| Composition |
Score attributes |
| Miserere (Allegri, Gregorio) for 9 voices or 4 sopranos, 2 altos, tenor and 2 basses or 2 mixed chorus |
— |
| Miserere (Allegri, Gregorio) for 9 voices or 4 sopranos, 2 altos, tenor and 2 basses or 2 mixed chorus |
— |
| Stabat Mater, IGP 90 (Palestrina, Giovanni Pierluigi da) for 8 voices or 2 mixed chorus |
— |
| Nymphes des bois / Requiem, NJE 29.18 (Josquin Desprez) for 5 voices |
— |
| Il Bell'umore (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Hear the Voice and Prayer (Tallis, Thomas) for alto, 2 tenors and bass or male chorus |
— |
| Sumer is icumen in (Anonymous) for voices or 6 voices |
— |
| Euge bone (Tye, Christopher) for 2 sopranos, 2 altos, tenor and bass |
— |
| L’innamorato (Gastoldi, Giovanni Giacomo) for 5 voices |
— |
| Old Hundredth (Bourgeois, Loys) for 4 voices |
— |
| My Mind to Me a Kingdom Is (Byrd, William) for voice or 5 voices |
— |
| Fiume ch’a l’onde tue (Marenzio, Luca) for 5 voices |
— |
| See, See, Myne Own Sweet Jewell (Morley, Thomas) for mixed chorus or soprano, alto and bass |
— |
| Il bianco e dolce cigno (Arcadelt, Jacob) for 4 voices or soprano, alto, tenor and bass |
— |
| La musica che si canta annualmente nelle funzioni della Settimana Santa (Burney, Charles) for 4 voices or 8 voices |
— |
| La musica che si canta annualmente nelle funzioni della Settimana Santa (Burney, Charles) for 4 voices or 8 voices |
— |
| Cease Myne Eyes (Morley, Thomas) for mixed chorus or soprano, alto and tenor |
— |
| Bon jour m'amie (Anonymous) for 4 voices or 5 voices |
— |
| Chi la gagliarda (Donato, Baldassare) for soprano, alto, tenor and bass |
— |
| The Carman's Whistle (Byrd, William) for keyboard or harpsichord |
— |
| Stracciami pur il core ragion è ben ingrato, SV 64 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| Cantica sacra I (Dering, Richard) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo |
— |
| Moro, lasso, al mio duolo (Gesualdo, Carlo) for 5 voices or mixed chorus |
— |
| My Flocks Feed Not (Weelkes, Thomas) for 3 voices |
— |
| That was my woo (Fayrfax, Robert) for 2 voices |
— |
| Musae Iovis (Appenzeller, Benedictus) for 4 voices or mixed chorus |
— |
| Anima mea liquefacta est (Isaac, Heinrich) for 4 voices |
— |
| Dum transisset Sabbatum (Taverner, John) for 5 voices |
— |
| Practische Musik-Werke (Dehn, Siegfried Wilhelm) for 4 voices or soprano, alto, tenor and bass or 6 voices or 2 sopranos, alto, 2 tenors and bass or 8 voices or 4 sopranos, 2 altos and 2 basses or 9 voices or 3 sopranos, 2 altos, 2 tenors and 2 basses or 4 sopranos, 2 altos, tenor and 2 basses or mixed chorus or mixed chorus and strings or mixed chorus and orchestra or soprano, alto, tenor, bass, mixed chorus, strings and continuo or soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Calami Sonum ferentes (Rore, Cipriano de) for 4 voices |
— |
| Alma Nemes, quad sola Nemes, LV 46 (Lassus, Orlande de) for 4 voices |
— |
| Ta bonne grace (Canis, Cornelius) for 5 voices |
— |
| Five Bell Consort (Jenkins, John) for 3 viols |
— |
| Ne'er Trouble Thyself (Locke, Matthew) for 2 sopranos and bass |
— |
| Come my Celia (Ferrabosco Jr., Alfonso) for voice and continuo or voice and bass |
— |
| Salvator mundi (Tallis, Thomas) for 5 voices |
— |
| Derelinquit impius (Tallis, Thomas) for 5 voices |
— |
| In Deep Distress (Mundy, John) for 4 voices |
— |
| Harmony to 'Psalm 100' (Le Jeune, Claude) for 4 voices |
— |
| Lord, Who Shall Dwell in Thy Tabernacle (White, Robert) for 5 voices |
— |
| O Lord My God (Byrd, William) for 4 voices |
— |
| Ve voglio dire donne (Cambio, Perissone) for 4 voices |
— |
| Exaltabo te Domine (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Noel (Du Caurroy, Eustache) for 4 voices |
— |
| Dum transisset Sabbatum (Johnson I, Robert) for 5 voices |
— |
| Esurientes implevit bonis (Sheppard, John) for 5 voices |
— |
| Domine quid multiplicati (Goudimel, Claude) for 4 voices |
— |
| Enforced by Love and Fear (Parsons, Robert) for alto and 4 viols |
— |
| Sicut erat in principio (Pontio, Pietro) for 5 voices |
— |
| Your Counterfeiting (Newark, William) for 3 voices |
— |
| My Woeful Heart (Sheryngham) for soprano and alto |
— |
| Misericordias Domini, NJE 18.4 (Josquin Desprez) for 4 voices |
— |
| Diffusa est (Porta, Costanzo) for 7 voices |
— |