| Composition |
Published |
| Fröhlicher Landmann, von der Arbeit zurückkehrend (No.10) from Arrangement of Fröhlicher Landmann, von der Arbeit zurückkehrend (No.10) from Album für die Jugend, Op. 68 (Schumann, Robert) for voice and piano |
1936 |
| Air: Haste thee, nymph (Part I No.6) from Arrangement of Air: Haste thee, nymph (Part I No.6) from L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) for female chorus and piano |
1929 |
| Air: Come and trip it (Part I No.7) from Arrangement of Air: Come and trip it (Part I No.7) from L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) for female chorus and piano |
1930 |
| Air: Oh, Let the Merry Bells Ring Out (Part I No.23) from Arrangement of Air: Oh, Let the Merry Bells Ring Out (Part I No.23) from L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) for female chorus and piano |
1930 |
| Air: There let Hymen oft appear (Part II No.30) from Arrangement of Air: There let Hymen oft appear (Part II No.30) from L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) for female chorus and piano |
1930 |
| Chorus: Ricevete, o padroncina (Act III, No.22) from Arrangement of Chorus: Ricevete, o padroncina (Act III, No.22) from Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for female chorus and piano |
1937 |
| Chorus: Amati constanti (Act III, Finale) from Arrangement of Chorus: Amati constanti (Act III, Finale) from Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for female chorus and piano |
1937 |
| Hirtenchor. Hier auf den Fluren (No.7) from Arrangement of Hirtenchor. Hier auf den Fluren (No.7) from Rosamunde, D.797 (Schubert, Franz) for female chorus and piano |
1936 |
| Arrangement of Selections from 16 Waltzes, Op. 39 (Brahms, Johannes) for female chorus and piano |
1938 |
| Waltz in A major (No.15) from Arrangement of Waltz in A major (No.15) from 16 Waltzes, Op. 39 (Brahms, Johannes) for female chorus and piano |
1938 |
| Marienwürmchen (No.14) from Arrangement of Marienwürmchen (No.14) from Liederalbum für die Jugend, Op. 79 (Schumann, Robert) for 3 voices |
1935 |
| Volksliedchen (No.2) from Arrangement of Volksliedchen (No.2) from Lieder und Gesänge, Vol.II, Op. 51 (Schumann, Robert) for female chorus |
1935 |
| Arrangement of Selections from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for 3 voices, mixed chorus and orchestra |
|
| Aria: Ombra mai fu (Act I) from Arrangement of Aria: Ombra mai fu (Act I) from Serse, HWV 40 (Handel, George Frideric) for female chorus and piano |
1930 |
| Scherzo (No.3) from Arrangement of Scherzo (No.3) from Symphony No. 9, D.944 (Schubert, Franz) for female chorus and piano |
1936 |
| Giovinette che fate all'amore (Act I) from Arrangement of Giovinette che fate all'amore (Act I) from Don Giovanni, K.527 (Mozart, Wolfgang Amadeus) for female chorus and piano |
1937 |
| Trio: Soave sia il vento (Act I Scene 2) from Arrangement of Trio: Soave sia il vento (Act I Scene 2) from Così fan tutte, K.588 (Mozart, Wolfgang Amadeus) for female chorus and piano |
1937 |
| Air: Ask if yon damas rose be sweet, (Act II, Scene 2, No.34) from Arrangement of Air: Ask if yon damas rose be sweet, (Act II, Scene 2, No.34) from Susanna, HWV 66 (Handel, George Frideric) for female chorus and piano |
1928 |
| Act II: Dryads, Sylvans (Air and Chorus) from Arrangement of Act II: Dryads, Sylvans (Air and Chorus) from The Triumph of Time and Truth, HWV 71 (Handel, George Frideric) for female chorus and piano |
|
| Act II: Pleasure submits to pain (Chorus) from Arrangement of Act II: Pleasure submits to pain (Chorus) from The Triumph of Time and Truth, HWV 71 (Handel, George Frideric) for female chorus and piano |
