Compositions with Thomas Moore as librettist
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| The Garland ("By Celia's Arbour All the Night") (Der Blumenkranz ("An Celias Baum in stiller Nacht")) | Felix Mendelssohn, composer Thomas Moore, librettist |
MWV K 44 | 1829 | voice and piano | Romantic | Songs |  |
 |
|
| 4 Irische Lieder | Ignaz Brüll, composer Thomas Moore, librettist |
Op.77 | voice and piano | Romantic | Lieder | |
|
||
| Elégie | Henri Duparc, composer Thomas Moore, librettist |
F minor | 1874 | voice and piano | Romantic | Elegies, Melodies | |
|
|
| Bon-Bon Suite | Samuel Coleridge-Taylor, composer Thomas Moore, librettist |
Op.68 | baritone, mixed chorus and orchestra | Romantic | Suites | |
|
||
| 20 Irish Songs | Ludwig van Beethoven, composer Thomas Moore, librettist |
WoO 154 | 1812 | voice, violin, cello and piano 2 voices, violin, cello and piano |
Classical | Folksongs | |
|
|
| Irlande (Neuf Mélodies irlandaises) | Hector Berlioz, composer Thomas Moore, librettist Thomas Gounet, librettist |
Œuvre 2 | 1829 | tenor and piano tenor, baritone and piano soprano, alto and piano tenor, bass, male chorus and piano tenor, male chorus and piano soprano, mixed chorus and piano tenor, mixed chorus and piano soprano and piano |
Romantic | Melodies | |
|
|
| La belle voyageuse (Ballade) | Hector Berlioz, composer Thomas Moore, librettist Thomas Gounet, librettist |
A major | H 42 (3 extant versions) | 1829 | mezzosoprano and piano mezzosoprano and orchestra female chorus and orchestra |
Romantic | Ballads | |
|
| Chant sacré | Hector Berlioz, composer Thomas Moore, librettist Thomas Gounet, librettist |
A flat major | Op.2 No.6 | 1829 | mixed chorus and piano mixed chorus and orchestra |
Romantic | Secular choruses | |
|
| Hélène (Ballade) | Hector Berlioz, composer Thomas Moore, librettist Thomas Gounet, librettist |
G major | Op.2 No.2 | 1829 | 2 tenors, 2 basses and piano male chorus and piano 2 tenors, 2 basses and orchestra male chorus and orchestra |
Romantic | Ballads | |
|
| A Canadian Boat Song | Maurice Arnold, composer Thomas Moore, librettist |
B major | mixed chorus and piano | Romantic | Songs | |
|
||
| The Young May Moon (Irish Air, the words arranged for choir by C.H. Lloyd) | Charles Harford Lloyd, composer Thomas Moore, librettist |
C major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Romantic | Airs, Folksongs, Secular choruses | |
|
||
| 2 Poems after Texts by Thomas Moore (Zwei Gedichte v. Thomas Moore f. Männerchor, m. deutschem u. engl. Text.) | Adolf Terschak, composer Thomas Moore, librettist |
Op.173 | male chorus | Romantic | Secular choruses | |
|
||
| O Say Thou Best and Brightest | Charles Wels, composer Thomas Moore, librettist |
A major | voice and piano | Romantic | Songs | |
|
||
| This Earth Were Heaven | John Lewis Browne, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| Calm Be Thy Sleep | Louis Elbel, composer Thomas Moore, librettist |
voice and piano | Early 20th century | Songs | |
|
|||
| Echoes. A Four-Part Song. | Arthur Sullivan, composer Thomas Moore, librettist |
E major | soprano, alto, tenor, bass and piano mixed chorus and piano |
Romantic | Songs | |
|
||
| Echoes (Madrigal for Mixed Voices.) | Frederick Brandeis, composer Thomas Moore, librettist |
G minor | mixed chorus | Romantic | Madrigals | |
|
||
| When he who adores thee | Herbert Hughes, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| 6 Irish Folksongs | Charles Villiers Stanford, composer Thomas Moore, librettist |
Op.78 | mixed chorus | Romantic | Folksongs | |
|
||
