein Kindelein so löbelich | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Capri | Anonymous, composer | E major | wind ensemble and brass ensemble | Early 20th century | Marches | ||||
| Quella beltà ch'un tempo (Cantata per contralto e basso continuo) | Anonymous, composer | alto and continuo | Baroque | Secular cantatas | |||||
| Salvum me fac Domine quoniam (Psalmus 12./ à. 5. Voci è. 2. overo 6. Viole/ Salvum me fac Deus./ 243.) | Anonymous, composer | 2 sopranos, alto, tenor, bass, 2 violins and continuo 2 sopranos, alto, tenor, bass, bassoon, 2 violins, 3 violas and continuo |
Baroque | Psalms | |||||
| Bassoon Sonata di M.G. (Sonata Solo Fagotto) | Anonymous, composer | A minor | 1686 | bassoon and continuo | Baroque | Sonatas | |||
| Cornettino Sonata di M.G. | Anonymous, composer | A minor | 1686 | cornett and continuo | Baroque | Sonatas | |||
| Selig sind die Toten (Seelig sind die Todten die/ Im Herren sterben/ â/ 4 Voci/ 2. Cant: Alt. Bass/ 2 Violini 1 Viola/ con/ Basso Continuuo.) | Anonymous, composer | 2 sopranos, alto, bass, 2 violins, viola and continuo | Baroque | Sacred songs | |||||
| Sonata à 5 in D minor | Anonymous, composer | D minor | 2 violins, 2 violas, violone and continuo | Baroque | Sonatas | ||||
| Sonata à 3 in A minor (Sonata à 3 Viole da Gamba) | Anonymous, composer | A minor | 3 viols | Baroque | Sonatas | ||||
| Sonata à 6 in C major | Anonymous, composer | C major | 2 cornetts, 2 trumpets, 2 trombones and continuo 4 cornetts, 2 trombones and continuo bassoon, 2 cornetts, 2 trumpets, trombone and continuo bassoon, 4 cornetts, trombone and continuo 2 trumpets, 2 trombones, 2 violins and continuo 2 cornetts, 2 trombones, 2 violins and continuo bassoon, 2 trumpets, trombone, 2 violins and continuo bassoon, 2 cornetts, trombone, 2 violins and continuo |
Baroque | Sonatas | ||||
| Sonata à 3 in A minor | Anonymous, composer | A minor | S-Uu 11:12 | 2 violins, viol and continuo trombone, 2 violins and continuo |
Baroque | Sonatas | |||
| Trio Sonata in A minor (Sonata à 2) | Anonymous, composer | A minor | violin, viol and continuo | Baroque | Sonatas, Suites | ||||
| Sonata à 2 Violini J.R.M | Anonymous, composer | D major | 2 violins and continuo | Baroque | Sonatas | ||||
| Sonata à 4 in F major | Anonymous, composer | F major | 2 violins, 2 violas and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G major | Anonymous, composer | G major | violin, viol and continuo | Baroque | Sonatas | ||||
| Sonata à 7 in B-flat major (Sonata a 7 viol. ex B. â 6 violini è Violon) | Anonymous, composer | B flat major | 6 violins, violone and continuo | Baroque | Sonatas | ||||
| Sonata à 4 in C major | Anonymous, composer | C major | 2 violins, 2 violas and continuo | Baroque | Sonatas | ||||
| Sonata à 3 in C major (Sonata ex C a 3 Doÿ Violini è Fagotto sive violdigamba) | Anonymous, composer | C major | S-Uu 11:7 | 2 violins, viol and continuo bassoon, 2 violins and continuo |
Baroque | Sonatas | |||
| Sonata à 4 in D major (Sonata a 4. 3. violini.è. fagotto sive viola) | Anonymous, composer | D major | S-Uu 11:15 | 3 violins, violone and continuo bassoon, 3 violins and continuo |
Baroque | Sonatas | |||
| Trio Sonata in A minor (Sonata a 2. Violin è Violino: con Basso contin) | Anonymous, composer | A minor | violin, viol and continuo | Baroque | Sonatas | ||||
| Trio Sonata in D major (Sonata a. 2.) | Anonymous, composer | D major | violin, viol and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G major (Sonata a 2 Viollin) | Anonymous, composer | G major | 2 violins and continuo | Baroque | Sonatas | ||||
| La Pastorella ; Basta crudele per uscir da miei lacci (Cantata per soprano e basso continuo) | Anonymous, composer | C minor | soprano and continuo | Baroque | Secular cantatas | ||||
| Già trà l'onde il sol' s'asconde (Cantata per soprano e basso continuo del Signore Antonio R.) | Anonymous, composer | C minor | soprano and continuo | Baroque | Secular cantatas | ||||
| Due fanciuletti di beltà simile (Cantata per soprano e basso continuo) | Anonymous, composer | D minor | soprano and continuo | Baroque | Secular cantatas | ||||
| Concerto for Violin and Cello in F major | Anonymous, composer | F major | violin, cello, strings and continuo | Baroque | Concertos | ||||
| Di Filli fido amante (Cantata per soprano e basso continuo) | Anonymous, composer | soprano and continuo | Baroque | Secular cantatas | |||||
| 3 Polonaises | Anonymous, composer | flute, 2 violins and continuo 2 violins and continuo |
Baroque | Polonaises | |||||
| Se eu fosse um rouxinol (Ave Maria) | Anonymous, composer | D major | soprano, female chorus and organ | Early 20th century | Ave Maria | ||||
| Marcha Fúnebre Condolências | Anonymous, composer | C minor | wind ensemble, brass ensemble and percussion | Romantic | Funeral marches | ||||
| Violin Sonata in G major, Schrank II/34/77 | Anonymous, composer | G major | violin and continuo | Baroque | Sonatas | ||||
| A voz do túmulo (Marcha Fúnebre) | Anonymous, composer | F minor | wind ensemble and brass ensemble | Romantic | Funeral marches | ||||
| Marcha Fúnebre 1º de Maio | Anonymous, composer | G minor | wind ensemble and brass ensemble | Romantic | Funeral marches | ||||
| Violin Sonata in F major | Anonymous, composer | F major | violin and continuo viola damore and continuo |
Baroque | Sonatas | ||||
| Violin Sonata in F major, Schrank II/34/90 | Anonymous, composer | F major | Schrank II/34/90 | violin and continuo | Baroque | Sonatas | |||
| Marcha Fúnebre Arrependimento de São Dimas | Anonymous, composer | E flat major | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha fúnebre No. 4 | Anonymous, composer | C minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Harpsichord Concerto in B-flat major | Anonymous, composer | B flat major | harpsichord, strings and continuo | Baroque | Concertos | ||||
| Salve Virgem Dolorosa | Anonymous, composer | C minor | mixed chorus and orchestra | Romantic | Sacred choruses | ||||
| Violin Concerto in G minor (Concerto a Violino Solo a 5. Parte) | Anonymous, composer | G minor | violin, strings and continuo | Baroque | Concertos | ||||
| Heu mihi Domine | Anonymous, composer | G minor | 4 voices and continuo 4 voices and organ |
Baroque | Motets | ||||
| Salve Jesu sancte sponse | Anonymous, composer | D minor | 2 sopranos, alto, 2 tenors, bass, 2 violins and continuo | Baroque | Sacred songs | ||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 oboes and continuo | Baroque | Trios, Sonatas | ||||
| Violin Concerto in B-flat major | Anonymous, composer | B flat major | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Concerto in A major (Concerto per il Violino Solo a 5. Parte) | Anonymous, composer | A major | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Concerto in B-flat major (Concerto a 4) | Anonymous, composer | B flat major | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Concerto in C major (Concerto a Violino Solo a 6. Parte) | Anonymous, composer | C major | violin, strings and continuo | Baroque | Concertos | ||||
| Violin Concerto in D major (Concerto a Violino Solo a 4. Parte) | Anonymous, composer | D major | violin, strings and continuo | Baroque | Concertos | ||||
| Madonna mia io son un poverello | Anonymous, composer | 4 voices | Renaissance | Canzonettas | |||||
| Menuett von K. | Anonymous, composer | piano | Romantic | Minuets | |||||
| Violin Sonata in D major (Sonata à Violino solo) | Anonymous, composer | D major | violin and continuo | Baroque | Sonatas | ||||
| Bon temps | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Mon pere ma mariée | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| A qui direlle sa pense | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Violin Sonata in D major (Sonata. Violino solo.) | Anonymous, composer | D major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in D major, ÖNB EM.65.b (Sonata à Violino Solo) | Anonymous, composer | D major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in G minor, ÖNB EM.65.e (Sonata à Solo) | Anonymous, composer | G minor | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in G minor, ÖNB EM.65.f (A Solo per Camera.) | Anonymous, composer | G minor | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in A major, ÖNB EM.65.g (Sonato a Violino Solo.) | Anonymous, composer | A major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in A major, ÖNB EM.65.h (Violino solo, e Basso) | Anonymous, composer | A major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in A major, ÖNB EM.65.i (Suonata à Violino Solo. e Basso) | Anonymous, composer | A major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in B-flat major, ÖNB EM.65.k (Sonatta à Violino Solo) | Anonymous, composer | B flat major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in A minor, ÖNB EM.65.j (Sonata à Violino Solo e Basso) | Anonymous, composer | A minor | violin and continuo | Baroque | Sonatas | ||||
| Trio Sonata in D major, ÖNB EM.65.a (Sonata à Violino Solo et Violla. ; Sonata à doi. Tiorba, Viola e Violino) | Anonymous, composer | D major | violin, viol and continuo | Baroque | Sonatas | ||||
| Pour quoy fu fait ceste emprise | Anonymous, composer | 3 voices 3 Unspecified instruments |
Renaissance | Chansons, Pieces | |||||
| Popular Instructor in Violin Playing | Anonymous, composer | violin 2 violins |
Romantic | Methods | |||||
| The Lover's Star | Anonymous, composer | B flat major | voice and piano | Romantic | Songs | ||||
| Hor che priva di luce | Anonymous, composer | alto, violin and continuo | Baroque | Secular cantatas | |||||
| Trio Sonata in D major (Sonata a 2 Trombe) | Anonymous, composer | D major | 2 trumpets and continuo | Baroque | Sonatas | ||||
| Sonata à Flauto solo | Anonymous, composer | D minor | A-Wn EM.66 | flute and continuo | Baroque | Sonatas | |||
| Trio Sonata in A major (Sonata à due, Violino e Violoncello ed Organo) | Anonymous, composer | A major | violin, cello and continuo violin, cello and organ |
Baroque | Sonatas | ||||
| Recorder Concerto in C major (Concerto Per Flauto Due Violini Violetta e Basso) | Anonymous, composer | C major | 1728 | recorder, 2 violins, viola and continuo | Baroque | Concertos | |||
| Recorder Sonata in D minor (Sonata à Flauto Solo è Basso) | Anonymous, composer | D minor | 1728 | recorder and continuo | Baroque | Sonatas | |||
| Recorder Sonata in C major (Sonata à Flauto Solo e Basso) | Anonymous, composer | C major | 1728 | recorder and continuo | Baroque | Sonatas | |||
| Recorder Sonata in F minor (Sonata à Flauto Solo, e Basso) | Anonymous, composer | F minor | 1728 | recorder and continuo | Baroque | Sonatas | |||
| Matinas da Ressureição | Anonymous, composer | D major | mixed chorus and orchestra | Classical | Services | ||||
| Missa de Santa Cecília | Anonymous, composer | C major | mixed chorus and orchestra | Classical | Masses | ||||
| Ofícios para a Semana Santa - Seleção | Anonymous, composer | F major | mixed chorus and orchestra | Classical | Responsories, Antiphons | ||||
| My Lady Carey's Dompe | Anonymous, composer | keyboard | Renaissance | Pieces | |||||
| Recercar Nono | Anonymous, composer | soprano, tenor and bass | Renaissance | Ricercars | |||||
| Du aber Daniel gehe hin, D-B: Mus.ms. 30282 | Anonymous, composer | G major | 1719 | 4 voices | Baroque | Motets | |||
| Chaconne in A major | Anonymous, composer | A major | Schrank II/38/38 | violin and continuo | Baroque | Chaconnes | |||
| Preis Ruhm und Ehre, D-B: Mus.ms. 30282 | Anonymous, composer | C major | soprano, alto, tenor, bass, mixed chorus, 2 trumpets, 2 violins, viola and continuo soprano, alto, tenor, bass, mixed chorus and orchestra |
Baroque | Sacred cantatas | ||||
| Das ist meine Freude, D-B: Mus.ms. 30282 | Anonymous, composer | C major | 2 sopranos, alto, tenor, bass, mixed chorus, 2 violins and continuo | Baroque | Sacred cantatas | ||||
| Calin o custure me (English folk song) | Anonymous, composer | Medieval | Folksongs | ||||||
| Canto delle Palle (Stemma Mediceo) | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Songs | |||||
| Saltarello 'La Regina' | Anonymous, composer | Medieval | Saltarellos | ||||||
| Quant voi le douz tens bel et cler | Anonymous, composer | R837 | voice | Medieval | Chansons | ||||
| Paisley Schottisch | Anonymous, composer | Romantic | Ecossaises | ||||||
| Marcha Fúnebre Saudades | Anonymous, composer | F minor | wind ensemble and brass ensemble | Romantic | Funeral marches | ||||
| Quand de mon cueur vous ferai part | Anonymous, composer | Nivelle folios XII verso to XIII | 3 voices | Renaissance | Songs | ||||
| Viene, Carmè | Anonymous, composer Ferdinando Russo, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Herzlich thut mich verlangen | Anonymous, composer | C major | organ | Baroque | Chorales | ||||
| Lisa dea damisella | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| O Salutaris Hostia | Anonymous, composer | A flat major | voice and organ | Romantic | Sacred songs, Hymns | ||||
| Ung doulx baiser m’est bien permis de prendre | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Missa Caput | Anonymous, composer | 4 voices | Renaissance | Masses | |||||
| Al suon non pos'il core (Villanelle) | Anonymous, composer | 3 voices | Renaissance | Villanelles | |||||
| Myn morghen ghaf | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Songs | |||||
| Luna degl'Amor miei (Villanelle) | Anonymous, composer | 3 voices | Renaissance | Villanelles | |||||
| A che cerchi pastor | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Méthode de Serpent adoptée par le Conservatoire de musique | Anonymous, composer | serpent | Romantic | Methods | |||||
| Bene mio tu m'hai lasciato | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Filli gentil piangea mirando | Anonymous, composer | 3 viols 3 voices |
Renaissance | Villanelle | |||||
| Soavemente un giorno | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Laudario di Cortona (Laudario, I-CTb MS 91) | Anonymous, composer | voice voices |
Medieval | Sacred songs | |||||
| Se voi dolce mio bene | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| La prima volta ch'io vidi | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| A la fe si che vi portate | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| E vivere e morire mi fai | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| La piaga c'ho nel core | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Vorrei scampar Amore | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Luna ch'i' fussi horrori | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Occhi dell'alma mia vivaci | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Ahi che tien lo mio core | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Ardo di si bel foco | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Che pensi tu di far | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Come fa de la ritrosa | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Crede tu per fuggire | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Non hebbe tante foglie | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Et marion la brune | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Je ne me peus tenir damer | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Helas le poure johan | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Dimmi che e del mio core | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Per voler d'Amore | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Gia discopriva il cielo | Anonymous, composer | 3 voices | Renaissance | Villanelles | |||||
| Orpheo contand'a se | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Ove ne vai Pastore | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Mentr'il mio miser core | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Stelle ch'ornando il cielo | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Amanti chi con fede | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Como potro gia mai vivo | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Fuggon le stelle e l'aria | Anonymous, composer | 3 voices | Renaissance | Villanelles | |||||
| En l'ombre dung bussinet | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Jay pris amours | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Quant vostre ymage | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Je m'en vois (Je m'en vois, ma douce amie, si vous) (Je n'en puis plus se je ne meurs / Tieus a mout le cuer hardi en cuidier / Omnes [contrafacta versions]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Rorate, coeli, desuper | Anonymous, composer | F major | 4 voices and organ mixed chorus and organ |
Early 20th century | Sacred songs | ||||
| Voglio siscà (Duettino) | Anonymous, composer Aniello Califano, librettist |
F major | voice and piano | Romantic | Duettinos | ||||
| Um anjo à Virgem Santa | Anonymous, composer | G major | mixed chorus and organ | Early 20th century | Sacred songs | ||||
| M'ha punto Amor | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Mentre stava Mirtillo | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Mi parto ahi sorte ria | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| La terra fiorira | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Mi sento ohime morire | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Io son farfalla e voi | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Donna che sol di donna | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Signora t'amo a fe | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Deh prega Amor il fato | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Non bagna il chiaro mello | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Grave aduto e soave sono | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| S'Orfeo con la sua lira | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Viva chi vuol in pianto | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Io volo sopra il cielo | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Vago gentil mio sole | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Damon e Filli insieme | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Dimmi disse il mio sol | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Occhi se per pieta | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Amor m'ha fatto diventar | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Bocca soave et cara | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Che fai Dori che pensi | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Come fenice che rinova | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Qui es Ane | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour vous servir belle dame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fuggermi struggemi odiami | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Oh! vinde enfim | Anonymous, composer | D minor | mixed chorus and organ | Early 20th century | Sacred choruses | ||||
| Creator alme siderum | Anonymous, composer | F major | mixed chorus and organ | Early 20th century | Sacred choruses | ||||
| Jamais dieux | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tu me comandes | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Dulcissimi virgo Maria | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Vostre amour | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Loyset denisot | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Jusqu'a rascon | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je vous congnois | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Merci vos | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se prens congiet | Anonymous, composer | 3 voices 3 Unspecified instruments |
Renaissance | Pieces | |||||
| Tenente Nilo Gomes | Anonymous, composer | D flat major | wind ensemble and brass ensemble | Early 20th century | Marches | ||||
| Sinfonie in A major | Anonymous, composer | A major | strings and continuo | Baroque | Sinfonias | ||||
| Sinfonia in E-flat major | Anonymous, composer | E flat major | strings and continuo | Baroque | Sinfonias | ||||
| Sinfonia in G major | Anonymous, composer | G major | orchestra | Baroque | Sinfonias | ||||
| Sinfonia in D major | Anonymous, composer | D major | trumpet, strings and continuo | Baroque | Sinfonias | ||||
| Instrumental Piece in G minor | Anonymous, composer | G minor | orchestra | Baroque | Pieces | ||||
| Concerto for Violin and Cello in A major | Anonymous, composer | A major | violin, cello and orchestra | Baroque | Concertos | ||||
| The darke is my delight (The Dutch Courtesan) | Anonymous, composer John Marston, librettist |
Renaissance | Songs | ||||||
| Sinfonia in B-flat major | Anonymous, composer | B flat major | strings and continuo | Baroque | Sinfonias | ||||
| 2 Instrumental Pieces | Anonymous, composer | A major, G major | strings and continuo | Baroque | Pieces | ||||
| Oboe Concerto in G minor | Anonymous, composer | G minor | oboe, strings and continuo | Baroque | Concertos | ||||
| 2 Arias | Anonymous, composer | voice and orchestra | Baroque | Secular cantatas, Arias | |||||
| 2 Sinfonias | Anonymous, composer | F major, D major | strings and continuo | Baroque | Sinfonias | ||||
| Handschrift Camphuysen (Camphuysen Manuscript) | Anonymous, composer | 1652 | keyboard harpsichord |
Baroque | Pieces, Sacred songs, Chorales, Hymns, Variations | ||||
| Deus in nomine | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Fugue in G major (Fuga in G) | Anonymous, composer | G major | Mus.2354-U-1 | organ harpsichord |
Baroque | Fugues | |||
| Bicinium No. 24 | Anonymous, composer | soprano and alto | Renaissance | Bicinia | |||||
| Bicinium No. 23 | Anonymous, composer | 2 Unspecified instruments | Renaissance | Bicinia | |||||
| Do trono | Anonymous, composer | G major | mixed chorus and organ | Early 20th century | Sacred choruses | ||||
| Manuscript, D-Mbs Mus.ms. 1503 h (14 Tänze / Polyphonische Tänze des 16. Jh. / Italienische Tänze aus dem frühen sechzehnten Jahrhunderts / Italian dances of the early sixteenth century) | Anonymous, composer | 1550 | soprano, alto, tenor and bass | Renaissance | Dances | ||||
| Hino de Coroação No. 3 | Anonymous, composer | G major | voice and organ | Early 20th century | Hymns | ||||
| Hino de Coroação No. 4 | Anonymous, composer | G major | voice and organ | Early 20th century | Hymns | ||||
| Hino de Coroação No. 5 | Anonymous, composer | E flat major | voice and organ | Early 20th century | Hymns | ||||
| Hino de Coroação No. 6 | Anonymous, composer | D major | voice and organ | Early 20th century | Hymns | ||||
| Hino de Coroação de Nossa Senhora do Rosário | Anonymous, composer | F major | voice and organ | Early 20th century | Hymns | ||||
| Sonata in F major, D-SWl Mus.532 | Anonymous, composer | F major | soprano and continuo | Baroque | Sonatas | ||||
| Manuscript, B-Tc 476 (Tournai Mass) | Anonymous, composer | 3 voices | Medieval | Masses | |||||
| Cantata Non lasciarmi o bella speme | Anonymous, composer | 1730 | alto, recorder and continuo | Baroque | Secular cantatas | ||||
