| Composition |
Published |
| Moderato (No.4) from Arrangement of Moderato (No.4) from Lieder ohne Worte, Op. 19b (Mendelssohn, Felix) for 2 voices and piano |
|
| Arrangement of God Save the King (Carey, Henry) for mixed chorus and piano |
|
| Arrangement of Psalm 23, D.706 (Schubert, Franz) for mixed chorus and piano |
|
| Arrangement of The Planets, Op. 32 (Holst, Gustav) for 2 pianos |
1949 |
| Mars, The Bringer of War (No.1) from Arrangement of Mars, The Bringer of War (No.1) from The Planets, Op. 32 (Holst, Gustav) for 2 pianos |
1949 |
| Aria: La speranza è giunta in porto (Act I Scene 1) from Ottone, re di Germania, HWV 15 (Handel, George Frideric) for 2 sopranos, 3 altos, bass and orchestra |
1928 |
| Brook Green Suite, H.190 (Holst, Gustav) for strings |
1934 |
| Brook Green Suite, H.190 (Holst, Gustav) for strings |
1934 |
| Chœur des soldats (Act IV) from Faust, CG 4 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Fantasias and In Nomines, Z.732-747 (Purcell, Henry) for 3 viols or 3 Unspecified instruments or 4 viols or 4 Unspecified instruments or 5 viols or 5 Unspecified instruments or 6 viols or 6 Unspecified instruments or 7 viols or 7 Unspecified instruments |
|
| Capriol Suite (Warlock, Peter) for strings |
1926 |
| Capriol Suite (Warlock, Peter) for strings |
1926 |
| Arrangement of Oboe Concerto, Op. 45 (Goossens, Eugene) for oboe and piano |
1929 |
| Truth-trying time (No.2) from Arrangement of Truth-trying time (No.2) from Ayres, Book 2 (Corkine, William) for voice and piano |
|
| Good Night, Good Night, Beloved (Pinsuti, Ciro) for 2 tenors and 2 basses or male chorus |
1909 |
| Maritana (Wallace, William Vincent) for voices, mixed chorus and orchestra |
|
| Arrangement of Heart of Oak (Boyce, William) for mixed chorus |
|
| Third Tune (Psalm 2) from Arrangement of Third Tune (Psalm 2) from 9 Psalm Tunes for Archbishop Parker’s Psalter (Tallis, Thomas) for organ |
1915 |
| Sāvitri, Op. 25 (Holst, Gustav) for soprano, alto, tenor, mixed chorus and orchestra |
1924 |
| Toccata (Holst, Gustav) for piano |
1924 |
| Silent Worship (Somervell, Arthur) |
1928 |
| Arrangement of Silent Worship (Somervell, Arthur) for mixed chorus |
1939 |
| Arrangement of The Long Day Closes (Sullivan, Arthur) for mixed chorus |
1910 |
| Arrangement of The Long Day Closes (Sullivan, Arthur) for female chorus |
|
| Fantasy, Op. 42 (Davies, Walford) for tenor, mixed chorus and orchestra |
1920 |
| Rest Thee on this Mossy Pillow (Smart, Henry Thomas) for 2 sopranos, alto and piano or female chorus and piano |
|
| Arrangement of O Death Rock Me to Sleep (Boleyn, Anne) for voice and piano |
|
| Aria: Care Flies from the Lad that is Merry from Cymon (Arne, Michael) for voices, mixed chorus and orchestra |
1917 |
| Shenandoah (Terry, Richard Runciman) |
1921 |
| Arrangement of Shenandoah (Terry, Richard Runciman) for baritone and male chorus |
1932 |
| Four-Hand Fancies, Op. 87a (Dunhill, Thomas) for piano 4 hands |
1938 |
| Corpus Christi (Warlock, Peter) for alto, tenor and mixed chorus or soprano, tenor, 2 violins, viola and cello |
1927 |
| Nocturne (No.1) from 2 Pieces for Piano, H.179 (Holst, Gustav) for piano |
1934 |
| Jig (No.2) from 2 Pieces for Piano, H.179 (Holst, Gustav) for piano |
1934 |
| Violin Sonata No. 6 (Morgan, Francis J.) for violin and piano |
1924 |
| 3 Pieces for Organ, H.190 (Bridge, Frank) for organ |
1940 |
| A Cyclopaedic Dictionary of Music (Dunstan, Ralph) |
1908 |
