Title | Zehn Mädchen und kein Mann |
Alternative title | Operette in einem Akt |
Creators | Franz von Suppé (composer) and Friedrich Wilhelm Riese (librettist) |
Opus | |
Instrumentation | voices and orchestra |
Number of movements | — |
Keys | — |
Composed | — |
First published | 1865 |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Operettas |
Language | German |
Period | Romantic |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
Details | Section | Arranged for | Arranger |
---|---|---|---|
view | Overture | flute and piano violin and piano viola and piano |
Georg Wichtl |
view | Overture | piano 4 hands | — |
view | Overture | piano | Clemens Schultze-Biesantz |
view | Overture | piano | Georg Wichtl |
view | Overture | piano | Ivan Zajc |
view | Productions-Scene (No.7) | piano | Adolph Willhartitz |
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | vocal score | — | — | Complete Score · view |
view | Complete | vocal score | — | — | Introduction · view Overture · view No.1 Stiefel Putzer Lie · view No.2 Einzug der Madchen · view No.3 Complimentier Lied · view No.4 Entre des Paris · view No.5 Duett · view No.6 Tafel Scene · view No.7 Productions Scene · view No.8 Finale · view Einlagen · view |
view | Complete | vocal score | Edition Cranz | — | Complete Score · view |
view | Overture | Arrangement for flute and piano violin and piano viola and piano |
Aibl | — | piano score, violin, viola, flute parts · view |
view | Overture | Arrangement for piano 4 hands | — | — | Complete Score · view |
view | Overture | Arrangement for piano |
— | — | Complete Score · view |
view | Overture | Arrangement for piano |
Aibl | — | Complete Score · view |
view | Overture | Arrangement for piano |
— | — | Complete Score · view |
view | Productions-Scene (No.7) | Arrangement for piano |
Saint Louis: Compton & Doan | 1868 | Now what say you? · view |
(No recordings)
©2025 David P. Anderson