| Composition |
Published |
| Overture from Arrangement of Overture from Egmont, Op. 84 (Beethoven, Ludwig van) for chamber orchestra |
1875 |
| Overture from Arrangement of Overture from Egmont, Op. 84 (Beethoven, Ludwig van) for piano |
|
| Arrangement of Cantique de Noël (Adam, Adolphe) for voice, mixed chorus and organ |
1871 |
| 12 Gedichte, Op. 35 (Schumann, Robert) for voice and piano |
1871 |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1876 |
| Il bacio (Arditi, Luigi) for voice and piano |
|
| Barcarole "Io son ricco e tu sei bella" (Act II, sc.1) from Arrangement of Barcarole "Io son ricco e tu sei bella" (Act II, sc.1) from L'elisir d'amore (Donizetti, Gaetano) for piano |
1875 |
| Loreley, Op. 98 (Mendelssohn, Felix) for voices, mixed chorus and orchestra |
1876 |
| Arrangement of Selections from Crispino e la comare (Ricci, Federico) for piano |
1875 |
| Blue Bells March (Kinkel, Charles) for piano |
1884 |
Arrangement of Noël, CG 184 (Gounod, Charles) for soprano, mixed chorus and piano
tenor, mixed chorus and piano |
1874 |
| Leonora (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1873 |
| Moss Rose (Kinkel, Charles) for piano |
1875 |
| Ripe Strawberries (Hatton, John Liptrot) for mixed chorus |
1876 |
| Sky Lark (Bowman, Edward Morris) for piano |
1871 |
| Arrangement of Galop bachique, Op. 49 (Ascher, Joseph) for piano |
1876 |
| Fare Thee Well, Op. 68 (Wilson, Grenville Dean) for piano |
1875 |
| Arrangement of Congenial Hearts Mazurka (Kinkel, Charles) for piano 4 hands |
1875 |
| The Black Hawk Waltz (Walsh, Mary E.) for piano |
|
| The Latest Schottische, Op. 216 (Stewart, James E.) for piano |
1874 |
| Heavenward! (Kinkel, Charles) for piano |
|
| You'll Always Find Me True (Hays, William Shakespeare) for voice, mixed chorus and piano |
1872 |
| Shamus O'Brien (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| The Moon is Out To Night, Love (Hays, William Shakespeare) for voice, mixed chorus and piano |
1867 |
| You've Been a Friend to me (Hays, William Shakespeare) for voice, mixed chorus and piano |
1867 |
| Offertoire in D major (Clark, Scotson) for organ |
1877 |
| Fanfare (Maylath, Henry) for piano |
1874 |
| Awakening of the Birds (Maylath, Henry) for piano |
1874 |
| Meet Me, Nannie! Blue-Eyed Nannie (Tucker, Henry L.) for voice, mixed chorus and piano |
1870 |
| No Love So Sweet as Thine (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| Stay Home with Me To-Night Tom (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| Sunshine on the Sea (Tucker, Henry L.) for voice and piano |
|
| Alone by the Sea-Side (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| Come, Darling, Rest Your Little Head (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| My Mother's Wedding Ring (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| Thy Gentle Eyes (Tucker, Henry L.) for voice, mixed chorus and piano |
1871 |
| Under the Beautiful Blossoms (Tucker, Henry L.) for voice, mixed chorus and piano |
1871 |
| Close Her Eyes Tenderly (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| The Old House Far Away (Tucker, Henry L.) for voice, mixed chorus and piano |
1876 |
| Pity Our Tears (Tucker, Henry L.) for voice, mixed chorus and piano |
1876 |
| The Mill-Wheel is Frozen in the Stream (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| Why Linger at the Stile? (Tucker, Henry L.) for voice and piano |
1876 |
| Against the Stream (Thomas, John Rogers) for voice and piano |
1867 |
| God Be Merciful (Thomas, John Rogers) for bass, mixed chorus and piano |
1873 |
| No Crown Without the Cross (Thomas, John Rogers) for voice and piano |
|
Swinging on the Garden Gate (Thomas, John Rogers) for voice, mixed chorus and piano
voice and piano |
1875 |
The True Cross (Thomas, John Rogers) for mixed chorus and piano
4 voices and piano |
1871 |
| Waiting in the Twilight (Thomas, John Rogers) for voice and piano |
|
| Better Luck To-morrow (Thomas, John Rogers) for voice and piano |
1875 |
| Blessed Be the Lord (Thomas, John Rogers) for mixed chorus and piano |
1873 |
| Do You Think the Moon Could Have Seen Us? (Thomas, John Rogers) for voice and piano |
|
| Selections from 'Le Troubador' (Hayden, Winslow Lewis) for guitar |
1874 |
| Selections from 'Le Troubador' (Hayden, Winslow Lewis) for guitar |
1874 |
| 3 Guitar Pieces (Hayden, Winslow Lewis) for guitar |
1874 |
| 4 Guitar Pieces (Hayden, Winslow Lewis) for guitar |
1874 |
| 4 Pieces for Guitar (Hayden, Winslow Lewis) for guitar |
1874 |
| Maiden's Blush Waltz, Op. 365 (Hayden, Winslow Lewis) for guitar |
1874 |
| The Blackhawk Waltz (Hayden, Winslow Lewis) for guitar |
1874 |
| Sherman Marched Down to the Sea (Peters, William Cumming) for voice, mixed chorus and piano |
|
| Sherman Marched Down to the Sea (Peters, William Cumming) for voice, mixed chorus and piano |
1866 |
| Come Sweet Angels (Hewitt, John Hill) for voice and piano |
|
| None Remember Me (Hewitt, John Hill) for voice and piano |
|
| The Adieu (Knoop, María Dolores) for guitar |
1866 |
| The Rosalba Waltz (Kleber, Henry) for piano |
1866 |
| Arrangement of Le voltigeur, Op. 213 (Egghard, Jules) for piano 4 hands |
1869 |
Come Sit By My Side, Little Darling (Wambold, D. S.) for baritone and piano