| Cantata a voce sola di Contraldo con Flauto | Anonymous, composer | 1724 | alto, recorder and continuo | Baroque | Secular cantatas | ||||
| Torza | Anonymous, composer | 4 Unspecified instruments | Renaissance | Pieces | |||||
| Mazurek and Anglaise | Anonymous, composer | piano | Romantic | Mazurkas, Anglaises | |||||
| Valse in C major (Walc) | Anonymous, composer | C major | piano | Romantic | Waltzes | ||||
| 2 Valses | Anonymous, composer | G major | piano | Romantic | Waltzes | ||||
| La bella Colomba | Anonymous, composer | E flat major | voice and piano | Romantic | Songs | ||||
| Il tramway (Arietta popolare fiorentina) | Anonymous, composer | F major | voice and piano | Romantic | Ariettas | ||||
| Volta | Anonymous, composer | Tabulaturbuch der Regina Clara in Hoff | harpsichord | Renaissance | Volte | ||||
| Daphnis | Anonymous, composer | Tabulaturbuch der Regina Clara in Hoff | harpsichord | Renaissance | Pieces | ||||
| A Collection of Favourite Lessons for the Harpsichord (A Collection of Favourite Lessons for the Harpsichord in an Easy pleasing Taste, Proper for young Practitioners on that Instrument, Composed by different authors.) | Anonymous, composer | harpsichord | Baroque | Lessons | |||||
| Chi d'amor non vuol le pene | Anonymous, composer | voice and continuo | Baroque | Arias | |||||
| O santo spirito vieni | Anonymous, composer | G major | male chorus | Classical | Sacred choruses | ||||
| Concerto para flauta, dos violines y bajo (Concert for flaute, two violins and basso) | Anonymous, composer | flute, 2 violins and cello flute, 2 violins and continuo flute and strings |
Baroque | Concertos | |||||
| A São Sebastião | Anonymous, composer | A major | voice and organ | Early 20th century | Sacred songs | ||||
| 律呂節要 (Lulu Jieyao (Abstract of Pitches or Music Theory)) | Anonymous, composer | 1680 | Baroque | Music theory | |||||
| Dobrado Bueno Brandão Nº 1 | Anonymous, composer | E flat major | wind ensemble, brass ensemble and percussion | Early 20th century | Dances | ||||
| Canzoni veneziane (''Canzoni Veneziane / Con accompagnamento / di Pianoforte / ed alcune con chitarra / Francese.'') | Anonymous, composer | soprano and piano soprano and guitar harpsichord and soprano |
Classical | Canzoni | |||||
| Mazurka in G minor | Anonymous, composer | G minor | Romantic | Mazurkas | |||||
| Laudamus Te | Anonymous, composer | F major | soprano and orchestra | Classical | Sacred cantatas | ||||
| O Sacrum Convivium | Anonymous, composer | D major | mixed chorus and orchestra | Classical | Sacred choruses | ||||
| Adoramus Te Christe | Anonymous, composer | E flat major | mixed chorus and orchestra | Classical | Sacred choruses | ||||
| Benedicta et Admirabilis es | Anonymous, composer | D major | mixed chorus and orchestra | Classical | Sacred choruses | ||||
| Lavapes | Anonymous, composer | D major | mixed chorus and orchestra | Classical | Sacred choruses | ||||
| Trezena de Santo Antônio | Anonymous, composer | D major | mixed chorus and orchestra | Classical | Sacred choruses | ||||
| Stabat Sancta Maria | Anonymous, composer | A major | mixed chorus and orchestra | Classical | Sacred choruses | ||||
| Cantates et arias italiennes pour voix de basse (BnF RES VMD MS-22) | Anonymous, composer | bass and continuo | Baroque | Secular cantatas, Arias | |||||
| Marcha Fúnebre Lugete venere | Anonymous, composer | F minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Lacrimosa | Anonymous, composer | F minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Saudade | Anonymous, composer | C minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Uma lágrima | Anonymous, composer | C minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Recordação | Anonymous, composer | G minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Costa Pinto | Anonymous, composer | F minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| We are coming, father Abraham, 300,000 more | Anonymous, composer | voice, mixed chorus and piano | Romantic | Songs | |||||
| Sortie ou Offertoire sur 'O Filii' | Anonymous, composer | A minor | 1930 | organ | Early 20th century | Postludes, Offertories | |||
| Dobrado Landulpho Lintz | Anonymous, composer | A flat major | wind ensemble and brass ensemble | Early 20th century | Dances | ||||
| A Muvver | Anonymous, composer | G major | 1972 | voices | Traditional (folk) | Songs | |||
| Dobrado O Arrogante | Anonymous, composer | B flat minor | wind ensemble and brass ensemble | Early 20th century | Dances | ||||
| Cede fragor strepitusque | Anonymous, composer | 6 voices | Renaissance | Motets | |||||
| Marcha Festiva Franz Schubert | Anonymous, composer | F major | wind ensemble and brass ensemble | Early 20th century | Marches | ||||
| Marcha Festiva 'São Sebastião' | Anonymous, composer | B flat major | wind ensemble and brass ensemble | Early 20th century | Marches | ||||
| Gloria laus in G major | Anonymous, composer | G major | mixed chorus | Romantic | Sacred choruses | ||||
| Redit etas aurea (Reddit aetas aurea; Etas auri reditur) | Anonymous, composer | 1189 | Medieval | Conductus | |||||
| O Salutaris for Wind Band | Anonymous, composer | A flat major | wind ensemble and brass ensemble | Early 20th century | Hymns | ||||
| Venite adoremus in F major | Anonymous, composer | F major | 1895 | mixed chorus and cello | Romantic | Hymns | |||
| All Creatures of our God and King | Anonymous, composer William Henry Draper, librettist |
D major | 1623 | Classical | Hymns | ||||
| Hylas will kein Weib nicht haben | Anonymous, composer Georg Greflinger, librettist |
G major | voice and continuo | Baroque | Songs | ||||
| Menuet con variazioni (Minuet with variations) | Anonymous, composer | D major | flute and continuo | Baroque | Minuets, Variations | ||||
| O Maria mater pia | Anonymous, composer | 2 voices | Renaissance | Sacred songs | |||||
| O vos omnes para Verônica No. 1 | Anonymous, composer | G minor | soprano | Early 20th century | Sacred songs | ||||
| Marcha Senhor dos Passos | Anonymous, composer | B flat major | wind ensemble, brass ensemble and percussion | Early 20th century | Marches | ||||
| The Sick Tune | Anonymous, composer | lute | Renaissance | Pieces | |||||
| O vos omnes para Verônica No. 7 | Anonymous, composer Biblical Text, librettist |
G sharp minor | soprano | Romantic | Sacred songs | ||||
| Regina Cæli Lætare in G Major | Anonymous, composer | G major | 1730 | mixed chorus | Classical | Hymns | |||
| Jesus, Divino Esposo | Anonymous, composer | B flat major | female chorus and organ | Early 20th century | Sacred choruses | ||||
| The Sinckapace Galliarde | Anonymous, composer | lute | Renaissance | Galliards | |||||
| Pleni sunt celi (fuga trium vocum ex una) | Anonymous, composer | 3 voices | Renaissance | Fugues | |||||
| Omnes qui transitis pervias (fuga trium vocum ex una, in unisono) | Anonymous, composer | 3 voices | Renaissance | Fugues | |||||
| Panis angelicus in F major | Anonymous, composer | F major | mixed chorus and organ | Early 20th century | Hymns | ||||
| Aeternae Rex in D major | Anonymous, composer | D major | mixed chorus and organ | Early 20th century | Sacred choruses | ||||
| What if a day or a moneth or a year | Anonymous, composer | lute | Renaissance | Pieces | |||||
| A Toye | Anonymous, composer | lute | Renaissance | Pieces | |||||
| Drawe neare me and lowe me | Anonymous, composer | lute | Renaissance | Pieces | |||||
| Met desen nieuwen Jare (from a Brussels mannuscript) | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| M. Thomas Colier his Galiard | Anonymous, composer | 5 Unspecified instruments | Renaissance | Galliards | |||||
| Sampson Lute Book (Tollemache Lute Manuscript) | Anonymous, composer | lute | Renaissance | Pieces, Allemandes, Pavans, Courantes, Galliards, Preludes | |||||
| Willson's wilde | Anonymous, composer | lute | Renaissance | Pieces | |||||
| Dobrado Anjo da Morte | Anonymous, composer | E flat major | wind ensemble and brass ensemble | Early 20th century | Dances | ||||
| A Pavin | Anonymous, composer | lute | Renaissance | Pavans | |||||
| Een Kindelien zo Loveliek | Anonymous, composer | 4 voices | Baroque | Carols | |||||
| Der blinde Harfenspieler | Anonymous, composer | G major | 1800 | voice and piano | Classical | Songs | |||
| A Pippa (Traditionnel corse) | Anonymous, composer | Traditional (folk) | Folksongs | ||||||
| Instrumentälischer Bettlermantl | Anonymous, composer | Baroque | Music history, Music theory, Performance practice | ||||||
| Dermott with Variations (Take back the virgin page) | Anonymous, composer | harp | Classical | Variations | |||||
| Christus hat dem Tode die Macht genommen | Anonymous, composer | C major | 4 voices mixed chorus |
Baroque | Motets | ||||
| Preise Jerusalen dem Herrn | Anonymous, composer | C major | 4 voices mixed chorus |
Baroque | Motets | ||||
| Herr auf dich traue ich | Anonymous, composer | B flat major | 4 voices mixed chorus |
Baroque | Motets | ||||
| Gott ist getreu der euch nicht lässet versuchen | Anonymous, composer | G major | 4 voices mixed chorus |
Baroque | Motets | ||||
| Tango Paraguayen | Anonymous, composer | Traditional (folk) | Tangos | ||||||
| Chaconne in G major | Anonymous, composer | G major | Baroque | Chaconnes | |||||
| The Fall of Paris (A favorite quick step arranged for the harp or piano forte) | Anonymous, composer | Classical | Quicksteps | ||||||
| Befiehl dem Herren deine Wege | Anonymous, composer | E flat major | 4 voices mixed chorus |
Baroque | Motets | ||||
| Flute Concerto in G major (Concerto in G major for flute solo, two violins and basso (unfigured)) | Anonymous, composer | G major | E-Mn MP/3174/7 | 1750 | flute, 2 violins and continuo | Baroque | Concertos | ||
| Gott ist unsre Zuversicht und Stärke | Anonymous, composer | B flat major | 4 voices mixed chorus |
Baroque | Motets | ||||
| Danket dem Herrn | Anonymous, composer | B minor | 4 voices mixed chorus |
Baroque | Motets | ||||
| Habe deine Lust an dem Herrn | Anonymous, composer | D major | 4 voices mixed chorus |
Baroque | Motets | ||||
| Gott, hilf mir; denn das Wasser gehet bis an die Seele (Gott, hilf mir) | Anonymous, composer | C minor | 4 voices mixed chorus |
Baroque | Motets | ||||
| O Sanctissima | Anonymous, composer | D major | 2 voices and organ | Classical | Sacred songs | ||||
| Herr hebe an zu segnen das Haus | Anonymous, composer | A major | 5 voices mixed chorus |
Baroque | Motets | ||||
| In Nomine à 6, VdGS 3001 | Anonymous, composer | D minor | 6 Unspecified instruments | Renaissance | In nomines | ||||
| Banana Boat Song (Day O) | Anonymous, composer | voices | Traditional (folk) | Folksongs | |||||
| Es ist in keinen andern Heil | Anonymous, composer | D minor | 4 voices mixed chorus |
Baroque | Motets | ||||
| Josezito (Choreographica) | Anonymous, composer | voice and piano | Traditional (folk) | Songs | |||||
| Morpeth Rant (The Morpeth Rant, Morpeth's Hornpipe, Abram Wood’s Hornpipe, Car Juan Nan, Clark's Hornpipe, Ivy Leaf Hornpipe, Jim Clark's Hornpipe, Lord Morpeth's Hornpipe, The New Sailor's Hornpipe, Pibddawns Abram Wood, Pibddawns Morfudd, Prince of Wales' Hornpipe, Princess of Wales' Hornpipe, Shield's Hornpipe, West's Hornpipe, Wood's Hornpipe, Lady Ancrain's Hornpipe, His Majesty's Hornpipe) | Anonymous, composer | soprano | Traditional (folk) | Hornpipes | |||||
| Aux Marches du Palais | Anonymous, composer | voice voices |
Traditional (folk) | Folksongs | |||||
| Pajarillo Verde | Anonymous, composer | 1900 | voices | Traditional (folk) | Folksongs | ||||
| An Almain | Anonymous, composer | 1552 | 2 lutes | Renaissance | Allemandes | ||||
| Over The Banister | Anonymous, composer | voices | Traditional (folk) | Folksongs | |||||
| Wolauff gut gsell von hinnen | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Angelus ad pastores | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Ave Maria gratia plena | Anonymous, composer | 4 voices | Renaissance | Ave Maria | |||||
| Ave Maris Stella | Anonymous, composer | 4 voices | Renaissance | Hymns | |||||
| Christe redemptor omnium | Anonymous, composer | 4 voices | Renaissance | Hymns | |||||
| Laetatus sum a 2 | Anonymous, composer | 2 voices | Renaissance | Psalms | |||||
| Laetatus sum | Anonymous, composer | 4 voices | Renaissance | Psalms | |||||
| Lauda Hirusalem Dominum (Lauda Jerusalem Dominum) | Anonymous, composer | 4 voices | Renaissance | Psalms | |||||
| Nisi dominus | Anonymous, composer | 4 voices | Renaissance | Psalms | |||||
| Omnes amici mei | Anonymous, composer | 4 voices | Renaissance | Responsories | |||||
| Plange quasi virgo | Anonymous, composer | 4 voices | Renaissance | Responsories | |||||
| Sicut ovis | Anonymous, composer | 4 voices | Renaissance | Responsories | |||||
| Versa es in luctum | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Lamentationes Jeremiae prophetae | Anonymous, composer | 4 voices | Renaissance | Lamentations | |||||
| The Heroes Of Manila Bay | Anonymous, composer | E flat major | voice and piano | Romantic | Songs | ||||
| The Girl I Loved in Sunny Tennessee (My Little Georgia Rose ; Medley Waltz) | Anonymous, composer | Romantic | Waltzes | ||||||
| Io vous (Cancion) | Anonymous, composer | organ | Renaissance | Songs | |||||
| New Instructions for the French Horn (New Instructions for the French Horn, Containing the most modern and best methods for Learners to Blow, To which are Added, all the Hunting notes, and a Collection of Tunes, Marches, Minuets, purposely adapted for that Instrument by an Eminent Performer) | Anonymous, composer | horn 2 horns |
Classical | Methods | |||||
| The Coach Horn (The Coach Horn: What To Blow And How To Blow It, By An Old Guard) | Anonymous, composer | horn | Early 20th century | Methods | |||||
| The Compleat Tutor for the French Horn (The Compleat Tutor for the French Hom containing the best and easiest instructions for learners to obtain a proficiency to which are added all the hunting notes and several choice lessons for one and two French horns) | Anonymous, composer | horn 2 horns |
Baroque | Methods, Lessons | |||||
| In resurrectione Domini representatio | Anonymous, composer | 1200 | voices unison chorus |
Medieval | Sacred choruses | ||||
| Dramma liturgico della Natività | Anonymous, composer | 1200 | voices unison chorus |
Medieval | Sacred choruses | ||||
| Ciao (Auf Wiedersehen / Au revoir ; Célèbre Valse Italienne) | Anonymous, composer | Romantic | Waltzes | ||||||
| Horn Concerto in D major, Lund 13 (Concerto ex D dur: Cornu concertato, Violino primo, Violino secundo, Viola, Basso) | Anonymous, composer | D major | strings | Baroque | Concertos | ||||
| Concerto in E-flat major for Horn, 2 Oboes and Bass (Concerto ex Dis: Cornu concertato, Oboe primo, Oboe secundo, Basso) | Anonymous, composer | E flat major | 2 oboes, horn and continuo 2 oboes, horn and cello 2 oboes, horn and bass |
Baroque | Concertos | ||||
| Horn Concerto in E-flat major (Concerto ex Dis dur: Cornu concertato, Violino primo, Violino secundo, Viola, Basso) | Anonymous, composer | E flat major | Lund 11 | horn and strings | Baroque | Concertos | |||
| Motets de différents auteurs (BnF RES VMA MS-912) | Anonymous, composer | 1640 | 6 voices, continuo, 3 sopranos and alto 6 voices, continuo, 2 sopranos and 2 altos 5 voices, continuo and 4 sopranos 5 voices, continuo, 3 sopranos and alto 7 voices, continuo, 3 sopranos and alto 7 voices, continuo, 2 sopranos and 2 altos 3 voices, continuo and 2 sopranos 3 voices and continuo 2 voices and continuo |
Baroque | Motets | ||||
| Recueil de pièces pour virginal de différents auteurs (BnF RES-1185) | Anonymous, composer | 1620 | keyboard harpsichord |
Baroque | Pieces, Pavans, Galliards, Fantasias, Preludes, Courantes, Allemandes, Voluntaries, Sarabandes | ||||
| Chasse | Anonymous, composer | D major | 1750 | Baroque | Pieces | ||||
| Peruvian Air | Anonymous, composer | Traditional (folk) | Folksongs | ||||||
| Ein Geistlich Bercklied | Anonymous, composer | voice | Renaissance | Lieder | |||||
| in Geistlich Lied von auffersteung der Todten | Anonymous, composer | voice | Renaissance | Lieder | |||||
| 8 Pieces | Anonymous, composer | keyboard | Baroque | Pieces | |||||
| Christus ist mein Leben | Anonymous, composer | B flat major | 8 voices and continuo 2 mixed chorus and continuo |
Baroque | Sacred choruses | ||||
| Proch dolor | Anonymous, composer | 7 voices | Renaissance | Motets | |||||
| St. Matthew Passion | Anonymous, composer | 3 voices | Renaissance | Passions | |||||
| St. Luke Passion | Anonymous, composer | 3 voices | Renaissance | Passions | |||||
| Dulce solum | Anonymous, composer | voice | Medieval | Songs | |||||
| Missen en gezangen | Anonymous, composer | voice voices unison chorus |
Classical | Masses, Sacred songs, Sacred cantatas, Salve Regina | |||||
| Missa de Sancta Maria (Anonymous Thirteenth-Century Mass from Spain) | Anonymous, composer | 4 voices and organ | Medieval | Masses | ![]() |
||||
| Missa Salve (Anonymous Thirteenth-Century Mass from England) | Anonymous, composer | 4 voices and organ | Medieval | Masses | ![]() |
||||
| Ludus Paschalis (Jeu liturgique de Pâques) | Anonymous, composer | voices | Medieval | Religious works | ![]() |
||||
| Trio Sonata in B-flat major (Sonata à due) | Anonymous, composer | B flat major | violin, cello and continuo | Baroque | Sonatas | ||||
| Último Adeus (Marcha Fúnebre) | Anonymous, composer | C minor | 1918 | wind ensemble and brass ensemble | Early 20th century | Funeral marches | |||
| Marcha Fúnebre Eterna Saudade | Anonymous, composer | F minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre in Bb minor | Anonymous, composer | B flat minor | 1872 | wind ensemble and brass ensemble | Romantic | Funeral marches | |||
| Violin Sonata in A major | Anonymous, composer | A major | 1700 | violin and continuo | Baroque | Sonatas | |||
| Suite française en sol mineur | Anonymous, composer | strings | Baroque | Suites | ![]() |
||||
| Marcha Fúnebre in Fm | Anonymous, composer | F minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Nº 13 | Anonymous, composer | B flat minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Nº 14 | Anonymous, composer | F minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Marcha das Dores 2 | Anonymous, composer | F minor | wind ensemble and brass ensemble | Early 20th century | Marches | ||||
| Planctus Mariæ, Laudi XIIIe s., Laudi XVIe s. | Anonymous, composer | voices | Medieval | Sacred songs | ![]() |
||||
| Marcha Fúnebre No. 1 | Anonymous, composer | B flat minor | wind ensemble, brass ensemble and percussion | Early 20th century | Funeral marches | ||||
| Marcha Fúnebre Nº 5 | Anonymous, composer | C minor | wind ensemble and brass ensemble | Early 20th century | Funeral marches | ||||
| Media vita in morte sumus | Anonymous, composer | Renaissance | Motets | ||||||
| Ó celeste São Judas Tadeu | Anonymous, composer | G major | voice and organ | Early 20th century | Sacred songs | ||||
| Si j'aime mon ami (Si jayme mon ami trop plus que mon mary se nest pas de mervelles) | Anonymous, composer | Renaissance | Chansons | ||||||
| Gloria in excelsis Deo | Anonymous, composer | 4 voices | Renaissance | Gloria | |||||
| Marcha Fúnebre Delfino | Anonymous, composer | F minor | wind ensemble, brass ensemble and percussion | Early 20th century | Funeral marches | ![]() |
|||
| Fiat cor meum immaculatum | Anonymous, composer | voice and continuo | Baroque | Sacred songs | |||||
| In lectulo meo | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Fuga in G minor | Anonymous, composer | G minor | 1662 | 4 viols and continuo | Baroque | Fugues | |||
| Canzon à 4 in C major | Anonymous, composer | C major | 1662 | violin, 2 violas, violone and continuo | Baroque | Canzonas | |||
| Ave Regina celorum | Anonymous, composer | Renaissance | Antiphons | ||||||
| The Russian March | Anonymous, composer | D major | piano | Classical | Marches | ||||
| Russian March and the Emperor Alexander's Waltz | Anonymous, composer | piano | Classical | Marches, Waltzes | |||||
| Ecce quam bonum (Ecce quam bonum et quam jucundum habitare fratres in unum) | Anonymous, composer | 8 voices | Baroque | Psalms | |||||
| In minen sin (In meinem sinn / In meinem synn / In myne zynn) | Anonymous, composer | Renaissance | Songs | ||||||
| Las je ne sçay que dire | Anonymous, composer | Renaissance | Chansons | ||||||
| Polonaise from XVIII century (Polonez z XVIII wieku "z wysokich Parnasów" ; śpiewany przez "Lutnie") | Anonymous, composer | B flat major | piano | Classical | Polonaises | ||||
| Musica criolla peruana | Anonymous, composer | 1930 | voice and violin voice |
Traditional (folk) | Dances, Carols | ||||
| Sammlung beliebter Opern für eine Violine bearbeitet | Anonymous, composer | Classical | Pieces | ||||||
| Cé qu'è l'ainô (Celui qui est en haut) | Anonymous, composer | G major | 1603 | voices mixed chorus |
Traditional (folk) | Secular hymns, Anthems | |||
| Ich ruf zu dir, Herr Jesu Christ | Anonymous, composer | organ | Baroque | Chorale preludes | |||||
| Kathleen O'Moore | Anonymous, composer George Reynolds, librettist |
Classical | Folksongs | ||||||
| Fiat cor meum immaculatum | Anonymous, composer | 3 voices | Renaissance | Sacred songs | |||||
| Pro tuis beneficiis (Table hymn) | Anonymous, composer | G minor | 1550 | mixed chorus | Renaissance | Hymns | |||
| Io piango ed ella il volto | Anonymous, composer | 5 voices | Renaissance | Madrigals | |||||
| Violin Sonata in A minor | Anonymous, composer | A minor | violin and continuo | Baroque | Sonatas | ||||
| Tiento 22 del Sexto Tono | Anonymous, composer | keyboard harp vihuela |
Renaissance | Tientos | |||||
| Come, Holy Ghost | Anonymous, composer | voice and 4 Unspecified instruments | Renaissance | Sacred songs | |||||
| The Ill Wife | Anonymous, composer | voice and piano | Classical | Songs | |||||
| Violone Concerto in G major | Anonymous, composer | G major | violone and orchestra double bass and orchestra |
Classical | Concertos | ||||
| Comment Peult | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Mon pere ma dona mari | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Movement of Trio Sonata in D major, S-Uu Leufsta Mus.ms.11 | Anonymous, composer | D major | 2 violins and continuo | Baroque | Sonatas | ||||
| Violin Sonata in A major (Sonata for Violin and Harpsichord in A major) | Anonymous, composer | A major | violin and harpsichord | Baroque | Sonatas | ||||
| Violin Sonata in A minor (Sonata for Violin and Harpsichord in A minor) | Anonymous, composer | A minor | violin and harpsichord | Baroque | Sonatas | ||||
| Violin Sonata in D minor (Sonata for Violin and Harpsichord in D minor) | Anonymous, composer | D minor | violin and harpsichord | Baroque | Sonatas | ||||
| Die Weltgeige (eine Auslese 19 berühmter Vortragsstücke; neue Folge) | Anonymous, composer | Romantic | Pieces | ||||||
| 6 Deutsche Tänze nach türkischem Geschmack (Sechs Deutsche Tänze nach türkischem Geschmack für das Klavier) | Anonymous, composer | keyboard clavichord |
Classical | Dances | |||||