| Mary's Tears (Mary's Tears. A Favorite Songs from Moore's Sacred Melodies composed by O. Shaw. Sung at the Oratorio performed by the Handel & Haydn Society in Boston, July 5th 1817 in the presence of the President of the United States.) | Oliver Shaw, composer Thomas Moore, librettist |
B flat major | voice and piano | Classical | Sacred songs | |
|
||
| All things fair and bright are thine (All things fair & bright are thine. A Favorite Duet, from Moore's Sacred Melodies, com. by O. Shaw. Sung at the Oratorio performed by the Handel & Haydn Society in Boston, July 5th 1817 in the presence of the President of the United States.) | Oliver Shaw, composer Thomas Moore, librettist |
E flat major | 2 voices and piano | Classical | Duets, Sacred songs | |
|
||
| Moore's Irish Melodies (A Selection of Irish Melodies with Symphonies and Accompaniments by Sir John Stevenson, Mus Doc and Characteristic words by Thomas Moore Esq.) | Various, composer Thomas Moore, librettist |
voice and piano 2 voices and piano 3 voices and piano soprano, alto, tenor, bass and piano piano 4 hands |
Romantic | Folksongs | |
|
|||
| I'll Weep With Thee | John Augustus Darling, composer Thomas Moore, librettist |
C major | voice and piano | Romantic | Songs | |
|
||
| The Fairy Boat (Quartette) | Adolph Martin Foerster, composer Thomas Moore, librettist |
E major | Op.4 | soprano, alto, tenor, bass and piano mixed chorus and piano |
Romantic | Quartets, Secular choruses | |
|
|
| A Series of Sacred Songs, Duetts and Trios, the words by Thomas Moore Esqr. the Music composed and selected by Sir John Stevenson, Mus.Doc. and Mr. Moore (Moore's Sacred Melodies) | John Stevenson, composer Thomas Moore, librettist |
voice and piano 2 voices and piano 3 voices and piano |
Romantic | Sacred songs | |
|
|||
| The Minstrel Boy (Song) | Harry Rowe Shelley, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| How Dear To Me the Hour (Four-Part Song. Prize Arrangement of an Ancient Irish Air, ''Feis Ceoil'' (Irish Musical Festival), 1900.) | Alicia Adelaide Needham, composer Thomas Moore, librettist |
G major | mixed chorus | Romantic | Songs | |
|
||
| When Love is Kind (Old Melody) | Amelia Lehmann, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| Dance the Romaika (Waltz-Song) | Harriet Ware, composer Thomas Moore, librettist |
F major | voice and piano | Early 20th century | Waltzes, Songs | |
|
||
| Fairy Bark (A song of youth) | Harriet Ware, composer Thomas Moore, librettist |
voice and piano | Early 20th century | Songs | |
|
|||
| The Steersman's Song (Part-song for chorus of men's voices) | Arthur Bergh, composer Thomas Moore, librettist |
B flat major | male chorus | Early 20th century | Secular choruses | |
|
||
| Oh Where Art Thou Dreaming | Frederic Abel, composer Thomas Moore, librettist |
E flat major | soprano and piano | Romantic | Songs | |
|
||
| Whene'er I See Those Smiling Eyes (A ballad) | Mrs. George H. Andrews, composer Thomas Moore, librettist |
F major | voice and piano | Romantic | Ballads | |
|
||
| The Harp That Once Through Tara's Hall | Anonymous, composer Thomas Moore, librettist |
D major | voice and piano | Romantic | Airs | |
|
||
| The Fire-Worshippers (A dramatic cantata; Lalla Rookh) | Granville Bantock, composer Thomas Moore, librettist |
voices, mixed chorus and orchestra | Romantic | Secular cantatas | |
|
|||
| Two Songs from Lalla Rookh | Georg Gerson, composer Thomas Moore, librettist |
A minor, A major | G.179, 180 | 1821 | voice and piano | Romantic | Songs | |
|
| The Time I’ve Lost In Wooing (Song of Thomas Moore) | Georg Gerson, composer Thomas Moore, librettist |