| Blake's Cradle Song (Roberton, Hugh S.) for voice and piano |
1934 |
| The Bashful Wooer (Roberton, Hugh S.) for voice and piano |
1937 |
| All in the April Evening (Roberton, Hugh S.) for mixed chorus |
1911 |
| 12 Christmas Carols (Terry, Richard Runciman) for mixed chorus and piano or 4 voices and piano or mixed chorus or 4 voices |
1912 |
| With a Voice of Singing (Shaw, Martin) for mixed chorus and organ |
1923 |
| With a Voice of Singing (Shaw, Martin) for mixed chorus and organ |
1923 |
| Fantasia upon One Note, Z.745 (Purcell, Henry) for 5 viols or 5 Unspecified instruments |
|
| The Battell (Byrd, William) for keyboard |
1926 |
| Before Dawn (Benjamin, Arthur) for voice and piano |
1924 |
| Magnificat and Nunc dimittis in C major (Vaughan Williams, Ralph) for mixed chorus and organ or unison chorus and organ |
1925 |
| Octandre (Varèse, Edgard) for flute, oboe, clarinet, bassoon, horn, trumpet, trombone and double bass |
1924 |
| The Prison (Smyth, Ethel) for soprano, bass, mixed chorus and orchestra |
1930 |
| Arrangement of Selections from The Lily of Killarney (Benedict, Julius) for mixed chorus and piano |
|
| The Teacher's Guide to Mrs. Curwen's Pianoforte Method (Curwen, Annie Jessy) for piano |
|
| Psychology applied to Music Teaching (Curwen, Annie Jessy) |
|
| Arrangement of Voluntary, Op. 6 No. 2 (Stanley, John) for organ |
1941 |
| When I Was One-And-Twenty (Gibbs, Cecil Armstrong) for voice and piano |
1924 |
| One year ago (Dieren, Bernard van) for voice and piano |
1927 |
| By Footpath and Stile, Op. 2 (Finzi, Gerald) for baritone, 2 violins, viola and cello |
1925 |
| Text Book of Harmony (Oakey, George) |
|
| Text Book of Harmony (Oakey, George) |
|
| Text Book of Musical Elements (Oakey, George) |
|
| The Canticle of the Sun (Shaw, Martin) for mixed chorus and organ |
1926 |
| Arrangement of The Village Blacksmith (Weiss, Willoughby Hunter) for 4 voices and piano |
|
| Songs of the British Islands (Hadow, William Henry) |
1903 |
| Vox dicentis: Clama (Naylor, Edward Woodall) for mixed chorus or mixed chorus and piano |
1919 |
| Festival March on St. George (Fletcher, Percy Eastman) for organ |
|
| Prelude and Fugue on Nun Danket (Fletcher, Percy Eastman) for organ |
|
| Listening (Besly, Maurice) for voice and piano |
|
| Old Christmas Carols of the Southern Counties (Gillington, Alice E.) for voice |
1910 |
| Arrangement of Barbara Allan (Folk Songs, Scottish) for mixed chorus |
1937 |
| Arrangement of The Lord Is My Shepherd (Smart, Henry Thomas) for mixed chorus and piano |
1911 |
| The Accompaniment of Plainchant (Oldroyd, George) for organ or voices and organ |
|
| The Accompaniment of Plainchant (Oldroyd, George) for organ or voices and organ |
|
| The Wreck of the Hesperus, Op. 61 (Fisher, Arthur Elwell) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Song of the Volga Boatmen (Bantock, Granville) |
1923 |
| Modern Musical Composition (Corder, Frederick) |
|
| Arrangement of Ave Maria (Smart, Henry Thomas) for female chorus |
|
| Oriental Impressions (Eichheim, Henry) for piano |
|
| Lord, Thou hast been our refuge (Vaughan Williams, Ralph) for 2 mixed chorus and orchestra or 2 mixed chorus and organ |
1921 |
| Hail! Festal Day! (West, Herbert) for mixed chorus and piano |
|
| There is a prayer we oft repeat (Blackburn, George Alfred) for soprano, mixed chorus and piano |
|
| Awake, awake, put on thy strength, O Zion (Burgiss, William Henry) for 2 sopranos, mixed chorus and organ |
|
