| Composition |
Published |
| London Version from Le déserteur (Monsigny, Pierre-Alexandre) for voices, mixed chorus and orchestra |
|
| Overture and Songs from Lionel and Clarissa (Dibdin, Charles) for voices and orchestra |
|
| 6 Sonatas for Keyboard and Violin, Op. 4 (Giordani, Tommaso) for violin and harpsichord or violin and piano or violin and organ |
|
| Cymon (Arne, Michael) for voices, mixed chorus and orchestra |
|
| 3 Additional Songs from Cymon (Arne, Michael) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Cymon (Arne, Michael) for flute or 2 flutes |
|
| The Padlock (Dibdin, Charles) for voices and orchestra |
|
| Queen Mab (Dibdin, Charles) for voice, flute, strings and continuo |
|
| The Jubilee (Dibdin, Charles) for voices and orchestra or voices and continuo |
|
| The Waterman (Dibdin, Charles) for voices and orchestra |
|
| The Ephesian Matron (Dibdin, Charles) for voices and orchestra |
|
| The Quaker (Dibdin, Charles) for voices and orchestra |
|
| The Seraglio (Dibdin, Charles) for voices, mixed chorus and orchestra |
|
| Macbeth (Leveridge, Richard) for voices, strings and continuo |
|
| 6 Duets for 2 Flutes, Op. 7 (Giordani, Tommaso) for 2 flutes |
|
| Love In The City (Dibdin, Charles) for voices and orchestra |
|
| Elfrida (Arne, Thomas Augustine) for voices, mixed chorus and orchestra |
|
| Arrangement of The Maid of the Oaks (Barthélémon, François-Hippolyte) for cittern or voice and cittern |
|
| The Election (Barthélémon, François-Hippolyte) for voices and orchestra |
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