B flat major | G.187 | 1822 | voice and piano | Romantic | Songs | |
|
| Then, Fare Thee Well (Song of Thomas Moore) | Georg Gerson, composer Thomas Moore, librettist |
G minor | G.189 | 1822 | voice and piano | Romantic | Songs | |
|
| Old Irish Air: "The harp that once thro’ Tara’s halls" (Altes irisches Lied. "Einst klang in Tara Harfenton") | Paul Hindemith, composer Thomas Moore, librettist |
1940 | soprano, alto, tenor, bass, harp, piano and strings | Modern | Folksongs | |
|
||
| 9 English Songs (For Soprano or Mezzo-Soprano and Piano) | Paul Hindemith, composer Charles Wolfe, librettist Thomas Moore, librettist Percy Bysshe Shelley, librettist Samuel Lover, librettist Francis Thompson, librettist William Blake, librettist Walt Whitman, librettist Robert Herrick, librettist William Oldys, librettist |
1942 | voice and piano | Modern | Songs | |
|
||
| When Time, who steals our years away (A Ballad) | Thomas Moore, composer Thomas Moore, librettist |
voice and piano | Classical | Ballads | |
|
|||
| Oh Lady Fair! (A Ballad for Three Voices) | Thomas Moore, composer Thomas Moore, librettist |
3 voices and piano | Classical | Ballads | |
|
|||
| Songs and Glees (Songs and Glees. The Music and Words by Thomas Moore Esqr.) | Thomas Moore, composer Thomas Moore, librettist |
voice and piano 3 voices |
Classical | Songs, Glees | |
|
|||
| Tell Me Not of Joys Above (2 Songs from Lalla Rookh) | Georg Gerson, composer Thomas Moore, librettist |
A minor | G.179 | 1821 | voice and piano | Romantic | Songs | |
|
| A Spirit There Is (2 Songs from Lalla Rookh) | Georg Gerson, composer Thomas Moore, librettist |
A major | G.180 | 1821 | voice and piano | Romantic | Songs | |
|
| A Selection of Popular National Airs (A Selection of Popular National Airs, with Symphonies and Accompaniments by [Sir John Stevenson, Mus.Doc.] [Henry R. Bishop] The words by Thomas Moore, Esqr.) | Various, composer Thomas Moore, librettist |
voice and piano 4 voices and piano |
Classical | Folksongs | |
|
|||
| Fly to the Desert (Fly to the Desert [A Ballad], the Words from "Lalla Rookh," Written by Thomas Moore Esqr. The Music Composed by G. Kiallmark.) | George Kiallmark, composer Thomas Moore, librettist |
C major | voice and piano | Classical | Ballads, Songs | |
|
||
| Fanny Dearest (Fanny Dearest, A Ballad. Music and Words by Thomas Moore Esq.) | Thomas Moore, composer Thomas Moore, librettist |
E major | voice and piano | Classical | Ballads | |
|
||
| Araby's Daughter ((The Old Oaken Bucket)) | George Kiallmark, composer Thomas Moore, librettist |
B flat major | voice and piano | Classical | Songs | |
|
||
| I Ne'er On That Lip (Song) | Carlo Bassini, composer Thomas Moore, librettist |
C major | voice and piano | Romantic | Songs | |
|
||
| I'll Let You | Carlo Bassini, composer Thomas Moore, librettist |
C major | voice and piano | Romantic | Songs | |
|
||
| Oft in the Stilly Night | John Rogers Thomas, composer Thomas Moore, librettist |
C major | 3 voices and piano 4 voices and piano |
Romantic | Songs | |
|
||
| Two Poems by Thomas Moore | João Carlos Camacho, composer Thomas Moore, librettist |
Various | 2015 | female chorus | Modern | Secular choruses | |
|
|
| The Wood Pecker (The Woodpecker; The Wood-Pecker / A Ballad) | Michael Kelly, composer Thomas Moore, librettist |
B flat major | voice and piano | Classical | Ballads | |
|
||
| Song of the Nubian Girl | Luigi Denza, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| Oh! Breathe Not His Name | Charles Wood, composer Thomas Moore, librettist |