| Concerto a sei in F major (Concerto a 6 / Oboe Primo / Oboe Secondo / Cornii de Chasse Primo / Cornii de Chasse Secondo / Basson Primo / Basson Secondo.) | Anonymous, composer | F major | 2 oboes, 2 bassoons and 2 horns | Baroque | Concertos, Harmonies | ||||
| Partie a Tre, D-SWl Mus.422 | Anonymous, composer | F major | D-SWl Mus.422 | viola, cello and violone | Baroque | Partitas | |||
| Trauermusik in D minor (Das Los ist mir gefallen aufs Liebliche) | Anonymous, composer | D minor | soprano, mixed chorus and orchestra | Baroque | Funeral music | ||||
| Trio Sonata in G major | Anonymous, composer | G major | violin and harpsichord | Baroque | Sonatas | ||||
| Das Denkmal in Arkadien (Ein ländliches Schauspiel für die Jugend) | Anonymous, composer Christian Felix Weisse, librettist |
1782 | 7 voices, mixed chorus and orchestra | Classical | Singspiele | ||||
| Fretillarde amoureuse pucette | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| O beauté vainement | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Tyrcis vouloit mourir | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Anchore Colparttire (Ancor che col partire) | Anonymous, composer | lute | Renaissance | Madrigals | |||||
| Collection Manuscrite d'Airs à Danser (Manuscript Collection of Dance Airs) | Anonymous, composer | soprano | Baroque | Airs, Country dances | |||||
| Canzona C major | Anonymous, composer | Baroque | Canzonas | ||||||
| Violin Sonata in B-flat major | Anonymous, composer | B flat major | violin and continuo | Baroque | Sonatas | ||||
| The Gresse Manuscript | Anonymous, composer | keyboard harpsichord |
Baroque | Pieces, Dances, Suites, Preludes | |||||
| Santa Maria ora pro nobis | Anonymous, composer | 2 voices | Renaissance | Litanies | |||||
| Violin Sonata in C major | Anonymous, composer | C major | violin and continuo | Baroque | Sonatas | ||||
| Dos piezas venezolanas para tecla de circa 1800 (2 Venezuelan Pieces for Keyboard) | Anonymous, composer | C major; D major | 1800 | keyboard | Classical | Pieces | |||
| Misericorde au pauvre langoureux | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Dich als mich selbst | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| The Spanish Guitar | Anonymous, composer | voice and piano | Romantic | Songs | |||||
| Le roi a fait battre tambour | Anonymous, composer | 1600 | voice | Baroque | Folksongs | ||||
| Les Pseaumes de David mis en airs nouveaux (Les Pseaumes de David mis en vers francois par le R.P. Charles le Breton de la Compagnie de Jesus. Et mis en airs nouveaux tous differents aussi bien que conformes au sujet. Par une Personne de Qualite.) | Anonymous, composer | voice unison chorus |
Baroque | Psalms | |||||
| Sonata for Violin solo in D minor | Anonymous, composer | D minor | violin | Baroque | Sonatas | ||||
| Bragança | Anonymous, composer | A flat major | wind ensemble and brass ensemble | Early 20th century | Marches | ||||
| Missa brevis | Anonymous, composer | D minor | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Masses | ||||
| Fantasia Capriccio, 2 toni | Anonymous, composer | 4 Unspecified instruments | Renaissance | Fantasias, Capriccios | |||||
| A mi la (Prelude) | Anonymous, composer | guitar | Baroque | Preludes | |||||
| La Vielle | Anonymous, composer | guitar | Baroque | Pieces | |||||
| National-Polka (über böhmische und ungarische Nationalmelodien) | Anonymous, composer | G major | orchestra | Romantic | Polkas | ||||
| Wie soll ich dich empfangen (Choralbearbeitung) | Anonymous, composer | C major | 1730 | oboe and organ | Baroque | Choralbearbeitungen | |||
| Mascarade (Rondeau) | Anonymous, composer | guitar | Baroque | Rondos | |||||
| Du hast mir meine Klage verwandelt in einen Reigen (Cantata in B-flat major) | Anonymous, composer | B flat major | 2 violins, continuo and bass | Baroque | Sacred cantatas | ||||
| Heu! Domine Salvator noster (Anounymous) | Anonymous, composer | E flat major | 1885 | 4 voices | Baroque | Motets | |||
| La Calignina (Sonata for 2 violins and basso continuo) | Anonymous, composer | 2 violins and continuo | Baroque | Sonatas | |||||
| Trio Sonata in D major | Anonymous, composer | D major | D-LEmh NL Fleischer 8 | flute, violin and continuo | Baroque | Sonatas | |||
| Sanctus (Sanctus Deus) | Anonymous, composer | A minor | voice and organ | Romantic | Hymns | ||||
| Sanctus pour l'adoration de la Croix et pour les vendredis de Carème | Anonymous, composer | D minor | voice and organ | Romantic | Sanctus | ||||
| Le cruel Mars | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La Badine | Anonymous, composer | guitar | Baroque | Pieces | |||||
| Favorit-Marsch der russischen Truppen | Anonymous, composer | piano | Classical | Marches | |||||
| Marsch der kaiserlichen russischen Truppen beim Einzug in Berlin den 4. März 1813 | Anonymous, composer | piano | Classical | Marches | |||||
| Gigue - Lentement | Anonymous, composer | guitar | Baroque | Gigues | |||||
| Livre d'orgue de Carpentras (Anonymes français (fin XVIIe s.), Livre d'orgue inédit) | Anonymous, composer | 1680 | organ | Baroque | Pieces | ||||
| Clementissime | Anonymous, composer | G minor | mixed chorus and orchestra | Romantic | Sacred choruses | ||||
| Sonata for Flute and Basso continuo in G major | Anonymous, composer | G major | 1750 | flute and continuo | Baroque | Sonatas | |||
| Sonata for Flute d'amour and Basso continuo in E major | Anonymous, composer | E major | 1750 | continuo | Baroque | Sonatas | |||
| 8 Hymns | Anonymous, composer | Classical | Hymns | ||||||
| Alman (Allemande in G minor) | Anonymous, composer | G minor | FVB 14 | keyboard harpsichord |
Renaissance | Allemandes | |||
| Ode an die Freude (Schillers Ode an die Freude. Freude, schöner Götterfunken.) | Anonymous, composer Friedrich Schiller, librettist |
D major | voice and keyboard | Classical | Odes | ||||
| Adoramus te | Anonymous, composer Sacred music, librettist |
mixed chorus | Renaissance | Sacred choruses | |||||
| So el encina | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Vanne a colei che adori (Aria) | Anonymous, composer Antonio Salvi, librettist |
F major | alto and strings | Baroque | Arias | ||||
| Libera me, Domine in E minor | Anonymous, composer | E minor | mixed chorus | Romantic | Sacred choruses | ||||
| The Vicar of Bray (A Traditional Comic Ballad) | Anonymous, composer | D major | Traditional (folk) | Ballads | |||||
| Bella Ciao (Italian partisan's song) | Anonymous, composer | G minor | voices | Traditional (folk) | Folksongs | ||||
| Estava a Mãe dolorosa | Anonymous, composer | G minor | voice and organ | Early 20th century | Stabat Mater | ||||
| Vitória, tu reinarás | Anonymous, composer | F major | mixed chorus and organ | Early 20th century | Secular choruses | ||||
| Je l'ay ayme bien ung an | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Little Pearl (Lulajze, Jezuniu) | Anonymous, composer | voices | Traditional | Carols | |||||
| Credo Santo André | Anonymous, composer | E flat major | mixed chorus and orchestra | Romantic | Credo | ||||
| Veni sponsa | Anonymous, composer | 5 voices and continuo | Baroque | Motets | |||||
| Herzlich tut mich verlangen | Anonymous, composer | A minor | D-B Am.B 479 (20) | keyboard | Baroque | Choralbearbeitungen | |||
| Ach Gott und Herr | Anonymous, composer | C major | D-B Am.B 479 (18) | keyboard | Baroque | Choralbearbeitungen | |||
| Wie schön leuchtet der Morgenstern | Anonymous, composer | F major | D-B Mus.ms. 22541 I (72) | keyboard | Baroque | Choralbearbeitungen | |||
| O heilger Geist kehr bei uns ein | Anonymous, composer | F major | D-B Mus.ms. 22541 III (56) | keyboard | Baroque | Choralbearbeitungen | |||
| Gelobet seist du Jesu Christ | Anonymous, composer | G major | D-B Mus.ms. 22541 I (34) | keyboard | Baroque | Choralbearbeitungen | |||
| Wie schön leuchtet der Morgenstern | Anonymous, composer | G major | D-B Mus.ms. Bach P 802 (18e) | organ | Baroque | Choralbearbeitungen | |||
| Believe Me - With Variations (Believe Me with All Those Endearing Young Charms) | Anonymous, composer | F major | 1907 | piano | Traditional (folk) | Variations | |||
| Er wat buten maat bestaat (Er wat buten maat bestaat int onmaats qaat verghaat / Wat buiten maat bestaat in het onmaatse kwaad vergaat) | Anonymous, composer | voice | Baroque | Songs | |||||
| 12 Waltzes | Anonymous, composer | violin and guitar | Classical | Waltzes | |||||
| Violin Sonata in D major | Anonymous, composer | D major | violin and continuo | Baroque | Sonatas | ||||
| Kirchenlied 'Dies est laetitiae' (Dies est laetitiae) | Anonymous, composer | voice | Renaissance | Sacred songs | |||||
| Vola, vola pensier, fuor del mio petto (Aeria a la italiana) | Anonymous, composer | soprano, bass and keyboard soprano, bass and lute |
Renaissance | Arias | |||||
| Sally in our Alley | Anonymous, composer Henry Carey, librettist |
1620 | voice | Traditional (folk) | Songs | ||||
| Violin Sonata in G major | Anonymous, composer | G major | violin and continuo | Baroque | Sonatas | ||||
| Old Winter's Voice | Anonymous, composer | 1600 | voice voices |
Traditional (folk) | Folksongs | ||||
| Weltliche Musik um 1300 | Anonymous, composer | voices voices |
Medieval | Songs, Pieces | ![]() |
||||
| Muscadin | Anonymous, composer | F major/D minor | FVB 19 | keyboard harpsichord |
Renaissance | Pieces | |||
| Alman (Allemande) | Anonymous, composer | G major | FVB 20 | keyboard | Renaissance | Allemandes | |||
| Galiarda, FVB 21 | Anonymous, composer | D minor | FVB 21 | keyboard | Renaissance | Galliards | |||
| Violin Sonata in F major | Anonymous, composer | F major | violin and continuo | Baroque | Sonatas | ||||
| The Irish Ho-Hoane | Anonymous, composer | FVB 26 | keyboard harpsichord |
Renaissance | Pieces | ||||
| Præludium “El. Kiderminster” | Anonymous, composer | A minor | FVB 23 | keyboard | Renaissance | Preludes | |||
| Præludium | Anonymous, composer | C major | FVB 25 | keyboard | Renaissance | Preludes | |||
| Præludium | Anonymous, composer | G major | FVB 22 | keyboard | Renaissance | Preludes | |||
| Præludium | Anonymous, composer | G major | FVB 117 | keyboard | Renaissance | Preludes | |||
| Præludium | Anonymous, composer | G major | FVB 120 | keyboard | Renaissance | Preludes | |||
| "Untitled" | Anonymous, composer | F major | FVB 111 | keyboard | Renaissance | Pieces | |||
| Veni, FVB 107 | Anonymous, composer | FVB 107 | keyboard | Renaissance | Pieces | ||||
| Præludium | Anonymous, composer | A minor | FVB 151 | keyboard | Renaissance | Preludes | |||
| The Irish Dumpe | Anonymous, composer | F major | FVB 179 | keyboard | Renaissance | Pieces | |||
| Pakington's Pownde | Anonymous, composer | G minor | FVB 178 | keyboard | Renaissance | Pieces | |||
| A Toy | Anonymous, composer | G major | keyboard | Renaissance | Pieces | ||||
| Can shee | Anonymous, composer | G minor | FVB 188 | keyboard | Renaissance | Pieces | |||
| Watkins Ale | Anonymous, composer | G major | FVB 180 | keyboard | Renaissance | Pieces | ![]() |
||
| 7 Dances (An Almain - Corranto - Alman - Corranto - Corranto (cf. 193 "A Toy") - Corranto - Daunce) | Anonymous, composer | FVB 200-206 | keyboard | Renaissance | Dances | ||||
| Alman | Anonymous, composer | A major | FVB 227 | keyboard | Renaissance | Allemandes | |||
| Coranto | Anonymous, composer | A major | FVB 221 | keyboard | Renaissance | Courantes | |||
| Corrento* | Anonymous, composer | F major | FVB 211 | keyboard | Renaissance | Courantes | |||
| 4 Corrente | Anonymous, composer | FVB 223-226 | keyboard | Renaissance | Courantes | ||||
| The King's Morisco | Anonymous, composer | C major | FVB 247 | keyboard | Renaissance | Pieces | |||
| Allemanda | Anonymous, composer | G major | FVB 274 | keyboard | Renaissance | Allemandes | |||
| Corranto | Anonymous, composer | D major | FVB 264 | keyboard | Renaissance | Courantes | |||
| Corranto | Anonymous, composer | G major | FVB 266 | keyboard | Renaissance | Courantes | |||
| Dalling Alman | Anonymous, composer | C major | FVB 288 | keyboard | Renaissance | Allemandes | |||
| Nowel's Galliard | Anonymous, composer | G major | FVB 244 | keyboard | Renaissance | Galliards | |||
| Corranto "Lady Riche", | Anonymous, composer | FVB 265 | keyboard | Renaissance | Courantes | ||||
| Alman | Anonymous, composer | G major | FVB 249 | keyboard | Renaissance | Allemandes | |||
| Violin Sonata in E minor | Anonymous, composer | E minor | violin and continuo | Baroque | Sonatas | ||||
| A Toy | Anonymous, composer | G major | FVB 268 | keyboard | Renaissance | Pieces | |||
| A Toye | Anonymous, composer | G major | FVB 263 | keyboard | Renaissance | Pieces | |||
| Marcha Fúnebre nº 2 | Anonymous, composer | F minor | 1900 | wind ensemble and brass ensemble | Early 20th century | Funeral marches | |||
| Sancta Maria virgo | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Pan de miglio, caldo, caldo | Anonymous, composer | 4 voices | Renaissance | Frottolas | |||||
| Elegie über Herrn von Mannls Todt (Trauerode) | Anonymous, composer | voice and piano | Classical | Elegies | |||||
| Monsieur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Wann ich betracht die hinefart | Anonymous, composer | 4 voices | Renaissance | Lieder | |||||
| Fragmentum (Biblioteca Apostolica Vaticana, MS Barb. lat. 307, f. 29r–v.) | Anonymous, composer | Medieval | Music theory | ||||||
| Monacho qua mente sit psallendum | Anonymous, composer | Medieval | Writings | ||||||
| Robin Reddocke | Anonymous, composer | lute | Renaissance | Pieces | |||||
| Hino ao Coração de Jesus | Anonymous, composer | E flat major | female chorus and orchestra | Romantic | Hymns | ||||
| Ave Maria do Pilar | Anonymous, composer | C major | voice | Romantic | Ave Maria | ||||
| 2 Clavier- ein Sing-Rondo, eine Serenate und 2 Neujahrslieder (Zwey Clavier- ein Sing-Rondo, eine Serenate und zwey Neujahrslieder fuers Clavier als ein nutzbares Neujahrsgeschenk von N. Anonymo) | Anonymous, composer | mixed chorus mixed chorus and keyboard soprano, alto, tenor and bass voice and keyboard keyboard clavichord |
Classical | Lieder, Rondos, Serenades | |||||
| L'Ape Moderno (Raccolta delle più applaudite Melodie d'Opere teatrali, Milano ed. Vismara.) | Anonymous, composer | flute | Romantic | Pieces | |||||
| Antônio Olinto (Antonio Olyntho / Dobrado) | Anonymous, composer | B flat minor | 1910 | wind ensemble and brass ensemble | Early 20th century | Dances | |||
| Ape Teatrale (Souvenir delle più applaudite Opere moderne Teatrali) | Anonymous, composer | flute | Romantic | Pieces | |||||
| Salve Regina, D-DO Don Mus.Ms. 99 (Salve Regina â Canto Solo Hautbois Solo Violino Solo con Organo.) | Anonymous, composer | soprano, oboe, violin and continuo soprano, 2 violins and continuo |
Baroque | Salve Regina | |||||
| Trio Sonata in D major, US-BUu M 02 Aa-3 so | Anonymous, composer | D major | 2 violins and continuo | Baroque | Sonatas | ||||
| Violin Sonata in C minor, US-BUu M 02 Aa so | Anonymous, composer | C minor | violin and continuo | Baroque | Sonatas | ||||
| Lute Concerto in F major, GB-Lam Ms.799/1 (Concertino per Cammera con Arciliuto obligato violini e Basso) | Anonymous, composer | F major | lute, 2 violins and continuo lute, 2 violins and cello lute and strings |
Baroque | Concertinos | ||||
| Ave Maria gratia plena | Anonymous, composer | A flat major | IA 1319 (until composer is identified) | mixed chorus | Early 20th century | Ave Maria | |||
| Flute Sonata in E minor | Anonymous, composer | E minor | flute and continuo | Baroque | Sonatas | ||||
| Lute Concertino in C major, GB-Lam Ms.799/3 (Concertino per Cammera con Arciliuto obligato violini e Basso) | Anonymous, composer | C major | lute, 2 violins and continuo lute, 2 violins and cello lute and strings |
Baroque | Concertinos | ||||
| Flute Sonata in A major, D-KA Mus. Hs. 1112 | Anonymous, composer | A major | flute and continuo | Baroque | Sonatas | ||||
| Flute Sonata in A major, D-KA Mus. Hs. 1124 | Anonymous, composer | A major | flute and continuo | Baroque | Sonatas | ||||
| Flute Sonata in D major | Anonymous, composer | D major | flute and continuo | Baroque | Sonatas | ||||
| Flute Sonata in G major | Anonymous, composer | G major | flute and continuo | Baroque | Sonatas | ||||
| Flute Sonata in G major | Anonymous, composer | G major | flute and continuo | Baroque | Sonatas | ||||
| 30 studi preceduti dalle scale | Anonymous, composer | 1850 | flute | Romantic | Studies | ||||
| Sinfonia for Lute in B-flat major, GB-Lam Ms.799/2 (Sinfonia a Solo di Arciliuto) | Anonymous, composer | B flat major | lute | Baroque | Sinfonias | ||||
| Salve Regina (F.H.E.) | Anonymous, composer | G major | voice and organ | Early 20th century | Salve Regina | ||||
| Istruzione teorico-pratica nell'arte di suonare il flauto - di A.S. | Anonymous, composer | 1850 | flute | Romantic | Exercises | ||||
| Flos Carmeli in F (Flos Carmeli Ouro Preto) | Anonymous, composer | F major | mixed chorus and orchestra | Romantic | Hymns | ||||
| Ptolomaeus und Berenice (Ptolomaeus und Berenice mit Melodien fürs Clavier; Ptolomäus und Berenice; Ptolomæus und Berenice) | Anonymous, composer Karl Wilhelm Ramler, librettist |
voice and keyboard voice and clavichord |
Classical | Odes, Lieder | |||||
| Coração Santo in F minor | Anonymous, composer | F minor | voice and organ | Early 20th century | Sacred songs | ||||
| Concerto for 2 Harpsichords in C major | Anonymous, composer | C major | 2 harpsichords 2 harpsichords and orchestra |
Classical | Concertos | ||||
| Mein Gott, mein Gott, warum hast du mich verlassen? (Mein Gott warum hastu mich verlassen) | Anonymous, composer | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |||||
| Quartet in F major, A-Wn Mus.Hs.3749/3 (Trio) | Anonymous, composer | F major | 2 violins, cello and continuo | Classical | Quartets, Pieces | ||||
| String Trio in C minor, A-Wn Mus.Hs.3749/1 | Anonymous, composer | C minor | 2 violins and cello | Classical | Trios | ||||
| Canzon 'Las voules' | Anonymous, composer | 5 Unspecified instruments | Renaissance | Canzonas | |||||
| Adeos que eu parto a sumir-me (Adeus que eu parto a sumir-me / Modinha) | Anonymous, composer | C major | voice and piano | Romantic | Modinhas | ||||
| Herr Jesu Christ du höchstes Gut | Anonymous, composer | G minor | 1675 | soprano and orchestra | Baroque | Sacred songs | |||
| Oh! Maria concebida in D major | Anonymous, composer | D major | voice and organ | Early 20th century | Sacred songs | ||||
| Crux ave benedicta | Anonymous, composer | G minor | 2 voices and organ soprano, alto and organ |
Romantic | Sacred songs | ||||
| Loin de vos yeux je soupire (Chanson tendre) | Anonymous, composer | G minor | voice and piano | Classical | Chansons | ||||
| Philis le long de la prairie (Chanson à danser en rond) | Anonymous, composer | G major | voice and piano | Classical | Chansons | ||||
| Aus der Tiefen ruf' ich Herr zu dir | Anonymous, composer | C minor | 1670 | bass, strings and continuo bass and orchestra |
Baroque | Sacred songs | |||
| Pai João (Lundú) | Anonymous, composer | C major | voice and piano | Romantic | Fandangos | ||||
| Viva S. João (Viva São João / Lundú) | Anonymous, composer Francisco de Paula Brito, librettist |
F major | voice and piano | Romantic | Fandangos | ||||
| Fuga in subdiapente | Anonymous, composer | soprano and tenor soprano and tenor |
Renaissance | Fugues | |||||
| Le triomphe de Bachus (Cantate à voix seule avec trompette, cordes et basse continue) | Anonymous, composer | bass and orchestra | Baroque | Secular cantatas | |||||
| A guerra do Oriente (Quadrilha heroica) | Anonymous, composer | piano | Romantic | Quadrilles | |||||
| A maçonaria e os jeuítas (Quadrilha para piano por um maçon) | Anonymous, composer | piano | Romantic | Quadrilles | |||||
| Trio Sonata in G minor | Anonymous, composer | G minor | oboe, violin and continuo | Baroque | Sonatas | ||||
| L’amour endormy (Toulouse Cons. 918) | Anonymous, composer | 2 violins, continuo and bass | Baroque | Secular cantatas | |||||
| La Matilde (Contradanza) | Anonymous, composer | C major | piano | Romantic | Country dances | ||||
| La mano | Anonymous, composer | A major | voice and piano | Romantic | Songs | ||||
| El Abufar (Contradanza) | Anonymous, composer | G major | piano | Romantic | Country dances | ||||
| Una verdad | Anonymous, composer | G major | voice and piano | Romantic | Songs | ||||
| Desagravo ao Sagrado Coração de Jesus | Anonymous, composer | E flat major | mixed chorus and organ | Early 20th century | Sacred choruses | ||||
| Antiphona ad Confractorium (Confractorium) | Anonymous, composer | F major | 1850 | tenor and organ tenor and piano |
Romantic | Antiphons | |||
| Flos Carmeli in F minor | Anonymous, composer | F minor | soprano and alto | Romantic | Sacred songs | ||||
| Stabat Mater | Anonymous, composer | soprano, violin and continuo | Baroque | Stabat Mater | |||||
| Jaculatória de Nossa Senhora do Carmo in E flat Major | Anonymous, composer | E flat major | voice | Romantic | Sacred songs | ||||
| Como se ama Deos no ceo (Como se ama Deus no céu / Modinha bahiana) | Anonymous, composer | D minor | voice and piano | Romantic | Modinhas | ||||
| Cresça e appareça!!!! (Cresça e apareça / Polka republicana) | Anonymous, composer | D major | 1888 | piano | Romantic | Polkas | |||
| A verdadeira farpa brazileira (A verdadeira farpa brasileira / Bonita polka) | Anonymous, composer | D major | 1870 | piano | Romantic | Polkas | |||
| Bismark! (Polka) | Anonymous, composer | F major | piano | Romantic | Polkas | ||||
| Desde o primeiro momento (Modinha) | Anonymous, composer | B flat major | voice and piano | Romantic | Modinhas | ||||
| As ultimas valsas d'um doido | Anonymous, composer | piano | Romantic | Waltzes | |||||
| Arséne (Quadrilha) | Anonymous, composer | piano | Romantic | Quadrilles | |||||
| Emilia (Mazurka de salão) | Anonymous, composer | E flat major | 1871 | piano | Romantic | Mazurkas | |||
| La champéret (Mazurka) | Anonymous, composer | C major | piano | Romantic | Mazurkas | ||||
| Eu sou o Manel Corisco (Lundu) | Anonymous, composer | D minor | voice and piano | Romantic | Fandangos | ||||
| Habanera No. 1 (1ª Habanera Polka Lundú) | Anonymous, composer | E flat major | piano | Romantic | Habaneras, Polkas, Fandangos | ||||
| Lá quando a noite se aproxima (Modinha) | Anonymous, composer | F major | voice and piano | Romantic | Modinhas | ||||
| Lágrimas do coração (Valsa) | Anonymous, composer | E flat major | flute | Romantic | Waltzes | ||||
| Le prince impérial (O príncipe imperial / Nova quadrilha franceza) | Anonymous, composer | piano | Romantic | Quadrilles | |||||
| La mano abajo (Danza) | Anonymous, composer | G major | piano | Romantic | Dances | ||||
| El calabazón (Danza) | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| El Cañón (Danza) | Anonymous, composer | C major | piano | Romantic | Dances | ||||
| Chú mamá | Anonymous, composer | D major | piano | Romantic | Pieces | ||||
| La chupadera | Anonymous, composer | D major | piano | Romantic | Pieces | ||||
| Desde aquí te mando el viaje | Anonymous, composer | G major | piano | Romantic | Pieces | ||||
