Works with Charles Burney as editor

Scores

Composition Attributes
Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus
Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus
Stabat Mater, IGP 90 (Palestrina, Giovanni Pierluigi da) for 8 voices
2 mixed chorus
Nymphes des bois / Requiem, NJE 29.18 (Josquin Desprez) for 5 voices
Il Bell'umore (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass
Hear the Voice and Prayer (Tallis, Thomas) for alto, 2 tenors and bass
male chorus
Sumer is icumen in (Anonymous) for voices
6 voices
Euge bone (Tye, Christopher) for 2 sopranos, 2 altos, tenor and bass
L’innamorato (Gastoldi, Giovanni Giacomo) for 5 voices
Old Hundredth (Bourgeois, Loys) for 4 voices
My Mind to Me a Kingdom Is (Byrd, William) for voice
5 voices
Fiume ch’a l’onde tue (Marenzio, Luca) for 5 voices
See, See, Myne Own Sweet Jewell (Morley, Thomas) for mixed chorus
soprano, alto and bass
Il bianco e dolce cigno (Arcadelt, Jacob) for 4 voices
soprano, alto, tenor and bass
La musica che si canta annualmente nelle funzioni della Settimana Santa (Burney, Charles) for 4 voices
8 voices
La musica che si canta annualmente nelle funzioni della Settimana Santa (Burney, Charles) for 4 voices
8 voices
Cease Myne Eyes (Morley, Thomas) for mixed chorus
soprano, alto and tenor
Bon jour m'amie (Anonymous) for 4 voices
5 voices
Chi la gagliarda (Donato, Baldassare) for soprano, alto, tenor and bass
The Carman's Whistle (Byrd, William) for keyboard
harpsichord
Stracciami pur il core ragion è ben ingrato, SV 64 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass
Cantica sacra I (Dering, Richard) for 2 voices and continuo
3 voices and continuo
4 voices and continuo
Moro, lasso, al mio duolo (Gesualdo, Carlo) for 5 voices
mixed chorus
My Flocks Feed Not (Weelkes, Thomas) for 3 voices
That was my woo (Fayrfax, Robert) for 2 voices
Musae Iovis (Appenzeller, Benedictus) for 4 voices
mixed chorus
Anima mea liquefacta est (Isaac, Heinrich) for 4 voices
Dum transisset Sabbatum (Taverner, John) for 5 voices
Practische Musik-Werke (Dehn, Siegfried Wilhelm) for 4 voices
soprano, alto, tenor and bass
6 voices
2 sopranos, alto, 2 tenors and bass
8 voices
4 sopranos, 2 altos and 2 basses
9 voices
3 sopranos, 2 altos, 2 tenors and 2 basses
4 sopranos, 2 altos, tenor and 2 basses
mixed chorus
mixed chorus and strings
mixed chorus and orchestra
soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra
Calami Sonum ferentes (Rore, Cipriano de) for 4 voices
Alma Nemes, quad sola Nemes, LV 46 (Lassus, Orlande de) for 4 voices
Ta bonne grace (Canis, Cornelius) for 5 voices
Five Bell Consort (Jenkins, John) for 3 viols
Ne'er Trouble Thyself (Locke, Matthew) for 2 sopranos and bass
Come my Celia (Ferrabosco Jr., Alfonso) for voice and continuo
voice and bass
Salvator mundi (Tallis, Thomas) for 5 voices
Derelinquit impius (Tallis, Thomas) for 5 voices
In Deep Distress (Mundy, John) for 4 voices
Harmony to 'Psalm 100' (Le Jeune, Claude) for 4 voices
Lord, Who Shall Dwell in Thy Tabernacle (White, Robert) for 5 voices
O Lord My God (Byrd, William) for 4 voices
Ve voglio dire donne (Cambio, Perissone) for 4 voices
Exaltabo te Domine (Palestrina, Giovanni Pierluigi da) for 5 voices
Noel (Du Caurroy, Eustache) for 4 voices
Dum transisset Sabbatum (Johnson I, Robert) for 5 voices
Esurientes implevit bonis (Sheppard, John) for 5 voices
Domine quid multiplicati (Goudimel, Claude) for 4 voices
Enforced by Love and Fear (Parsons, Robert) for alto and 4 viols
Sicut erat in principio (Pontio, Pietro) for 5 voices
Your Counterfeiting (Newark, William) for 3 voices
My Woeful Heart (Sheryngham) for soprano and alto
Misericordias Domini, NJE 18.4 (Josquin Desprez) for 4 voices
Diffusa est (Porta, Costanzo) for 7 voices


©2025 David P. Anderson