| May Britain be by God Preserved (Booth, Josiah) for mixed chorus and piano |
|
| Arrangement of The Sea is England's Glory (Glover, Stephen Ralph) for mixed chorus and piano |
|
| It's a Bonnie World (Brueton, Arthur) for soprano, alto, tenor, bass and piano or soprano, alto, tenor and bass |
|
| 12 Welsh Folk Songs (Holst, Gustav) for mixed chorus or soprano, alto, tenor and bass |
|
| A Morning Madrigal (Fletcher, Percy Eastman) for mixed chorus |
1909 |
| Arrangement of Summer is Gone (Coleridge-Taylor, Samuel) for male chorus |
1931 |
| Arrangement of Come, Buy My Flowers (White, Charles Albert) for female chorus and piano |
|
| Arrangement of Wake! Wake! Wake! (Veazie, George Augustus) for male chorus and piano |
1931 |
| We Cobblers Lead a Merry Life (White, Felix Harold) for 2 tenors and 2 basses or male chorus |
1933 |
| 6 Songs, Op. 138 (Stanford, Charles Villiers) for soprano, alto and piano |
1914 |
| The Fiddler (Fletcher, Percy Eastman) for soprano, alto and piano |
1911 |
| 2 Little Welsh Dances (Gwynn Williams, William Sidney) for piano |
1924 |
| Ships, Op. 42 (Goossens, Eugene) for piano |
1924 |
| Drake's Drum (Coleridge-Taylor, Samuel) for soprano, alto and piano or 2 voices and piano |
1906 |
| Oh, the Summer (Coleridge-Taylor, Samuel) for soprano, alto and piano |
1911 |
| The Secret (Coward, Henry) for mixed chorus or mixed chorus and piano |
|
| Merry are the Bells (Beck-Slinn, Edgar) for soprano, alto and piano or female chorus and piano or childrens chorus and piano |
1938 |
| Arrangement of 7 Shakespeare Songs (Macfarren, George Alexander) for female chorus |
|
| Le chant des matelots (Minard, Jules) for female chorus |
|
| Arrangement of Winds, Gently Whisper (Whitaker, John) for female chorus and piano |
|
| Spring Goeth All in White (Moeran, Ernest John) for voice and piano |
1924 |
| Blue-eyed Spring (Moeran, Ernest John) for voice and piano |
1934 |
| Loveliest of Trees (Moeran, Ernest John) for voice and piano |
1932 |
| 6 Suffolk Folk Songs (Moeran, Ernest John) |
1932 |
| 5 Short Pieces for Cello and Piano (Warren, Francis Purcell) for cello and piano |
1914 |
| Magnificat and Nunc Dimittis in F major (Nicholson, Sydney Hugo) for female chorus and organ or childrens chorus and organ |
1913 |
| A Short Requiem (Davies, Walford) |
|
| Beni Mora, Op. 29 No. 1 (Holst, Gustav) for orchestra |
|
| Beni Mora, Op. 29 No. 1 (Holst, Gustav) for orchestra |
|
| Concerto for 2 Violins, Op. 49 (Holst, Gustav) for 2 violins and orchestra |
|
| Concerto for 2 Violins, Op. 49 (Holst, Gustav) for 2 violins and orchestra |
|
| Rhythmic Dance, Op. 30 (Goossens, Eugene) for orchestra |
|
| Praise God in His Holiness (Shaw, Geoffrey Turton) for mixed chorus and organ or 2 sopranos, bass and organ |
1918 |
| Prelude, Interlude, and Fugue, KSS 25 (Sorabji, Kaikhosru Shapurji) for piano |
1924 |
| The Winds (Walton, William) for voice and piano |
1921 |
| Tritons (Walton, William) for voice and piano |
1921 |
| Organ Symphony No. 1, KSS 39 (Sorabji, Kaikhosru Shapurji) for organ |
|
| Arrangement of Wandering in this place (Cavendish, Michael) for voice and piano |
|
| Arrangement of I Will Not Force my Thoughts (Greaves, Thomas) for voice and piano |
|
| Ellen McJones Aberdeen (Edmonds, Paul) for 2 tenors, baritone and bass or male chorus |
|
| 3 Fêtes Galantes de Verlaine, KSS 37 (Sorabji, Kaikhosru Shapurji) for voice and piano |
1924 |
| Piano Quintet (Maddison, Adela) for 2 violins, viola, cello and piano |
1925 |