| Lilina (A Rainha dos amores / Polka) | Anonymous, composer | G major | piano | Romantic | Polkas | ||||
| Murchou a flor da gente (Estrahida da classica música Chora menino Chora / Polka Lundú) | Anonymous, composer | A minor | 1878 | piano | Romantic | Polkas, Fandangos | |||
| O anão (Polka) | Anonymous, composer | A major | piano | Romantic | Polkas | ||||
| O canto do viúvo | Anonymous, composer | B minor | voice and piano | Romantic | Songs | ||||
| O mandarim (Mazurka) | Anonymous, composer | D major | piano | Romantic | Mazurkas | ||||
| Os ciúmes (Modinha) | Anonymous, composer | E flat major | voice and piano | Romantic | Modinhas | ||||
| Os gorgeios do sabiá (Os gorjeios do sabiá / Valsa) | Anonymous, composer | D major | 1865 | piano | Romantic | Waltzes | |||
| Santa Taé (Danza) | Anonymous, composer | D minor | 1850 | piano | Romantic | Dances | |||
| Marília, meu doce bem (Lundú brazileiro) | Anonymous, composer | E minor | 1855 | voice and piano | Romantic | Fandangos | |||
| Na margem d'este rio (Modinha) | Anonymous, composer | F major | voice and piano | Romantic | Modinhas | ||||
| Polka Néné | Anonymous, composer | F major | piano | Romantic | Polkas | ||||
| Por entre as trevas da noite... (Modinha brasileira) | Anonymous, composer Aureliano Lessa, librettist |
A flat major | voice and piano | Romantic | Modinhas | ||||
| Provocadora (Polka Lundú) | Anonymous, composer | F major | piano | Romantic | Polkas, Fandangos | ||||
| Quebra louça (Polka) | Anonymous, composer | G major | piano | Romantic | Polkas | ||||
| Se tu me houveras amado (Modinha) | Anonymous, composer | E flat major | voice and piano | Romantic | Modinhas | ||||
| Sonhei que mil flores (Modinha) | Anonymous, composer | C major | voice and piano | Romantic | Modinhas | ||||
| Sympathia das moças (Simpatia das moças / Polka) | Anonymous, composer | B flat major | piano | Romantic | Polkas | ||||
| Um mochocho de yayá (Lundú mímico) | Anonymous, composer | F major | voice and piano | Romantic | Fandangos | ||||
| Quem é pobre não tem vícios (Lundú) | Anonymous, composer | A major | voice and piano | Romantic | Fandangos | ||||
| Tonadilla de La Habana (Tonadilla a 3 de la Abana, con violines, oboes y trompas) | Anonymous, composer | F major | 1763 | 2 sopranos, tenor and orchestra | Baroque | Tonadillas | |||
| Stabat Mater, A-Ed G 10 | Anonymous, composer | E flat major | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Stabat Mater | ||||
| Walsingham | Anonymous, composer | G minor | 1605 | lute | Baroque | Pieces | |||
| Trio Sonata in E minor | Anonymous, composer | E minor | flute, violin and continuo | Baroque | Sonatas | ||||
| El Abencerraje | Anonymous, composer | G major | 1830 | piano | Romantic | Pieces | |||
| La separación (Walz) | Anonymous, composer | G major | 1830 | piano | Romantic | Waltzes | |||
| Wals de la Reina de España María Cristina | Anonymous, composer | D major | 1830 | piano | Romantic | Waltzes | |||
| Coro de los Montañeses (ó tema faborito de la Dama Blanca) | Anonymous, composer | C major | 1830 | piano | Romantic | Pieces | |||
| Robin | Anonymous, composer | 1605 | viol | Baroque | Pieces | ||||
| Felicidade extincta (Romance sem palavras ; Segundo um canto popular) | Anonymous, composer | D major | 1903 | piano | Early 20th century | Romances | |||
| Happy Be Thy Dreams (Air varié) | Anonymous, composer | Early 20th century | Airs | ||||||
| 18 Preludes or Short Fugues for the Organ (Eighteen Preludes or short Fuges for the Organ or Harpsichord proper for interludes to Psalm Tunes and beneficial for young beginners to learn the art of composing fuges) | Anonymous, composer | organ harpsichord |
Classical | Fugues, Preludes, Interludes | |||||
| 3 Recorder Sonatas | Anonymous, composer | recorder and continuo flute and continuo |
Baroque | Sonatas | |||||
| Modinha Brazileira do Jornal das Senhoras (Modinha brasileira) | Anonymous, composer | A minor | voice and piano | Romantic | Modinhas | ||||
| Lundu (Yayasinha venha cá, meu bem) | Anonymous, composer | A major | voice and piano | Romantic | Fandangos | ||||
| 13 Canons | Anonymous, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Canons | |||||
| 6 Flute Sonatas (VI Sonates a Flute Traversiere seule e Basse) | Anonymous, composer | flute and continuo | Baroque | Sonatas | |||||
| Sonata for Cembalo in C major | Anonymous, composer | C major | harpsichord | Baroque | Sonatas | ||||
| Introduzione in C major | Anonymous, composer | C major | organ | Baroque | Introductions | ||||
| 89 Versets for Organ | Anonymous, composer | organ | Baroque | Versets | |||||
| Toccata for Harpsichord in D minor | Anonymous, composer | D minor | harpsichord | Baroque | Toccatas | ||||
| Trio for Bassoon, Violin and Bass in C major (Sonate a Tre) | Anonymous, composer | C major | bassoon, violin and cello | Classical | Trios | ||||
| Trio Sonata in A minor | Anonymous, composer | A minor | 2 violins and continuo | Baroque | Sonatas | ||||
| Trio Sonata in E minor | Anonymous, composer | E minor | 2 violins and continuo | Baroque | Sonatas | ||||
| Trio Sonata in E minor | Anonymous, composer | E minor | 2 violins and continuo | Baroque | Sonatas | ||||
| Trio Sonata in F minor | Anonymous, composer | F minor | 2 violins and continuo | Baroque | Sonatas | ||||
| Hymno Japonez | Anonymous, composer | C major | 1904 | piano | Early 20th century | Pieces | |||
| Los dos amantes (Danzón) | Anonymous, composer | G major | piano | Romantic | Dances | ||||
| Recuerdos de un día (Danzón) | Anonymous, composer | A minor | piano | Romantic | Danzon | ||||
| El biberón (Danzón) | Anonymous, composer | A major | piano | Romantic | Danzon | ||||
| A Súplica d'Esperança (Rogai por nós ó Mãe tão pia) | Anonymous, composer | E flat major | 1885 | female chorus and organ | Romantic | Sacred choruses | |||
| O pescador (Barcarolla) | Anonymous, composer Almeida Garret, librettist |
E minor | 1913 | voice and piano | Early 20th century | Barcarolles | |||
| Mulher ingrata | Anonymous, composer | F minor | 1913 | voice and piano | Early 20th century | Songs | |||
| Senhor da Serra | Anonymous, composer Acácio de Paiva, librettist Eduardo Fernandes, librettist |
F major | 1913 | voice and piano | Early 20th century | Songs | |||
| Fado sentimental (Canções portuguesas) | Anonymous, composer Ladislau Patrício, librettist |
D minor | voice and piano | Early 20th century | Songs | ||||
| Ach Mutter, liebste Mutter mein | Anonymous, composer | E flat major | soprano, violin and continuo | Baroque | Arias | ||||
| Gavotte de Louis XIII | Anonymous, composer | piano | Romantic | Gavottes | |||||
| Violoncellisten der Gegenwart (in Wort und Bild) | Anonymous, composer | Romantic | Biographies | ||||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Sur le pont davignon (Sur le pont d'Avignon) | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Trio Sonata in G major | Anonymous, composer | G major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Trio Sonata in E minor | Anonymous, composer | E minor | 2 flutes and continuo | Baroque | Sonatas | ||||
| Recours donneur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Sonata for 2 Flutes in D major | Anonymous, composer | D major | 2 flutes | Baroque | Sonatas | ||||
| Puis qu'a vous servir me suis mis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| 6 Duets for 2 Flutes (6 Flute Duets) | Anonymous, composer | 2 flutes | Baroque | Duets | |||||
| Ne me veilles ma chere dame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Si dieu me faisoit si heulreux | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon desir et toute ma joye | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ne pour cela | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je suis ennuye | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Si par souhait | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant moins en ai | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant plus m'efforce | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Greveuse m'est vostre acointance | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'enquerant (Lenquerant) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| O belle Dyane | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je le prens sur ma conscience | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quel remede | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je servirai (Je serviray) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Les desloyalles ont le temps | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| N'est-il secours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Les desleaulx sont en leur saison mis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La pourveance de mon coeur (La pourveance de mon cueur) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Si a tort on m'a blasmee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La grant paine | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Garison scay / Je suis mire | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Soubz les branches | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Je ne me puis voir a mon aise | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon coeur a demi se depart (Mon cueur a demy se depart) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se je garde bien vostre honneur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Les treves d'amours (Les treves d'amours et de moi) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Est-ce bien fait | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Jamais ne seray amoureux | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je ne requiers que vostre bienveillance | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Le joly tetin de ma dame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant est mignonne ma pensee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Charge de dueil (Non posso più tenere [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Trio Sonata in G major | Anonymous, composer | G major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G major | Anonymous, composer | G major | 2 flutes and continuo | Baroque | Sonatas | ||||
| The Melographicon (The Melographicon: A New Musical Work, by which an interminable number of melodies may be produced, and young people who have a taste for poetry enabled to set their verses to music for the voice and piano-forte, without the necessity of a scientific knowledge of the art) | Anonymous, composer | voice and piano | Classical | Methods, Songs | |||||
| L'aultre jour | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| De piage core duro piu che sasso | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Quant serai-je chiame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Plus que pour mille vivant | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je me conciens | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je suis en grant | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon bien imparfait | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Veuilles moy amer ma dame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tu me congnois | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mirando l'ochyi de costeyi | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Per la absencia | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| La taurina | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Cassans en dist d'amer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Trop suis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Merdonez été et vous merdonez | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Les amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Si Dio scendesse in terra | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Fault il que je perde | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quien se podra | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Blandis loquens sermonibus | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Sayre ne puis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fo qui provare amore | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| A venando de mi ciudado | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Pour l'amour de ma douce amie | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ma maistresse (Ma maîtresse) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Madame et souveraine maistresse (Madame et souveraine maîtresse) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ce n'est pas sans toudis veiller | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Rayson aviti multo ingrosso | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Per la goula | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Reyne muy noble | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Recordare Domine qui quiderit nobis | Anonymous, composer | 2 voices | Renaissance | Motets | |||||
| Dune belle jeune fille / Coquille bobille | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Nul ne me doit de ce blamer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Alla caccia (Alla cacza) | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| La plus dolente qui soit nee (Benedicite Dominus nos et ea quaesumus / Non nobis Domine [contrafacta versions]) | Anonymous, composer | 3 voices | Renaissance | Chansons, Motets | |||||
| Je n'ay ne joye ne liesse (Je n'ay ni ioie ni liesse / Joie ne Leesse) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ung amoureux vieux et pelle (Un amoureux vieux) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Avironne de deul | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Par ung tout seul escondire (Par un tout seul escondire) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La plus mignonne de mon coueur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Sa peine pert qui sert (Sa paine pert qui fet sic pour sert sans nul guerdon) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Jone dame plaisante et belle (Bone dame plaisante et belle) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Hau haula apres l'escoufle | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vostre rigueur trop importune | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| De vostre amour suis tant empris (De votre amour suis tant empris) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| S'il estoit vray che que je pense | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Nostre dame fleur de jonette | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| De vous regarder seulement | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Serà nel core mio doglia et tormento | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Lassare amore | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| I desidri vostri | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| En attendant (Puisque c'est force [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Amadores sospirar | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Chanson des redictes | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Faisons grant chyere | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Per zenteleze | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Da placebo la vita mia | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Hemi hellas | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vire la galee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Missa L'omme arme | Anonymous, composer | 3 voices | Renaissance | Masses | |||||
| Je la plains celle | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| A ceste derraine venue | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Soit danoix lay | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Con gran disdigno | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| La rocca de fermes | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Que feray las fors languir en destresse | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Loing de vo tres doulce présence | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Nos espante mi partida | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Gardez le trait de la fenestre | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'abandonne le souhaitier | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'ay pris amours a ma devise | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La nocte acquieta | Anonymous, composer Serafino Dell'Aquila, librettist |
soprano, alto, tenor and bass | Renaissance | Frottolas | |||||
| Las dos amigas | Anonymous, composer | D major | 1832 | piano | Romantic | Pieces | |||
| La amistad (Vals) | Anonymous, composer | D minor | 1832 | flute | Romantic | Waltzes | |||
| Asperges me | Anonymous, composer | 4 voices | Renaissance | Antiphons | |||||
| Asperges me | Anonymous, composer | 4 voices | Renaissance | Antiphons | |||||
| Passio secundum Matthaeum | Anonymous, composer | 5 voices | Renaissance | Passions | |||||
| De tous biens playne | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Advene que advenir (Advegne que vegnir poura) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quel remede de monstrer (Quel remede de monstrer pour semblant / En rien de remede) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quand se viendra (En effet se ne reprenez [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mire vous sire | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Revis en espoir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Penses bien | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Selle per amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Questa mia dame | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| En efait se ne reprenes | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Nel cuor si destruge | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Recorre al corazon | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Gracias a vos donzella | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Vire le galèe | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Toutes doux | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Une sans plus à mon désir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La Martinella | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Adieu joie (Adieu yoye / Adeu gioye) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Faites moi un tout seul plaisir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Adieu bon temps | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Le paragon | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quatre Sonate à 5 Bombardi | Anonymous, composer | Baroque | Sonatas | ||||||
| La doy je aymer a vostre advis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Americus Waltz | Anonymous, composer | A flat major | piano | Early 20th century | Waltzes | ||||
| 12 Anglaises, D-SWl Mus.558 (12 Angloises) | Anonymous, composer | orchestra | Classical | Anglaises | |||||
| Ma plus amée de ce monde | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se je demeure despourveue | Anonymous, composer | 2 voices | Renaissance | Chansons | |||||
| Pour les biens qu'en vous je parçoy | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se vous me voules estre bonne | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quant de mon cuer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Puisqu'a vous servir me suis mis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| S'il vous plaist bien | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Le tres des plus eureux de ce monde | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Flora, Flora tres noble et digne | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| A quoy tient il le cuer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour le mal qu'on vous fait porter | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| D'une belle jeune fille / Coquille bobille | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Par Dieu, madame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour entretenir l'alliance | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| En tout honneur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Plus voy mon mignon | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La fiance que j'ay en vous | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Jamais si bien ne me puet advenir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour avenir a mon atainte | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon seul et cele souvenir (Ave rosa rubiconda [contrafactum version]) | Anonymous, composer | voice and piano | Renaissance | Songs | |||||
| Helas maistresse mamie (Las madame) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Laudate pueri | Anonymous, composer | B flat major | soprano, alto, bass, strings and continuo | Baroque | Psalms | ||||
| Prochain de deul, longain de joye | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Dedans la mer (Dedans la mer de longue actente) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Comment est la manière (Et congit en m'amour [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Le mois de may fort me contraint | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ma vie me convient | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Il me doibt | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vidiez dehors car vous estes trop chaud (Vidies deors car vous estes trop choit) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Bonte ay tout ma plaisante | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'aflicto cor | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quen a affaire male bouche | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tout bien de vous me peut venir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mai di lagrime (Mai di lagrime il volto) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Questa fenice | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Combien que faille | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Sans deshonneur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Adieu vous di la lerme | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| O pellegrina o luce chiera stella | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Se mai giovan partita | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Tisis non (This ys no lyf alas) | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Que peut plus faire une maistresse | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon coeur de doleur partira (Mon cuer de doleur partira) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'ai pris un poul en ma chemise | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Las ay je tort | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je te veux desavouer oeil | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Questa fenice | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Pon fin ornai al mio greve dolore (Pon fin ormai al mio greve dolore / Pon fin fortuna [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Le bionde trece d'oro (Le bionde treçe d'oro) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Renoncier veul aux biens d'amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon seul bien | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Puisque je vis le regard gracieux | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je pris merveilleux desplaisir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| N'est ce pas bien pour departir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Galans et bons compagnons | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fortuna desperata, IA 1544 (Fortuna desperata iniqua e maledecta) | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| La Spagna, IA 1545 | Anonymous, composer | 4 Unspecified instruments | Renaissance | Basse danses | |||||
