| Title | Chôros No. 1 |
| Alternative title | Chôro típico |
| Creators | Heitor Villa-Lobos (composer) |
| Opus | W161 |
| Instrumentation | guitar |
| Number of movements | — |
| Keys | E minor |
| Composed | 1920 |
| First published | 1920 |
| Dedication | Ernesto Nazareth |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | 180 |
| Number of measures | — |
| Composition types | Chorinhos |
| Period | Early 20th century |
| View on IMSLP | ![]() |
| Code |
(No sections)
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Complete | strings | Luigi Rago |
| view | Complete | flute and piano oboe and piano clarinet and piano saxophone and piano bassoon and piano |
Jacques Larocque |
| view | Complete | piano | Jasmyne Chouinard |
| view | Complete | 4 saxophones | Bruno David |
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Heitor Villa-Lobos | 1959 | Complete Score · view |
| view | Complete | — | Muzgiz | 1989 | Complete Score · view |
| view | Complete | Arrangement for strings |
— | — | Complete Score · view Complete parts · view |
| view | Complete | Arrangement for flute and piano oboe and piano clarinet and piano saxophone and piano bassoon and piano |
Saint-Maurice | — | Piano Score (Flute) · view Piano Score (Oboe) · view Piano Score (Clarinet or Soprano, Tenor sax) · view Piano Score (Bassoon) · view Piano Score (Alto, Baritone sax) · view Flute · view Oboe · view Clarinet or Soprano, Tenor sax · view Bassoon · view Alto, Baritone sax · view |
| view | Complete | Arrangement for piano |
Saint-Maurice | — | Complete Score · view |
| view | Complete | Arrangement for 4 saxophones |
— | — | Complete Score · view Soprano Part · view Alto Part · view Tenor Part · view Baritone Part · view |
| Details | Performers | Files |
|---|---|---|
| view | Luciano Tavares (guitar) | Complete Performance · file |
| view | Luciano Tavares (guitar) | Complete Performance · file |
©2025 David P. Anderson