| Composition |
Published |
| Musicalischer Andachten, Teil 3 (Hammerschmidt, Andreas) for soprano, 2 violins and continuo or tenor, 2 violins and continuo or bass, 2 trombones and continuo or 2 violins, continuo and bass or tenor, bass, 2 violins and continuo or 2 tenors, 2 violins and continuo or soprano, tenor, 2 violins and continuo or soprano, bass, bassoon, violin and continuo or tenor, bass, bassoon, violin and continuo or 2 sopranos, 2 violins and continuo |
1642 |
| Isagoge artis musicae (Demantius, Christoph) |
|
| Musicalischer Andacht, Teil 1 (Hammerschmidt, Andreas) for voice and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo |
1638 |
| Musicalischer Andacht, Teil 1 (Hammerschmidt, Andreas) for voice and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo |
|
| Musicalischer Andachten, Teil 2 (Hammerschmidt, Andreas) for 4 voices and continuo or 5 voices and continuo or 5 voices or 6 voices and continuo or 6 voices |
1641 |
| Musicalischer Andachten, Teil 4 (Hammerschmidt, Andreas) for 5 voices and continuo or 6 voices and continuo or 7 voices and continuo or 8 voices and continuo or 9 voices and continuo or 8 voices, 2 violins and continuo or 12 voices and continuo |
|