| Tres noble et plaisant damoiselle | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| In te Domine speravi (In te Domine sperabo) | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Surge amica mea speciosa mea et veni | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Da pacem Domine in diebus nostris | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Deus fortitudo mea | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Dapo che gionta e l'ora | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| La quercia (La guercia) | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Forsa chi schopra | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Spes mea | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Ma temo | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Probasti cor meum Deus | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Adjuva nos Deus salutaris noster | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Adjuva nos Deus salutaris noster (Sol fa mi re) | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Nunquam fuit pena major | Anonymous, composer | 2 voices | Renaissance | Motets | |||||
| Nunc scio vere quia misit Dominus | Anonymous, composer | 4 voices | Renaissance | Introits | |||||
| De tous biens plaine | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Neptolemus | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| De ramo in ramo (Neoptolomeus (?)) | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Bonus et miserator Dominus | Anonymous, composer | 5 voices | Renaissance | Motets | |||||
| Per votro amours | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| O Venus bant, IA 1647 | Anonymous, composer | 4 Unspecified instruments | Renaissance | Pieces | |||||
| O Venus bant, IA 1648 | Anonymous, composer | 3 Unspecified instruments | Renaissance | Pieces | |||||
| D'un bel matin che fu sera de fora | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La turturella | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Borgo loco | Anonymous, composer | 4 Unspecified instruments | Renaissance | Pieces | |||||
| Nam edunt de micis / Biblis | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Non te smarir cor mio | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| O Virgo | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Observations on Composition (Observations on Composition, with plain, easy, and familiar Rules to learn that Art by Numbers; to which is added, the Manner of composing the celebrated Canon of Non Nobis Domine, by two Numbers.) | Anonymous, composer | Classical | Music theory | ||||||
| Divini incendii fax (Miserere mei Deus) | Anonymous, composer | D major | 2 sopranos, violin and continuo | Baroque | Motets | ||||
| Jay pris amours | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Ludus Melothedicus (Ludus Melothedicus, ou Le Jeu de Dez Harmonique. Contenant plusieurs Calculs par lesquels toute personne composera differents Menuets avec l'accompagnemt. de Basse en jouant avec deux Dez même sans scavoir la Musique) | Anonymous, composer | soprano and bass | Classical | Methods, Minuets | |||||
| Periodical Lessons | Anonymous, composer | piano | Classical | Lessons | |||||
| Caelestes amores | Anonymous, composer | B flat major | soprano, violin and continuo | Baroque | Motets | ||||
| TIT BIT (Polka Mazurka para Piano) | Anonymous, composer | 1850 | piano | Romantic | Polkas, Mazurkas | ||||
| Helas, mon cueur, tu m'occiras | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Oublie, oublie, oublie, oublie | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Aime qui vouldra (Der Fochsschwanz / O lux luminis [contrafacta versions]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tousdis vous voit mon souvenir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Donnez l'aumosne, chiere dame | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Par malle bouche la cruelle | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Escu d'ennuy seme de plours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Si vous voullez que je vous ame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ou beau chastel est prisonnier mon cueur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| En atendant vostre venue | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Helas l'avoy je desservy (Helas l'avois je deservy destre si reudement) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quant je fus prins au pavillon (Quant je fuz prins au pavillon) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vraiz amans pour Dieu suppliez | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'ay des semblans tant que je vueil | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Henri Phlippet le vert me fais porter | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ce que ma bouche n'ouse dire | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ravi d'amours despourvu de bon sens | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ha cueur perdu et desolé | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Bugle Call (Bugle! You Ain't Calling Me) | Anonymous, composer | voice | Early 20th century | Songs | |||||
| Musikalischer Caffe (Musikkalischer Caffe [sic] Ein Scherz fur das Piano Forte von X. Y. Z.) | Anonymous, composer | F major | piano | Romantic | Scherzos, Pieces | ||||
| Ave Maria gratia plena, IA 1596 | Anonymous, composer | 5 voices | Renaissance | Ave Maria | |||||
| Amours m'on fait de desplaisier | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Esse bien fait dictez m’amye | Anonymous, composer | 3 voices 3 Unspecified instruments |
Renaissance | Chansons | |||||
| Caraboo (Canção popular norte-americana) | Anonymous, composer | Traditional (folk) | Folksongs | ||||||
| Cor. Gaelzer Netto | Anonymous, composer | F major | 1911 | piano | Romantic | Pieces | |||
| Tant plus en ay mains (Tant plus en ay mains me contente) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vom Himmel hoch, da komm' ich her | Anonymous, composer Martin Luther, librettist |
1400 | unison chorus voice |
Renaissance | Chorales | ||||
| Sinfonia in F major (Concerto in F major) | Anonymous, composer | F major | 2 oboes, bassoon, strings and continuo | Baroque | Sinfonias, Concertos | ||||
| Mattinata (Valsa sobre motivos da Mattinata e Palhaços de Leoncavallo) | Anonymous, composer | E flat major | piano | Early 20th century | Waltzes | ||||
| Cello Sonata in G major | Anonymous, composer | G major | cello and continuo | Baroque | Sonatas | ||||
| Qu’ara d’amours belle qui le gant | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| A Aldeaa (Dançado espanhol) | Anonymous, composer | C major | piano | Romantic | Dances | ||||
| Venite adoremus in G minor | Anonymous, composer | G minor | mixed chorus | Classical | Hymns | ||||
| Adoração da Cruz (Improperia) | Anonymous, composer | G minor | mixed chorus | Classical | Improperia | ||||
| Um Eterno Adeus | Anonymous, composer | F minor | wind ensemble, brass ensemble and percussion | Early 20th century | Funeral marches | ||||
| Flute Sonata in D major | Anonymous, composer | D major | flute and continuo | Baroque | Sonatas | ||||
| Flute Sonata in C major | Anonymous, composer | C major | flute and continuo | Baroque | Sonatas | ||||
| Flute Sonata in C major | Anonymous, composer | C major | S-Skma C1-R | flute and continuo | Baroque | Sonatas | |||
| Sonata in A minor | Anonymous, composer | A minor | soprano and continuo flute and continuo violin and continuo |
Baroque | Sonatas | ||||
| Hungarian Csardas | Anonymous, composer | piano | Romantic | Czardas | |||||
| Belle de parler bien aprise | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Harpsichord Concerto in E-flat major (Konzert Es-Dur für Cembalo und Streicher) | Anonymous, composer | E flat major | harpsichord and strings | Baroque | Concertos | ||||
| Oh! Solitaria notte (La serenata) | Anonymous, composer | D major | Romantic | Serenades | |||||
| Spinae in terra cessate | Anonymous, composer | voice, violin and continuo | Baroque | Motets, Sacred cantatas | |||||
| Harpsichord Concerto in D major (Konzert D-Dur für Cembalo und Streicher) | Anonymous, composer | D major | harpsichord and strings | Baroque | Concertos | ||||
| Dreams of Mother | Anonymous, composer | voice | Early 20th century | Songs | |||||
| Pour mon plaisir (Ponir mon plaisir) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| En escontant le chant melodieux | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Helas madame (Hellas madame) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Du repos | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Qui qu'en ait deul (Qui quen ait deul) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour garir corps (Poir garir cors) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant que Dieu voldra (Tant que Dieu vosdra) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| El esbelto talle de S.... (Danza cubana) | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| Keyboard Sonata in C major (Sonata per il Clavicembalo Solo) | Anonymous, composer | C major | keyboard clavichord harpsichord |
Classical | Sonatas | ||||
| Harpsichord Divertimento in A minor (Divertimento, per il Cembalo) | Anonymous, composer | A minor | harpsichord keyboard |
Classical | Divertimentos, Sonatas | ||||
| The Multiplication Table (The Multiplication Table, adapted for Juvenile Improvement as a Lesson for the Piano Forte) | Anonymous, composer | G major | piano voice and piano |
Classical | Pieces, Lessons | ||||
| Domine, tu mihi | Anonymous, composer | D major | mixed chorus, 2 violins, double bass and continuo | Classical | Sacred choruses | ||||
| Vexilla Regis | Anonymous, composer | G major | Romantic | Sacred choruses | |||||
| Supplicum voces - Humane lingue - (Deo gratias) (Motet) | Anonymous, composer | 1400 | 5 voices | Medieval | Motets, Sacred songs | ||||
| El lunar de Cachita (Danza) | Anonymous, composer | G major | piano | Romantic | Dances | ||||
| Juan Felipe (Danza) | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| C.C. | Anonymous, composer | A major | piano | Romantic | Pieces | ||||
| Caramba | Anonymous, composer | G major | piano | Romantic | Pieces | ||||
| Cephyse, cabeza pelada (Danza) | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| Fors seullement (Fors seullement l'atent que ye meure) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Fors seulement | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Contra navem in mari agitatam | Anonymous, composer | F major | alto, violin and continuo | Baroque | Motets | ||||
| Mon seul plaisir (Mon seul plaisir, ma doulce joye) | Anonymous, composer | Renaissance | Chansons | ||||||
| Harpsichord Concerto in A major | Anonymous, composer | D major | harpsichord and strings | Baroque | Concertos | ||||
| Der Singemeister (Der Singemeister. Oder: Anweisung zum Singenlernen. Theoretisch und praktisch bearbeitet für Anfänger, wie für Geübtere. Mit 123 Notenbeispielen) | Anonymous, composer | voice voice and piano |
Romantic | Methods, Exercises | |||||
| Son come farfalletta (Arietta) | Anonymous, composer Adriano Morselli, librettist |
A major | soprano and continuo | Baroque | Ariettas | ||||
| Oldenburger-Regiments Marsch | Anonymous, composer | F major | piano | Romantic | Marches | ||||
| Harpsichord Concerto in B-flat major | Anonymous, composer | B flat major | harpsichord and strings | Baroque | Concertos | ||||
| Alla battaglia | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Alla cacia | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Creature la plus belle | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Confortez moi (Confortez moy belle maistresse) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Seulette suis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Doye je languir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Amor tu non me gabasti | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Entre Paris et Saint Quentin | Anonymous, composer | 3 voices 4 voices |
Renaissance | Chansons | |||||
| Sancta Barbara pour le trait | Anonymous, composer | 3 voices | Renaissance | Sacred songs | |||||
| Je ne prise point tels baisers | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| En un gent et joly pourpris (En ung gent et joly pourpris) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| A Florence la joeuse cite / Helas la fille / En ma chambre | Anonymous, composer | 3 voices | Renaissance | Ballads | |||||
| Se de vous ie nay recouvrance | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Depuis ce jour (Depuis ce iour) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Donne vidue / Tarrach / Jeus diray | Anonymous, composer | 4 voices | Renaissance | Madrigals, Chansons | |||||
| Cy gist celle | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Do mal villano | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Puisqu'Atropos a ravi Diopee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon espoir et ma souvenance | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon coeur gemist | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Et hola hola | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| L'aultre jour par un matin (L'aultre jour par un matin esbatre m'en aloye) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour vous ne fay que souspirer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pace non trovo | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Poi che vivo sopra la terra | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Mes filles qui tenez du vent | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Trois filles estoient tout en ung tenant | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Or udite el buono horare | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Damer lamy / Faisant chapeau / Quand je suis la nuyt (Damer l'amy / Quant ie suis couche) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je suis d'Allemagne | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Le poirier que charge | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Veu que tant de vous me souvient | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je suis par desloyal amy | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'homme qui vit en esperance | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Amar vos con leauldad | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Untexted a 3, IA 1755 (Fantasie) | Anonymous, composer | 3 voices 3 Unspecified instruments |
Renaissance | Fantasias | |||||
| Combien le joyeux je fasse (Combien que le ioyeulx je fasse) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| He fortune pourquoi suis fortunée | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| S'il convient que je preigne congie (Sil convient que ie preigne congie) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vostre regard tant fort m'enflamme (Vostre regart tant fort menflamme) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se mon service vous plaisoit | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vrai Dieu d'amours (Vray dieu damors) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fatte bene asto meschino | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Puisque vous / Je ne vous aimeray plus Marionete | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Damer je my voel entremettre (Damer ie my voel entremettre) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se je fay (Se iay des maux oultre mesure / La plus grant chière de jamais [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fortune a tort | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| S'il faut que ie perde madame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La donna che molto mira | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Mirando el grande splendore | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| La douleur que je recoy (La doleur que ie recoy) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| D'ung plus amer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ecce sacerdos magnus in E flat | Anonymous, composer | E flat major | 1891 | mixed chorus and orchestra | Romantic | Sacred choruses | |||
| Harpsichord Concerto in F major | Anonymous, composer | F major | harpsichord and strings | Baroque | Concertos | ||||
| Horn Quartet | Anonymous, composer | B flat major | 4 horns | Romantic | Quartets | ||||
| Harpsichord Concerto in G major | Anonymous, composer | G major | harpsichord and strings | Baroque | Concertos | ||||
| Ou lit de pleurs (Ou lit des pleurs) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Or me veult bien esperance mentir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ma dame de nom / Sur la rive de la mer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Hora cridar (Hora cridar "Oime" posso ben io / Hora cridar oy me) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Variations on Die Mayerin (Aria) | Anonymous, composer | keyboard | Baroque | Variations | |||||
| Minueto das Dores | Anonymous, composer | C minor | orchestra | Romantic | Minuets | ||||
| Jesu dilecte mi, ero beata | Anonymous, composer | G minor | alto, violin and continuo | Baroque | Motets | ||||
| Pueri Hebraeorum (in Distributione Palmarum) | Anonymous, composer | B flat major | 1800 | 2 voices, mixed chorus and continuo | Classical | Sacred choruses | |||
| O Maria Stella Maris | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Bourée la Siamoise | Anonymous, composer | C major | 1687 | harpsichord | Baroque | Bourrees | |||
| 6 Trio Sonatas | Anonymous, composer | 2 flutes and continuo | Baroque | Sonatas | |||||
| Trio Sonata in E minor | Anonymous, composer | E minor | 2 flutes and continuo | Baroque | Sonatas | ||||
| Trio Sonata in A minor | Anonymous, composer | A minor | 2 flutes and continuo | Baroque | Sonatas | ||||
| Et in terra | Anonymous, composer | 3 voices | Renaissance | Sacred songs | |||||
| Moins ai repos plus accrois mon affaire (Moyns ay repoz plus acroist mon affaire) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Plus n'ay d'espoir (Plus nay despoir) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pius qu'elle est morte (Puis quelle est morte a mourir vueil entendre) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ma bouche plaint les pleurs de ma pensee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Helas (Hellas) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Faultes | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Venus | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| El pelado a la Derniere | Anonymous, composer | E major | 2 voices and guitar | Romantic | Songs | ||||
| D'un bon du coeur sans autre amer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3, IA 1829 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3, IA 1830 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3, IA 1831 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Laor vous n'estes (Alors vous nestes) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3, IA 1832 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Tarsis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ma perfayte | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La rouset du mois de may (La rouse) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3, IA 1833 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Ung plus que tous c'est mon confort | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3, IA 1834 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Pour faire l'alkymie d'amours (Pour faire larlkymie damours) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Piteux adieu | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Gracieuse fleur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tout | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Le serviteur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La plus des plus seulle sans | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fortuna trop | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3, IA 1835 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Sans si sans | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je suis d'Allemagne (Je suis d'Ellemagne) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Heya heya nun wie si grollen (Heya heya nun wie sy grollen) | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Gentil galans | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| On est bien malade par trop amer (On est bien malade par amer trop) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Deul en amours puyt assez migne | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se je fuse | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Faulx envieulx et megre face | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Que serai las fort languir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Lembien d'amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pendicose (Pendicose) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tenes en chause | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je quam cheredem (Ic quam cheredem) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je quam cheredem (Ic quam cheredem) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mon coeur se plaint | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je ne sai plus | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je seroie bien infortune | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Si vous voules que je vous face | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| De bien amer (De bien amer [=supposed text] / Untexted a 3) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Venus Juno Pallas | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| O Pulisina quando ti maritasti | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Le servieteur hault guerdonne | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Quelque paut que je soie | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La durion dure (La durion dure la durion dure et la dure) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Vilana che sa tu far | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Coda di volpe (Der fochs schwantcz [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Adieu adieu la seigneurie | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| A toujours mais vous puis donner le nom (A tousiours mais vous puis donner le nom) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour fort amer et bien servir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tel fait semblant (Tel fait semblant destre ioyeux) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3, IA 1836 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3, IA 1837 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3, IA 1841 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3, IA 1842 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Le bien fet (Le bien fait) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Da pacem Domine in diebus nostris | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| En l'ombre d'ung buissonet (En l'ombre d'ung buissonet tout au long d'une riviere) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Deuil et ennuy souci regrets et paine | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Beata es Maria virgo dulcis et pia | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Qui belles amours a souvent si lez remue | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Seul et heureulx par fortune | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Venez regretz sourdes en habondar ce acompaigner | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Des fais mondains tant ay ou bonne chance | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| De plus en plus d'ardant desir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| A heur le tiens le bien | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Helas pour quoy ne suys je marye | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fin che vivo et poi la morte | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| La gaie pastour ma donne samour (La gaye pastoure ma donne sa mour) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ce moys de may par ung doulx asserant | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Pastourelle jolie Dieu vous doint | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Amoreuse mi fault estre (Amoureuse my fault estre) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Se j'avoye de la soye et du fil | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| L'autre jour my chevauchoye (L'autre jour my chevauchoye tout du long d'une montaine) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La nuyt s'en va et le jour vient | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| My levay par ung matin (My levay par ung matin a la fresche matinade) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Mary de par sa mere (Mary de par sa mere pour quoy me printe) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La cuillier d'or lureau bruneau (La cuillier dor teribile marteau) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Faictes si vous plaist (Faites sil vous plaist vostre omosne) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Seullette suis au boys entree | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Mon mari m'a diffamee | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| M'amiette m'a mande | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Triste et pensif suis sans mot dire | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| 24 Keyboard Lessons ([Twenty Four Lessons the Harpsichord or Piano Forte]) | Anonymous, composer | harpsichord piano |
