Composition: Quintus Psalmus poenitentialis, LV 798 (Lassus, Orlande de)
| Title | Quintus Psalmus poenitentialis |
| Alternative title | Domine exaudi orationem meam et clamor |
| Creators | Orlande de Lassus (composer) |
| Opus | LV 798 |
| Instrumentation | 5 voices 6 voices |
| Number of movements | 31 |
| Keys | — |
| Composed | — |
| First published | 1584 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Psalms |
| Language | Latin |
| Period | Renaissance |
| View on IMSLP |  |
| Code |  |
Sections
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Domine, exaudi, orationem meam, et clamor | — | — | — |
| Non avertas faciem tuam a me; in quacumpaue die tribulor (á 2) | — | — | — |
| In quacumque die (á 3) | — | — | — |
| Quia defecerunt (á 2) | — | — | — |
| Percussus sum | — | — | — |
| A voce gemitus mei | — | — | — |
| Similis factus sum | — | — | — |
| Vigilavi et factus sum | — | — | — |
| Tota die exprobrabant mihi (á 2) | — | — | — |
| Quia cinerem | — | — | — |
| A facie irae | — | — | — |
| Dies mei sicut umbra | — | — | — |
| Tu autem Domine | — | — | — |
| Tu exsurgens (á 3) | — | — | — |
| Quoniam placuerunt | — | — | — |
| Et timebunt gentes | — | — | — |
| Quia aedificavit Dominus Sion | — | — | — |
| Respexit in orationem | — | — | — |
| Scribantur haec (á 2) | — | — | — |
| Quia prospexit de excelso | — | — | — |
| Ut audiret gemitus | — | — | — |
| Ut annuntient in Sion | — | — | — |
| In conveniendo | — | — | — |
| Respondit ei in via | — | — | — |
| Ne revoces me (á 4) | — | — | — |
| Initio tu, Domine | — | — | — |
| Ipsi peribunt | — | — | — |
| Et sicut opertorium | — | — | — |
| Filii servorum | — | — | — |
| Gloria Patri | — | — | — |
| Sicut erat in principio | — | — | — |
Arrangements
(No arrangements)
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | — | — | Complete Score · view Complete Text · view |
Recordings/Performances
(No recordings)
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