G flat major | Early 20th century | Folksongs | |
|
|||
| Good Night! (Rondeau) | Emil Sjögren, composer Thomas Moore, librettist |
C major | 1899 | voice and piano | Romantic | Songs | |
|
|
| A Canadian Boat-Song | Thomas Moore, composer Thomas Moore, librettist |
F major | 3 voices and piano | Romantic | Songs | |
|
||
| If thou wouldst have me sing and play (A Ballad) | Thomas Moore, composer Thomas Moore, librettist |
D major | voice and piano | Classical | Ballads | |
|
||
| Rose! thou art the sweetest flower (A Ballad) | Frances Arkwright, composer Thomas Moore, librettist |
C major | Classical | Ballads | |
|
|||
| The Separation (Ballad) | James Gaspard Maeder, composer Thomas Moore, librettist |
voice and piano | Romantic | Ballads | |
|
|||
| Oft, In The Stilly Night | Roy Talbot, composer Thomas Moore, librettist |
A flat major | 1970 | 4 voices male chorus |
Romantic | Songs | |
|
|
| Believe Me If All Those Endearing Young Charms (Irish Air "My Lodging is in Cold Ground") | Catharina Josepha Pratten, composer Thomas Moore, librettist |
Romantic | Airs, Folksongs | |
|
||||
| The Gypsy Prince | Michael Kelly, composer Thomas Moore, librettist |
voices and orchestra | Classical | Comic operas | |
|
|||
| Sacred Songs, Ancient and Modern (Sacred songs, ancient and modern : a complete collection of sacred vocal music by celebrated composers, suitable for home use) | John Hiles, composer Charlotte Alington Barnard, librettist Joseph Edwards Carpenter, librettist Thomas Moore, librettist John Henry Newman, librettist Isaac Watts, librettist Thomas Grinfield, librettist Felicia Hemans, librettist Henry Kirke White, librettist Ben Jonson, librettist Catherine Winkworth, librettist Adelaide A. Procter, librettist |
voice and piano | Romantic | Sacred songs | |
|
|||
| Horch! Die Vesper-Hymne Klingt, Op. 153 | Franz Paul Lachner, composer Thomas Moore, librettist |
Op.153 | 2 male chorus | Romantic | Sacred choruses | |
|
||
| The Harp that Once Through Tara's Halls (Gramachree) | John Stevenson, composer Thomas Moore, librettist |
Classical | Songs | |
|
||||
| Willst du mein sein | Erik Meyer-Helmund, composer Thomas Moore, librettist |
voice and piano | Romantic | Lieder | |
|
|||
| Thou Hast Sent Me a Flowery Wreath | Henry Kleber, composer Thomas Moore, librettist |
B flat major | voice and piano | Romantic | Songs | |
|
||
| Tis the Last Rose of Summer | William Dressler, composer Thomas Moore, librettist |
F major | voice and piano voice and harp |
Romantic | Songs | |
|
||
| Association Hymn Book (For Use in Meetings for Men) | YMCA, composer Sarah Flower Adams, librettist Cecil Frances Alexander, librettist Saint Anatolius, librettist Harriet Auber, librettist Henry Williams Baker, librettist John Bakewell, librettist Sabine Baring-Gould, librettist Bernard Barton, librettist Benjamin Beddome, librettist Louis FitzGerald Benson, librettist Edward Henry Bickersteth, librettist Philip Paul Bliss, librettist John Ernest Bode, librettist Horatius Bonar, librettist Jane Laurie Borthwick, librettist John Bowring, librettist Matthew Bridges, librettist William Cullen Bryant, librettist Phoebe Cary, librettist John Cawood, librettist John Cennink, librettist Alexander Clark, librettist Elizabeth Cecelia Clephane, librettist Samuel O'Malley Cluff, librettist Bernard de Cluny, librettist Elizabeth Harris Codner, librettist George Cooper, librettist Anne Ross Cousin, librettist William Cowper, librettist Arthur Cleveland Coxe, librettist George Croly, librettist Fanny Crosby, librettist William Chatterton Dix, librettist William Orcutt Cushing, librettist