Classical | Lessons | |||||
| Yo so contento de la mya dona | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Il etait un bon homme qui venoit de Lyons | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Aqua sapientiae (Introitus in Feria Tertia post Pascha) | Anonymous, composer | 1800 | 2 voices, mixed chorus and continuo | Classical | Introits | ||||
| Venite, adoremus | Anonymous, composer | 1800 | 3 voices and continuo male chorus and continuo |
Classical | Hymns | ||||
| Cello Sonata in C minor | Anonymous, composer | C minor | cello and continuo | Baroque | Sonatas | ||||
| Cello Sonata in F major | Anonymous, composer | F major | cello and continuo | Baroque | Sonatas | ||||
| La mangansona (Danza) | Anonymous, composer | G major | piano | Romantic | Dances | ||||
| La Rosita (Danza) | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| Mangansila camprán (Danza) | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| Se acabó el carbón (Danza) | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| Concerto grosso in D major | Anonymous, composer | D major | flute, 2 violins, strings and continuo | Baroque | Concerti grossi | ||||
| Cello Sonata in G major | Anonymous, composer | G major | cello and continuo cello and bass 2 cellos |
Baroque | |||||
| La gran duquesa | Anonymous, composer | A major | piano | Romantic | Pieces | ||||
| La nueva francesa | Anonymous, composer | D major | piano | Romantic | Dances | ||||
| Cello Sonata in G mayor | Anonymous, composer | G major | cello and continuo | Baroque | Sonatas | ||||
| Violin Sonata in F major | Anonymous, composer | F major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in B-flat major | Anonymous, composer | B flat major | violin and continuo | Baroque | Sonatas | ||||
| La palmera (o Los amores de un negro / Habanera) | Anonymous, composer | C minor | Romantic | Habaneras | |||||
| Chantes | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La parente nostre dame (La parente nostre dame, la parente dominus) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Bien soiez venu mon signoir / Alleluya | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Se n'ay secours de vous (Se n'ay secours de vous, ma dame) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| En bien faisant | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Nicht loss mich leib (Nicht loss mich orth entgelden / Nicht lasz mich hart entgelten / Niet laes mich leib) | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Pour prison ne pour maladie / Passio Domini nostri | Anonymous, composer | 2 voices | Renaissance | Quodlibets | |||||
| O rosa bella / In pace (O rosa bella / In pace, veni creator spiritus) | Anonymous, composer | 2 voices | Renaissance | Quodlibets | |||||
| Seule esgaree / O rosa bella (Seule esgaree, le maleuruex habandonne / O rosa bella) | Anonymous, composer | 2 voices | Renaissance | Quodlibets | |||||
| Mon seul plaisir / La dolour que je rechoy (Mon seuil plaisir / La dolour que je rechoy, leal en amours) | Anonymous, composer | 2 voices | Renaissance | Quodlibets | |||||
| Et deusse morir en servant ma dame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Cados cados adonay cherubin | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Le servieteur hault guerdonne, IA 1950 | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Amager Dans | Anonymous, composer | Romantic | Dances | ||||||
| Au clair de la lune (In the Moonlight) | Anonymous, composer | Romantic | Folksongs | ||||||
| Auld lang syne | Anonymous, composer | Early 20th century | Folksongs | ||||||
| A la chaza (Alla caccia / A la chaza su ognun se spazza) | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Je vous garde (Je vous gardes) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se trouver joye scavoie (Se trouver je y savoie voie) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| He Robinet / Trigalore / Par ung vert pré | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pour quelque paine que j'ensure (Pour quelque paine que jendure) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fausse langue Dieu te mauldie | Anonymous, composer | Renaissance | Chansons | ||||||
| O hertzen trost (O hertzens trost) | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Le malheureux abandonne (Le maleureux habandonne) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Seul en amours (Deul en amours puyt assez nuyre) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| De vostre deul suis desplaisant | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je ne pourroye plus celer (Je ne pourroie plus celer) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'a je bien frique / Galoises de Savoie / J'ayme une dame (Laie bien frique / Galoises de Savoie / Jayme une dame) | Anonymous, composer | 3 voices | Renaissance | Rondeaux, Chansons | |||||
| Terriblement suis fortunée | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Si j'ai votre grace requise (Se jay vostre grace requise) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Salvator mundi (Salvator mundi salva nos omnes sancta) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Yo agio pianto tanto | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Chiere dame courtoise et lye (Chiere dame coutoise et lye) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Filles a marier (Filles a marier, ne vous maries ja) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Faictez moy ce bien | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se j'ay demeure longue espace (Jay demeure longue espace) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Myn hert lyt smert je langher so meer | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Ten is niet leden heide lanck | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| A ma premiere volente | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tousjours me vient de mal en pis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Qui ne le croit est il dampné | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Esprouver my fault elamy | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| La belle fille / Escoutez bonnes gens (La belle fille par matin s'est levee) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| De Rome vient le pelerin | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| J'ay pris amours a ma devise | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Fatti bene asto meschino, IA 1954 | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Io son maistro Barileto | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| So stato nel inferno (So stato nel inferno tanto tanto) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Lo giorno mi consumo suspirando | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Sospirar cor mio | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| La morte che spavento | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Chore cum l'aqua (Chore cum l'aqua, care mie vicine) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Et bien bien il m'en souviendra | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Untexted a 4, IA 1955 | Anonymous, composer | 3 voices 4 voices |
Renaissance | Pieces | |||||
| J'ay mon cueur (Jay a mon cueur) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Belle simple | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| D'ung aultre amer | Anonymous, composer | 2 voices | Renaissance | Quodlibets | |||||
| D'ung aultre amer | Anonymous, composer | 2 voices | Renaissance | Quodlibets | |||||
| Paix et joie vous envoie dieulx (Paix et ioie vous envoie dieulx) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Cavalcha Sinisbaldo tutta le note | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Che fa la ramanzina (Che fa la ramazina) | Anonymous, composer | 4 voices | Renaissance | Frottolas | |||||
| O Zano bello Zano (O zano, bello zano, caza fora le capre) | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Quant viendra la foy desiree | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tres dolce paticiere (Tresdolce paticiere) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Curte ca 'scurte la mia vita (Curte cascurte la mia trista) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Quanto mi dolse la nigra partita | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Bien bien | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tart ara quaresme (Tart ara quaresme prenant) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| The Lovely Story | Anonymous, composer | A major | 3 voices mixed chorus |
Classical | Hymns | ||||
| Dear Friends, Farewell (Minister's Farewell) | Anonymous, composer | G major | 2 voices mixed chorus |
Modern | Hymns | ||||
| Who Is This That Comes From Far (Bozrah) | Anonymous, composer Joshua Spalding, librettist |
A minor | 3 voices mixed chorus |
Modern | Hymns | ||||
| Star In The East | Anonymous, composer | A minor | 3 voices mixed chorus |
Classical | Hymns | ||||
| Af sted, af sted, i danske helte ! | Anonymous, composer | G major | voices | Romantic | Folksongs | ||||
| Adoramus te Domine | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| O salutaris hostia | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Puis fortuna m'avis en tal parti | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Per poco tempo ch'io so stato fora trovo che amore | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Tanto ha ch'io t'o contato li mei guai | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| O pellegrina o luce chiera stella | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Voca la galiera | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La vida de Culin ne dura pas toujours (La vida de Culin no dura pas tot iors) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Piangendo chiamo surda et crudele morte | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Dolce speranza del cor mio | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Dixit Dominus Domino meo (Dixit Dominus Domino meo, sede a dextris meis) | Anonymous, composer | 2 voices | Renaissance | Psalms | |||||
| Confitebor tibi Domine | Anonymous, composer | 2 voices | Renaissance | Psalms | |||||
| Beatus vir qui timet Dominum | Anonymous, composer | 2 voices | Renaissance | Psalms | |||||
| Laudate pueri Dominum | Anonymous, composer | 2 voices | Renaissance | Psalms | |||||
| Laudate Dominum omnes gentes | Anonymous, composer | 2 voices | Renaissance | Psalms | |||||
| Conditor alme siderum | Anonymous, composer | 2 voices | Renaissance | Hymns | |||||
| Christe redemptor omnium, IA 2027 | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Hostis Herodes impie | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Ad caenam agni providit (Ad caenam agni providi Cuius corpus sanctissimum) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Tristes erant apostoli (Aurora lucis Tristes erant apostoli) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Hymnum canamus gloriae | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Jesu nostra redemptio | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Pange lingua gloriosi, IA 2028 | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Pange lingua gloriosi | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Christe redemptor omnium, IA 2030 (Christe redemptor omnium ex patre) | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Dixit Dominus Domino meo | Anonymous, composer | 3 voices | Renaissance | Psalms | |||||
| Ave Maris Stella | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Ut queant laxis | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Ave Maris Stella | Anonymous, composer | 4 voices | Renaissance | Hymns | |||||
| Magnificat | Anonymous, composer | 4 voices | Renaissance | Magnificats | |||||
| Magnificat | Anonymous, composer | 2 voices | Renaissance | Magnificats | |||||
| Ave Regina celorum | Anonymous, composer | 3 voices | Renaissance | Antiphons | |||||
| Ave verum corpus natum de Maria virgine | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Dindiridin ridin rindayna dindirron (Dindiridin ridin rindayna dindirron, me levay un to matin) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Avinu Malkeinu | Anonymous, composer | C major | voices | Sacred songs | |||||
| Zappay lo campo | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Alleluia (Alleluya) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Nunc sancte nobis spiritus | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| In mandatis eius cupit | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Sit nomen Domini benedictum | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Benedicamus Domino | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Lucis creator optime | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Miserere mei Domine (Miserere mihi domine) | Anonymous, composer | 3 voices | Renaissance | Miserere | |||||
| Te lucis ante terminum | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Tibi Christe splendor Patris (Collaudamus venerantes omnes caeli [contrafactum verion?]) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Vos saecli justi judices | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Deus tuorum militum | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Quanto più li ochi mei | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Noes vous point / Coq en l'orge di Margot (N'oes vous point le coc me vante / Coq en l'orge di Margot) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Dell' arboro chanta tat de port | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Untexted a 4, IA 2043 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Lamentationes Jeremiae prophetae (Lamentationes et oratio Ieremiae) | Anonymous, composer | 3 voices | Renaissance | Lamentations | |||||
| Oratio Jeremiae prohetae | Anonymous, composer | 3 voices | Renaissance | Lamentations | |||||
| Fortuna tort en vous est contrarie | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Que faray je mal fortuné / La vida de Colin (Que faray ie / La vida de Colin) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Brunette je vous ay amée lonc temps | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Doncella non me culpeis (Donzella non me colpeis si fago mudanza) | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Miserere nostri Domine / Vexilla regis | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Ung lanceman a tout | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Quanto mi dolse sta crudel partita | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Amor quando fat'io che me dai guerra | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Cor mio volonturiuso | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Vedo che fortuna me contrasta | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Chiave chiave | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| O tempo bono e chi me t'a levato | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Alle stamegne donne alle bone stamegne | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Alta regina fonte di ogni amor | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Mon fort souspirs (Mon fort souspirz) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Adieu madame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Correndo multi cani ad una casa | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Io vegio la mia vita ia finire | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Exultet caelum laudibus | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| De mes douleurs (De mes dolors / De mes yeulx) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Mercé te chiamo o dolze anima mia | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Le serviteur infortuné (Celebris hic dies agitur [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Viva viva rey Ferrando | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| British Grenadiers | Anonymous, composer | G major | voices | Traditional (folk) | Songs | ||||
| Da bonden han ville ad skoven gå | Anonymous, composer | F major | voices | Romantic | Songs | ||||
| De tre Skalke | Anonymous, composer | A flat major | voices | Romantic | Folksongs | ||||
| Ack Värmeland, du sköna (Dear old Stockholm) | Anonymous, composer Anders Fryxell, librettist |
F major | voices | Romantic | Folksongs | ||||
| Dejlig er Jorden | Anonymous, composer Bernhard Severin Ingemann, librettist |
D major | voices | Romantic | Hymns | ||||
| Desterrado (Dobrado) | Anonymous, composer | A flat major | 1900 | wind ensemble and brass ensemble | Early 20th century | Dances | |||
| Vous, noblez cuers, qui mes regretz voyez (Tous noblez cuers qui mes regretz voyez) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Captain Kidd (Captain Kid; Through all the world below; God is There!) | Anonymous, composer | A minor | 3 voices 4 voices mixed chorus |
Modern | Sacred songs, Hymns | ||||
| Traveler Haste, The Night Comes On (The Traveler) | Anonymous, composer | A minor | 1868 | 3 voices mixed chorus |
Modern | Hymns | |||
| Der stod 3 skalke | Anonymous, composer | G major | voices | Traditional (folk) | Folksongs | ||||
| Heaven's My Home | Anonymous, composer | G major | 4 voices mixed chorus |
Classical | Sacred songs, Hymns | ||||
| Flute Sonata in D major | Anonymous, composer | D major | flute and continuo | Baroque | Sonatas | ||||
| Sinfonia in B-flat major | Anonymous, composer | B flat major | 2 violins, viola and continuo strings and continuo |
Baroque | Sinfonias | ||||
| Sinfonia in B-flat major | Anonymous, composer | B flat major | 2 violins, viola and continuo strings and continuo |
Baroque | Sinfonias | ||||
| Sinfonia in A minor | Anonymous, composer | A minor | 2 violins and continuo | Baroque | Sinfonias | ||||
| Sonata in A minor | Anonymous, composer | A minor | flute and continuo violin and continuo viol and continuo |
Baroque | |||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G major | Anonymous, composer | G major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Drømte mig en drøm i nat | Anonymous, composer | C major | voice voices |
Ancient | Folksongs | ||||
| Pour refraindre mon appetit | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| En mesbatant / Gente fleur / Gracieuse plaisante | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Et fusse ie duc de bourbon | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ce qu'on fait a Catimini (Ce quon fait a catimini) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| O infame deloyaulte | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Fortune laissez moi la vie (Fortune laisse moy la vie) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Sinfonia in D major | Anonymous, composer | D major | 2 violins, viola and continuo strings and continuo |
Baroque | Sinfonias | ||||
| Heroe, egregio, douto, peregrino (Cantata Acadêmica, Recitativo e Ária para José Mascarenhas) | Anonymous, composer | F major | 1759 | voice, 2 violins and continuo voice, 2 violins and bass |
Classical | Secular cantatas | |||
| Intrada in G major | Anonymous, composer | G major | 2 violins, viola and continuo strings and continuo |
Baroque | Intradas | ||||
| En enlig Fugl udi sit Bur | Anonymous, composer | D major | Traditional (folk) | Folksongs | |||||
| Et barn er født i Betlehem | Anonymous, composer Nikolaj Frederik Severin Grundtvig, librettist |
G major | voice and piano | Medieval | Carols | ||||
| Variations on 'La Romanesca' | Anonymous, composer | keyboard | Renaissance | Variations | |||||
| Father Dollard's Hornpipe | Anonymous, composer | D major | soprano | Early 20th century | Hornpipes | ||||
