Title | Geistlicher Concerten und Harmonien, Theil 4 |
Alternative title | Vierdter vnd letzter Theil Geistlicher Concerten, Aus den berühmsten Italiänischen vnd andern Authoribus, so theils mit andern, oder auch noch mehren Texten beleget, vnd zum Lobe Gottes, in öffentlichen Kirchen-Versammlungen zu gebrauchen, auch zu Gefallen allen Music-Liebhabern. |
Creators | Ambrosius Profe (composer) |
Opus | |
Instrumentation | 4 voices and continuo 5 voices and continuo 6 voices and continuo 7 voices and continuo 8 voices and continuo 14 voices and continuo |
Number of movements | 45 |
Keys | — |
Composed | — |
First published | — |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Motets, Sacred concertos |
Language | Latin |
Period | Baroque |
View on IMSLP | ![]() |
Code | ![]() |
Title click for details |
Metronome | Key | Measures |
---|---|---|---|
No. 1 | — | — | — |
No. 2 | — | — | — |
No. 3 | — | — | — |
No. 4 | — | — | — |
No. 5 | — | — | — |
No. 6 | — | — | — |
No. 7 | — | — | — |
No. 8 | — | — | — |
No. 9 | — | — | — |
No. 10 | — | — | — |
No. 11 | — | — | — |
No. 12 | — | — | — |
No. 13 | — | — | — |
No. 14 | — | — | — |
No. 15 | — | — | — |
No. 16 | — | — | — |
No. 17 | — | — | — |
No. 18 | — | — | — |
No. 19 | — | — | — |
No. 20 | — | — | — |
No. 21 | — | — | — |
No. 22 | — | — | — |
No. 23 | — | — | — |
No. 24 | — | — | — |
No. 25 | — | — | — |
No. 26 | — | — | — |
No. 27 | — | — | — |
No. 28 | — | — | — |
No. 29 | — | — | — |
No. 30 | — | — | — |
No. 31 | — | — | — |
No. 32 | — | — | — |
No. 33 | — | — | — |
No. 34 | — | — | — |
No. 35 | — | — | — |
No. 36 | — | — | — |
No. 37 | — | — | — |
No. 38 | — | — | — |
No. 39 | — | — | — |
No. 40 | — | — | — |
No. 41 | — | — | — |
No. 42 | — | — | — |
No. 43 | — | — | — |
No. 44 | — | — | — |
No. 45 | — | — | — |
(No arrangements)
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | parts | Thimoteus Ritzsch | — | Cantus · view Altus · view Tenor · view Bassus · view Quintus · view Sextus · view Continuo · view |
(No recordings)
©2025 David P. Anderson