| Composition |
Published |
| Grand March from Arrangement of Grand March from Le philtre (Auber, Daniel François Esprit) for piano |
1847 |
| Barcarole Waltz from Arrangement of Barcarole Waltz from The Daughter of St. Mark (Balfe, Michael William) for piano |
1845 |
| Colonade Polka (Adams, J. Willard) for piano |
1851 |
| Mollie-Vie Polka (Anonymous) for piano |
1852 |
| Mary Lee (Baker, Lucy B.) for 4 voices and piano |
1852 |
| The Enchantress (Balfe, Michael William) for voices, mixed chorus and orchestra |
1849 |
| Atlantic Telegraph March and Quick-Step (Anonymous) for piano |
1857 |
| Le romarin valse (Anonymous) for piano |
1848 |
| She is Fooling Thee (Anonymous) for voice and piano |
1847 |
| Arrangement of A Health to the Outward Bound (Ball, Alexander) for voice and guitar |
1849 |
| The Gipsie's Festival (Barclay, B. S.) for voice and piano |
1844 |
| The Moonlight Dell (Barclay, B. S.) for voice and piano |
1847 |
| Dream of the Past Waltz (Barclay, B. S.) for piano |
1851 |
| La Belle Sue Waltz (Barclay, B. S.) for piano |
1851 |
| La Coralie (Bartenstein, F.) for piano |
1855 |
| Evening Solace (Bartenstein, F.) for voice and piano |
1855 |
| Life's Sunny Side (Bartenstein, F.) for voice and piano |
1855 |
| Il penseroso (Bateman, William O.) for guitar |
1851 |
| Aurora Waltz (Bateman, William O.) for guitar |
1849 |
| Arrangement of Paisley Schottisch (Anonymous) for piano |
1855 |