| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Conversational (Conversational, No.7 (Drawing room, or quiet neutral scenes)) | Richard Howgill, composer | orchestra | Early 20th century | Film scores | |||||
| Jollifications (Jollifications, No.9 (For inn, bar, and all scenes of gaiety)) | Richard Howgill, composer | orchestra | Early 20th century | Film scores | |||||
| Light Agitato (Light Agitato, No.8 (For scenes of excitement, anxiety, unrest, fear and impending danger)) | Richard Howgill, composer | orchestra | Early 20th century | Film scores, Agitatos | |||||
| Agitato (Agitato, No.10 (For riots, fights and escapes)) | Richard Howgill, composer | orchestra | Early 20th century | Agitatos, Film scores | |||||
| Heavy Agitato (Heavy Agitato, No.12 (For fights and struggles)) | Richard Howgill, composer | orchestra | Early 20th century | Film scores, Agitatos | |||||
| Dramatic Finale (Dramatic Finale, No.11 (For denouncements and passionate scenes)) | Richard Howgill, composer | orchestra | Early 20th century | Film scores, Finales |
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