| Composition |
Attributes |
| An die ferne Geliebte, Op. 98 (Beethoven, Ludwig van) for voice and piano |
— |
1st Version from Ständchen, D.920 (Schubert, Franz) for alto, male chorus and piano
alto, female chorus and piano |
— |
Missa A l’ombre d’ung buissonet (Brumel, Antoine) for mixed chorus
soprano, alto, tenor and bass |
— |
| Panteley the Healer (Rachmaninoff, Sergei) for mixed chorus |
— |
| Ich habe Lust abzuscheiden, BuxWV 46 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, violone and continuo |
— |
| Le Buveur dompté (Boismortier, Joseph Bodin de) for voice, continuo and soprano |
— |
| In Josquinum a Prato (Gombert, Nicolas) for 6 voices |
— |
| Missa Incessament (La Rue, Pierre de) for 5 voices |
— |
| 6 Choruses for Mixed Voices, Op. 40 (Chesnokov, Pavel) for mixed chorus |
— |
| Mass No. 2 (Hölzl, Franz Seraphin) for mixed chorus and orchestra |
— |
| Mass No. 2 (Hölzl, Franz Seraphin) for mixed chorus and orchestra |
vocal score |
| Magyar népdalok (Mokranjac, Stevan Stojanović) for |
— |
| In te, Domine, speravi (Lickl, Johann Georg) for bass, horn and orchestra |
— |
| In te, Domine, speravi (Lickl, Johann Georg) for bass, horn and orchestra |
vocal score |
Veritas mea (Lickl, Johann Georg) for mixed chorus and orchestra
mixed chorus, strings and continuo |
— |
Veritas mea (Lickl, Johann Georg) for mixed chorus and orchestra
mixed chorus, strings and continuo |
vocal score |
| Non c'è più fede (Strozzi, Barbara) for voice and continuo |
— |
| Requiem No. 1 (Hölzl, Franz Seraphin) for 2 tenors, 2 basses, male chorus and orchestra |
— |
| Requiem No. 1 (Hölzl, Franz Seraphin) for 2 tenors, 2 basses, male chorus and orchestra |
parts |
| Requiem No. 1 (Hölzl, Franz Seraphin) for 2 tenors, 2 basses, male chorus and orchestra |
vocal score |