Edward Arthur Dayman, librettist George Washington Doane, librettist Philip Doddridge, librettist Sarah Doudney, librettist Henry Downton, librettist George Duffield Jr., librettist James Edmeston, librettist John Ellerton, librettist Charlotte Elliott, librettist Emily Elizabeth Steele Elliott, librettist Frederick William Faber, librettist Reverend John Fawcett, librettist Sarh Laurie Borthwick Findlater, librettist Joseph Henry Gilmore, librettist Sir Robert Grant, librettist Joseph Grigg, librettist Eliza Hamilton, librettist Arabella Katherine Hankey, librettist Lewis Hartsough, librettist Thomas Hastings, librettist Frances Ridley Havergal, librettist Hugh Reginald Haweis, librettist Annie Sherwood Hawks, librettist George Heath, librettist Reginald Heber, librettist Edward Hopper, librettist William Walsham How, librettist Ralph Erskine Hudson, librettist William Hurn, librettist John Keble, librettist George Keith, librettist Thomas Kelly, librettist Thomas Ken, librettist Mary Artemisia Lathbury, librettist Samuel Longfellow, librettist William Dunn Longstaff, librettist Martin Luther, librettist Henry Francis Lyte, librettist Norman Macleod, librettist Daniel March, librettist Samuel Medley, librettist John Samuel Bewley Monsell, librettist James Montgomery, librettist Thomas Moore, librettist Edward Mote, librettist Gerard Moultrie, librettist John Mason Neale, librettist John Henry Newman, librettist John Newton, librettist James Nicholson, librettist Horatio Richmond Palmer, librettist Ray Palmer, librettist William Williams Pantycelyn, librettist Edward Perronet, librettist Sylvanus Dryden Phelps, librettist Folliott Sandford Pierpoint, librettist Thomas Joseph Potter, librettist Elizabeth Prentiss, librettist Rossiter Worthington Raymond, librettist Andrew Reed, librettist John Henry Sammis, librettist Ira David Sankey, librettist Joseph Medlicott Scriven, librettist Robert Seagrave, librettist Edmund Hamilton Sears, librettist William Fiske Sherwin, librettist William True Sleeper, librettist Samuel Francis Smith, librettist Anne Steele, librettist Samuel Stennett, librettist Samuel John Stone, librettist Augustus Toplady, librettist Lawrence Tuttiett, librettist John Hart Stockton, librettist Martha Matilda Stockton, librettist Samuel John Stone, librettist Hugh Stowell, librettist Alfred Tennyson, librettist Godfrey Thring, librettist Dorothy Ann Thrupp, librettist Henry Twells, librettist William Walford, librettist Annie Louisa Walker, librettist James Cowden Wallace, librettist George Augustus Warburton, librettist Henry Ware, librettist Anna Bartlett Warner, librettist Isaac Watts, librettist Marcus Morris Wells, librettist Charles Wesley Sr., librettist Henry Kirke White, librettist Catherine Winkworth, librettist Anna Laetitia Waring, librettist Frederick Whitfield, librettist William Whiting, librettist John Greenleaf Whittier, librettist Daniel Webster Whittle, librettist Helen Maria Williams, librettist William Ellsworth Witter, librettist Christopher Wordsworth, librettist John Henry Yates, librettist |
male chorus | Early 20th century | Hymns | |
|
|||
| The Timeworn Lute | George Kingsley, composer Thomas Moore, librettist |
F major | voice and piano | Romantic | Songs | |
|
||
| I Knew By The Smoke That So Gracefully Curl'd | Joe Wilson, composer Thomas Moore, librettist |
voice and piano | Classical | Songs | |
|
|||
| The Lighthouse | Joe Wilson, composer Thomas Moore, librettist |
voice and piano | Classical | Songs | |
|
|||
| The Tear | Ferdinand Hiller, composer Thomas Moore, librettist |