1932 |
| Air: Here amid the shady woods (Act III, Scene 1) from Arrangement of Air: Here amid the shady woods (Act III, Scene 1) from Alexander Balus, HWV 65 (Handel, George Frideric) for female chorus and piano |
1929 |
| Duet: Come, ever-smiling liberty (Part I, No.13b) from Arrangement of Duet: Come, ever-smiling liberty (Part I, No.13b) from Judas Maccabaeus, HWV 63 (Handel, George Frideric) for female chorus and piano |
1929 |
| Chorus: Oh the pleasure of the plains (Act 1, No.2) from Arrangement of Chorus: Oh the pleasure of the plains (Act 1, No.2) from Acis and Galatea, HWV 49 (Handel, George Frideric) for female chorus and piano |
1929 |
| Gavotte from Arrangement of Gavotte from Ottone, re di Germania, HWV 15 (Handel, George Frideric) for female chorus and piano |
1930 |
| Arrangement of Bastien und Bastienne, K.50/46b (Mozart, Wolfgang Amadeus) for female chorus and piano |
1937 |
| Chor der Houris. Schmücket die Stufen zu Allah’s Thron (Part III, No.18) from Arrangement of Chor der Houris. Schmücket die Stufen zu Allah’s Thron (Part III, No.18) from Das Paradies und die Peri, Op. 50 (Schumann, Robert) for female chorus and piano |
1936 |
| Das Veilchen, K.476 (Mozart, Wolfgang Amadeus) for voice and piano |
1937 |
| Aria: 'Ricetti gramezza e pavento' (No.5) from Arrangement of Aria: 'Ricetti gramezza e pavento' (No.5) from Non sa che sia dolore, BWV 209 (Bach, Johann Sebastian) for female chorus and piano |
1932 |
| Aria: 'Hört doch! der sanften Flöten Chor' (No.9) from Arrangement of Aria: 'Hört doch! der sanften Flöten Chor' (No.9) from Schleicht, spielende Wellen, BWV 206 (Bach, Johann Sebastian) for female chorus and piano |
1931 |
| Aria: 'Hört doch! der sanften Flöten Chor' (No.9) from Arrangement of Aria: 'Hört doch! der sanften Flöten Chor' (No.9) from Schleicht, spielende Wellen, BWV 206 (Bach, Johann Sebastian) for female chorus and piano |
1931 |
| Aria: 'Entzucket uns beide, ihr Strahlen der Freude' (No.12) from Arrangement of Aria: 'Entzucket uns beide, ihr Strahlen der Freude' (No.12) from Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian) for female chorus and piano |
1932 |
| Aria: 'Weil die wollenreichen Heerden' (No.13) from Arrangement of Aria: 'Weil die wollenreichen Heerden' (No.13) from Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian) for female chorus and piano |
1932 |
| Aria: 'Wir eilen mit schwachen, doch emsigen Schritten' (No.2) from Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1937 |
| Arrangement of Selections from Violin Sonata in A major, HWV 361 (Handel, George Frideric) for female chorus and piano |
1934 |
| Arrangement of Flocks are Sporting (Carey, Henry) for female chorus and piano |
1930 |
| Book 2 from The Hundred Best Short Classics (Whitemore, Cuthbert F.) for piano |
|
| Arrangement of Little Jack Horner (Diack, John Michael) for female chorus and piano |
1936 |
| Arrangement of Old Mother Hubbard (Hely-Hutchinson, Victor) for female chorus and piano |
1932 |
| Arrangement of Sing a Sing of Sixpence (Diack, John Michael) for mixed chorus and piano |
1939 |
| Arrangement of Think on me (Scott, Alicia Ann, Lady John) for voice and piano |
1931 |
| Arrangement of In England (Diack, John Michael) for alto, female chorus and piano |
1937 |
| Baby Sweet (Diack, John Michael) for unison chorus and piano |
1939 |
Mary Had a Little Lamb (Diack, John Michael) for female chorus and piano
childrens chorus and piano |
1939 |
| Fare Thee Well! (Smith, Robert Archibald) for voice and piano |
|