| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| A Sleepy Little Village (Where the Dixie Cotton Grows) | Pete Wendling, composer Edgar Leslie, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Alexander's Back from Dixie! (Alexander's Back from Dixie with His Ragtime Band) | Pete Wendling, composer Lew Colwell, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| All the Quakers Are Shoulder Shakes (Down in Quaker Town) | Pete Wendling, composer Bert Kalmar, librettist Edgar Leslie, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| Take Me To The Land Of Jazz (Fox-trot) | Pete Wendling, composer Edgar Leslie, librettist Bert Kalmar, librettist |
B flat major | 1919 | voice and piano | Early 20th century | Foxtrots | |||
| Crying for the Moon | Pete Wendling, composer Edgar Leslie, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| He Loves It | Pete Wendling, composer Grant Clarke, librettist Edgar Leslie, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| I Miss that Mississippi Miss that Misses Me | Pete Wendling, composer Sam M. Lewis, librettist Joe Young, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Oh! How I Wish I Could Sleep Until My Daddy Comes Home | Pete Wendling, composer Sam M. Lewis, librettist Joe Young, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| Over the Top | Pete Wendling, composer Alfred Bryan, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| Give Me a Little Bit More than You Gave Reilly | Pete Wendling, composer Alfred Bryan, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| Down by the Meadow Brook | Pete Wendling, composer Edgar Leslie, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| False Faces | Pete Wendling, composer Edgar Leslie, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Hello! Lemonade | Pete Wendling, composer Edgar Leslie, librettist Bert Kalmar, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| The Music of Wedding Chimes | Pete Wendling, composer Edgar Leslie, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Oh! What a Pal Was Mary | Pete Wendling, composer Edgar Leslie, librettist Bert Kalmar, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Take Your Girlie to the Movies (If You Can't Make Love at Home) | Pete Wendling, composer Edgar Leslie, librettist Bert Kalmar, librettist |
Early 20th century | Songs | ||||||
| What-Cha Gonna Do When There Aint No Jazz? | Pete Wendling, composer Edgar Leslie, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| All I Get Is Consolation | Pete Wendling, composer Edgar Leslie, librettist |
E flat major | voice and piano | Early 20th century | Songs |
©2026 CMI