F major | 1838 | voice and piano | Romantic | Songs | |
|
|
| Motet for Four Voices (Since First Thy Word Awaked My Heart) | Horace Hollinrake, composer Thomas Moore, librettist |
B flat major | 1925 | soprano, alto, tenor and bass | Early 20th century | Motets | |
|
|
| Here in this lone little wood (The Woodpecker; The Wood-Pecker, A Ballad) | John Stevenson, composer Thomas Moore, librettist |
F major | voice and piano | Classical | Ballads | |
|
||
| Come Take the Harp (A Canzonett) | John Stevenson, composer Thomas Moore, librettist |
B flat major | voice and piano | Classical | Canzonettas | |
|
||
| Those Ev'ning Bells | John Stevenson, composer Thomas Moore, librettist |
F major | voice and piano | Classical | Songs | |
|
||
| The Maid of Marlivale (A Ballad) | John Stevenson, composer Thomas Moore, librettist |
C major | voice and piano voice and harp |
Classical | Ballads | |
|
||
| Mary, I believed thee true (Scotch Song) | John Stevenson, composer Thomas Moore, librettist |
C major | voice and piano voice and harp |
Classical | Songs | |
|
||
| The Timid Tear | Augustus Barry, composer Thomas Moore, librettist |
E flat major | voice and piano | Classical | Songs | |
|
||
| She is Far from the Land | Frank Lambert, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| Ship Ahoy! (Ship A Hoy!) | Peter K. Moran, composer Thomas Moore, librettist |
voice and piano | Classical | Ballads | |
|
|||
| The Evening Gun (adapted to a favourite melody, arranged for the piano forte by Ch. Zeuner) | Charles Zeuner, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| But who shall see the glorious day (But who shall see the glorious day: sacred song & chorus) | George James Webb, composer Thomas Moore, librettist |
A major | voice, mixed chorus and piano | Romantic | Sacred songs, Sacred choruses | |
|
||
| Farewell Bessy | Thomas Moore, composer Thomas Moore, librettist |
voice and piano | Classical | Songs | |
|
|||
| Sappho at her Loom (from Moore's "Evenings in Greece") | Henry Rowley Bishop, composer Thomas Moore, librettist |
E major | voice and piano | Romantic | Songs | |
|
||
| There's nothing true but heaven | Oliver Shaw, composer Thomas Moore, librettist |
F major | voice and piano | Classical | Sacred songs | |
|
||
| The bird let loose | Oliver Shaw, composer Thomas Moore, librettist |
B flat major | voice and piano | Classical | Sacred songs | |
|
||
| 2 Irische Lieder | Josef Gabriel Rheinberger, composer Thomas Moore, librettist |
JWV 141 | 1864 | voice and piano | Romantic | Lieder | |
|
|
| Fill high the cup | William Marshall, composer Thomas Moore, librettist |
B minor | voice and piano | Romantic | Songs | |
|
||
| Finden und Scheiden | Anton Hackel, composer Thomas Moore, librettist |
Op.80 | 2 voices and piano | Romantic | Duets | |
|
||
| Bendemeer's Stream (Irish Melody) | Alfred Scott Gatty, composer Thomas Moore, librettist |
Romantic | Folksongs | |
|
||||
| The Minstrel Boy | Sebastian Bensen Schlesinger, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| Mary, I believe thee true (A song with an accompaniment for the Piano Forte) | Thomas Moore, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| Calm Thy Sleep (A Ballad) | Thomas Moore, composer Thomas Moore, librettist |
B flat major | voice and piano | Romantic | Ballads | |
|
||
| When Time was Entwining | John Wall Callcott, composer Thomas Moore, librettist |
G major | 1803 | soprano, alto and bass mixed chorus |
Classical | Glees | |
|
|
| A Finland Love Song | Maude Valérie White, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| Serenade | Isaac Aaron Oppenheim, composer Thomas Moore, librettist |