baritone, mixed chorus and piano |
1869 |
| The Rosebush (Webster, Joseph Philbrick) for voice, mixed chorus and piano |
|
| Seven Oud (Webster, Joseph Philbrick) for voice, mixed chorus and piano |
1872 |
| 2 on Earth and 2 in Heaven (Webster, Joseph Philbrick) for voice and piano |
|
| Will the Angels Take Me Up? (Webster, Joseph Philbrick) for voice and piano |
|
| Fair Shepherdess (Kinkel, Charles) for piano |
|
| Fife and Drum (Hardinge, C.) for piano |
1867 |
| Floyd's Retreat from Fort Donelson (Skedaddles) for piano |
|
| May Morning (Schmidt, F. G.) for piano |
|
| Gem of the Day Waltz (Lampard, G. R.) for piano |
|
| Sérénade à Marie (Kinkel, Charles) for piano |
|
| 10 Little Rogues (Kinkel, Charles) for piano |
|
| When Little Mamie Died (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| Alone, and at Home (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| Jimmie Brown (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| Sitting 'Round the Grate (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Maudie Moore (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Lost and Cast Away (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Where Has Ida Gone? (Hays, William Shakespeare) for voice, mixed chorus and piano |
1873 |
| Write to Me Often (Hays, William Shakespeare) for voice, mixed chorus and piano |
1876 |
| Poor Little Wanderer (Hays, William Shakespeare) for voice, mixed chorus and piano |
1876 |
| Bonnie Jean O'Dair (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| I Wish I Had a Home (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Bring Back My Child (Hays, William Shakespeare) for voice, mixed chorus and piano |
1876 |
| Beautiful Child (Hays, William Shakespeare) for voice, mixed chorus and piano |
1876 |
| Down Yonder in the Lane (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| One Hundred Years Ago (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| Bessie, Will You Love Me? (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| The Nobby Swell (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Madelaine Gray (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| My Dear Old Home (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Good Bye, Till I See You Again (Hays, William Shakespeare) for voice, mixed chorus and piano |
1870 |
| Is Mother There? (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| The Night My Father Died (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Close the Shutters Gently (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Sweet Little May (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Walking on the Lawn (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Truly Yours (Hays, William Shakespeare) for voice, mixed chorus and piano |
1870 |
| Kiss Me, Good Night, Mamma (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Angel of My Dreams (Hays, William Shakespeare) for voice, male chorus and piano |
1870 |
| Nobody's Darling (Hays, William Shakespeare) for voice, mixed chorus and piano |
1870 |
| Get Up and Shut the Door (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| A Heart That Beats Only for Thee (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Kitty Ray (Hays, William Shakespeare) for voice, mixed chorus and piano |
1868 |
| Mary O'More (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Gay Young Clerk in a Dry-Goods Store (Hays, William Shakespeare) for voice, mixed chorus and piano |
1868 |
| Whisperings of Love (Kinkel, Charles) for piano |
|
| Kiss Me Good Bye, Darling (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Arrangement of Seraphine Waltz (Lampard, G. R.) |
|
| She's the Sweetest of Them All (Hays, William Shakespeare) for voice, male chorus and piano |
|
| Mary, O! Come Back to Me (Hays, William Shakespeare) for voice, mixed chorus and piano |
1867 |
| When I Went Home with Belle (Hays, William Shakespeare) for voice, mixed chorus and piano |
1868 |
| The Little Log Cabin's the Home After All (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Mary's Waiting at the Window (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Why Don't You Write to Me? (Hays, William Shakespeare) for voice, mixed chorus and piano |
1869 |
| Flirting on the Lake (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| O, Let Me Kiss the Baby (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Song of the Sewing Machine (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Tie Crape on the Door, Willie's Dead! (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| The Maid of Avondale (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| The School-House on the Hill (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Robin, Tell Willie I'm Waiting (Hays, William Shakespeare) for voice, mixed chorus and piano |
1876 |
| There's No Home Like the Old Home (Hays, William Shakespeare) for voice, mixed chorus and piano |
1876 |
| Oh! Give Me a Home in the South! (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| That Little Girl of Mine (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| I'm Captain of the Guards (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| I'm a-Gwine Down South (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Those Dark Eyes (Armand) for voice and piano |