| Friendly Visit Hornpipe | Anonymous, composer | G major | soprano | Romantic | Hornpipes | ||||
| 14. Air | Anonymous, composer | E flat major | 1693 | 2 recorders 2 sopranos |
Classical | Airs | |||
| The Melody of My Dream | Anonymous, composer | C major | voice and piano | Early 20th century | Melodies, Songs | ||||
| Trio Sonata in G major, Gb-LCM MS 822/57 | Anonymous, composer | G major | Gb-LCM MS 822/57 | 2 flutes and continuo | Baroque | Sonatas | |||
| Who shall have my fayre lady | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Glory, Look away (Canaan's Happy Shore ; Say Brothers, Will You Meet Us? ; John Brown's Body ; Glory Hallelujah) | Anonymous, composer | G major | voices | Traditional (folk) | Folksongs | ||||
| Awa, whigs, awa! (Jacobite Air) | Anonymous, composer | B flat major | soprano | Romantic | Airs | ||||
| Maria Mater Gratiæ in D Major | Anonymous, composer | D major | mixed chorus and orchestra | Romantic | Sacred choruses | ||||
| Gregorius praesul meritis (Gregorius praesul meritis et nomine dignus) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Contre le mal que le vostre coeur porte | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ha fortune | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je n'en veux plus j'ai suffisance (Je nen veulx plus jay souffisance) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Femme de bien s'il en est point au monde | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Puisque c'est force que icy je demeure | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| D'amer je me vueil | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Good King Wenceslas | Anonymous, composer | A major | voices | Traditional (folk) | Carols | ||||
| Good Morning to Your Night Cap (Reel) | Anonymous, composer | C major | soprano | Early 20th century | Dances | ||||
| Governor King's March | Anonymous, composer | G major | fife violin |
Classical | Marches | ||||
| Green Jacket Reel | Anonymous, composer | G major | soprano | Modern | Dances | ||||
| Green Garters Reel | Anonymous, composer | C major | soprano | Early 20th century | Dances | ||||
| Ne doy je bien celui amer | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Wie sach oit blider dach | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Adoramus te Domine | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Creature la plus belle que jamais | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Tysis deple (Tisis deple) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Se je fusse mort avec elle (Se ye fusse mourt) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Hagbard og Signe | Anonymous, composer | F major | voice | Traditional (folk) | Folksongs | ||||
| Je ne me congnois (Je ne me congnois en semblant) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3, IA 2151 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| O fons indeficiens dulcis et reficiens | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Se ne mai fat (Se ne mai fatto) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ce seroit un trop grant domage | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Gente de corps (Genta decora bella) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Madame eunget (Si dedero somnum oculis meis (?)) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| J'ai bien cause de mesoir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vergine sola al mundo | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| O pulcherrima mulierum | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Harvest Home Hornpipe | Anonymous, composer | D major | soprano | Romantic | Hornpipes | ||||
| Havfruens spådom Havfruens Spaadom | Anonymous, composer | G major | voices | Traditional (folk) | Folksongs | ||||
| The Headlight Jig | Anonymous, composer | C major | violin | Romantic | Gigues | ||||
| Hardwicks March | Anonymous, composer | D major | 2 sopranos and bass | Romantic | Marches | ||||
| Hills Hornpipe | Anonymous, composer | B flat major | violin | Romantic | Hornpipes | ||||
| High Level Bridge Hornpipe (The High Level Hornpipe) | Anonymous, composer | D major | violin soprano |
Early 20th century | Hornpipes | ||||
| Highland Laddie | Anonymous, composer | B flat major | Classical | ||||||
| El amor en el baile (Canción habanera) | Anonymous, composer | F major | voice and piano | Romantic | Songs, Habaneras | ||||
| Hole in the Wall | Anonymous, composer | B flat major | soprano | Romantic | Hornpipes, Ecossaises | ||||
| Hollis's Hornpipe | Anonymous, composer | B flat major | soprano | Romantic | Hornpipes | ||||
| Honeysuckle Hornpipe (Lus-na-Mealla) | Anonymous, composer | D major | soprano | Traditional | Hornpipes | ||||
| Trumpet Hornpipe (Crannciuil Earglain, Trumpet Reel, Captain Pugwash, Hasils, Reel du courrier, Thunder Hornpipe, Ivory's Hornpipe, Jockey's Hornpipe, Lord Nelson's Hornpipe) | Anonymous, composer | G major | soprano | Romantic | Hornpipes | ||||
| Humphreys Hornpipe | Anonymous, composer | E major | soprano | Romantic | Hornpipes | ||||
| Herr Ole | Anonymous, composer | C major | voice voices |
Traditional (folk) | Folksongs | ||||
| Hughie Graham (Ballad) | Anonymous, composer | C major | voices | Romantic | Ballads | ||||
| Humors of Castle Bernhard | Anonymous, composer | D major | soprano | Early 20th century | Hornpipes | ||||
| Humors of Tipperary Hornpipe | Anonymous, composer | G major | soprano | Early 20th century | |||||
| Hønsefødder og Gulerødder | Anonymous, composer | C major | voice | Traditional (folk) | Folksongs | ||||
| I en Kælder sort som Kul | Anonymous, composer | C major | voice and piano | Early 20th century | Songs | ||||
| Unterhaltungen beym Clavier in deutschen Gesängen (Unterhaltungen beym Clavier in deutschen Gesängen von einem jungen Dilettanten aus Schwaben) | Anonymous, composer | voice and keyboard | Classical | Songs | |||||
| Installation March | Anonymous, composer | C major | 2 sopranos and bass | Early 20th century | Marches | ||||
| Imperial Guards March | Anonymous, composer | F major | soprano | Early 20th century | Marches | ||||
| Irish Hornpipe | Anonymous, composer | F major | Traditional (folk) | ||||||
| Jeg gik mig ud en Sommerdag | Anonymous, composer Nikolaj Frederik Severin Grundtvig, librettist |
C major | voice and piano | Romantic | Songs | ||||
| Ives Hornpipe | Anonymous, composer | G major | soprano | Romantic | Hornpipes | ||||
| Jack's Alive (Jig) | Anonymous, composer | G major | soprano | Romantic | Gigues | ||||
| Psalm LXVII Deus misereatur nostri | Anonymous, composer | soprano, tenor, mixed chorus, strings and continuo | Baroque | Psalms | |||||
| Cello Sonata in D minor | Anonymous, composer | D minor | cello and continuo | Baroque | Sonatas | ||||
| Johnny Boker | Anonymous, composer | C major | Traditional (folk) | ||||||
| Jimmy's Return Reel | Anonymous, composer | G major | soprano | Romantic | Dances | ||||
| Jewetts Galopade | Anonymous, composer | F major | Romantic | Galops | |||||
| The Jolly Seven | Anonymous, composer | D major | soprano | Romantic | |||||
| Julen har bragt velsignet Bud | Anonymous, composer Bernhard Severin Ingemann, librettist |
E flat major | voices | Traditional (folk) | Carols | ||||
| Johnstons Hornpipe | Anonymous, composer | D major | violin | Romantic | Hornpipes | ||||
| Nulife (Prof. Chas. Munter's Nulife) | Anonymous, composer | G major | voice and piano | Early 20th century | Songs | ||||
| Chaconne in E major | Anonymous, composer | E major | violin and continuo | Baroque | Chaconnes | ||||
| 8 Cello Sonatas, US-GRB | Anonymous, composer | cello and continuo | Baroque | Sonatas | |||||
| Violin Sonata in A major | Anonymous, composer | A major | violin and continuo | Baroque | Sonatas | ||||
| Katys Rambles | Anonymous, composer | C major | soprano | Romantic | |||||
| Kay's Hornpipe (The Colosseum) | Anonymous, composer | G major | soprano | Romantic | Hornpipes | ||||
| Keith's Hornpipe | Anonymous, composer | G major | soprano | Romantic | Hornpipes | ||||
| Kelleys Hornpipe | Anonymous, composer | E flat major | soprano | Romantic | Hornpipes | ||||
| Kirks Hornpipe | Anonymous, composer | D major | violin | Romantic | Hornpipes | ||||
| Kemp's Hornpipe | Anonymous, composer | G major | violin soprano |
Romantic | Hornpipes | ||||
| A New Set of Ayres for the Consorts of the Musicall Society (A New Set of Ayres for the Consorts of the Musicall Society . the Tunes for all sorts of Instruments) | Anonymous, composer | G major | 2 sopranos, alto and bass strings |
Baroque | Suites, Airs | ||||
| Kong Frederik den 2. i Ditmarsken | Anonymous, composer | B flat major | voices | Medieval | Ballads | ||||
| 2 Cello Sonatas | Anonymous, composer | cello and continuo | Baroque | Sonatas | |||||
| 3 Cello Sonatas | Anonymous, composer | cello and continuo | Baroque | Sonatas | |||||
| Trio Sonata in B-flat major | Anonymous, composer | B flat major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Pure as a Lily (Melodie) | Anonymous, composer | E flat major | piano | Early 20th century | Melodies | ||||
| Hoc est, quod evenit e languido | Anonymous, composer | G minor | soprano, violin and continuo | Baroque | Sacred cantatas, Motets | ||||
| Violin Sonata in C major | Anonymous, composer | C major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in F major | Anonymous, composer | F major | violin and continuo | Baroque | Sonatas | ||||
| Violin Sonata in D major | Anonymous, composer | D major | violin and harpsichord | Baroque | Sonatas | ||||
| Violin Sonata in G major | Anonymous, composer | G major | violin and harpsichord | Baroque | Sonatas | ||||
| Kæmperne på Dovrefjeld (The Giants at Dovrefjeld) | Anonymous, composer | E flat major | voices | Medieval | Folksongs | ||||
| Violin Sonata in E major | Anonymous, composer | E major | violin and continuo | Baroque | Sonatas | ||||
| Schnitzelbank | Anonymous, composer | C major | voice and piano voices and piano |
Early 20th century | Songs | ||||
| 5 Violin Sonatas | Anonymous, composer | violin and continuo | Baroque | Sonatas | |||||
| La Bosses Hornpipe | Anonymous, composer | E major | soprano | Romantic | Hornpipes | ||||
| O mundi creator | Anonymous, composer | B flat major | soprano, violin and continuo | Baroque | Motets, Sacred cantatas | ||||
| La Polka | Anonymous, composer | F major | 3 violins | Romantic | Polkas | ||||
| Lady Rothemayis Lilt (Lady Rothemay's Lilt) | Anonymous, composer | D major | lute | Renaissance | Pieces | ||||
| Lady Day Hornpipe | Anonymous, composer | B flat major | soprano | Romantic | Hornpipes | ||||
| Larry O'Gaff Hornpipe | Anonymous, composer | G major | flute | Romantic | Hornpipes | ||||
| Magnificat, A-Ed G 9 | Anonymous, composer | C major | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Magnificats | ||||
| Missa in C major, D-NATk NA/SP (H-59) | Anonymous, composer | C major | soprano, alto, tenor, bass, mixed chorus and orchestra | Classical | Masses | ||||
| Liden Kirstens Dans | Anonymous, composer | G major | Romantic | ||||||
| Sweet Memories of Dixie | Anonymous, composer | G major | voice and piano | Early 20th century | Songs | ||||
| Los recuerdos del Liceo (Danza) | Anonymous, composer | C major | piano | Romantic | Dances | ||||
| La Piedad (Canción a dúo con acompañamiento de guitarra) | Anonymous, composer | G major | 2 voices and guitar | Romantic | Canciones | ||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Lundu dos Lavernos (obrigado a Caquinhos ou ferrinhos) | Anonymous, composer | A major | Romantic | ||||||
| Little Jims Hornpipe | Anonymous, composer | B flat major | violin | Romantic | Hornpipes | ||||
| Liverpool Hornpipe | Anonymous, composer | D major | Romantic | ||||||
| Loch Leven Castle Hornpipe | Anonymous, composer | A flat major | Romantic | ||||||
| Londonderry Hornpipe | Anonymous, composer | E major | Romantic | ||||||
| Long Island Hornpipe | Anonymous, composer | D major | violin | Romantic | Hornpipes | ||||
| Mr. Pope's Worms | Anonymous, composer | C major | voice and continuo recorder |
Baroque | Songs | ||||
| Ye Lads and Ye Lasses (A song made upon a gentleman's sitting upon a Cremona fiddle) | Anonymous, composer Jonathan Swift, librettist |
G minor | voice | Baroque | Songs | ||||
| From Place to Place Forlorn (A song with symphony) | Anonymous, composer Richard Steele, librettist |
B flat major | voice, continuo and soprano voice and harpsichord |
Baroque | Songs | ||||
| The Old Man's Wish | Anonymous, composer | F major | voice and continuo | Baroque | Songs | ||||
| How Dully Wise (A new song) | Anonymous, composer | G major | 2 voices and continuo | Baroque | Songs | ||||
| Advice To A Fond Lover (For shame fond heart) | Anonymous, composer | E major | voice, flute and continuo | Baroque | Songs | ||||
| Trio Sonata in D major | Anonymous, composer | D major | flute, violin and continuo | Baroque | Sonatas | ||||
| Trio Sonata in D major | Anonymous, composer | D major | flute, violin and continuo | Baroque | Sonatas | ||||
| Trio Sonata in E minor | Anonymous, composer | E minor | flute, violin and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G major | Anonymous, composer | G major | flute, violin and continuo | Baroque | Sonatas | ||||
| Trio Sonata in G major | Anonymous, composer | G major | flute, violin and continuo | Baroque | Sonatas | ||||
| In caelo exsultate angelici chori | Anonymous, composer | B flat major | soprano, violin and continuo | Baroque | Motets, Sacred cantatas | ||||
| In Nomine à 4 | Anonymous, composer | G minor | soprano, alto, tenor and bass 4 viols |
Renaissance | In nomines | ||||
| Agnete hun stander paa Højelofts Bro | Anonymous, composer | F major | Romantic | Folksongs | |||||
| Al Verdens Skaber mild og blid | Anonymous, composer | C major | Romantic | Folksongs | |||||
| Dankonning og Hr. Asbjørn Snare | Anonymous, composer | B flat major | Romantic | ||||||
| Dankonning lod gribe en Havfru fin | Anonymous, composer | B flat major | Romantic | ||||||
| Dansken har Sejer vundet | Anonymous, composer Michael Giørup, librettist |
C major | Romantic | ||||||
| At Slyngler hæves til Ærens Top | Anonymous, composer Jens Zetlitz, librettist |
D major | voice and piano | Romantic | Songs | ||||
| De vare syv og syvsindstyve | Anonymous, composer | B flat major | Romantic | ||||||
| Meen Fader var en Bondemand | Anonymous, composer | F major | Romantic | ||||||
| Mickey by the Fireside Hornpipe | Anonymous, composer | D major | Romantic | ||||||
| Midnight Dance Hornpipe | Anonymous, composer | B flat major | Romantic | ||||||
| Michael Wiggins Hornpipe | Anonymous, composer | G major | flute | Romantic | Hornpipes | ||||
| The Rathskeller Drag | Anonymous, composer | piano | Early 20th century | Rags | |||||
| He Robinet tu mas la mort (He Robinet tu mas la mort / O rosa bella) | Anonymous, composer | 2 voices | Renaissance | Chansons, Quodlibets | |||||
| Je soloie faire danser / Herbergeres vous | Anonymous, composer | 3 voices | Renaissance | Ballads | |||||
| Ay je tort se je souspire | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Bien vegnant ma tres redoutee (Bien viengnant, ma tresredoubtée) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Ben poy de tua belleza (Ben poy de toe bellezze) | Anonymous, composer | 3 voices | Renaissance | Ballatas | |||||
| Ben so che mia mente | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Desdengo non aura may questo piacere (Desdengo non anna may questo piacere) | Anonymous, composer | 3 voices | Renaissance | Ballatas | |||||
| C'est a grant tort | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Done done or done le mio signore (Dove dove) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Helas j'ayme mieulx mes jours | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Il grant desio e la dolce esperanza | Anonymous, composer | 3 voices | Renaissance | Ballatas | |||||
| Je n'ay que deul et desplaisance (Je ne fay que deul et desplaisance) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Je soleye estre amoureux (Je soloye estre amoureux) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Helas mes delees amours (Helas mes celees amours) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Vostre esclave de galee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Se je ne fay chiere joyeuse | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tresoriere de plaisir amoureux (Tresoriere de plaisir amoureuse) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Ne vous plaindes de mes yeulx | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Se je suis desprouve / Veni veni | Anonymous, composer | 3 voices | Renaissance | Quodlibets | |||||
| A cheval, tout homme a cheval | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Coq en l'orge di Margot / N'oes vous point (Coq en l'orge di Margot / N'oes vous point le coc me vante) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Min Fader vil mig gifte | Anonymous, composer | E flat major | Romantic | ||||||
| Air No. 3, Thesaurus Musicus 3 (Minuet) | Anonymous, composer | F major | 2 recorders 2 sopranos |
Baroque | Pieces | ||||
| The Miners of Wicklow | Anonymous, composer | D major | soprano | Classical | Gigues | ||||
| Se mon flagolet joli | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'acompliray du bon cuer ma promesse (Jaccompliray du bon cuer) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Maintenons nous / Resvelle qui dort / Chascun par accord | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Las quel plaisir / La mousque / Or y ment | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Robinet se veult marier / Se tu te marie / Helas pourquoy (Robinet se veult marier / Se tu ten marias / Helas pour quoy) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Rolet ara / La tricotee / Maistre Piere | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ja Dieu ne doint que se fortune | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Je merchie d'amours les Dieux | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Puis qu'il vous plaist (Puisquil vous plest) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Je meurs veant ma garison (Je meurs en veant ma garison) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Mon bien imparfait | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Pour ce que j'ay servir amours (Pour ce que iay servy amours) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Quant vendra la jornee (Quant vendra journee) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Plus suis en bonne compagnie | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| J'atens le confort de la belle | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Ha day estre vous rencherie (Ha hay!) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| O char tesoro | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Ay mi sospiri non truovo pace (Ayme sospiri) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Triumpho de le done o chiara | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Piangete done et vuy fedeli | Anonymous, composer | 2 voices | Renaissance | Chansons | |||||
| Una vechia sempre nostra piena (Una vechia sempiternosa) | Anonymous, composer | 3 voices | Renaissance | Ballatas | |||||
| Hora may che fora sono (Hora may che fora son) | Anonymous, composer | 4 voices | Renaissance | Ballatas | |||||
| O gratiosa viola mia gentil | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Avertissiez vostre doulx euil | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tout mon plaisir et tout mon reconfort | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| J'aime quanque par y commence (Jaime quan que par y commence) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ha dure mort je viens | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Depuis le doloreux partir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Amours amours vostre service | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Qualche marer ogni anno (Quel che vant' ogni amore) | Anonymous, composer | 3 voices | Renaissance | Ballatas | |||||
| L'autre jour oy disputer | Anonymous, composer | 3 voices | Renaissance | Ballads | |||||
| Ben so che la mia mente | Anonymous, composer | 3 voices | Renaissance | Ballatas | |||||
| Princhesse of Youth and Florer | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| O Dio che me volesti (O Dio che me nolesti) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Op eenen tijd in minen zijn | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Helas mon tetin (O beatissima [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Parle qui veult | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Madonna par la torna (Madonna parla) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Ballet for Keyboard in G major (Ballet d'un Anonimo) | Anonymous, composer | G major | keyboard | Classical | Dances | ||||
| Minuet Op. 17 (Sans l'amour et sans ses désirs) | Anonymous, composer | G major | Classical | Songs, Minuets | |||||
| Par desplaisir tout plain d'anoy | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Miss Sally Hunter | Anonymous, composer | F major | Romantic | ||||||
| Miss Bakers Hornpipe (Admiral Nelson; Mrs. Baker's Hornpipe; Miss Bacon's Hornpipe; Miss Barker’s) | Anonymous, composer | D major | soprano | Classical | Hornpipes | ||||
| Mr. Martons Hornpipe | Anonymous, composer | D major | Romantic | ||||||
| Mountains of Kerry Hornpipe (The Mountains of Kerry) | Anonymous, composer | G major | soprano | Romantic | Hornpipes | ||||
| Mullingar Races (Hornpipe) | Anonymous, composer | A major | soprano | Romantic | Hornpipes | ||||
| Mrs. Garden of Troup Hornpipe | Anonymous, composer | G major | flute | Romantic | Hornpipes | ||||
| My Honey in the House (Reel) | Anonymous, composer | D major | soprano | Romantic | Ecossaises | ||||
| New Moon Hornpipe | Anonymous, composer | G major | flute | Romantic | Hornpipes | ||||
| Trio Sonata in B-flat major | Anonymous, composer | B flat major | violin, viol and continuo | Baroque | Sonatas | ||||
| Domine quinque talenta (Antiphona) | Anonymous, composer | D minor | alto, violin and organ | Baroque | Antiphons | ||||
| 6 Flute Sonatas (Solos or Sonatas for a German Flute & a Base Violoncello, Collected & Fitted by a Very Great Performer of yt Instrumt.) | Anonymous, composer | flute and cello flute and continuo |
Baroque | Sonatas | |||||
| Lauda Sion | Anonymous, composer | C major | mixed chorus soprano, alto and bass |
Romantic | Motets, Religious works | ||||
| Og det var den unge herr Pedersøn | Anonymous, composer Nikolaj Frederik Severin Grundtvig, librettist |
G major | Romantic | ||||||
| Og hør, du liden Gangerpilt | Anonymous, composer Henrik Hertz, librettist |
F major | Romantic | ||||||
| O'Donnells Hornpipe | Anonymous, composer | G major | soprano | Romantic | Hornpipes | ||||
| O'Fenlons Hornpipe | Anonymous, composer | D major | soprano | Romantic | Hornpipes | ||||