A flat major | Op.10 No.2 | 1889 | voice and piano | Romantic | Songs | |
|
| When Thou Art Nigh | Isaac Aaron Oppenheim, composer Thomas Moore, librettist |
A major | Op.10, No.3 | 1889 | voice and piano | Romantic | Songs | |
|
| A Task of Love | Isaac Aaron Oppenheim, composer Thomas Moore, librettist |
E flat major | Op.4 | voice and piano | Romantic | Songs | |
|
|
| Love and Hope | Henry Rowley Bishop, composer Thomas Moore, librettist |
G major | voice and piano | Romantic | Songs | |
|
||
| Love Is a Hunter Boy | Henry Rowley Bishop, composer Thomas Moore, librettist |
G major | voice and piano | Romantic | Songs | |
|
||
| If I Speak to Thee in Friendship's Name | Henry Rowley Bishop, composer Thomas Moore, librettist |
D major | voice and piano | Romantic | Songs | |
|
||
| Tho' 'Tis All But a Dream | Henry Rowley Bishop, composer Thomas Moore, librettist |
D major | voice and piano | Romantic | Songs | |
|
||
| I Wish I Was by That Dim Lake | Henry Rowley Bishop, composer Thomas Moore, librettist |
A minor | voice and piano | Romantic | Songs | |
|
||
| M. P. (The Blue Stocking) | Thomas Moore, composer Thomas Moore, librettist |
voices and orchestra | Romantic | Comic operas | |
|
|||
| See, the Dawn from Heaven (Hymn, See the Dawn from Heaven, Air Sung at Rome on Christmas Eve, a popular national melody) | Henry Rowley Bishop, composer Thomas Moore, librettist |
G major | 2 sopranos, tenor and piano | Romantic | Hymns | |
|
||
| To Greece We Give Our Shining Blades | Henry Rowley Bishop, composer Thomas Moore, librettist |
F major | soprano, tenor, bass and piano | Romantic | Songs | |
|
||
| The Gazelle | Henry Rowley Bishop, composer Thomas Moore, librettist |
F major | 2 voices and piano | Romantic | Songs | |
|
||
| The Phantom Ship | Henry Rowley Bishop, composer Thomas Moore, librettist |
F major | voice and piano 3 voices and piano |
Romantic | Ballads | |
|
||
| Wind Thy Horn, My Hunter Boy | Henry Rowley Bishop, composer Thomas Moore, librettist |
E flat major | voice and piano | Romantic | Songs | |
|
||
| Friend of my soul (Trio for Three Soprano Voices) | Edward Walter Hamilton, composer Thomas Moore, librettist |
G major | 1873 | 3 sopranos and piano | Romantic | Trios, Songs | |
|
|
| Spring and Autumn (Four-Part Song) | John Thomas, composer Thomas Moore, librettist |
D major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Romantic | Songs | |
|
||
| Nourmahal's Song | Samuel Coleridge-Taylor, composer Thomas Moore, librettist |
voice and piano voice and orchestra |
Romantic | Songs | |
|
|||
| 'Tis Love that murmurs in my Breast (A glee for three voices) | John Stevenson, composer Thomas Moore, librettist |
E major | 3 voices | Classical | Glees | |
|
||
| Buds of roses, virgin flowers (a chearful glee, for 4 voices) | John Stevenson, composer Thomas Moore, librettist |
E flat major | alto, 2 tenors and bass | Classical | Glees | |
|
||
| When First I Met Thee | John Stevenson, composer Thomas Moore, librettist |
B major | voice and piano | Classical | Folksongs | |
|
||
| My Lodging Is On The Cold Ground (The Celebrated Mad song in "The Rivals") | Matthew Locke, composer Thomas Moore, librettist |
1665 | Classical | |
|
||||
| Farewell but when ever you welcome the hour (Favorite Songs and Ballads sung by Catharine Hayes) | Joseph Benedict, composer Thomas Moore, librettist |
voice and piano | Romantic | Songs | |
|
|||
| 2 Songs | Adolph Martin Foerster, composer Thomas Moore, librettist |
Op.74 | voice and piano | Romantic | Songs | |
|
©2026 CMI