|
| Be Still, Poor Heart! (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Angels Guard My Little One (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Don't Forget Me! (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| May Heaven Protect Our Child (Hays, William Shakespeare) for voice, mixed chorus and piano |
1873 |
| Follow Up the Plow (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| I Will Be Home To-Night, Love (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Forget Me Not (Kinkel, Charles) for piano |
|
| Jennie, the Flower of the Dell (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Ain't I Sweet (Bishop, Thomas Brigham) for voice and piano |
|
| My Lost Louise (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Lennie Darling (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Out on the Sea (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Where Is My Loved One To-night? (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Nora, the Pride of Kilkee (Hays, William Shakespeare) for baritone, mixed chorus and piano |
|
| Poor Old Grandpa (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Barney Machree (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Dora, Darling (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Kitty McKay (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Ada Ray (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| Mollie McGuire (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| The Footstep on the Stair (Hays, William Shakespeare) for voice and piano |
|
| Two o'clock in the morning (Hays, William Shakespeare) for baritone and piano |
|
| Madeleine (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Minnie Mine (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| When You're Down (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| I May Forgive, I Can't Forget (Hays, William Shakespeare) for voice and piano |
1875 |
| My Mother's Growing Old (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| Drifting (Hays, William Shakespeare) for voice, mixed chorus and piano |
1874 |
| I Knew by the Smoke (Hays, William Shakespeare) for voice and piano |
|
| Arrangement of Ristori Waltz, Op. 193 (Turner, Joseph W.) for piano |
|
| How Are All at Home? (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
| The Shores Are Fading, Robin (Hays, William Shakespeare) for voice and piano |
1874 |
| Help Your Ma (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| The Old Musician and His Harp (Higgins, H. M.) for voice, mixed chorus and piano |
|
| My Little One (Hays, William Shakespeare) for voice, mixed chorus and piano |
|
Beauregard's Retreat from Shiloh (Skedaddles) for piano
narrator and piano |
|
Price's Retreat from Corinth (Skedaddles) for piano
narrator and piano |
|
| Don't Forget Me, Mary (Hays, William Shakespeare) for voice and piano |
|
| Go! False One! (Hays, William Shakespeare) for voice and piano |
|
| Will the Angels Let Me In? (Hays, William Shakespeare) for voice, mixed chorus and piano |
1876 |
| The Old Homestead (Hays, William Shakespeare) for voice, mixed chorus and piano |
1875 |
| Married and Not to Me (Keller, Matthias) for voice and piano |
1869 |
| Cry Baby's Waltz (Kinkel, Charles) for piano |
|
| Perle de l'Amerique (Kinkel, Charles) for piano |
|
| The Last Rose of Summer (Kinkel, Charles) for piano |
|
| Lily of the Valley Mazurka (Kinkel, Charles) for piano |
|
| Wedding Bells Polka (Kinkel, Charles) for piano 4 hands |
|
| Holiday March (Kinkel, Charles) for piano |
|
| Love's Pleadings (Kinkel, Florence) for piano |
|
| Florie's Waltz (Kinkel, Charles) for piano |
1865 |
| My Own Darling (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| How Can I Bear to Part from Thee? (Meininger, Julius C.) for voice and piano |
|
| Masked Battery Schottisch (Prêvot, Arnot) for piano |
|
| Beside the Sea (Peters, William Cumming) for voice, mixed chorus and piano |
|
| Mermaid's Song (Kinkel, C.) for piano |
|
Cross and Crown (Thomas, John Rogers) for voice and guitar
voice and piano
soprano, alto, tenor and bass
4 voices and guitar
soprano, alto, tenor, bass and piano |
1874 |
| Arrangement of Le vallon (Tonel, Léonie) for piano |
1871 |
| Bridal Gifts, Op. 42 (Tonel, Léonie) for piano |
1871 |
| Bolero (Tonel, Léonie) for piano |
1871 |
| Alice (Tonel, Léonie) for piano |
1871 |
| La chasse (Tonel, Léonie) for piano |
1871 |
| Étincelant (Tonel, Léonie) for piano |
1871 |
| Plainte des fleurs (Tonel, Léonie) for piano |
1872 |
| Rose pompon (Tonel, Léonie) for piano |
1872 |
| Le rêve du guerrier (Tonel, Léonie) for piano |
1871 |
| Madeleine Polka (Tonel, Léonie) for piano |
1871 |
| Driven from Home (Tonel, Léonie) for piano |
1871 |
| Gabrielle (Tonel, Léonie) for piano |
1871 |
| Kiss me Good Night Mamma (Tonel, Léonie) for piano |
1871 |
| My Father's Home (Tonel, Léonie) for piano |
1871 |
| My Dear Old Sunny Home (Tonel, Léonie) for piano |
1871 |
| Sighing billows (Tonel, Léonie) for piano |
1871 |
| Sleep sweetly, Love, and well (Tonel, Léonie) for piano |
1871 |
| Neptune (Tonel, Léonie) for piano |
1871 |
| Murmuring Waves (Tonel, Léonie) for piano |
1871 |