| Off She Goes (Ta si ag imteacd; Off She Goes for Butter and Cheese; Up She Got and Off She Went; Peel the Willow; La Danse des Sutins; La Gigue du bonhomme; The Launch) | Anonymous, composer | D major | soprano | Classical | Gigues | ||||
| O'Gallaghers Hornpipe | Anonymous, composer | B flat major | soprano | Romantic | Hornpipes | ||||
| Ole Grey Goose | Anonymous, composer | D major | Romantic | ||||||
| Ole Sandy, Boy | Anonymous, composer | G major | Romantic | ||||||
| Om hundred Aar er alting glemt | Anonymous, composer | F major | Romantic | ||||||
| Opera Hornpipe | Anonymous, composer | D major | Romantic | ||||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 violins and continuo | Baroque | Sonatas | ||||
| Le serviteur haut guerdonné | Anonymous, composer | 2 voices | Renaissance | Chansons | |||||
| Missa Le serviteur | Anonymous, composer | 3 voices | Renaissance | Masses | |||||
| Oyster River Hornpipe | Anonymous, composer | G major | flute | Romantic | Hornpipes | ||||
| Paddy the Hornpiper | Anonymous, composer | D major | Romantic | ||||||
| Paddy O'Rafferty Hornpipe | Anonymous, composer | C major | flute | Romantic | Hornpipes | ||||
| Parisot's Hornpipe (Parasot Hornpipe; Madam Parisott's Hornpipe; Parasott; Whiskey Barrel) | Anonymous, composer | C major | soprano | Romantic | Hornpipes | ||||
| Violin Sonata in D minor | Anonymous, composer | D minor | violin and continuo | Baroque | Sonatas | ||||
| Paumgartner | Anonymous, composer | F major | organ | Renaissance | Pieces | ||||
| Trio Sonata in C minor | Anonymous, composer | C minor | 2 violins and continuo | Baroque | Sonatas | ||||
| Pease Strae Hornpipe (Bathget Boys; Clean Pea(se) Straw/Strae; Pea Straw) | Anonymous, composer | D major | soprano | Romantic | Hornpipes | ||||
| Planxty Hornpipe | Anonymous, composer | D major | Romantic | ||||||
| The Clarinet Instructor (The Clarinet Instructor by which Playing on that Instrument is rendered easy to any one unacquainted with Music as it contains a Compleat Scale of all the Notes with the Graces also a Dictionary explaining such words as occur in Music with several favorite Airs the whole by a Capital Performer on the above Instrument. To which is added Six new Duos for two Clarinets and a Quintetto for Horns, Clarinets and a Bassoon) | Anonymous, composer | clarinet 2 clarinets 2 clarinets, bassoon and 2 horns |
Classical | Methods, Airs, Duets, Quintets | |||||
| D'un autre aimer (D'un autre aimer mon coeur s'abesseroit) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Missa D'un autre amer (Missa Sine nomine) | Anonymous, composer | 4 voices | Renaissance | Masses | |||||
| Passacaglia in D-major | Anonymous, composer | D major | violin and continuo | Baroque | Passacaglias | ||||
| Airs à voix seul, US-NYpm A298 | Anonymous, composer Jean Racine, librettist |
voice | Baroque | Airs | |||||
| 16 Canzonette in lingua veneziana, US-NYpm C235.V45 (Eighteenth-Century Italian Songs) | Anonymous, composer | voice and continuo | Classical | Canzonettas | |||||
| Musikalische Unterhaltungen (Musikalische Unterhaltungen) | Anonymous, composer | voice and keyboard keyboard clavichord |
Classical | Lieder, Pieces, Sinfonias, Polonaises, Gavottes, Minuets, Sonatas, Variations, Prestos, Scherzos | |||||
| Sinfonia in B-flat major (Sinfonia con violini viola oboe corni e basso) | Anonymous, composer | B flat major | orchestra | Classical | Sinfonias | ||||
| Moonlight on the Ocean | Anonymous, composer | Romantic | |||||||
| Limerick is Beautiful | Anonymous, composer Dion Boucicault, librettist |
Romantic | Folksongs | ||||||
| Send Them Home Tenderly | Anonymous, composer Austin Dobson, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| Drummber's Rambles through Texas | Anonymous, composer | E flat major | piano | Romantic | Pieces | ||||
| When I am in heaviness | Anonymous, composer | soprano and continuo | Classical | Anthems | |||||
| 8 Variations in G major | Anonymous, composer | G major | harpsichord | Classical | Variations | ||||
| Chiara fontana de' belli costumi | Anonymous, composer | 2 voices | Renaissance | Madrigals | |||||
| J'ay pris amours (Groß senen / Gross ssenen) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'ay pris amours (Groß senen I / Groß senen ich ym hertczin trag) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'ay pris amours (Groß senen II / Groß senen ich ym hertczin trag) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'ay pris amours (Groß senen III / Groß senen ich ym hertczin trag) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Jam pris amours / Ma bouche rit ([Che'l corpo mi consuma?]) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| J'ay prins deux pous (Jay prins deux pous a ma chemise) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Je pris amours (Je pris amor) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| J'ai pris amours (Jay pris amours) | Anonymous, composer | 2 voices | Renaissance | Chansons | |||||
| J'ai pris amours (Jay pris amours) | Anonymous, composer | 2 voices | Renaissance | Chansons | |||||
| Jay pris amours / De tous bien plaine | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Flute Concerto in D minor | Anonymous, composer | D minor | flute, strings and continuo | Baroque | Concertos | ||||
| Sam Will Oblige (A Musical Monologue / A Colored Inspiration) | Anonymous, composer | piano | Early 20th century | Pieces | |||||
| Longe daquela que adoro | Anonymous, composer | A minor | voice, flute and piano | Romantic | Songs | ||||
| Antífonas de la O (Antífonas de Adviento, Antífonas Mayores) | Anonymous, composer | mixed chorus and bassoon mixed chorus and continuo |
Classical | Antiphons | |||||
| Regnum meum non est de hoc mundo | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Vostre amour est seure que rage | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| De tous biens plaine | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Hor oires une canzon (Hor oires vostre chansons) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Untexted a 4 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Canzonette spirituali e morali oratorio di Chiavenna | Anonymous, composer | voice and continuo voice and guitar 2 voices and continuo 2 voices and guitar 3 voices and continuo 3 voices and guitar |
Baroque | Canzonettas, Sacred songs | |||||
| O dulcis Jesu, o dulcis amor | Anonymous, composer | voice, violin and continuo | Baroque | Sacred cantatas | |||||
| Theatre Music, GB-Lcm H370/1 | Anonymous, composer | A minor | GB-Lcm H370/1 | 2 sopranos, alto and bass | Baroque | Incidental music | |||
| Bassoon Concerto, D-SWl Mus.328 (Concerto per il Fagotto Principale) | Anonymous, composer | F major | bassoon and orchestra | Classical | Concertos | ||||
| No Name Waltz | Anonymous, composer | G major | piano | Romantic | Waltzes | ||||
| Untexted a 4, IA 2421 | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| In due luci vezzosette | Anonymous, composer | G minor | soprano and continuo | Baroque | Arias | ||||
| 6 Münchner Redout Walzer (6 Müncher Redout., deutsche Walzer) | Anonymous, composer | piano | Romantic | Waltzes | |||||
| Concerto Grosso in F major | Anonymous, composer | F major | 2 recorders, 2 violins and continuo 2 recorders, 2 oboes and continuo |
Baroque | Concerti grossi | ||||
| Grande bataille (Grande bataille imitée sur le clavecin ou piano-forté avec accompagnement de violon, violoncelle et tambour) | Anonymous, composer | F major | violin, cello, percussion and harpsichord percussion, violin, cello and piano |
Classical | Pieces | ||||
| Isis (An Elegy; Serious Glee) | Anonymous, composer William Mason I, librettist |
F major | soprano, alto, tenor and bass | Classical | Elegies, Glees | ||||
| It blew an hard storm | Anonymous, composer | Classical | Catches | ||||||
| Ottuns quindins humas mogangas | Anonymous, composer | 2 voices and continuo | Classical | Songs, Duets | |||||
| Des Kriegers Abschied von seinem Liebchen (Auf die Melodie 'La sentinelle') | Anonymous, composer Theodor Körner, librettist |
C major | voice and guitar | Romantic | Songs | ||||
| Ruhe Staub bei Staube (Grabgesang) | Anonymous, composer | A flat major | mixed chorus, wind ensemble and brass ensemble | Romantic | Funeral music | ||||
| Hoffnung am Grabe (Aus des Lebens Stürmen) | Anonymous, composer | E flat major | mixed chorus, wind ensemble and brass ensemble | Romantic | Funeral music | ||||
| Ruhe sanft schlaf wohl (Trauergesang) | Anonymous, composer | F major | mixed chorus, wind ensemble and brass ensemble | Romantic | Funeral music | ||||
| So fliesst ihr stillen Tränen (Grabgesang) | Anonymous, composer | E flat major | mixed chorus, wind ensemble and brass ensemble | Romantic | Funeral music | ||||
| Ruhe sanft schlaf wohl (Beim Tode eines Gatten) | Anonymous, composer | F major | mixed chorus, wind ensemble and brass ensemble | Romantic | Funeral music | ||||
| Manuscript, D-Tu Mk 90 Nachtrag 84,a11 (2 Funeral Music) | Anonymous, composer | mixed chorus mixed chorus, wind ensemble and brass ensemble |
Romantic | Funeral music | |||||
| Manuscript, D-Tu Mk 90 Nachtrag 84,a13 (2 Funeral Music) | Anonymous, composer | mixed chorus, wind ensemble and brass ensemble | Romantic | Funeral music | |||||
| Manuscript, D-Tu Mk 90 Nachtrag 84,a18 (2 Funeral Music) | Anonymous, composer | soprano, alto, tenor, bass, mixed chorus, wind ensemble and brass ensemble mixed chorus |
Romantic | Funeral music | |||||
| Manuscript, D-Tu Mk 90 Nachtrag 84,a19 | Anonymous, composer | mixed chorus, wind ensemble and brass ensemble voice and piano |
Romantic | Funeral music, Lieder | |||||
| Manuscript, D-Tu Mk 90 Nachtrag 84,a20 (2 Funeral Music) | Anonymous, composer | mixed chorus, wind ensemble and brass ensemble mixed chorus |
Romantic | Funeral music | |||||
| Ruhe frei von aller Klage | Anonymous, composer | F major | mixed chorus, wind ensemble and brass ensemble | Romantic | Funeral music | ||||
| Heilig ist Gott der Herr Zebaoth | Anonymous, composer | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred songs | |||||
| Glaube Liebe Hoffnung | Anonymous, composer | C major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred songs | ||||
| Preis dir auf deinem Throne | Anonymous, composer | A flat major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred songs | ||||
| Heilig ist der Herr | Anonymous, composer | D major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred songs | ||||
| Gott sieh uns gnädig an | Anonymous, composer | C major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred songs | ||||
| Sieh von deines Himmels Höhen | Anonymous, composer | F major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred songs | ||||
| 2 Chorlieder (2 Partsongs) | Anonymous, composer | male chorus | Romantic | Lieder | |||||
| 2 Chorlieder, D-Tu Mk 90 Nachtrag 84,b8 (2 Partsongs) | Anonymous, composer | male chorus | Romantic | Lieder | |||||
| 2 Chorlieder, D-Tu Mk 90 Nachtrag 84,b9 | Anonymous, composer | male chorus | Romantic | Lieder | |||||
| Brass Quintet in C major (Quintett für vier Horn & 1 Trompete) | Anonymous, composer | C major | 4 horns and trumpet | Romantic | Quintets | ||||
| Divisions on grounds for lyra viol | Anonymous, composer | fffed, fedfh, fdefh, ffdef, ffedf | 1640 | viol and continuo | Baroque | Divisions, Variations | |||
| Ecce Agnus Dei No. 5 | Anonymous, composer | D minor | Early 20th century | ||||||
| Non resta in questa valle | Anonymous, composer | 4 voices | Renaissance | Canzonas | |||||
| Untexted a 3 (V...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (J...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (U...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (D...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (J...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (A...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (Q...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (To iours / Tota jous / Toujours [?]) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (P...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| O rosa bella | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Untexted a 4 (B (1a pars) / N (2a pars)) | Anonymous, composer | 4 voices | Renaissance | Pieces | |||||
| Two Ayres for Lyra Viol (from the Prissylla Herbert manuscript, 1655) | Anonymous, composer | 1655 | viol | Baroque | Airs | ||||
| Concerto in F major | Anonymous, composer | F major | orchestra 2 oboes, strings and continuo |
Baroque | Concertos | ||||
| Concerto grosso in F major, S-L Saml.Engelhart 197 | Anonymous, composer | B flat major | 2 recorders, 2 violins and continuo | Baroque | Concerti grossi | ||||
| Violin Sonata in B-flat major | Anonymous, composer | B flat major | violin and continuo | Baroque | Sonatas | ||||
| Trio Sonata in D major | Anonymous, composer | D major | 2 flutes and continuo | Baroque | Sonatas | ||||
| Hino de S. M. F. a Senhora D. Maria II (Hymno de S.M.F. a Senhora D. Maria 2ª) | Anonymous, composer | voice and piano | Romantic | Secular hymns | |||||
| Christus factus est in D major | Anonymous, composer | D major | Romantic | ||||||
| In omnem terram | Anonymous, composer | D major | mixed chorus and orchestra | Romantic | Offertories, Sacred choruses | ||||
| Dextera Domini in D major | Anonymous, composer | D major | mixed chorus and strings | Romantic | Offertories, Sacred choruses | ||||
| Constitues eos principes | Anonymous, composer | D major | mixed chorus and orchestra | Romantic | Graduals | ||||
| O Beate Sebastiane | Anonymous, composer | F major | Romantic | ||||||
| Jaculatórias de São Sebastião | Anonymous, composer | D major | Romantic | ||||||
| Livre de musique de Béziers (Livre de musique de la basilique Saint-Aphrodise de Béziers Messes, Proses, Hymnes, Magnificat, pour toucher sur l'orgue) |
Anonymous, composer | 1735 | Baroque | ||||||
| Concerto grosso in B-flat major | Anonymous, composer | B flat major | 2 oboes, 2 violins and continuo | Baroque | Concerti grossi | ||||
| Bassoon Sonata in E-flat major | Anonymous, composer | E flat major | bassoon and bass bassoon and continuo 2 bassoons |
Classical | Sonatas | ||||
| Mon tot ma perfaytes | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Plus que pantofles de bone | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Cello Sonata in G major | Anonymous, composer | G major | cello and continuo | Baroque | Sonatas | ||||
| Cello Sonata in G major | Anonymous, composer | G major | cello and continuo | Baroque | Sonatas | ||||
| Sonata in B-flat major | Anonymous, composer | B flat major | violin, cello and continuo | Baroque | Sonatas | ||||
| Sonata in D major | Anonymous, composer | D major | violin, cello and continuo | Baroque | Sonatas | ||||
| Sonata in E minor | Anonymous, composer | E minor | violin, cello and continuo | Baroque | Sonatas | ||||
| Marsz z Pułku Gwardyi Polskiéy | Anonymous, composer | piano | Romantic | Marches, Mazurkas | |||||
| Terpsychora (Czyli zbiór naynowszych i naybardziey ulubionych w Towarzystwach Warszawskich rozmaitych tanców na piano-forte. / Receuil des danes qui on été joueés aux bals donnés chez Son Altesse le Pce. Menzykow et Son Exelence Mr. le Comte Gołowkin pendant le séjour de S. M. I. Empereur, Roi de Pologne à Troppau. (No.10)) | Anonymous, composer | piano | Romantic | Dances | |||||
| Eckensteher Galopp (Nach dem Eckensteherliede aus 'Nante im Verhör' und Dombrowski Mazureck : beide mit allgemeinem Beifall auf den Maskenbällen im Collosseum aufgeführt) | Anonymous, composer | D major | piano | Romantic | Galops, Mazurkas | ||||
| Marsch der Israelitischen National Garde in Warschau (Marsz staro zakonnych Gwardyi Narodowej) | Anonymous, composer | C major | piano | Romantic | Marches | ||||
| Dziś nie mam już spieszyć się gdzie | Anonymous, composer Zofia Bajkowska, librettist |
E minor | voice and piano | Early 20th century | Songs | ||||
| Pokusa walc | Anonymous, composer | E flat major | voice and piano | Romantic | Waltzes, Songs | ||||
| Violin Sonata in D major | Anonymous, composer | D major | violin and continuo | Baroque | Sonatas | ||||
| Harpsichord Sonata in F major | Anonymous, composer | F major | D-SWl Mus.269b | harpsichord keyboard |
Classical | Sonatas | |||
| Sonata for Violin and Cello in A major, D-SWl Mus.479 | Anonymous, composer | A major | violin and cello | Baroque | Sonatas | ||||
| Zbiór naynowszych tańców (Zbiór naynowszych tańców granych na balach, redutach i maskaradach warszawskich ułożone na pianoforte. No.[1].) | Anonymous, composer | piano | Romantic | Dances | |||||
| Marche funèbre de Nicholas Alexandrowitch | Anonymous, composer | orchestra | Romantic | Funeral marches | |||||
| 5 Harpsichord Concertos | Anonymous, composer | I-MC 1-A-14 | harpsichord and orchestra | Classical | Concertos | ||||
| Jauchzet dem Herren, alle Welt - Mein Herz ist bereitet | Anonymous, composer | Baroque | |||||||
| Brilliant Variations by a Lady of Boston (On false one I lover the fromLa Sonnambula) | Anonymous, composer | piano | Romantic | Variations | |||||
| Bevare Gud vår kung | Anonymous, composer | B major | Romantic | ||||||
| Göta livgardes marsch | Anonymous, composer | E flat major | wind ensemble, brass ensemble and percussion | Romantic | Marches | ||||
| Trio Sonata in G major (Sonata â Trè in G. per il Flauto Primo Flauto Secondo e Viola di Br: Obligato) | Anonymous, composer | G major | 1766 | 2 flutes and viola | Classical | Sonatas | |||
| Musyk Voor De Fiool Anno 1739 | Anonymous, composer | 1738 | violin | Baroque | Pieces, Minuets, Airs, Marches | ||||
| Musyk Voor De Fluyt Anno 1739 (Musijk Voor De Fluijt Anno 1739) | Anonymous, composer | 1739 | flute recorder |
Baroque | Pieces, Minuets, Marches | ||||
| Concerto in G major | Anonymous, composer | G major | flute, 2 violins and continuo | Baroque | Concertos | ||||
| Flute Concerto in G major | Anonymous, composer | G major | flute, strings and continuo | Baroque | Concertos | ||||
| The Holly and the Ivy | Anonymous, composer | voice | Traditional (folk) | Carols | |||||
| Ach Gott vom Himmel sieh daher | Anonymous, composer | E minor | 1630 | organ | Baroque | Chorale preludes | |||
| Schiller-Fest-Marsch (Die Melodien stammen aus Schillerliedern von Franz Schubert) | Anonymous, composer | D major | Romantic | Marches | |||||
| Sonata in D major | Anonymous, composer | D major | 2 trumpets, violone and continuo 2 trumpets and continuo |
Baroque | Sonatas | ||||
| Sonata in D minor | Anonymous, composer | D minor | recorder and continuo | Baroque | Sonatas | ||||
| Karlsbader Galop und Vivat-Walzer (Der allgemein beliebte Karlsbader Galop und Vivat-Walzer) | Anonymous, composer | piano | Romantic | Galops, Waltzes | |||||
| Spanische Nationaltaenze | Anonymous, composer | piano | Romantic | Dances | |||||
| Pohlnischer Reise-Marsch | Anonymous, composer | piano | Romantic | Marches | |||||
| Das Herzensload | Anonymous, composer A. Schritt, librettist |
D flat major | voice and piano | Romantic | Songs | ||||
| Dejlig er den Himmel blaa | Anonymous, composer Nikolaj Frederik Severin Grundtvig, librettist |
D major | Romantic | ||||||
| Den Skønne gaar ind i sit attende Aar | Anonymous, composer Erik Bøgh, librettist |
D major | Romantic | ||||||
| Der gaar Dans i Borgegaard | Anonymous, composer Danish Folk Songs, librettist |
G major | Romantic | ||||||
| Der gaar Dans paa Riber Bro | Anonymous, composer | G major | Romantic | ||||||
| Der kommer en Bonde ridendes | Anonymous, composer | F major | Romantic | ||||||
| Der ligger et Slot i Vesterhav | Anonymous, composer | G major | Romantic | ||||||
| Viola da Gamba Sonata in A major | Anonymous, composer | A major | viol and continuo | Baroque | Sonatas | ||||
| Der var en Konning i Lejre | Anonymous, composer Adam Oehlenschläger, librettist |
A major | Romantic | ||||||
| Sonata in D major | Anonymous, composer | D major | violin, viol and continuo | Baroque | Sonatas | ||||
| Der var engang en tapper Mand | Anonymous, composer Knud Lyne Rahbek, librettist |
C major | Romantic | ||||||
| Det gamle Træ, O, lad det staa | Anonymous, composer Hans Christian Andersen, librettist |
F major | Romantic | ||||||
| Det gaar saa herlig overalt | Anonymous, composer Jens Baggesen, librettist |
C major | Romantic | ||||||
| Fragments de 'La muette de Portici' (Fragments de La muette de Portici (opéra d'Auber), arrangés en grande harmonie ou fanfare (ad libitum) pour le festival de l'Exposition Universelle de 1867) | Anonymous, composer | E flat major | wind ensemble, brass ensemble and percussion | Romantic | Paraphrases | ||||
| 10 violin sonatas | Anonymous, composer | violin and continuo | Baroque | Sonatas | |||||
| Evig Naturen skænker sine Gaver | Anonymous, composer Adam Oehlenschläger, librettist |
C major | Romantic | ||||||
| Farvel mit Fødeland jeg byder | Anonymous, composer | G major | Romantic | ||||||
| Farvel, mit elskte Fødeland | Anonymous, composer | F major | Romantic | ||||||
| 17 Cello Sonatas | Anonymous, composer | cello and continuo | Baroque | Sonatas | |||||
| Oboe Sonata in B-flat major | Anonymous, composer | B flat major | oboe and continuo | Baroque | Sonatas | ||||
| Recorder Sonata in D minor | Anonymous, composer | D minor | recorder and continuo | Baroque | Sonatas | ||||
| In Nomine à 5, VdGS 1561 | Anonymous, composer | VdGS 1561, MB 45/47 | 5 Unspecified instruments 5 viols |
Renaissance | In nomines | ||||
| Dyb af Kærlighed | Anonymous, composer | E flat major | Romantic | ||||||
| Ramund | Anonymous, composer | D major | Classical | ||||||
| En Skaal for det blinkende Søernes Baand | Anonymous, composer Christian Richardt, librettist |
B flat major | Romantic | ||||||
| Regnar Lodbroks Dødssang | Anonymous, composer | G major | Romantic | ||||||
| Richers Hornpipe | Anonymous, composer | D major | Romantic | ![]() |
|||||
| Gyng nu stille i din Vugge | Anonymous, composer Bernhard Severin Ingemann, librettist |
E flat major | Romantic | ||||||
| Rose of Drishane Hornpipe | Anonymous, composer | D major | Romantic | ||||||
| Minuetto con variazioni | Anonymous, composer | F major or G major | Classical | Minuets | |||||
| Roseland Hill Hornpipe | Anonymous, composer | G major | Early 20th century | ||||||
| 9 Sonatas for Violin, Cello and Organo | Anonymous, composer | violin, cello and continuo | Baroque | Sonatas | |||||
| Dezesseis Obras de Compositores Anônimos do Caderno Nº1 de João Miguel Mohana (Caderno Nº1 de João Miguel Mohana) | Anonymous, composer | 1952 | Early 20th century | ||||||
| Recorder Sonata in C major | Anonymous, composer | C major | 1750 | Baroque | |||||
| Buonaparte's Siegesmarsch bey Marengo | Anonymous, composer | E flat major | piano | Classical | Marches | ||||
| Oboe Concerto in B-flat major, | Anonymous, composer | B flat major | Baroque | ||||||
| Cé qu'è lainô | Anonymous, composer | 1603 | 3 voices | Renaissance | Secular hymns | ||||
| Chant guerrier (Chant guerrier adressé aux Prussiens en May 1813 / Deux romances et deux airs allemands) | Anonymous, composer | voice and piano | Romantic | Romances, Airs | |||||
| Der Coffee besungen | Anonymous, composer | continuo and 2 sopranos | Classical | Songs |
©2026 CMI