| Composition |
Published |
| A Set of New Psalm Tunes in 4 Parts (Bishop, John) for tenor and continuo or tenor, bass and continuo or soprano, tenor, bass and continuo or alto, tenor, bass and continuo or soprano, alto, tenor and bass or soprano, alto, tenor, bass and continuo or mixed chorus and continuo or mixed chorus |
|
| A Set of New Psalm Tunes in 4 Parts (Bishop, John) for tenor and continuo or tenor, bass and continuo or soprano, tenor, bass and continuo or alto, tenor, bass and continuo or soprano, alto, tenor and bass or soprano, alto, tenor, bass and continuo or mixed chorus and continuo or mixed chorus |
|
| A Set of New Psalm Tunes in 4 Parts (Bishop, John) for tenor and continuo or tenor, bass and continuo or soprano, tenor, bass and continuo or alto, tenor, bass and continuo or soprano, alto, tenor and bass or soprano, alto, tenor, bass and continuo or mixed chorus and continuo or mixed chorus |
1725 |
| 1719 Edition (as Songs Compleat, Pleasant and Divertive) from Wit and Mirth, or Pills to Purge Melancholy (D'Urfey, Thomas) for voice |
|
| 1719-1720 Edition from Wit and Mirth, or Pills to Purge Melancholy (D'Urfey, Thomas) for voice |
|
| The Principles of Practical Musick (Simpson, Christopher) |
1732 |
| Select Psalms and Hymns for St. James’s Westminster (Courteville, Raphael) for 3 voices or 2 sopranos and bass |
1709 |
| A Collection of Tunes (Lawrence, William) for voices or tenor and bass or soprano and bass |
1719 |
| Apollo's Banquet, Newly Reviv'd (Playford, Henry) for violin or recorder |
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